$INDEX-TO-SCREEN1^

= $INDEX-TO-SCREEN1
Berlin \| dgskorpus_ber_01 \| 18-30m When I heard about Diana's fatal accident I was very sad.
r					THEREFORE1
l				$INDEX-TO-SCREEN1	THEREFORE1	$INDEX-TO-SCREEN1	$ALPHA1:D-I-N-A
m					darum		diana
Berlin \| dgskorpus_ber_01 \| 18-30m When I heard about Diana's fatal accident I was very sad.
r			THEREFORE1
l		$INDEX-TO-SCREEN1	THEREFORE1	$INDEX-TO-SCREEN1	$ALPHA1:D-I-N-A	$INDEX-TO-SCREEN1	$GEST-TO-PONDER1^*
m			darum		diana
Berlin \| dgskorpus_ber_01 \| 18-30m When I heard about Diana's fatal accident I was very sad.
r	THEREFORE1						ACCIDENT8
l	THEREFORE1	$INDEX-TO-SCREEN1	$ALPHA1:D-I-N-A	$INDEX-TO-SCREEN1	$GEST-TO-PONDER1^*	$INDEX1	ACCIDENT8
m	darum		diana				unfall
Berlin \| dgskorpus_ber_01 \| 18-30m When she was alive she gave the world and the poor protection, love and support.
r			REASON4B			BEFORE1G^
l			REASON4B	$INDEX-TO-SCREEN1	$ALPHA1:D-A	BEFORE1G^	$INDEX1
m			grund		dia{na}	früher
Berlin \| dgskorpus_ber_04 \| 46-60m In 1977 I participated in the Deaflympics for the first time.
r	DEAF-ASL1	CHAIN1^*	FIRST-OF-ALL1C	$INDEX-TO-SCREEN1	LIST1B	PRESENT-OR-HERE1*	I2
l		CHAIN1^*			LIST1B	PRESENT-OR-HERE1*
m	deaflympics		erste
Berlin \| dgskorpus_ber_07 \| 31-45m But I saw it here on the screen. Wasn’t the World’s Day of the Deaf on there?
r					TO-SEE1*	BEFOREHAND1*	CLUB-OR-SOCIETY2A*
l				$INDEX-TO-SCREEN1		$INDEX-TO-SCREEN1	CLUB-OR-SOCIETY2A*
m						vorher	verein
Berlin \| dgskorpus_ber_07 \| 31-45m But I saw it here on the screen. Wasn’t the World’s Day of the Deaf on there?
r			TO-SEE1*	BEFOREHAND1*	CLUB-OR-SOCIETY2A*	DAY1A	DEAF1B*
l		$INDEX-TO-SCREEN1		$INDEX-TO-SCREEN1	CLUB-OR-SOCIETY2A*	DAY1A	$INDEX-TO-SCREEN1
m				vorher	verein	tag	gehörlos
Berlin \| dgskorpus_ber_07 \| 31-45m But I saw it here on the screen. Wasn’t the World’s Day of the Deaf on there?
r	BEFOREHAND1*	CLUB-OR-SOCIETY2A*	DAY1A	DEAF1B*
l	$INDEX-TO-SCREEN1	CLUB-OR-SOCIETY2A*	DAY1A	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m	vorher	verein	tag	gehörlos
Berlin \| dgskorpus_ber_07 \| 31-45m But I saw it here on the screen. Wasn’t the World’s Day of the Deaf on there?
r	CLUB-OR-SOCIETY2A*	DAY1A	DEAF1B*
l	CLUB-OR-SOCIETY2A*	DAY1A	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m	verein	tag	gehörlos
Berlin \| dgskorpus_ber_07 \| 31-45m It was mentioned.
r			TO-SIGN1A*	$INDEX-TO-SCREEN1
l			TO-SIGN1A*
m
Berlin \| dgskorpus_ber_11 \| 61+m About the topic of CI I would like to say that I used to have a lot of altercations with hard of hearing people back in the day.
