Berlin | dgskorpus_ber_01 | 18-30m And if I want to watch a movie or some kind of informational stuff, most programs don't have captions. |
r | CAN1* | EXAMPLE1* | USUAL1* | MOVIE1 | INFORMATION1* | $INDEX1* | SUBTITLES1* |
l | | | | |
m | | beispiel | normal | film | info | untertitel |
Berlin | dgskorpus_ber_08 | 46-60f Then a lot of time passed before the ‘Caveman’ movie, I mean play. |
r | | $ALPHA1:C | | | THEATRE6* | |
l | $GEST-TO-PONDER1^ | MOVIE1B^ | MAN1 | MOVIE1 | $INDEX1 |
m | | caveman | film | theater | [MG] |
Berlin | dgskorpus_ber_09 | 18-30f I haven’t read the book, nor seen the movie. |
r | BOOK1B | TO-READ-BOOK2A | BUT1* | MOVIE1 | ALSO1A* | NONE8 | I1 |
l | | | | | |
m | buch | lesen | aber | film | auch | [MG] | |
Berlin | dgskorpus_ber_09 | 18-30f I know it from movies. |
r | | | $INDEX1 | MOVIE1 | | $GEST-OFF^* |
l | | | $INDEX1* | $INDEX1 |
m | [MG] | film | | |
Berlin | dgskorpus_ber_11 | 61+m They are curious to see our recordings. |
r | | | $INDEX1 | MOVIE1 | CURIOUS1* | $INDEX1 |
l | | | | |
m | | film | neugierig |
Berlin | dgskorpus_ber_11 | 61+m I was filmed, too, in a show that was called ‘Im Bilde’ [lit: In the picture, fig: to be in the know; discontinued TV show]. |
r | | | I1 | MOVIE1 | RECORDING-MOVIE1* | PAST-OR-BACK-THEN1 | PICTURE3* |
l | | | |
m | ich | film | auf{nahme} | früher | bilde |
Berlin | dgskorpus_ber_14 | 18-30f Just like you are watching a movie. |
r | | LIKE3A* | $ALPHA1:I | MOVIE1 | $GEST-OFF^ |
l | | |
m | wie | film | |
Frankfurt | dgskorpus_fra_01 | 18-30m In one of the films, I saw a family. |
r | | | | MOVIE1 | | | TO-STAND1* |
l | | TO-SEE1* | $INDEX1 |
m | film | | |
Frankfurt | dgskorpus_fra_08 | 18-30f But when we were supposed to watch a DVD together and analyze it, I didn’t want to subordinate myself, as though I wouldn’t adapt, no. |
r | BUT1* | EXAMPLE1* | DVD1 | MOVIE1 | $INDEX1* | TO-WANT2* | LIKE4B* |
l | | | | |
m | aber | zum beispiel | d-v-d | film | will | wie |
Göttingen | dgskorpus_goe_03 | 61+f You prefer calmer romantic movies, right? |
r | LOVE1C* | MOVIE2* | SILENCE1 | MOVIE1 | TO-LIKE4* | $INDEX1* |
l | | | |
m | liebesfilm | ruhig | film | | |
Göttingen | dgskorpus_goe_04 | 31-45m In Japan English movies or movies from other foreign countries are captioned. |
r | $INDEX1 | | ENGLAND4 | MOVIE1 | ABROAD2 | JAPAN1* | TO-COME1^* |
l | | $INDEX1 | | $INDEX1 | |
m | … | engl{isch} | film | ausland | | |
Göttingen | dgskorpus_goe_06 | 31-45f I believed it to be fictional, a movie or something alike. |
r | | | | MOVIE1 | IN-ADDITION1* |
l | | |
m | | fiktion |
Göttingen | dgskorpus_goe_07 | 18-30m In order to do that, we had to first make a movie about ourselves. |
r | IN-ADDITION1 | BEFOREHAND4 | MUST1 | MOVIE1 | CAMERA1 | HUSUM1* | AREA1A |
l | | | | | | | |
m | dazu | vorher | muss | film | [MG] | husum |
Göttingen | dgskorpus_goe_07 | 18-30m Okay, we talked it over in the team and then started our preparations for the movies. |
r | GOOD1* | GO-START1 | PREPARATION2* | MOVIE1 |
l | |
m | | los | vorbereiten | film |
Göttingen | dgskorpus_goe_07 | 18-30m We filmed all of that, edited it together and prepared it for the power point presentation at the informational booth. |
r | DONE1A | THEN1A | TO-WORK1 | MOVIE1 | SEGMENT2A^* | FOR1 | SOURCE-TO-EMANATE1^* |
l | | | | |
m | | dann | | film | [MG] | für | powerpoint |
Göttingen | dgskorpus_goe_07 | 18-30m For that evening they had initially booked another person, a man from Frankfurt, MM, from the movie “Still Leben“ [literally: still life or living silently]. |
r | FRANKFURT1* | $ALPHA1:M-M | PERSON1 | MOVIE1 | SILENT2 | TO-LIVE1A |
l | | | | |
m | frankfurt | m-m | | film | stillleben |
Göttingen | dgskorpus_goe_07 | 18-30m He made the movie himself. |
r | | SELF1A* | TO-FOUND2 | MOVIE1 |
l | | |
m | selbst | [MG] | film |
Göttingen | dgskorpus_goe_07 | 18-30m Do you know the movie ‘Jenseits der Stille’? [Beyond Silence, covering deafness and sign language] |
r | | | TO-KNOW-STH-OR-SB1A* | MOVIE1 | $ALPHA-SK:J | SILENT2 |
l | | | |
m | kennen | film | jenseits | stille |
Göttingen | dgskorpus_goe_07 | 18-30m That movie is pretty old already. |
r | | OLD5A | $INDEX1 | MOVIE1 | ACTUALLY1A* | $GEST^ | ACTUALLY1A |
l | | | | | |
m | f{ilm} | film | | | eigentlich |
