SIGN-OR-DRAWING1^

	
	240

frontal

45°

90°

from above

≙ SIGN-OR-DRAWING1^
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f For example about the machines, as I work as a drafter in mechanical engineering.
r	TO-WORK1*	$INDEX1	TECHNOLOGY1*	SIGN-OR-DRAWING1^	$INDEX1	MACHINE1A	BUILDING-OR-CONSTRUCTION1
l	TO-WORK1*		TECHNOLOGY1*			MACHINE1A	BUILDING-OR-CONSTRUCTION1
m	arbeite		technische zeichnerin		für	maschinenbau
Leipzig \| dgskorpus_lei_07 \| 46-60f They suggested going to Leipzig and becoming an architectural draftswoman.
r	LIKE-THIS4*	CAN1	$INDEX1	SIGN-OR-DRAWING1^	IN1*	LEIPZIG1B*
l
m	so so so	kann		bauzeichner	in	leipzig
Münster \| dgskorpus_mst_13 \| 46-60f Americans are experts in technical design and film technology and can fool us.
r	SKILFUL1	MOVIE1*	TECHNOLOGY1	SIGN-OR-DRAWING1^	MOVIE1*	TECHNOLOGY1	CAN2A
l			TECHNOLOGY1			TECHNOLOGY1	CAN2A
m					filmtechnik		kann
Bremen \| dgskorpus_hb_06 \| 31-45f They collapsed straight and not to the side due the technology, the architecture of the building.
r		BUT1*	TECHNOLOGY1	SIGN-OR-DRAWING1^*	SIGN-OR-DRAWING1^*	$PROD
l		BUT1*	TECHNOLOGY1	SIGN-OR-DRAWING1^*	SIGN-OR-DRAWING1^*	$PROD
m		aber	technik		archi{tektur}
Bremen \| dgskorpus_hb_06 \| 31-45f They collapsed straight and not to the side due the technology, the architecture of the building.
r	BUT1*	TECHNOLOGY1	SIGN-OR-DRAWING1^*	SIGN-OR-DRAWING1^*	$PROD
l	BUT1*	TECHNOLOGY1	SIGN-OR-DRAWING1^*	SIGN-OR-DRAWING1^*	$PROD
m	aber	technik		archi{tektur}
Hamburg \| dgskorpus_hh_04 \| 46-60m No that is not what I mean. I mean the shape of it.
r		NO1B	$INDEX-TO-SCREEN1	SIGN-OR-DRAWING1^*	SHAPE1A	$INDEX-TO-SCREEN1
l				SIGN-OR-DRAWING1^*	SHAPE1A
m		nein			form
Hamburg \| dgskorpus_hh_05 \| 31-45m First, the government wanted to create drafts for the city.
r	PLAN2*	CITY2*	TECHNOLOGY1^*	SIGN-OR-DRAWING1^*
l	PLAN2*	CITY2*	TECHNOLOGY1^*	SIGN-OR-DRAWING1^*
m		stadt	wie
Hamburg \| dgskorpus_hh_05 \| 31-45m Only if the drafts are really good they can begin with the reconstruction.
r				SIGN-OR-DRAWING1^*	RIGHT-OR-AGREED2*	TO-GIVE-HOLD-ON-TO1A^*	GO-START1
l				SIGN-OR-DRAWING1^*	RIGHT-OR-AGREED2*		GO-START1
m						dann	los
Hamburg \| dgskorpus_hh_08 \| 46-60f Gunter had a lot of fans and they ran up to him when he arrived, but he acted completely normally and there were no signs that he was very ill.
r	BAD3B*			SIGN-OR-DRAWING1^*
l	BAD3B*	BIT4*	SICK1	SIGN-OR-DRAWING1^*
m	nicht so schlimm	bisschen	krank	vorb{ild}
Leipzig \| dgskorpus_lei_12 \| 61+m School/
r			SCHOOL1A	SIGN-OR-DRAWING1^*
l			SCHOOL1A
m			schulzeit
Leipzig \| dgskorpus_lei_12 \| 61+m School was more oriented towards oral education.
r			SCHOOL1A	SIGN-OR-DRAWING1^*	TIME7C*	$GEST^	MORE1*
l			SCHOOL1A			$GEST^	MORE1*
m			schulzeit				mehr
Münster \| dgskorpus_mst_09 \| 31-45f She also works as an architectural draftsman, like me.