r			SUBJECT1*	$INDEX-TO-SCREEN1	$INDEX1*	CI1*	I1
l			SUBJECT1*
m			thema		ci		ich
Berlin \| dgskorpus_ber_11 \| 61+m The topic of nuclear energy in other countries is a tender subject.
r	$GEST-ATTENTION1^*	$INDEX1	NUCLEAR1	$INDEX-TO-SCREEN1	ABROAD3*	$INDEX1	$GEST-CAUTIOUS1^
l							$GEST-CAUTIOUS1^
m	…			das	ausland		[MG]
Frankfurt \| dgskorpus_fra_02 \| 31-45m I am just so used to be given a topic that we then are supposed to talk about.
r	HABIT1	I1*	SUBJECT1	$INDEX-TO-SCREEN1	I1*	OKAY1A	TO-SIGN1A
l	HABIT1		SUBJECT1				TO-SIGN1A
m	gewohn{heit}		thema			okay
Frankfurt \| dgskorpus_fra_02 \| 31-45m Do you want to say something about the topic?
r	FURTHER1A*	SUBJECT1	COHERENCE1A	$INDEX-TO-SCREEN1
l	FURTHER1A*	SUBJECT1	COHERENCE1A
m	weiter	thema
Frankfurt \| dgskorpus_fra_16 \| 31-45f Last Saturday, I went to a meeting, because a group of deaf people and I were planning the upcoming carnival.
r				$INDEX-TO-SCREEN1	LAST3	SATURDAY6*	SATURDAY3*
l							SATURDAY3*
m					[MG]	samstag
Göttingen \| dgskorpus_goe_02 \| 61+m Right, the information.
r			INFORMATION1*	$INDEX-TO-SCREEN1
l			INFORMATION1*
m			information
Bremen \| dgskorpus_hb_01 \| 31-45m Those kinds of signs are typical to show that something is very dangerous.
r				$INDEX-TO-SCREEN1	SQUARE2^*	TYPICAL1*	WARNING1
l					SQUARE2^*
m				[MG]	schild	typisch	warnen
Bremen \| dgskorpus_hb_01 \| 31-45m Those kinds of signs are typical to show that something is very dangerous.
r	TYPICAL1*	WARNING1	HIGH3A	$INDEX-TO-SCREEN1
l
m	typisch	warnen	hoch	[MG]
Bremen \| dgskorpus_hb_02 \| 46-60f It shows two pictures at the bottom of the sign that are crossed out; you’re also supposed to wear a helmet.
r				TO-CROSS-OUT2*	TO-CROSS-OUT2*	YES1A	HELMET2*
l				$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*
m						ja	helm
Bremen \| dgskorpus_hb_02 \| 46-60f It shows two pictures at the bottom of the sign that are crossed out; you’re also supposed to wear a helmet.
r			TO-CROSS-OUT2*	TO-CROSS-OUT2*	YES1A	HELMET2*
l			$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*
m					ja	helm
Bremen \| dgskorpus_hb_02 \| 46-60f It shows two pictures at the bottom of the sign that are crossed out; you’re also supposed to wear a helmet.
r		TO-CROSS-OUT2*	TO-CROSS-OUT2*	YES1A	HELMET2*
l		$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*
m				ja	helm
Bremen \| dgskorpus_hb_02 \| 46-60f Above that, all pictures are crossed out.
r				TO-CROSS-OUT2*	TO-CROSS-OUT2*	TO-CROSS-OUT2*
l				$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m
Bremen \| dgskorpus_hb_02 \| 46-60f Above that, all pictures are crossed out.
r			TO-CROSS-OUT2*	TO-CROSS-OUT2*	TO-CROSS-OUT2*
l			$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m
Bremen \| dgskorpus_hb_02 \| 46-60f Above that, all pictures are crossed out.
r		TO-CROSS-OUT2*	TO-CROSS-OUT2*	TO-CROSS-OUT2*
l		$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m
Bremen \| dgskorpus_hb_02 \| 46-60f Above that, all pictures are crossed out.
r	TO-CROSS-OUT2*	TO-CROSS-OUT2*	TO-CROSS-OUT2*
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m
Bremen \| dgskorpus_hb_02 \| 46-60f If a child is sitting in the back of the bicycle, it needs to wear a helmet.
