Göttingen | dgskorpus_goe_07 | 18-30m We visited a deaf painter at his work and filmed him, interviewed him. |
r | MOVIE3 | TO-SIGN1G* | INTERVIEW3 | CAMERA1^ | DONE2* |
l | | |
m | film | [MG] | interview | [MG] | |
Göttingen | dgskorpus_goe_07 | 18-30m “Sehen statt Hören” was also there and was filming everything. |
r | INSTEAD1* | TO-HEAR1 | INVOLVED1A* | CAMERA1^ |
l | | |
m | … | dabei | [MG] |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f The Russians celebrated the astronauts for succeeding flying to the moon and back. |
r | | RUSSIA5 | HOORAY1 | CAMERA1^ | $PROD | TO-ACCOMPLISH1C* | ROCKET1B* |
l | | |
m | russen | [MG] | | | | |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f I then thought, “Ah well, I see: Hollywood; everything was just an act.” |
r | TO-LOOK-AT3* | $INIT-STRAIGHT1^* | $GEST-OFF^ | CAMERA1^ | ACTOR1 | $GEST-OFF^ |
l | | | | |
m | | hollywood | | schauspieler |
Münster | dgskorpus_mst_12 | 31-45m It's horrible that it was videotaped, but on the other hand it is good. |
r | ATROCIOUS5* | CAMERA1^* | GOOD1* | CAMERA1^ |
l | | | | |
m | grausam | | gut | |
Göttingen | dgskorpus_goe_07 | 18-30m In the movie, she explains that she would’ve liked to come, but that it didn’t work out. |
r | | | | CAMERA1^* | OWN1B^* | TO-SHOW1A | $INDEX1 |
l | | | |
m | | wirklich | zeigen | |
Göttingen | dgskorpus_goe_07 | 18-30m They watched movies about people who are affected, read lots of books until they fully understood what Usher’s syndrome means. |
r | MORE1^* | AFFECTED2 | MOVIE1* | CAMERA1^* | ACTIVE1* | PERCEPTION1^* | BOOK1B |
l | | | |
m | | betroffen | film | [MG] | info info info | buch |
Göttingen | dgskorpus_goe_08 | 18-30f The thing with the helmet camera is interesting/ |
r | | | INTEREST1B | CAMERA1^* |
l | | |
m | | helm |
Köln (Cologne) | dgskorpus_koe_01 | 18-30f She works in Aachen now and produces movies for deaf people. |
r | DEAF1A | TO-SPREAD2^ | MOVIE1 | CAMERA1^* | TO-ORGANISE2A* | $GEST-OFF^* |
l | | | | |
m | [MG] | [MG] | film | | organis{ieren} |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f The astronaut steps out and was filmed from above. |
r | | | TO-GET-OUT1B* | CAMERA1^* | TO-GET-OUT1B* | |
l | | $INDEX1 |
m | | | | |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f The astronaut was filmed from above, but you would need a ladder to film from above. |
r | | | SPIKY2A^* | CAMERA1^* | WHERE-FROM1* | TO-BRING-ALONG1* |
l | $INDEX2 | | |
m | | leiter | | woher | mit |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f We entered the studio, and there really was a set with a rocket which showed the moon landing. |
r | $PROD | SAME2A* | SHAPE1A* | CAMERA1^* | $GEST-OFF^ |
l | |
m | | selbe | form | | |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f The camera technology used to be blurry, so they were able to show everything, but with today's technology you would immediately get that it's fake. |
r | | PAST-OR-BACK-THEN1* | TECHNOLOGY1 | CAMERA1^* | $GEST-OFF^* | VAGUE-$CANDIDATE-KOE10^ | HIGH4B |