r			EQUAL8*	SIGN-OR-DRAWING1^*	$INDEX1*
l				SIGN-OR-DRAWING1^*
m			[MG]	bauzeichner
Rostock \| dgskorpus_mvp_07 \| 31-45f The case worker asked me if she was allowed to look for jobs in professions other than architectural draftswoman.
r	ALLOWED1	MUST1	SAME5	SIGN-OR-DRAWING1^*
l			SAME5
m	darf	muss	selbe	bauzeichner
Schleswig-Holstein \| dgskorpus_sh_02 \| 18-30f Then, they started designing; sketches were drawn and looked at.
r	CONSTRUCTION3A	WHAT-DOES-THAT-MEAN1*	WHAT-DOES-IT-LOOK-LIKE1	SIGN-OR-DRAWING1^*	WHAT-DOES-IT-LOOK-LIKE1
l	CONSTRUCTION3A			SIGN-OR-DRAWING1^*
m		was	wie {sieht} aus		wie {sieht} aus
= ART3A
Hamburg \| dgskorpus_hh_08 \| 46-60f Artists, yes.
r
l				ART3A
m				kunst kunst
Hamburg \| dgskorpus_hh_08 \| 46-60f Here [in Hamburg] this art brought in lots of donations.
r					COHERENCE3*	MONEY1A	ACTIVE1^
l		HERE1	ONLY2B	ART3A	COHERENCE3*		ACTIVE1^
m		hier	nur	kunst		viel
= DESCRIPTION1A
Köln (Cologne) \| dgskorpus_koe_08 \| 31-45m He had to write everything down for me, the explanations, everything that was done, the anesthesia report.
r	TO-WRITE-DIALOGUE1	TO-EXPLAIN1*	$INDEX1*	DESCRIPTION1A*	I1*	MUST1*	I1*
l	TO-WRITE-DIALOGUE1	TO-EXPLAIN1*
m		erklären		beschreib		muss
Nürnberg (Nuremberg) \| dgskorpus_nue_05 \| 46-60f I can’t really describe it.
r			$GEST-NM-SHAKE-HEAD1^	DESCRIPTION1A*	$INDEX1*
l			$GEST-NM-SHAKE-HEAD1^
m
= DESIGN1A
Bremen \| dgskorpus_hb_05 \| 61+f I actually wanted to become a fashion designer.
r	PROFESSION1A*	WHAT1B*	FASHION1A*	DESIGN1A*
l
m	beruf	was	modedesignerin
München (Munich) \| dgskorpus_mue_07 \| 18-30m The design changed and became more interesting.
r			TO-MODIFY1A	DESIGN1A*	TO-STRIKE1A*	YES1A*
l			TO-MODIFY1A
m				design	[MG]
= LABEL1A
Leipzig \| dgskorpus_lei_12 \| 61+m I chose an occupation based on a conversation I had with my parents.
r	$GEST^	MY1	PROFESSION5	LABEL1A	THROUGH2A*	PARENTS3B	TO-REPLACE1*
l	$GEST^					PARENTS3B	TO-REPLACE1*
m		mein	beruf	bezeichnung	durch	eltern
Leipzig \| dgskorpus_lei_12 \| 61+m That‘s why I knew all the right terms.
r	I1	TO-KNOW-OR-KNOWLEDGE2B	$INDEX1*	LABEL1A	TO-KNOW-STH-OR-SB1A*	I1	$GEST^
l							$GEST^
m		weiß		bezeichnung	kennt
= PATTERN2A
Stuttgart \| dgskorpus_stu_01 \| 46-60f They started designing patterns.
r			TO-MAKE2	PATTERN2A		BEGINNING1A	TO-KNIT1^
l			TO-MAKE2		$INDEX1	BEGINNING1A	TO-KNIT1^
m			mach	muster		anfang
= PICTURE5B
Leipzig \| dgskorpus_lei_12 \| 61+m Of course! If, for example, a group of four or five people get together and only talk to each other, that‘s a problem.
r		CLEAR1A	$GEST-OFF^	PICTURE5B	THIS1A*	MORE1*	TEAM-OR-CREW1^
l		CLEAR1A	$GEST-OFF^				TEAM-OR-CREW1^
m		klar		bild
= SIGN-OR-DRAWING1A
Frankfurt \| dgskorpus_fra_06 \| 31-45f We got used to eachother and they knew my voice and used some gestures and learned signs and so the communication got better.