Bremen | dgskorpus_hb_04 | 18-30f This is portrayed in many movies, where one person is hired to kill another one, but that hit man hires another on and so on and so forth to the actual murderer. |
r | AND-THEN1* | THERE-IS3* | TO-KNOW-STH-OR-SB1A* | MOVIE1 | SOMETIMES2* | AND-THEN1* | TO-LET-KNOW1A |
l | | | | | |
m | und dann | gibt | spielfilm | manchmal | und | [MG] |
Bremen | dgskorpus_hb_04 | 18-30f Then the film. |
r | | | $GEST^ | MOVIE1 | | TO-BECKON1^* |
l | | MOVIE3* |
m | dann | film |
Bremen | dgskorpus_hb_04 | 18-30f There's a film here. |
r | $PROD | $PROD | PRESENT-OR-HERE1* | MOVIE1 | PRESENT-OR-HERE1* |
l | | | |
m | | | da | film | da |
Bremen | dgskorpus_hb_06 | 31-45f For movies they make up a whole lot of stuff and add it to the story. |
r | | | | MOVIE1 | $INDEX1* | MOVIE1 | IN-ADDITION1^* |
l | | | |
m | film | | film | [MG] |
Bremen | dgskorpus_hb_06 | 31-45f For movies they make up a whole lot of stuff and add it to the story. |
r | | MOVIE1 | $INDEX1* | MOVIE1 | IN-ADDITION1^* | CAMERA1* | AREA1A^* |
l | | | |
m | film | | film | [MG] | | |
Bremen | dgskorpus_hb_06 | 31-45f Did you watch this really good movie on TV lately? About Schleswig-Holstein and the thunderstorm? |
r | AN1A | TELEVISION-$CANDIDATE-HB06^ | GOOD1 | MOVIE1 | PAST-OR-BACK-THEN1* | SCHLESWIG1A* | AREA1A^* |
l | | | | | | |
m | ein | fernseher | gut | film | | schleswig-holstein |
Hamburg | dgskorpus_hh_05 | 31-45m For instance when the movie “Jenseits der Stille” [English title: “Beyond Silence”] was released, it created awareness. |
r | TO-EMERGE2* | EXAMPLE1 | $INDEX1* | MOVIE1 | $ALPHA1:J | SILENT2 | $LIST1:1of1d |
l | | | | |
m | [MG] | beispiel | | film | jenseits | stille | |
Köln (Cologne) | dgskorpus_koe_01 | 18-30f She works in Aachen now and produces movies for deaf people. |
r | $INDEX1* | DEAF1A | TO-SPREAD2^ | MOVIE1 | CAMERA1^* | TO-ORGANISE2A* | $GEST-OFF^* |
l | | | | | |
m | | [MG] | [MG] | film | | organis{ieren} |
Köln (Cologne) | dgskorpus_koe_04 | 18-30f I think my boyfriend would be okay with it, but the last film was a little blurry. |
r | | | | | | | BLURRED1* |
l | GOOD1* | BUT1 | I1* | MOVIE1 | A-MOMENT-AGO2* | BIT1A* |
m | | aber | film | eben | | |
Köln (Cologne) | dgskorpus_koe_04 | 18-30f It wasn’t Apple’s fault that the film did not work. |
r | | | $GEST^ | | NO1A | | |
l | MOVIE1 | | HAVING-TO-DO-WITH-STH1* | $NAME-APPLE1* |
m | aber | film | | nichts zu tun | apple |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f It's like in a fantasy movie. |
r | | | FANTASY-$CANDIDATE-KOE23^ | MOVIE1 | $GEST-DECLINE1^ |
l | |
m | fantasiefilm | |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f Movies were interrupted, and every channel broadcasted only what had been unfolding. |
r | | | | MOVIE1 | TO-INTERRUPT3* | NOT3B | TO-INTERRUPT3* |
l | |
m | film | | | [MG] |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f You've seen the movie, haven't you? |
r | | $GEST^ | $INDEX2* | MOVIE1 | TO-SEE1 |
l | | | |
m | | | film | |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f That movie, yes, I've watched it. |
r | | | | MOVIE1 | YES1A | TO-SEE1 | RIGHT-OR-AGREED1A* |
l | | | | |
m | diana | film | sehen | |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f After her death, her story was told in a movie. |
r | $INDEX1* | DEATH2 | THEN1A* | MOVIE1 | HISTORY-OR-STORY1B* | HISTORY-OR-STORY2 | $GEST^ |
l | | | | |
m | | [MG] | | schauspieler | | geschichte | |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f I didn't really like the movie’s effects much. And I am generally not too keen on German movies. |
r | $GEST^ | PERFECT4 | GERMAN1 | MOVIE1 | TO-BE-ANNOYED3^* |
l | | |
m | | [MG] | deutsch | film | [MG] |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f I had seen them in movies etc. |
r | TO-SEE1 | I2 | I1 | MOVIE1 | TO-SEE1 | AND2A | $GEST-OFF^ |
l | | | | | |
m | [MG] | | | film | [MG] | | |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f I knew them from movies, or from that one photograph of New York, where they stick out in the middle. |
r | | | TO-SEE1* | MOVIE1 | $GEST-OFF^ | $GEST-OFF^ | $LIST1:2of2d |
l | | |
m | | film | | | |
Köln (Cologne) | dgskorpus_koe_12 | NULLNULL I made lots of videos and photos, more than 2000. |