l | | |
m | früher | technik | | | [MG] | hoch |
Münster | dgskorpus_mst_12 | 31-45m It's horrible that it was videotaped, but on the other hand it is good. |
r | | | ATROCIOUS5* | CAMERA1^* | GOOD1* | CAMERA1^ |
l | | | | |
m | grausam | | gut | |
Stuttgart | dgskorpus_stu_11 | 46-60m A little later on, the second tower collapsed. |
r | LATER5 | $INDEX1 | $PROD | CAMERA1^* |
l | $PROD | |
m | [MG] | | | |
Göttingen | dgskorpus_goe_07 | 18-30m In order to do that, we had to first make a movie about ourselves. |
r | BEFOREHAND4 | MUST1 | MOVIE1 | CAMERA1 | HUSUM1* | AREA1A |
l | | | | | | |
m | vorher | muss | film | [MG] | husum |
Göttingen | dgskorpus_goe_07 | 18-30m There were people filming. |
r | | | | CAMERA1 | BEEN1* |
l | |
m | film | gewesen |
Göttingen | dgskorpus_goe_07 | 18-30m I saw a film crew from RTL [German private tv station], great. |
r | | $ALPHA1:R-T-L | TO-SPOT1 | CAMERA1 | IN-ADDITION-MORE-AND-MORE1 | GREAT1A |
l | | | | |
m | r-t-l | [MG] | | [MG] | toll |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f Paparazzi chased them when they went into a tunnel. |
r | | | $PROD | CAMERA1 | TO-FOLLOW1B* |
l | |
m | | [MG] |
Münster | dgskorpus_mst_01 | 46-60m The Japanese culture is very interesting. I taped many videos back then and now I have a lot of videotapes from that time. |
r | I1 | CAMERA1* | MUCH-OR-MANY1A | CAMERA1 | WITH1A | I1 | GOOD1 |
l | | | | | | | |
m | | filme | viel | filme | aufgenommen | war gut |
Münster | dgskorpus_mst_13 | 46-60f You only saw legs and feet, because it was filmed from the outside. |
r | LEG1A* | CAMERA1* | OUTSIDE1* | CAMERA1 |
l | | | | |
m | | kamera | draußen |
Münster | dgskorpus_mst_13 | 46-60f After that, the second one got out and was filmed from another perspective. |
r | AFTERWARDS2A* | $LIST1:2of2d* | TO-COME2* | CAMERA1 | MOVIE1* |
l | | | | | |
m | | zweitens | | dann | |
Frankfurt | dgskorpus_fra_02 | 31-45m They also said that the sign GERMAN [DGS] should be abolished. The sign GERMANY-ASL would be the better version because it is clearly visible from the front. |
r | GERMAN1* | $GEST-DECLINE1^ | AMERICA1* | CAMERA1* | TO-SIGN1A* | TECHNOLOGY1 | SUPER2 |
l | | | |
m | | | amerika | | | technik | |
Frankfurt | dgskorpus_fra_11 | 18-30m Coincidentally my best friend had recorded videos of me showing new Lithuanian signs. |
r | MAIN1A^ | FRIEND7* | SELF1A* | CAMERA1* | TO-SIGN1G | LITHUANIA2 | TO-SIGN1G* |
l | | | | |
m | beste | freundin | selber | | | litauen |
Frankfurt | dgskorpus_fra_11 | 18-30m She created similar translations and recorded a signed video for every word. |
r | WORD1* | $INDEX1* | TO-SIGN1G* | CAMERA1* | ALSO3A* |
l | | | |
m | | | | | auch |
Göttingen | dgskorpus_goe_07 | 18-30m We filmed all of that, edited it together and prepared it for the power point presentation at the informational booth. |
r | | | | CAMERA1* | DONE1A | THEN1A | TO-WORK1 |
l | | |
m | [MG] | | dann | |