r	TO-COMPREHEND1*	BIT2A*	TO-SIGN1A*	SIGN-OR-DRAWING1A*	BIT2A	IN-ADDITION1*	IT-WORKS-OUT1
l			TO-SIGN1A*			IN-ADDITION1*	IT-WORKS-OUT1
m		bis{schen}		zeich{nen}	bis{schen}		klappt
Hamburg \| dgskorpus_hh_02 \| 31-45f It is just a sign. The sign can’t be as big just because the canal is broad.
r			$INDEX-TO-SCREEN1*	SIGN-OR-DRAWING1A*	FOR1*	CLEAR1A^	SIGN3A*
l						CLEAR1A^
m			[MG]	zeichnung	für	mich	schild
Hamburg \| dgskorpus_hh_03 \| 46-60m Obviously, the Sign Language Festival aimed at presenting sign language.
r	AIM1	WHAT1B	CLEAR1B*		TO-SIGN1A^		TO-SIGN1A^
l	AIM1	WHAT1B	CLEAR1B*	SIGN-OR-DRAWING1A*	TO-SIGN1A^	MOUTH1A^*	TO-SIGN1A^
m	ziel	was	klar	zeichensprache		zeichensprache
Köln (Cologne) \| dgskorpus_koe_01 \| 18-30f Oh okay, construction draftswoman.
r			BUILDING-OR-CONSTRUCTION1	SIGN-OR-DRAWING1A*
l			BUILDING-OR-CONSTRUCTION1
m			bauzeichner
Köln (Cologne) \| dgskorpus_koe_01 \| 18-30f I am the only one training to become a construction draftswoman.
r	$GEST^	$GEST^	EDUCATION1*	SIGN-OR-DRAWING1A*	END1^*
l	$GEST^	$GEST^	EDUCATION1*		END1^*
m			ausbildung	bauzeichnerin
Leipzig \| dgskorpus_lei_12 \| 61+m It was quite typical to be proud of one’s oral education.
r	LIKE-THIS1A	TYPICAL1*	TO-BE-SILENT3^*	SIGN-OR-DRAWING1A*	$GEST^	ORAL1	I2
l	LIKE-THIS1A	TYPICAL1*			$GEST^
m	so	typ{isch}	stil	zeich		oral
Münster \| dgskorpus_mst_12 \| 31-45m The experts, I mean the architectural draftsmen who built the nuclear power station with the four reactors, must have spotted the technical error after the explosion of the first reactor.
r		SKILFUL3^*	BUILDING-OR-CONSTRUCTION2A*	SIGN-OR-DRAWING1A*	NUCLEAR2	MUSCLE3^	FORCE1A*
l			BUILDING-OR-CONSTRUCTION2A*		NUCLEAR2	MUSCLE3^	FORCE1A*
m			bauzeichner		atomkraftwerk
München (Munich) \| dgskorpus_mue_01 \| 61+f Sewing, cutting, not just drawing up designs.
r	TO-SEW1*	TO-CUT-WITH-SCISSORS2*	$INDEX1	SIGN-OR-DRAWING1A*	NOT3A
l	TO-SEW1*
m	[MG]		[MG]	[MG]
Rostock \| dgskorpus_mvp_07 \| 31-45f Everything went fine, my draft was correct.
r	UNTIL-THEN1	GOOD1	ATTENTION1A^*	SIGN-OR-DRAWING1A*	I1	RIGHT-OR-CORRECT1A
l	UNTIL-THEN1			SIGN-OR-DRAWING1A*
m		gut		zeich	ich	recht
Rostock \| dgskorpus_mvp_07 \| 31-45f But that threw me off a lot.
r			$INDEX1*	SIGN-OR-DRAWING1A*	$INDEX1	TO-BE-CONFUSED1*	NOT3A*
l				SIGN-OR-DRAWING1A*		TO-BE-CONFUSED1*
m			[MG]				nein
Rostock \| dgskorpus_mvp_07 \| 31-45f The drafts were different during the second try; they weren't the same ones.