r | | I1* | MUCH-OR-MANY5* | MOVIE1 | PHOTO1 | OVER-OR-ABOUT1 | $NUM-THOUSANDS1:2 |
l | | | | | |
m | | viel | foto | über | zweitausend |
Köln (Cologne) | dgskorpus_koe_12 | NULLNULL In the middle there were two stages that were filmed. |
r | STAGE1* | STAGE1* | WITH1A | MOVIE1 | $PROD |
l | | |
m | bühne | bühne | mit | film |
Köln (Cologne) | dgskorpus_koe_18 | 18-30f It concerns his movie “Schnee, Schnee” [engl. title: ‘Snow, Snow’] which hasn’t been released yet. You know that movie, right? |
r | CLOSE-BY2B^ | UNTIL1 | THIS2* | MOVIE1 | TO-ENLIGHTEN1^ | SNOW3C | SNOW3C* |
l | | | |
m | [MG] | bis | | film | schnee | schnee |
Köln (Cologne) | dgskorpus_koe_18 | 18-30f That deaf peson showed me the movie some time later. |
r | PAST1^* | LATER4* | TO-SHOW1A* | MOVIE1 | TO-SHOW1A* | ON-PERSON1 |
l | | | | |
m | [MG] | [MG] | | film | zeigen | |
Köln (Cologne) | dgskorpus_koe_18 | 18-30f I knew him, I watched his movies, but I hadn’t met him before. |
r | YES1A | BUT1* | BEEN1 | MOVIE1 | TO-SHOW1A* | BEEN1* | SUPER1* |
l | | | | |
m | ja | aber | gewesen | film | zeigen | gewesen | super |
Köln (Cologne) | dgskorpus_koe_19 | 31-45f I came up with the idea to visit Hollywood. |
r | AWAY1* | $INDEX1 | OUTDOORS2^* | MOVIE1 | $PROD |
l | | | | |
m | | | hollywood | |
Köln (Cologne) | dgskorpus_koe_22 | 46-60m However, there weren‘t any pictures, videos, or even YouTube back then. |
r | $GEST^ | BUT1* | STRUCTURE3A^* | MOVIE1 | NONE7* | YOUTUBE1* | EVERYWHERE1 |
l | | | | |
m | | aber | bild | film | | youtube |
Köln (Cologne) | dgskorpus_koe_22 | 46-60m I watched some movies about fate, and the topic captivated me. |
r | I2 | PRESENT-OR-HERE1 | I1 | MOVIE1 | $INDEX1* | DESTINY1* | I1 |
l | | | | SOME1 | | |
m | … | | film | schicksal |
Leipzig | dgskorpus_lei_03 | 18-30m There was a movie playing on TV at three, four, five, and six o‘clock. |
r | | $NUM-CLOCK1A* | | | $PROD |
l | $INDEX1 | $NUM-ONE-TO-TEN1A:1d | MOVIE1 |
m | | drei uhr vier uhr fünf uhr sechs uhr | ein | film | [MG] |
Leipzig | dgskorpus_lei_03 | 18-30m It had to be a really long movie if it played from three to six. |
r | | | | |
l | $NUM-CLOCK1A* | LONG-TIME1A | MOVIE1 |
m | drei uhr vier uhr fünf uhr | langer | film |
Leipzig | dgskorpus_lei_10 | 31-45m If the video is very long and basically just one joke after the other, it gets too much for me. |
r | | | $GEST-DECLINE1^ | MOVIE1 | $INDEX1 | LONG-TIME4A* | MUCH-OR-MANY1A |
l | | | |
m | | film | | lang | viel |
Leipzig | dgskorpus_lei_10 | 31-45m Exactly as it was, sentence by sentence, like in a movie. |
r | SENTENCE2* | $PROD | $INDEX1* | MOVIE1 |
l | | |
m | | | wie | film |
Leipzig | dgskorpus_lei_12 | 61+m Sometimes I even came up with something I knew from some movie. |
r | SOMETIMES2* | TO-INVENT1 | $NUM-ONE-TO-TEN1A:1 | MOVIE1 | BOLLOCKS2^ | TO-SIGN1A |
l | | | | |
m | manchmal | auch [MG] | ein | film | | |
Leipzig | dgskorpus_lei_15 | 18-30f Later I watched a movie that explained what really had happened. |
r | TO-SPOT2^* | LATER4 | $INDEX1* | MOVIE1 | OVER-OR-ABOUT1 | $INDEX1* | SUBJECT1 |
l | | | | | | |
m | [MG] | später | film | darüber | thema |
Münster | dgskorpus_mst_06 | 31-45m I know a movie, what’s its name again/ |
r | | I1* | TO-KNOW-STH-OR-SB1A | MOVIE1 | $ALPHA1:Y* | CAN1* | $INDEX1 |
l | | | | | | |
m | | kennen | film | | kann | |
Münster | dgskorpus_mst_06 | 31-45m All the technology for videos/ |
r | | | | | |
l | MOVIE1 | MOVIE3 |
m | film |
Münster | dgskorpus_mst_13 | 46-60f The film was shown over and over again, though. |
r | | COMMA1^ | BEHIND-EACH-OTHER1 | MOVIE1 |
l | | | |
m | | hintereinander | |
Münster | dgskorpus_mst_13 | 46-60f He also played a part in the movie “The Second Man” [correct film title: The third man]. |
r | ALSO3A* | $LIST1:2of2d* | MAN1* | MOVIE1 | $INDEX1 |
l | | | | | |
m | | zweiter | mann | film | [MG] |
Münster | dgskorpus_mst_13 | 46-60f In the film, you see an American astronaut on the moon who can see the earth. |
r | | $INDEX1 | CAMERA1* | MOVIE1 | AMERICA1* | SERVICE-OR-DUTY5^ | ROUND-BALL1^* |
l | | | | |
m | | film | film | amerikanische | astronaut |
München (Munich) | dgskorpus_mue_06 | 18-30f Would be good to have more movies in sign language. |
r | | MORE1 | TO-SIGN1G* | MOVIE1 | $PROD | GOOD1* |
l | | | |
m | mehr | gebärdenfilm | gut |