r					CHILD1*	IN-THE-BACK-OF5	HELMET2
l				$INDEX-TO-SCREEN1			HELMET2
m					kind		helm
Bremen \| dgskorpus_hb_02 \| 46-60f I think that the sign is not about attention for a kindergarten but rather for adults because of the bag.
r		CHILD2	KINDERGARTEN1A	$INDEX-TO-SCREEN1	BAG1*	ADULTS1A
l			KINDERGARTEN1A
m		kindergarten			tasche	erwachsene
Bremen \| dgskorpus_hb_02 \| 46-60f It shows a bicycle with a trailer.
r				$INDEX-TO-SCREEN1	TO-TOW1^*	BICYCLE1
l					TO-TOW1^*	BICYCLE1
m					fahrrad
Bremen \| dgskorpus_hb_02 \| 46-60f You need to wear a helmet while inline skating too.
r				$INDEX-TO-SCREEN1	TO-ICE-SKATE1B^	ALSO3A	HELMET2
l					TO-ICE-SKATE1B^		HELMET2
m						auch	helm
Bremen \| dgskorpus_hb_02 \| 46-60f It means “attention, pedestrians”.
r				$INDEX-TO-SCREEN1	CAREFUL1	TO-GO2^*
l
m					vorsicht	fußgänger
Bremen \| dgskorpus_hb_02 \| 46-60f I think the sign has a different meaning.
r	I1	TO-BELIEVE2A*	DIFFERENT2*	$INDEX-TO-SCREEN1
l
m		glaube	anders
Bremen \| dgskorpus_hb_02 \| 46-60f You are allowed to ride a bike, a bike with a child seat and with bicycle trailers. You can also go skateboarding and skating.
r			BICYCLE1	$INDEX-TO-SCREEN1	BICYCLE1*	WITH1A	CHILD2
l			BICYCLE1		BICYCLE1*
m			fahrrad		fahrrad	mit	kindersitz
Bremen \| dgskorpus_hb_02 \| 46-60f You are allowed to ride a bike, a bike with a child seat and with bicycle trailers. You can also go skateboarding and skating.
r	CHILD2*	COHERENCE2^	SMALL3^*	$INDEX-TO-SCREEN1	TO-ICE-SKATE1B^	SKATEBOARD1*	ALLOWED2A
l		COHERENCE2^			TO-ICE-SKATE1B^	SKATEBOARD1*
m	kinderwagen				[MG]		darf
Bremen \| dgskorpus_hb_02 \| 46-60f But motorcycles, mopeds and motor scooters are not allowed.
r				$INDEX-TO-SCREEN1	MOTORCYCLE1B*	MOTORBIKE1*	$INDEX-TO-SCREEN1
l					MOTORCYCLE1B*	MOTORBIKE1*
m					motorrad	moped
Bremen \| dgskorpus_hb_02 \| 46-60f But motorcycles, mopeds and motor scooters are not allowed.
r	$INDEX-TO-SCREEN1	MOTORCYCLE1B*	MOTORBIKE1*	$INDEX-TO-SCREEN1	SCOOTER2B*	PROHIBITED1*
l		MOTORCYCLE1B*	MOTORBIKE1*		SCOOTER2B*	PROHIBITED1*
m		motorrad	moped		motorroller	verboten
Bremen \| dgskorpus_hb_02 \| 46-60f Are those children or adults?
r			CHILD2*	$INDEX-TO-SCREEN1	ADULTS1A*	$GEST-OFF^*
l
m			kinder		erwachsene
Bremen \| dgskorpus_hb_02 \| 46-60f It could also display school children.
r	SCHOOL1C*	CHILD2*	POSSIBLE1	$INDEX-TO-SCREEN1
l
m	schulkinder		möglich
Bremen \| dgskorpus_hb_02 \| 46-60f In the third picture on the bottom of the sign, the helmet is worn correctly while in the other two pictures it isn’t.