r				SIGN-OR-DRAWING1A*	$INDEX1	DIFFERENT1	SIGN-OR-DRAWING1A*
l				SIGN-OR-DRAWING1A*		DIFFERENT1	SIGN-OR-DRAWING1A*
m						anders	zeichen
Rostock \| dgskorpus_mvp_07 \| 31-45f The drafts were different during the second try; they weren't the same ones.
r	SIGN-OR-DRAWING1A*	$INDEX1	DIFFERENT1	SIGN-OR-DRAWING1A*	EQUAL8*
l	SIGN-OR-DRAWING1A*		DIFFERENT1	SIGN-OR-DRAWING1A*	EQUAL8*
m			anders	zeichen	[MG]
Rostock \| dgskorpus_mvp_07 \| 31-45f I wanted to make a fresh start as a retail specialist in another division, in kitchen design, but I didn't get accepted.
r	OUTDOORS1A^*	EASY1	KITCHEN3B	SIGN-OR-DRAWING1A*	CAN1*	$INDEX1*	TRADE-OR-NEGOTIATION1B
l	OUTDOORS1A^*	EASY1	KITCHEN3B	SIGN-OR-DRAWING1A*			TRADE-OR-NEGOTIATION1B
m		einfa{ch}	küchendesign		kann		handelskaufmann
Rostock \| dgskorpus_mvp_07 \| 31-45f I finished my apprenticeship to become an architectural draftswoman.
r			BUILDING-OR-CONSTRUCTION1*		DONE2*	FINISH1*
l		I1*	BUILDING-OR-CONSTRUCTION1*	SIGN-OR-DRAWING1A*	DONE2*	FINISH1*
m		ich	bauzeichner
Nürnberg (Nuremberg) \| dgskorpus_nue_08 \| 18-30f I work as a technical drawer.
r	MY1	PROFESSION2*	TECHNOLOGY1	SIGN-OR-DRAWING1A*
l		PROFESSION2*	TECHNOLOGY1	SIGN-OR-DRAWING1A*
m		beruf	technisch	zeichner
= SYMBOL2A
Hamburg \| dgskorpus_hh_03 \| 46-60m Or it could be a symbol to indicate that playing music is prohibited.
r		$INDEX-TO-SCREEN1	CAN1	SYMBOL2A	$INDEX1*	MUSIC1*	AREA1A^*
l					$INDEX1*	MUSIC1*	AREA1A^*
m		oder	kann	symbol		musik
Hamburg \| dgskorpus_hh_03 \| 46-60m They told stories using symbols. That was interesting.
r				SYMBOL2A*	SYMBOL2A*	TO-SIGN1A*
l						TO-SIGN1A*	$INDEX1
m				sym{bol}	symbol		[MG]
Hamburg \| dgskorpus_hh_03 \| 46-60m They told stories using symbols. That was interesting.
r			SYMBOL2A*	SYMBOL2A*	TO-SIGN1A*
l					TO-SIGN1A*	$INDEX1
m			sym{bol}	symbol		[MG]
Hamburg \| dgskorpus_hh_03 \| 46-60m When deaf people sign they convey an imagery, a particular image/
r	TO-SIGN1A*		FEELING3	SYMBOL2A*	$PROD	PICTURE2A
l	TO-SIGN1A*	FANCY1	FEELING3	SYMBOL2A*	$PROD	PICTURE2A
m	gebärden	[MG]		symbol		bild
Münster \| dgskorpus_mst_14 \| 18-30m I just recently saw that, this typical shape.
r		TO-SEE1*	A-MOMENT-AGO1	SYMBOL2A*	$INDEX1	$PROD
l						$PROD
m			eben	symbol
München (Munich) \| dgskorpus_mue_07 \| 18-30m It symbolizes the relationship status, but I forgot what means what.
r					I2	TO-FORGET1	$INDEX1*
l			$NUM-ONE-TO-TEN1A:1d*	SYMBOL2A*
m			ein	symbol			da da
München (Munich) \| dgskorpus_mue_07 \| 18-30m Interesting, the symbols.
r		INTEREST1A	THERE-IS3*	SYMBOL2A*
l
m			gibt	symbol
Nürnberg (Nuremberg) \| dgskorpus_nue_03 \| 31-45m Now, with growing self-confidence, the deaf don’t really borrow terms from the hearing anymore, it rather emerges from the symbols we perceive visually.