Göttingen | dgskorpus_goe_07 | 18-30m After having prepared the movie and all the interviews, we went to Cologne. |
r | | | | CAMERA1* | INTERVIEW3 | PREPARATION2* | OFTEN2A |
l | |
m | film | interview | vorbereiten | [MG] |
Göttingen | dgskorpus_goe_08 | 18-30f It interferes with the filming if you move around. |
r | | | | CAMERA1* | ORIENTATION1A^ | DISRUPTION1A |
l | | |
m | film | [MG] | stört |
Bremen | dgskorpus_hb_04 | 18-30f If you watch the footage of the assassination, one can see that he collapsed as a result. |
r | I1 | SHORT3A* | BEEN1* | CAMERA1* | WITH1A | CAMERA1* |
l | | | | |
m | ich | kurz | gewesen | film | mit | [MG] |
Bremen | dgskorpus_hb_04 | 18-30f If you watch the footage of the assassination, one can see that he collapsed as a result. |
r | BEEN1* | CAMERA1* | WITH1A | CAMERA1* |
l | | | |
m | gewesen | film | mit | [MG] |
Bremen | dgskorpus_hb_04 | 18-30f They also showed a film about the founding of the German Deaf Youth. |
r | ALSO1A | HISTORY-OR-STORY9* | $NUM-ONE-TO-TEN1A:1d | CAMERA1* | WHAT1A* | SOURCE1A^* | BEGINNING1A |
l | | | |
m | auch | geschichte | ein | film | | | anfang |
Bremen | dgskorpus_hb_04 | 18-30f He directed and filmed it. |
r | $INDEX1* | TO-ORGANISE2A | TO-LEAD1A* | CAMERA1* |
l | |
m | | | führung | |
Bremen | dgskorpus_hb_04 | 18-30f He can tell about it in front of the camera real quick. |
r | | | | CAMERA1* | CAN2B* | TO-SIGN1G* | CAN1 |
l | | |
m | | kann | unterhalten | kann |
Bremen | dgskorpus_hb_06 | 31-45f For movies they make up a whole lot of stuff and add it to the story. |
r | $INDEX1* | MOVIE1 | IN-ADDITION1^* | CAMERA1* | AREA1A^* |
l | | |
m | | film | [MG] | | |
Hamburg | dgskorpus_hh_05 | 31-45m The people from the institute filmed me. |
r | | | | CAMERA1* | INTAKE1* | $INDEX1 | INSTITUTE1 |
l | | |
m | aufnahme | am | institut |
Köln (Cologne) | dgskorpus_koe_01 | 18-30f I got really excited and wanted to get it on camera. |
r | | I2 | TO-WIND1^* | CAMERA1* | TO-WIND1^* |
l | |
m | [MG] | | film | |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f The shadow falls on one side of the craft, and you see that something must be wrong, as the sun is on the other side opposite the shadow. Therefore, the shadow falls to the wrong side. |
r | MORE1 | $PROD | $INDEX1 | CAMERA1* | VEIL1^ | | |
l | | | | LIGHT1 | SHADOW1 |
m | mehr | | | | | | schatten |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f Where does the camera come from when the astronauts get out? |
r | TO-GET-OUT1B* | WHERE-FROM1 | HIGH3A | CAMERA1* | WHERE-FROM1* |
l | | | | |
m | [MG] | woher | hoch | kame{ra} | woher |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f Who could have filmed from above how the astronaut is walking on the moon? |
r | | | EQUAL8* | CAMERA1* | TO-HOP-LEG1A^* |
l | |
m | gleich{zeitig} | kamera | |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f No one filmed at that moment. |
r | NONE8 | MOVIE3 | HOTEL1* | CAMERA1* | DISSOLUTION1A^ |
l | | | |
m | [MG] | film | hotel | [MG] |