Rostock | dgskorpus_mvp_04 | 46-60f I like subtitles when watching movies, for example when something sad happens. |
r | | | | MOVIE1 | SUBTITLES2* | ALSO1A | INTEREST1B^ |
l | | | | |
m | aber film | unter{titel} | auch | |
Rostock | dgskorpus_mvp_04 | 46-60f I need subtitles for movies. |
r | | I1 | TO-NEED1 | MOVIE1 | WITH1A* | TO-NEED1* | WITH1A |
l | | | | | | |
m | auch | brauch | film | mit | brauch | mit |
Rostock | dgskorpus_mvp_08 | 46-60m Like for the taping today, we also had to put on sweaters like this, for the video. |
r | | LIKE4A | TODAY1 | MOVIE1 | $INDEX1 | MUST1* | $INDEX1* |
l | | | | | |
m | wie | heute | film | | muss | |
Rostock | dgskorpus_mvp_08 | 46-60m Like for the taping today, we also had to put on sweaters like this, for the video. |
r | MOVIE1* | SWEATER1 | I1* | MOVIE1 | SWEATER1 | $GEST-OFF^ |
l | | | |
m | | pullover | | film |
Rostock | dgskorpus_mvp_08 | 46-60m I have neither videos nor photos from back then. |
r | | | TO-LACK1A* | MOVIE1 | AND2B | CAMERA-PHOTO1* | TO-LACK1A |
l | | | $NUM-ONE-TO-TEN1A:2d | |
m | fehlen | film | und | foto | fehlen |
Stuttgart | dgskorpus_stu_04 | 61+f I loved ‘Heimatfilme‘ [film genre popular in German speaking countries from the #194xs to the early 1970s]. |
r | | | TO-BE-CRAZY-ABOUT-STH1D | MOVIE1 | $LIST1:2of2d | TO-BELONG1^ | PLANE1^ |
l | | |
m | | film | heimatfilm |
Stuttgart | dgskorpus_stu_04 | 61+f I loved ‘Heimatfilme‘ [film genre popular in German speaking countries from the #194xs to the early 1970s]. |
r | $LIST1:2of2d | TO-BELONG1^ | PLANE1^ | MOVIE1 | $INDEX1 |
l | | | |
m | … | heimatfilm |
Stuttgart | dgskorpus_stu_04 | 61+f There were also some Westerns playing, but I wasn’t interested in those. I watched a ‘Heimatfilm’. |
r | I1 | $INDEX1 | TYPICAL1^ | MOVIE1 | $INDEX1 |
l | | | | |
m | | | heimatfilm |
Stuttgart | dgskorpus_stu_11 | 46-60m Then they showed a video of how the plane crashed into the tower. |
r | | | SUDDENLY4^ | MOVIE1 | TO-TURN-ON-SCREEN1* | $GEST-OFF^ | COINCIDENCE1 |
l | | |
m | zufall | film | | | zufall |
Stuttgart | dgskorpus_stu_11 | 46-60m First I thought it was about a new movie that would hit theaters soon, and I was excited about that. |
r | TO-THINK1B | WHAT1B* | I1 | MOVIE1 | NEW1A | VERY6 | MOVIE1 |
l | | | | | $INDEX1 | $INDEX1 |
m | | was | ich | film | neu | [MG] | film |
Stuttgart | dgskorpus_stu_11 | 46-60m First I thought it was about a new movie that would hit theaters soon, and I was excited about that. |
r | MOVIE1 | NEW1A | VERY6 | MOVIE1 | LIKE3B* | TO-COME1* | CINEMA3* |
l | | $INDEX1 | $INDEX1 | | |
m | film | neu | [MG] | film | wie | komm | kino |
Stuttgart | dgskorpus_stu_13 | 31-45f We also watched films in class, for instance about spiders that got bigger and bigger. |
r | | | ALSO1A | MOVIE1 | OVER-OR-ABOUT1* | SPIDER1* | TO-INCREASE2 |
l | | | | |
m | auch | film | über | spinne | mehr groß groß |
Berlin | dgskorpus_ber_07 | 31-45m Otherwise I would be bored to death with just sitting there, and others would ask me what the movies are showing. |
r | $INDEX1* | $GEST-DECLINE1^* | TO-KNOW-OR-KNOWLEDGE2B | MOVIE1* | TO-TELL4 | $GEST-I-DONT-KNOW1^ | SAME4 |
l | | | | $INDEX1 |
m | | [MG] | | film | [MG] | [MG] | selbe |
Berlin | dgskorpus_ber_11 | 61+m In the film the actor, #Name1, had to sleep with a woman who wasn’t his wife. Later on, they got married. |
r | $ALPHA1:J | $INDEX1 | LIFE-PARTNER1* | MOVIE1* | TO-PRESSURE1^* | TO-HUG-INTIMATELY1 | IT-WORKS-OUT1* |
l | | | | |
m | jan | irgendwann | | film | | | |
Berlin | dgskorpus_ber_11 | 61+m It’s about acting. And the script says so! |
r | | | $GEST-NM-SHAKE-HEAD1^ | MOVIE1* | TO-PLAY1^ | $INDEX1 | TO-STAND1* |
l | | $PROD |
m | | film | schauspieler | | steht |
Berlin | dgskorpus_ber_12 | 31-45f Which movie? |
r | | | | MOVIE1* | WHICH2* | MOVIE1* |
l | | | |
m | film | welche | film |
Berlin | dgskorpus_ber_12 | 31-45f Which movie? |
r | | MOVIE1* | WHICH2* | MOVIE1* |
l | | | |
m | film | welche | film |
Berlin | dgskorpus_ber_12 | 31-45f I worked together with the film crew from early in the morning until late at night and from late at night until early in the morning, that was great. |
r | | | ALWAYS4A* | MOVIE1* | TEAM1A | TOGETHER1A* | $GEST^ |
l | |
m | immer | film | team | | |