r		TO-BELONG1^*	TO-SEE1*	SYMBOL2A*
l	$GEST-DECLINE1^*	TO-BELONG1^*
m		selbst
= TO-DRAW4A
Hamburg \| dgskorpus_hh_04 \| 46-60m If they would have drawn the shoes evenly, everybody would think that they mean socks.
r		YOU1^*	IF-OR-WHEN1A	TO-DRAW4A	AREA-BOTTOM-OF-THE-FOOT1^*		AREA-BOTTOM-OF-THE-FOOT1^*
l					AREA-BOTTOM-OF-THE-FOOT1^*	TO-WISH1A*	AREA-BOTTOM-OF-THE-FOOT1^*
m			wenn	malen	[MG]	wunsch	[MG]
Frankfurt \| dgskorpus_fra_04 \| 61+m Afterwards, we started painting.
r	TO-ORGANISE2B^*	$INDEX1*	GO-START1	TO-DRAW4A*		MUST1*
l	TO-ORGANISE2B^*		GO-START1		ALL1A*	MUST1*
m			los	malen
Frankfurt \| dgskorpus_fra_06 \| 31-45f Mrs. #Name3 forced everyone of us to draw a picture or give some candy to put on the table.
r	STRICT2	$INDEX1*	MUST1	TO-DRAW4A*	$GEST-OFF^	OR4B	SMALL11*
l	STRICT2			TO-DRAW4A*	$GEST-OFF^	OR4B	SMALL11*
m		jeder	muss	malen		oder	klein
Köln (Cologne) \| dgskorpus_koe_03 \| 18-30m There was this drawing, well more a couple pictures in a row, kind of like a cartoon.
r	SUDDENLY4*	$INDEX1	WHAT1A*	TO-DRAW4A*	TO-LOOK1*
l	SUDDENLY4*		WHAT1A*	TO-DRAW4A*
m	[MG]			malen
Köln (Cologne) \| dgskorpus_koe_03 \| 18-30m There was this drawing, well more a couple pictures in a row, kind of like a cartoon.
r		RIGHT-OR-AGREED1A*	$INDEX1	TO-DRAW4A*	$PROD
l				TO-DRAW4A*	$PROD
m		stimmt		malen
Nürnberg (Nuremberg) \| dgskorpus_nue_02 \| 61+f The painter is famous, but unfortunately I don't know his name.
r				TO-DRAW4A*	FAMOUS1B	I1	UNFORTUNATELY1
l					FAMOUS1B		UNFORTUNATELY1
m				maler	berühmt		leider
Stuttgart \| dgskorpus_stu_14 \| 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner.
r	$NAME	$INDEX1*	MOTIVATION1	TO-DRAW4A*	FOR1	TO-DRIVE-SB1A^	TO-DRAW4A*
l	$NAME		MOTIVATION1	TO-DRAW4A*			TO-DRAW4A*
m	#name1		[MG]		für	beckenbauer	malen
Stuttgart \| dgskorpus_stu_14 \| 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner.
r	TO-DRAW4A*	FOR1	TO-DRIVE-SB1A^	TO-DRAW4A*	ALL2A*	TO-DRAW4A*	I1
l	TO-DRAW4A*			TO-DRAW4A*	ALL2A*	TO-DRAW4A*
m		für	beckenbauer	malen		malen
Stuttgart \| dgskorpus_stu_14 \| 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner.
r	TO-DRIVE-SB1A^	TO-DRAW4A*	ALL2A*	TO-DRAW4A*	I1	WITH1A	TO-DRAW4A*
l		TO-DRAW4A*	ALL2A*	TO-DRAW4A*			TO-DRAW4A*
m	beckenbauer	malen		malen		mit	malen
Stuttgart \| dgskorpus_stu_14 \| 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner.
r	TO-DRAW4A*	I1	WITH1A	TO-DRAW4A*	AREA1A^*
l	TO-DRAW4A*			TO-DRAW4A*
m	malen		mit	malen	[MG]
~ DESCRIPTION1B
Köln (Cologne) \| dgskorpus_koe_04 \| 18-30f Whenever I don‘t understand something, I would like to just ask her to quickly describe or rather explain it to me.