Köln (Cologne) | dgskorpus_koe_21 | 61+m Then the camera pans to the cat. |
r | | | | CAMERA1* | $INDEX1 | CAT3 | $INDEX1* |
l | | | |
m | | | | |
Münster | dgskorpus_mst_01 | 46-60m The Japanese culture is very interesting. I taped many videos back then and now I have a lot of videotapes from that time. |
r | INTEREST1B | CULTURE1A* | I1 | CAMERA1* | MUCH-OR-MANY1A | CAMERA1 | WITH1A |
l | | | | | | |
m | interessant | kultur | | filme | viel | filme | aufgenommen |
Münster | dgskorpus_mst_13 | 46-60f The surroundings were filmed until you finally could see more and more sequences. |
r | | | THEN6* | CAMERA1* | THIS-AND-THAT2^ |
l | | |
m | danach | film |
Münster | dgskorpus_mst_13 | 46-60f You only saw legs and feet, because it was filmed from the outside. |
r | | | LEG1A* | CAMERA1* | OUTSIDE1* | CAMERA1 |
l | | | | |
m | | kamera | draußen |
Münster | dgskorpus_mst_13 | 46-60f No, the camera had been there already, I think it was tied to the lunar module. |
r | | | $GEST-NM-SHAKE-HEAD1^ | CAMERA1* | ALREADY1A | PRESENT-OR-HERE1* | $PROD |
l | |
m | nein | kamera | schon | da | raumfähre |
Münster | dgskorpus_mst_13 | 46-60f In the film, you see an American astronaut on the moon who can see the earth. |
r | | | $INDEX1 | CAMERA1* | MOVIE1 | AMERICA1* | SERVICE-OR-DUTY5^ |
l | | | | |
m | | film | film | amerikanische | astronaut |
Stuttgart | dgskorpus_stu_06 | 18-30f Everyone is going there together, you’d be all alone sitting here with the cameras, do you want that? |
r | $NUM-ONE-TO-TEN1A:1d | TO-LET2A^* | $PROD | CAMERA1* | $PROD | TO-WANT8 | YOU1* |
l | | | | | |
m | eine | [MG] | | | | will | |
Stuttgart | dgskorpus_stu_11 | 46-60m The cameraman fell down and filmed the collapse from under a car. He shot the oncoming white ash cloud from that perspective as well as its disappearance. |
r | FLAT1A^* | $PROD | | CAMERA1* | MAN1* | TO-LIE-OR-TO-LAY3^* | MOVIE3* |
l | CAR1* | | | | |
m | | | auto | mann | | film |
Stuttgart | dgskorpus_stu_11 | 46-60m Luckily, one of the brothers was able to go with the firefighters into the first tower and film everything. |
r | UNDER1A^ | MAN1 | WITH1A | CAMERA1* | BROTHER1A* | MOVIE3* |
l | | | | | |
m | im | mann | mit | | bruder | film |
Berlin | dgskorpus_ber_08 | 46-60f This led to our collaboration. |
r | | | | | INTAKE1 | LATER7 | TO-LINK1B |
l | MOVIE3 |
m | film | [MG] | | |
Berlin | dgskorpus_ber_11 | 61+m But why is it necessary to be naked for the film? What is it for? |
r | WHY3B* | NAKED1* | NAKED2 | MOVIE3 | FOR1* | WHAT1A |
l | | |
m | warum | nackt | filmen | für | was |
Göttingen | dgskorpus_goe_07 | 18-30m We visited a deaf painter at his work and filmed him, interviewed him. |
r | I2 | TO-VISIT-OR-TO-ATTEND1A* | DEAF1A* | MOVIE3 | TO-SIGN1G* | INTERVIEW3 | CAMERA1^ |
l | | | | |
m | | besuch | [MG] | film | [MG] | interview | [MG] |
Bremen | dgskorpus_hb_04 | 18-30f There's a film here. |
r | | | | MOVIE3 | YES2 | THROUGH2A | VIDEO1* |
l | | | |
m | film | ja | durch | video |