Frankfurt | dgskorpus_fra_03 | 46-60m I wanted to be free to do whatever I wanted: watch TV, play soccer or watch movies. |
r | | FOOTBALL1B* | CROSS1A^ | | | |
l | TO-LOOK1* | MOVIE1* | TO-WANT5 | TO-LOOK1* |
m | schauen | fußball | oder | film | will |
Frankfurt | dgskorpus_fra_03 | 46-60m The next morning, I told my deaf friends at school what I'd seen in the movies, for instance in horror movies with wolves. |
r | FRIEND3 | | TO-SIGN1B* | | OVER-OR-ABOUT1* | HORROR1 | CARNASSIAL3^ |
l | I1 | MOVIE1* | | |
m | freund | | [MG] | film | über | horror | wolf |
Frankfurt | dgskorpus_fra_03 | 46-60m Unfortunately, a student told my teacher about it. I got into trouble and my teacher ranted about horror movies being bad. |
r | TO-URGE1 | HORROR1 | GOOD1* | MOVIE1* |
l | | | |
m | | horror | nicht gut | film |
Frankfurt | dgskorpus_fra_03 | 46-60m My mother said, “Well, I get it, your teacher thinks you watch too many movies on TV.” |
r | | TELEVISION1B | MUCH-OR-MANY1A* | MOVIE1* |
l | MUCH-OR-MANY1A* | | |
m | zu viel | fernseh fernseh fernseh | vi{el} | film |
Frankfurt | dgskorpus_fra_08 | 18-30f “That’s why it’d be great if you could turn on the subtitles in the beginning of the movie, so that I can fully understand the content.“ |
r | $INDEX1* | BEFORE1G | DVD1 | MOVIE1* | BEGINNING1A | PLEASE1B | SUBTITLES2* |
l | | | | |
m | … | vor | d-v-d | film | anfang | [MG] | untertitel |
Göttingen | dgskorpus_goe_02 | 61+m You can watch a couple of good movies there. |
r | | | | MOVIE1* | GOOD1 | WHAT-DOES-IT-LOOK-LIKE1 | TO-LOOK-AT4* |
l | | | | |
m | film | [MG] | [MG] | [MG] |
Göttingen | dgskorpus_goe_03 | 61+f They showed one of his movies, it was way too brutal, I can’t watch that. |
r | | | | MOVIE1* | TO-SHOW1A | ROUGH1* | I1 |
l | | | |
m | film | zeigt | viel zu grob | a |
Göttingen | dgskorpus_goe_04 | 31-45m In the Netherlands, Dutch movies are without captions, though. |
r | $INDEX1* | HOLLAND1* | TO-BELONG1* | MOVIE1* | WITHOUT1* | SUBTITLES2* | $INDEX1 |
l | | | | | |
m | | holland | film | ohne | untertitel |
Göttingen | dgskorpus_goe_04 | 31-45m But it‘s not done for foreign movies here in Germany, is it? |
r | GERMAN1* | $INDEX1 | ABROAD2 | MOVIE1* | $GEST-NM-SHAKE-HEAD1^ |
l | | | |
m | deutschland | aus{land} | film | [MG] |
Göttingen | dgskorpus_goe_06 | 31-45f Did you see the wedding in '81 live on TV? |
r | TO-SEE1 | WITH1A | TO-SEE1 | MOVIE1* | $INIT-STRAIGHT1^* |
l | | | | | |
m | | mit | | film | live |
Göttingen | dgskorpus_goe_07 | 18-30m They watched movies about people who are affected, read lots of books until they fully understood what Usher’s syndrome means. |
r | $GEST^ | MORE1^* | AFFECTED2 | MOVIE1* | CAMERA1^* | ACTIVE1* | PERCEPTION1^* |
l | | | |
m | | | betroffen | film | [MG] | info info info |
Göttingen | dgskorpus_goe_07 | 18-30m “I saw you on tv!” |
r | I1 | BEEN1 | TO-SEE1 | MOVIE1* | TELEVISION1B |
l | | | | |
m | | gewesen | | fern{seher} |
Göttingen | dgskorpus_goe_09 | 61+f They were allowed to do so, but only if a nice movie was on, not every single day, though. |
r | | | BEAUTIFUL3* | MOVIE1* | BUT1* | MUST1A^ | PROCEEDING1^* |
l | | | | |
m | schöne | filme | aber | auf | jeden tag |
Göttingen | dgskorpus_goe_09 | 61+f No, we only got to go downstairs and stay until 10 pm if there was a great movie on TV. |
r | NO1B* | IF-OR-WHEN1A* | BEAUTIFUL3 | MOVIE1* | TO-OBTAIN3* | THEN9 | UNTIL1* |
l | | | | | |
m | nein nö | wenn | schön | film | bekomm | dann | bis |
Göttingen | dgskorpus_goe_10 | 46-60m I watched a movie on the topic, about the situation in Russia. Something had exploded and there had been an emission of nuclear radiation. |
r | THROUGH2A* | IF4 | TO-SHOW1B | MOVIE1* | TELEVISION1B* | $INDEX1 | RUSSIA2A |
l | | | | | |
m | | ob | zeigen | film | fernseher | | russ{land} |
Bremen | dgskorpus_hb_04 | 18-30f The film that was shown right in beginning was incredible. |
r | BEFORE1D* | BEGINNING1A* | ORIGIN1 | MOVIE1* | $INDEX1 | FEELING3 | $MORPH-UN5 |
l | | | |
m | | anfang | film | wie | unglaublich |
Bremen | dgskorpus_hb_06 | 31-45f Movies are often fiction. |
r | | $INDEX1* | OFTEN1B | MOVIE1* | $INDEX1* | IMAGINATION1A* |
l | | | | | |
m | | oft | film | |
Bremen | dgskorpus_hb_06 | 31-45f It’s a very good movie. It even has subtitles. |