r	CAN1	PLEASE1B*	HALF1B	DESCRIPTION1B	TO-EXPLAIN1*
l			HALF1B	DESCRIPTION1B	TO-EXPLAIN1*	TO-UNDERSTAND1	NOT5*
m	kann	hören	halb	beschreiben	erklär	versteh
Köln (Cologne) \| dgskorpus_koe_04 \| 18-30f I can tell her about my question. Maybe I’m successful and she’ll describe a sentence to me.
r			TO-GET-STH-DONE1A	DESCRIPTION1B
l	SUCCESS1	$NUM-ONE-TO-TEN1A:1d	TO-GET-STH-DONE1A	DESCRIPTION1B	ON-PERSON1*	CAN1
m	erfolg	ein	erledigt	beschreib		kann
Münster \| dgskorpus_mst_13 \| 46-60f In the mornings my mom would say to me, “Let's play together.” She had little index cards and I was supposed to describe what I saw on them.
r	TO-PLAY2	WHAT1A	CARD1A*	DESCRIPTION1B	CARD1B*
l	TO-PLAY2	WHAT1A	CARD1A*	DESCRIPTION1B	CARD1B*
m	spielen	was		beschreiben
Stuttgart \| dgskorpus_stu_02 \| 18-30f I feel like it's easier to express and describe things using signs.
r	BETTER1	EXPRESSION1A	BETTER1*	DESCRIPTION1B
l		EXPRESSION1A		DESCRIPTION1B
m	besser	ausdrücken	bes{ser}	beschreiben
Köln (Cologne) \| dgskorpus_koe_09 \| 18-30f It is such a cruel thing, and pictures are unlike any description.
r	$GEST-DECLINE1^	PICTURE4	DIFFERENT1	DESCRIPTION1B*
l	$GEST-DECLINE1^	PICTURE4	DIFFERENT1	DESCRIPTION1B*
m		bild	anders	beschrieben
Münster \| dgskorpus_mst_03 \| 18-30f The colour of the water is indescribable.
r	COLOUR1A*	$PROD	$MORPH-UN5*	DESCRIPTION1B*	$INDEX1
l	COLOUR1A*	$PROD		DESCRIPTION1B*
m	farbe		unbeschreiblich
Münster \| dgskorpus_mst_03 \| 18-30f My colleague spent six weeks there, the colours are indescribable.
r	$MORPH-UN5*	COLOUR1A*	CAN1*	DESCRIPTION1B*	$GEST-OFF^
l		COLOUR1A*		DESCRIPTION1B*	$GEST-OFF^
m		farbe	unbeschreiblich
~ EDUCATION4
Berlin \| dgskorpus_ber_08 \| 46-60f She did a vocational training in technical drawing.
r			FURTHER1A	EDUCATION4
l			FURTHER1A	EDUCATION4	TO-STUDY1	TO-RISE6*	TO-LEARN1
m			weiterbildung			[MG]	lernen
Hamburg \| dgskorpus_hh_08 \| 46-60f But I had noticed that there were barely any pictures of him.
r	I1	TO-STRIKE1A	STRONG2A	EDUCATION4	$GEST-NM-SHAKE-HEAD1^
l			STRONG2A	EDUCATION4	$GEST-NM-SHAKE-HEAD1^
m		auffallen	stark	bildung	[MG]
Münster \| dgskorpus_mst_13 \| 46-60f After class I’d receive various books so that I was able to study further for my future.
r	I1	SELF1A	FURTHER1A	EDUCATION4	PERIOD1C
l			FURTHER1A	EDUCATION4	PERIOD1C
m	ich	selbst	weiterbilden
Münster \| dgskorpus_mst_13 \| 46-60f Nevertheless, I made it because I continued to study.
r	REASON4A	SELF1A	FURTHER1A	EDUCATION4
l	REASON4A		FURTHER1A	EDUCATION4
m	grund	selbst	weiterbilden
München (Munich) \| dgskorpus_mue_03 \| 46-60m I was trained there, no, I was a journeyman.
r	LATER2	I2*	PRESENT-OR-HERE1*	EDUCATION4	$GEST-NM^	TO-WORK2	TESTING-OR-INSPECTION3^
l				EDUCATION4	$GEST-NM^	TO-WORK2	TESTING-OR-INSPECTION3^
m	{spä}ter		da	ausbildung			geselle
Münster \| dgskorpus_mst_13 \| 46-60f But for the purpose of my education, it was better to work together with hearing people rather than deaf people.