Bremen | dgskorpus_hb_06 | 31-45f That's the way it is in movies. |
r | | | | MOVIE3 | $GEST-NM-NOD-HEAD1^* |
l | |
m | film |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f No one filmed at that moment. |
r | | TO-AVOID2^* | NONE8 | MOVIE3 | HOTEL1* | CAMERA1* | DISSOLUTION1A^ |
l | | | |
m | | [MG] | film | hotel | [MG] |
Münster | dgskorpus_mst_06 | 31-45m All the technology for videos/ |
r | | | | |
l | MOVIE1 | MOVIE3 |
m | film |
Münster | dgskorpus_mst_12 | 31-45m When for instance the airplanes crashed into the towers in New York, there was a huge alarm, and people are extremely monitored since then. |
r | ALERT1* | MUST1 | SHARP1B | MOVIE3 | INTAKE1* |
l | | |
m | alarm | muss | scharf | film | ab |
Stuttgart | dgskorpus_stu_11 | 46-60m The camera was on the whole time. |
r | | | | MOVIE3 | |
l | | TO-RUN-MACHINE2* |
m | film | läuft |
Stuttgart | dgskorpus_stu_11 | 46-60m And everything was caught on tape. |
r | | | | MOVIE3 |
l | |
m | film |
Berlin | dgskorpus_ber_08 | 46-60f And he asked me if he could film me since I was using Eastern sign language, which was different. |
r | | | | | ALLOWED1* | | |
l | MOVIE3* | I1 | OKAY1B* |
m | film | darf | okay |
Berlin | dgskorpus_ber_11 | 61+m No, no. They are filming us while we are talking. They are filming us. Oh, whatever. |
r | | $INDEX1 | NO1B | MOVIE3* | $INDEX1 | NO1B | MOVIE3* |
l | | | | | | |
m | | nein | | | nein | filmen |
Berlin | dgskorpus_ber_11 | 61+m No, no. They are filming us while we are talking. They are filming us. Oh, whatever. |
r | MOVIE3* | $INDEX1 | NO1B | MOVIE3* | $INDEX1 | TO-SIGN1A | $INDEX1 |
l | | | | | | |
m | | | nein | filmen | | gebärden | |
Berlin | dgskorpus_ber_11 | 61+m No, no. They are filming us while we are talking. They are filming us. Oh, whatever. |
r | $INDEX1 | TO-SIGN1A | $INDEX1 | MOVIE3* | $GEST-DECLINE1^ |
l | | | |
m | | gebärden | | filmen | |
Berlin | dgskorpus_ber_11 | 61+m Would the film be boring otherwise, or what? |
r | | | | MOVIE3* | BOREDOM1* | $GEST-OFF^* |
l | | | |
m | film | langweilig | oder was |
Frankfurt | dgskorpus_fra_01 | 18-30m Many amateurs videotaped the flooding/ |
r | | FELLOW1^ | | | $PROD | $PROD | WATER8* |
l | MUCH-OR-MANY1A | $INDEX1 | MOVIE3* |
m | viel | amateur | | filmen | | [MG] | wasser |
Göttingen | dgskorpus_goe_07 | 18-30m The interview was recorded and then shown at the theater festival. |
r | | INTERVIEW3 | DONE2* | MOVIE3* | THEN1A* | SOURCE-TO-EMANATE1^* |
l | |
m | interview | fertig | film | dann | [MG] |
Göttingen | dgskorpus_goe_07 | 18-30m Doesn’t matter, the director that made the movie back then came to the festival. |
r | WOMAN1A* | $INDEX1* | DIRECTOR1 | MOVIE3* | CAMERA5^ | $INDEX1* | PERSON1 |
l | | | | | |
m | frau | | regisseur | film | [MG] | |
Göttingen | dgskorpus_goe_07 | 18-30m He immediately began to film me and I, drowsy as I was, just chuckled. |
r | | | | | I1 | FULL2A | INTOXICATED1* |
l | MOVIE3* | | |
m | | | voll | [MG] |