r | | | GOOD1 | MOVIE1* | TELEVISION-$CANDIDATE-HB06^ | SUBTITLES2 |
l | | | |
m | gut | film | untertitel |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f You can see how all those famous movies were made and produced there, so we went there. |
r | | | WELL-KNOWN1B* | MOVIE1* | IN-ADDITION-MORE-AND-MORE1^ | HOW-QUESTION-COMPARISON1* | $PROD |
l | |
m | [MG] | film | [MG] | wie | [MG] |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f Movies were interrupted, and every channel broadcasted only what had been unfolding. |
r | TO-INTERRUPT3* | NOT3B | TO-INTERRUPT3* | MOVIE1* | $PROD |
l | |
m | | | [MG] | film | [MG] |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f After her death, her story was told in a movie. |
r | HISTORY-OR-STORY1B* | HISTORY-OR-STORY2 | $GEST^ | MOVIE1* | TO-JOIN1A^* |
l | | |
m | | geschichte | | film | |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f I watched the movie, but it wasn't that good. |
r | | BUT1* | WAS1* | MOVIE1* | TO-KNOW-STH-OR-SB1A* | BUT1* | MOVIE1* |
l | | | | | | |
m | aber | war | film | kenn | aber | film |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f I watched the movie, but it wasn't that good. |
r | MOVIE1* | TO-KNOW-STH-OR-SB1A* | BUT1* | MOVIE1* | WAS1* | NOT3A | GREAT1A* |
l | | | | | | | |
m | film | kenn | aber | film | war | nicht | toll |
Köln (Cologne) | dgskorpus_koe_12 | NULLNULL The theater was very small, that’s why it was filmed and projected onto a screen. |
r | | | | MOVIE1* | PROJECTOR1* |
l | SMALL9* | | |
m | [MG] | film | [MG] |
Köln (Cologne) | dgskorpus_koe_16 | 46-60f Sometimes we got to stay up a bit longer, but only until the movie was finished. |
r | $ORAL^ | PERIOD1A^* | $INDEX1 | MOVIE1* | $INDEX1 | FINISH1* |
l | | | |
m | manchmal | [MG] | | film | schlu{ss} |
Köln (Cologne) | dgskorpus_koe_17 | 61+f I then watch something different on my own TV, like a movie. |
r | I2 | DIFFERENT1* | SUBJECT1 | MOVIE1* |
l | | |
m | ich | andere | | spielfilm |
Köln (Cologne) | dgskorpus_koe_21 | 61+m It’s a TV movie. |
r | | | | MOVIE1* | TELEVISION1B* |
l | |
m | film | fernseher |
Leipzig | dgskorpus_lei_02 | 61+f There are several different movies about that subject. |
r | | ALWAYS1B* | DIFFERENT2 | MOVIE1* | DIFFERENT2 | MOVIE1* |
l | | | |
m | immer | anders | | anders | |
Leipzig | dgskorpus_lei_02 | 61+f There are several different movies about that subject. |
r | DIFFERENT2 | MOVIE1* | DIFFERENT2 | MOVIE1* |
l | | |
m | anders | | anders | |
Leipzig | dgskorpus_lei_02 | 61+f But it was rather the secret videotaping of her that caused the accident. |
r | TO-DIE3 | NO1A* | TO-CHANGE-$CANDIDATE-LEI49^ | MOVIE1* | TO-TAKE1A^* | SECRET1A* | THIS-AND-THAT1* |
l | | | | | |
m | tot | | um | film | fotograf | geheim | [MG] |
Leipzig | dgskorpus_lei_05 | 61+f Well, I just told the story of my cat to everyone. |
r | FOOLISH1 | TO-TELL3A* | PUBLIC1* | MOVIE1* | OVER-OR-ABOUT1* | CAT1A* |
l | | |
m | dumm | erzählen | öffentlich | film | katze |
Leipzig | dgskorpus_lei_10 | 31-45m Just like with the video we just saw. |
r | | TO-SEE1 | A-MOMENT-AGO1* | MOVIE1* |
l | $INDEX-TO-SCREEN1 | | |
m | | e{ben} | film |
Leipzig | dgskorpus_lei_10 | 31-45m I thought, right, that is not too bad, I do not know that movie, but I know similar ones so it is okay. |
r | $GEST-OFF^* | NOT5* | I1 | MOVIE1* | WEIRD1* | BIT4* | TO-KNOW-STH-OR-SB1A* |
l | | | $INDEX1 | | | |
m | | nicht sch{lecht} | | film | | bisserl | kennen |
Leipzig | dgskorpus_lei_10 | 31-45m I thought, right, that is not too bad, I do not know that movie, but I know similar ones so it is okay. |
r | TO-KNOW-STH-OR-SB1A* | SIMILAR2* | WEIRD1* | MOVIE1* | I1 | $GEST-OFF^ | VERY6* |
l | | | | | |
m | kennen | ähnlich | [MG] | film | | | [MG] |
Münster | dgskorpus_mst_01 | 46-60m Is it still taping? |
r | | | | | | | |
l | $GEST-TO-PONDER1^ | MOVIE1* | TO-RUN-MACHINE2* | OR1* | NOT3A* |
m | | film | läuft | oder | nicht |
Münster | dgskorpus_mst_04 | 31-45m There's a movie about Sparwald/ No, his name is Sparwasser, the guy who scored the goal. |
r | | | $ORAL^ | | | BORDER1A^ | TREE4^ |
l | MOVIE1* | $INDEX1 |
m | gibt | film | | sparwald |
Münster | dgskorpus_mst_06 | 31-45m Anyhow, it was a James Bond movie. |
r | $GEST-DECLINE1^ | $INDEX1 | $NAME-JAMES-BOND1 | MOVIE1* | $INDEX1 |