r	WITH3*	HEARING1A*	MORE1*	EDUCATION4*	AS-OR-THAN3	WITH3	DEAF1A
l				EDUCATION4*
m	mit	hörend	mehr	bildung	als	mit	gehörlos
Münster \| dgskorpus_mst_13 \| 46-60f Acquiring extensive general knowledge is very important. Yet, it is lacking in schools.
r			GENERALLY3	EDUCATION4*	TO-PROMOTE1A	EDUCATION4*	TO-PROMOTE1A
l				EDUCATION4*	TO-PROMOTE1A	EDUCATION4*	TO-PROMOTE1A
m			allgemein	förderung		bildung	förderung
Münster \| dgskorpus_mst_13 \| 46-60f Acquiring extensive general knowledge is very important. Yet, it is lacking in schools.
r	GENERALLY3	EDUCATION4*	TO-PROMOTE1A	EDUCATION4*	TO-PROMOTE1A	THIS-AND-THAT1	$INDEX1*
l		EDUCATION4*	TO-PROMOTE1A	EDUCATION4*	TO-PROMOTE1A	THIS-AND-THAT1
m	allgemein	förderung		bildung	förderung	[MG]	[MG]
Stuttgart \| dgskorpus_stu_04 \| 61+f That’s where I got my vocational training.
r			$INDEX1	EDUCATION4*	$INDEX1
l
m				berufsausbildung
Stuttgart \| dgskorpus_stu_04 \| 61+f I immediately started an apprenticeship as a dressmaker.
r				EDUCATION4*	IMMEDIATELY2B*	TO-HIRE1A*	TAILOR1
l							TAILOR1
m				aus{bildung}	sof{ort}	[MG]	damen damenschneiderin damenschneiderin
~ LABEL1B
Hamburg \| dgskorpus_hh_03 \| 46-60m Sign language wasn't regarded as valuable.
r			FEELING3^*	LABEL1B*	WASTE1^*
l			FEELING3^*	LABEL1B*	WASTE1^*
m			bedeutet	bezeichnung	[MG]
Leipzig \| dgskorpus_lei_04 \| 46-60m The German Association for the Deaf was surprised that we already included the name ‘interpreter’ as a title for a profession in our laws.
r	STATUTE1D*	ALREADY1A*	PROFESSION1A*	LABEL1B*	INTERPRETER1*	$PROD
l	STATUTE1D*			LABEL1B*	INTERPRETER1*	$PROD
m	gesetz	schon	berufsbezeichnung		dolmetscher	[MG]
~ SIGN-OR-DRAWING1B
Berlin \| dgskorpus_ber_10 \| 31-45m Imagine how back then I wanted to study in New York to become an illustrator.
r	NEW-YORK1	TO-FOCUS2^	FOR1	SIGN-OR-DRAWING1B
l	NEW-YORK1	TO-FOCUS2^		SIGN-OR-DRAWING1B
m	new york		für	zeichnung
Köln (Cologne) \| dgskorpus_koe_20 \| 31-45m As a draftsman I‘m part of a team. We need to communicate with each other. Yet, I‘m the only one with a webcam.
r		I1	TEAM1A	SIGN-OR-DRAWING1B	HIGH4B	CLAIM1	CLEAR1A*
l			TEAM1A	SIGN-OR-DRAWING1B	HIGH4B	CLAIM1	CLEAR1A*
m			team	bauzei{chner}	hoch	anspruch	klar
München (Munich) \| dgskorpus_mue_07 \| 18-30m The flap is embroidered with colorful symbols.
r			EQUAL1A^*	SIGN-OR-DRAWING1B	COLOUR1B*	$PROD
l			EQUAL1A^*	SIGN-OR-DRAWING1B	COLOUR1B*	$PROD	AGENCY2^
m			wie	zeichen	farbe
Berlin \| dgskorpus_ber_04 \| 46-60m I started an apprenticeship as a drafter there.
r	IN1	AS-OR-THAN1	TECHNOLOGY1	SIGN-OR-DRAWING1B*
l			TECHNOLOGY1	SIGN-OR-DRAWING1B*
m		als	technisch	zeichner
Göttingen \| dgskorpus_goe_07 \| 18-30m Then it was the turn of some carpenters, some tracers and many others.