Bremen | dgskorpus_hb_04 | 18-30f There were poetry performances by the kids, the film, theater, and dancing. |
r | POETRY1* | CHILD2* | TO-SHOW1A* | MOVIE3* | THEATRE1 | TO-DANCE2 |
l | | | |
m | poesie | kinder | [MG] | film | theater | tanz |
Bremen | dgskorpus_hb_04 | 18-30f Then the film. |
r | | $GEST^ | MOVIE1 | | TO-BECKON1^* |
l | | MOVIE3* |
m | dann | film |
Hamburg | dgskorpus_hh_08 | 46-60f The cameras are still running, right? |
r | | | | | | |
l | MOVIE3* | TO-RUN-MACHINE2 | STILL4A* |
m | film | läuft | [MG] |
Köln (Cologne) | dgskorpus_koe_01 | 18-30f Anyway, we were driving and suddenly a kangaroo was jumping next to us. I searched frantically for my camera because I wanted to capture it. |
r | TO-JUMP2^ | CAR-DRIVING2 | PROCEEDING2 | MOVIE3* | TO-WIND1^* | $INDEX1 | TO-ELOPE1A* |
l | | | |
m | [MG] | [MG] | film | [MG] |
Köln (Cologne) | dgskorpus_koe_13 | 61+m She only said that videos were recorded from above. |
r | | | | | DONE1B |
l | MOVIE3* |
m | film film | [MG] |
Schleswig-Holstein | dgskorpus_sh_02 | 18-30f There is enough space left for the waterfalls because of the collapse. |
r | $INDEX1 | BECAUSE-OF1 | $INDEX1 | MOVIE3* | $ALPHA2:W* | TO-DEMOLISH4* | STILL4B |
l | | | | |
m | | | | film | | ab | noch |
Stuttgart | dgskorpus_stu_06 | 18-30f Why don’t you try out the keyboards? Oh wait, we can’t do that, we’re being filmed. |
r | TO-SIT2* | KEY-OR-BUTTON1^* | CAN1* | MOVIE3* | I2* |
l | | | | | |
m | | | | [MG] | |
Stuttgart | dgskorpus_stu_11 | 46-60m It was a documentary that had only come about because of a coincidence: two brothers wanted to make a film about a certain fire department. |
r | TOGETHER3B | REAL2* | TO-WANT7* | MOVIE3* | OVER-OR-ABOUT1* | BLUE-LIGHTS2^ | |
l | | | | | | $GEST-OFF^* |
m | … | | will | film | über | feuerwehr |
Stuttgart | dgskorpus_stu_11 | 46-60m They wanted to shoot a film in one of these fire departments. It really was coincidence. |
r | | $NUM-ONE-TO-TEN1A:1d* | GROUP1B* | MOVIE3* | | | $GEST-OFF^ |
l | THIS2 | | GROUP1B* | $GEST-OFF^* | GROUP1B* |
m | [MG] | eins | | film | zufall | film | [MG] |
Stuttgart | dgskorpus_stu_11 | 46-60m The camera was also directed downward. |
r | | | | MOVIE3* |
l | |
m | film |
Stuttgart | dgskorpus_stu_11 | 46-60m Originally the documentary is two hours long and there are original scenes from the North and South Tower. |
r | TOWER1* | WITH1A | IN1* | MOVIE3* |
l | | |
m | turm | mit | im | film film film |
Stuttgart | dgskorpus_stu_11 | 46-60m The cameraman fell down and filmed the collapse from under a car. He shot the oncoming white ash cloud from that perspective as well as its disappearance. |
r | CAMERA1* | MAN1* | TO-LIE-OR-TO-LAY3^* | MOVIE3* | $PROD | | $PROD |
l | | | | | WHITE1A* |
m | … | mann | | film | [MG] | weiß |
Stuttgart | dgskorpus_stu_11 | 46-60m Luckily, one of the brothers was able to go with the firefighters into the first tower and film everything. |
r | WITH1A | CAMERA1* | BROTHER1A* | MOVIE3* |
l | | | |
m | mit | | bruder | film |