l | | | | |
m | … | | james {bond} | film | |
Münster | dgskorpus_mst_13 | 46-60f Those responsible certainly edited the film. |
r | | CERTAIN2 | LIKE4A* | MOVIE1* | TO-TINKER1A |
l | |
m | bestimmt | wie | film | |
Münster | dgskorpus_mst_13 | 46-60f After that, the second one got out and was filmed from another perspective. |
r | $LIST1:2of2d* | TO-COME2* | CAMERA1 | MOVIE1* |
l | | | | |
m | zweitens | | dann | |
Münster | dgskorpus_mst_13 | 46-60f Americans are experts in technical design and film technology and can fool us. |
r | | AMERICA5 | SKILFUL1 | MOVIE1* | TECHNOLOGY1 | SIGN-OR-DRAWING1^ | MOVIE1* |
l | | | | | |
m | amerika | | | | | filmtechnik |
Münster | dgskorpus_mst_13 | 46-60f Americans are experts in technical design and film technology and can fool us. |
r | MOVIE1* | TECHNOLOGY1 | SIGN-OR-DRAWING1^ | MOVIE1* | TECHNOLOGY1 | CAN2A | TO-SWINDLE1 |
l | | | |
m | | | | filmtechnik | kann | [MG] |
Münster | dgskorpus_mst_13 | 46-60f I feel like film technology wasn't as good back in the days. |
r | PAST-OR-BACK-THEN1* | GOOD1 | TECHNOLOGY1 | MOVIE1* |
l | | |
m | früher | gut | technik | film |
München (Munich) | dgskorpus_mue_04 | 18-30f They even show you how they make the movies. |
r | | TO-EXPLAIN1* | HOW-QUESTION-COMPARISON1* | MOVIE1* | TO-MAKE2* | TO-ROLL1A^* | $GEST-OFF^* |
l | | |
m | erklären | wie | film | machen | | |
München (Munich) | dgskorpus_mue_12 | 46-60f I have an agreement with my boss that I can watch sign language videos during my lunch break. That is my advantage. |
r | PICTURE4 | $INDEX1 | TO-SIGN1A* | MOVIE1* | $INDEX1 | TO-SIGN1A* | $GEST^* |
l | | | |
m | | | gebärden | film | |
Rostock | dgskorpus_mvp_04 | 46-60f Interpreting in the middle of the movie - simply impossible. |
r | | | $GEST-OFF^ | MOVIE1* | DISRUPTION1A | INTERPRETER3A | $GEST-OFF^ |
l | |
m | [MG] | film | störung | | [MG] |
Rostock | dgskorpus_mvp_07 | 31-45f I've seen a movie for the tenth anniversary of the German reunification about the real living conditions during that period. |
r | | | | | TRUE1* | | |
l | JUBILEE1 | GERMAN1 | COUNTRY1A* | MOVIE1* | MOVIE1* | $INDEX1 |
m | jubiläum | deutschland | film | wahr | film | |
Rostock | dgskorpus_mvp_07 | 31-45f I've seen a movie for the tenth anniversary of the German reunification about the real living conditions during that period. |
r | | | TRUE1* | | |
l | COUNTRY1A* | MOVIE1* | MOVIE1* | $INDEX1 |
m | … | film | wahr | film | |
Rostock | dgskorpus_mvp_07 | 31-45f The movie had subtitles, which was great because I was able to follow the movie and the stories well. |
r | WITH1A | SUBTITLES2* | GOOD1 | MOVIE1* | WITH1A | SUBTITLES2* | GOOD1 |
l | | | | | | | |
m | mit | untertitel | [MG] | film | mit | untertitel | [MG] |
Rostock | dgskorpus_mvp_07 | 31-45f I thought the movie was really interesting, especially because it was based on real historic events. There were many scenes were I was like, “I didn't know that”. |
r | | | | | |
l | I2 | INTEREST1A* | TRUE2 | MOVIE1* | TO-LEARN-STH-NEW1 |
m | | | wahr | film | [MG] |
Rostock | dgskorpus_mvp_07 | 31-45f A year later, they made another movie for the eleventh anniversary; I hadn't seen that yet either. |
r | | | NEW1A | | | | |
l | ALSO1A | IN-ADDITION1 | MOVIE1* | I1* | NONE7^* | MOVIE1* |
m | auch | | neu | film | | [MG] | film |
Rostock | dgskorpus_mvp_07 | 31-45f A year later, they made another movie for the eleventh anniversary; I hadn't seen that yet either. |
r | | | | | |
l | MOVIE1* | I1* | NONE7^* | MOVIE1* | TO-LOOK-AT1* |
m | film | | [MG] | film | |
Rostock | dgskorpus_mvp_07 | 31-45f You know the movie as well. |
r | | | | | | |
l | MOVIE1* | $INDEX1 | TO-KNOW-STH-OR-SB1A* |
m | film | kenne |
Rostock | dgskorpus_mvp_07 | 31-45f Movie/ |
r | | | | MOVIE1* |
l | |
m | |
Rostock | dgskorpus_mvp_08 | 46-60m Alright, so in this movie, it seems as though someone is deaf. |
r | | | $INDEX-TO-SCREEN1 | MOVIE1* | $GEST-OFF^* | I2* | TO-SEE1 |
l | | | | |
m | | film | [MG] | | |
Rostock | dgskorpus_mvp_08 | 46-60m Like for the taping today, we also had to put on sweaters like this, for the video. |
r | MUST1* | $INDEX1* | CLOTHES3 | MOVIE1* | SWEATER1 | I1* | MOVIE1 |
l | | | | | |
m | muss | | | | pullover | | film |
Rostock | dgskorpus_mvp_08 | 46-60m It fits for the taping. |