r	CARPENTER1B*	$GEST-OFF^	TECHNOLOGY1*	SIGN-OR-DRAWING1B*	$INDEX-ORAL1
l	CARPENTER1B*	$GEST-OFF^	TECHNOLOGY1*	SIGN-OR-DRAWING1B*	TO-LIST1C
m	tischler		technisch	zeichner	[MG]
Göttingen \| dgskorpus_goe_07 \| 18-30m It said that I had missed out on a lot of the small dots.
r			$INDEX1	SIGN-OR-DRAWING1B*	I1		MUCH-OR-MANY1A*
l				SIGN-OR-DRAWING1B*		ROUND6A^
m						[MG]	viel
Bremen \| dgskorpus_hb_08 \| 61+m There were some drawings.
r				SIGN-OR-DRAWING1B*	ALL2C^*	$GEST-DECLINE1^
l				SIGN-OR-DRAWING1B*	ALL2C^*	$GEST-DECLINE1^
m				zeichen	[MG]
Hamburg \| dgskorpus_hh_04 \| 46-60m Thanks to my design it turned out really beautifully.
r			SELF1A*	SIGN-OR-DRAWING1B*	BEAUTIFUL1A*	$GEST^
l				SIGN-OR-DRAWING1B*		$GEST^
m			selbst		schön
Leipzig \| dgskorpus_lei_12 \| 61+m Later on, after the fall of the Wall, I developed an interest in sign language and all that stuff.
r	$GEST^	MORE1	SIGN-LANGUAGE1B	SIGN-OR-DRAWING1B*	TO-SWARM1^
l	$GEST^		SIGN-LANGUAGE1B	SIGN-OR-DRAWING1B*	TO-SWARM1^
m		mehr	gebärdensprache
~ SYMBOL2B
Nürnberg (Nuremberg) \| dgskorpus_nue_04 \| 18-30f Turquoise is so to speak the new color for the Deaf; it is some kind of symbol.
r	DEAF1A	LIKE-THIS1A*	QUOTATION-MARKS1*	SYMBOL2B
l		LIKE-THIS1A*	QUOTATION-MARKS1*	SYMBOL2B
m	gehörlose		wie	symbol
München (Munich) \| dgskorpus_mue_07 \| 18-30m The flap is embroidered with colorful symbols.
r	COLOUR1B*	$PROD		SYMBOL2B*		$PROD	$PROD
l	COLOUR1B*	$PROD	AGENCY2^	SYMBOL2B*	HIS-HER1	$PROD	$PROD
m	farbe			symbol
München (Munich) \| dgskorpus_mue_07 \| 18-30m The women have the symbol, but I can’t think of anything for men.
r				SYMBOL2B*	TO-BELONG1*		NOT3B*
l			WOMAN2B	SYMBOL2B*	TO-BELONG1*	MAN3A*	NOT3B*
m			frau	symbol		mann
Nürnberg (Nuremberg) \| dgskorpus_nue_04 \| 18-30f It’s now held in turquoise as a symbol for the Deaf.
r	QUOTATION-MARKS1*	$INDEX1	NEW1A	SYMBOL2B*	FOR1*	DEAF1A
l			NEW1A	SYMBOL2B*
m			neu	symbol	für
Nürnberg (Nuremberg) \| dgskorpus_nue_04 \| 18-30f Just like red is typically the color for Aids.
r	TYPICAL1	AIDS1	HIS-HER1	SYMBOL2B*	RED1A*	HIS-HER1
l	TYPICAL1			SYMBOL2B*
m	typisch	aids		symbol	rot
~ TO-DRAW4B
Köln (Cologne) \| dgskorpus_koe_20 \| 31-45m Although, we did play and draw a lot.
r	CLEAR1B	TO-PLAY2	TO-PLAY2	TO-DRAW4B*
l		TO-PLAY2	TO-PLAY2	TO-DRAW4B*
m	klar	spiel spiel spiel	spiel spiel	mal
Köln (Cologne) \| dgskorpus_koe_20 \| 31-45m However, one might have questions or would like to communicate while drawing, too.
r			BUT1	TO-DRAW4B*	QUESTION1*	COMMUNICATION1A*
l				TO-DRAW4B*		COMMUNICATION1A*
m			aber	mal	frag frag	kommunikat{ion}

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