r | | | TO-MATCH1 | MOVIE1* | RECORDING-MOVIE1* | RECORDING-MOVIE1 | $GEST-OFF^ |
l | |
m | passt | film | | | |
Rostock | dgskorpus_mvp_08 | 46-60m Nobody used to film it back then. |
r | | $GEST-ATTENTION1^ | YOU1* | MOVIE1* | PAST-OR-BACK-THEN1 | NOT1 |
l | | | |
m | | | film | früher | |
Rostock | dgskorpus_mvp_08 | 46-60m What are you going to do, there were no video recordings back then. |
r | PAST-OR-BACK-THEN1 | TIME7C* | $GEST-OFF^ | MOVIE1* | NONE4 |
l | | | |
m | | zeit | film | |
Nürnberg (Nuremberg) | dgskorpus_nue_04 | 18-30f It’s from the cartoon with the cat and the mouse. |
r | | | $INDEX1 | MOVIE1* | SIGN-OR-DRAWING3A | MOVIE1* | $INDEX1 |
l | | | | | |
m | | film | zeichenfilm | |
Nürnberg (Nuremberg) | dgskorpus_nue_04 | 18-30f It’s from the cartoon with the cat and the mouse. |
r | $INDEX1 | MOVIE1* | SIGN-OR-DRAWING3A | MOVIE1* | $INDEX1 | MOUSE2 | CAT1A* |
l | | | | | | | |
m | | film | zeichenfilm | | maus | katze |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m When that’s done and we can use both of them, I’d really like to get “Sehen statt Hören” [“seeing instead of hearing”, weekly German TV show in German Sign Language] to come here again. |
r | TO-SEE1 | INSTEAD1 | TO-HEAR2 | MOVIE1* | ONCE-AGAIN2A |
l | | | | |
m | sehen statt hören | film | noch mal |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m He is in Kiel. |
r | | | | MOVIE1* | KIEL1 | $INDEX1 |
l | | | |
m | | kiel |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m You mean the one who is a hearing filmmaker from Kiel. |
r | | | HEARING1A | MOVIE1* | TO-WORK1* | KIEL1 | $INDEX4 |
l | | | | |
m | hörend | film | arbeitet | kiel |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m I have to ask him whether he’d do it, but he retired already. |
r | | | | MOVIE1* | QUESTION1 | $INDEX1 | ALREADY1A* |
l | | | |
m | film | fragen | ob | schon |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m He is a very experienced filmmaker. |
r | PAST-OR-BACK-THEN2 | MORE1 | EXPERIENCE-OR-KNOWLEDGE2A* | MOVIE1* | EXPERIENCE-OR-KNOWLEDGE2A* |
l | | | | | |
m | früh | mehr | erfahrung | film | erfahrung |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m So he would be able to help you out with filming that submarine-story. |
r | $INDEX1 | FOR1* | SUBMARINE1* | MOVIE1* | TO-UNDERTAKE1* | TO-DRIVE1^* | TO-HELP1 |
l | | | |
m | | für | u-b{oot} | film | [MG] | | helfen |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m Then he comes by and films everything. |
r | | | TO-HELP1* | MOVIE1* | EVERYTHING2* |
l | | |
m | | film | [MG] |
Stuttgart | dgskorpus_stu_04 | 61+f Then we were allowed to drive there all by ourselves. That was awesome. |
r | | | THEN6 | MOVIE1* | TO-VISIT-OR-TO-ATTEND1B | HOORAY2 |
l | | | |
m | dann | fi{lm} | | [MG] |
Stuttgart | dgskorpus_stu_07 | 46-60m There, I went to an event that was all about culture, movies and things like that. |
r | | FOR1 | CULTURE1A | MOVIE1* | TO-LIST1C* |
l | | |
m | für | kultur | film | |
Stuttgart | dgskorpus_stu_11 | 46-60m It wasn't a movie, it was real. |
r | | | | MOVIE1* | RIGHT-OR-CORRECT1A* | NOT3B* | ORIGINAL2 |
l | | |
m | film | richtig | nicht | original |
Stuttgart | dgskorpus_stu_11 | 46-60m Later, a movie with original recordings was released. |
r | | TO-COME1* | $NUM-ONE-TO-TEN1A:1d | MOVIE1* | ORIGINAL2* |
l | SUDDENLY4* | | | |
m | [MG] | komm | eins | film | original |
Stuttgart | dgskorpus_stu_11 | 46-60m It was a documentary that had only come about because of a coincidence: two brothers wanted to make a film about a certain fire department. |
r | | $ALPHA1:D | $INDEX1 | MOVIE1* | LIKE3B* | GOOD1* | COINCIDENCE1 |
l | | | | |
m | dokumentar | | film | wie | [MG] | zufall |
Stuttgart | dgskorpus_stu_11 | 46-60m Originally the documentary is two hours long and there are original scenes from the North and South Tower. |
r | STILL4B* | MORE5 | HOUR2B* | MOVIE1* | DETAIL1* | WITH1A* | IN1* |
l | | | | |
m | noch mehr | zwei stunden | film | mit | im |
Stuttgart | dgskorpus_stu_11 | 46-60m Then I watched the beginning of the movie again and was wide-eyed. |
r | I1 | BEGINNING1A | ONCE-AGAIN2B | MOVIE1* | EXACTLY1* | PERIOD1A^* | ASTONISHED1 |
l | | | | |
m | ich | anfang | noch einmal | film | genau | [MG] | |