r	NEXT-TO1A	RIGHT-OR-CORRECT1A*	HELMET2	$INDEX-TO-SCREEN1	WRONG3*	$GEST-OFF^*
l		RIGHT-OR-CORRECT1A*	HELMET2
m	[MG]	richtig	helm		falsch
Bremen \| dgskorpus_hb_02 \| 46-60f The background is black.
r	BUT1*	BLACK3	AREA1A^*	$INDEX-TO-SCREEN1	$GEST-OFF^*	BLACK3	$GEST-OFF^*
l			AREA1A^*
m	aber	schwarz				schwarz
Bremen \| dgskorpus_hb_02 \| 46-60f The motorcycle is crossed out but so is the helmet; it doesn’t really make sense.
r		BUT1*	MOTORCYCLE1B	TO-CROSS-OUT2*	$INDEX-TO-SCREEN1*	HELMET2	ALSO3A
l			MOTORCYCLE1B	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*	HELMET2	$INDEX-TO-SCREEN1
m		aber	motorrad			helm	auch
Bremen \| dgskorpus_hb_02 \| 46-60f The motorcycle is crossed out but so is the helmet; it doesn’t really make sense.
r	TO-CROSS-OUT2*	$INDEX-TO-SCREEN1*	HELMET2	ALSO3A	HELMET2	CONTRADICTION1A	$GEST-I-DONT-KNOW1^
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*	HELMET2	$INDEX-TO-SCREEN1	HELMET2	CONTRADICTION1A	$GEST-I-DONT-KNOW1^
m			helm	auch		[MG]
Bremen \| dgskorpus_hb_02 \| 46-60f The helmet is more of a bicycle helmet, which a lot of people are using now.
r				$INDEX-TO-SCREEN1	HELMET2	FOR1	BICYCLE1
l					HELMET2		BICYCLE1
m					helm	für	fahrrad
Bremen \| dgskorpus_hb_02 \| 46-60f Everything fits together.
r				$INDEX-TO-SCREEN1	TO-MATCH1	FOR1*
l					TO-MATCH1
m				[MG]	passt	für
Bremen \| dgskorpus_hb_02 \| 46-60f But this kind of helmet should not be used for riding a motorcycle; they are not solid enough.
r				$INDEX-TO-SCREEN1	FOR1	MOTORCYCLE1B	$INDEX-TO-SCREEN1
l						MOTORCYCLE1B
m					für	motorrad
Bremen \| dgskorpus_hb_02 \| 46-60f But this kind of helmet should not be used for riding a motorcycle; they are not solid enough.
r	$INDEX-TO-SCREEN1	FOR1	MOTORCYCLE1B	$INDEX-TO-SCREEN1	HELMET2	$INDEX-TO-SCREEN1	TO-MATCH1*
l			MOTORCYCLE1B		HELMET2		TO-MATCH1*
m		für	motorrad		helm		passt nicht
Bremen \| dgskorpus_hb_02 \| 46-60f But this kind of helmet should not be used for riding a motorcycle; they are not solid enough.
r	MOTORCYCLE1B	$INDEX-TO-SCREEN1	HELMET2	$INDEX-TO-SCREEN1	TO-MATCH1*	FOR1	$GEST-OFF^*
l	MOTORCYCLE1B		HELMET2		TO-MATCH1*
m	motorrad		helm		passt nicht	für
Bremen \| dgskorpus_hb_02 \| 46-60f This helmet is not for riding a motorcycle.
r				$INDEX-TO-SCREEN1
l
m
Bremen \| dgskorpus_hb_02 \| 46-60f Ah, now I understand it.
r			TO-KNOW-OR-KNOWLEDGE2A^
l				$INDEX-TO-SCREEN1
m
Bremen \| dgskorpus_hb_02 \| 46-60f It is a helmet used for riding a bicycle.
r			HELMET2	$INDEX-TO-SCREEN1	FOR1*	BICYCLE1	$INDEX-TO-SCREEN1*
l			HELMET2		FOR1*	BICYCLE1	$INDEX-TO-SCREEN1*
m					für	fahrrad
Bremen \| dgskorpus_hb_02 \| 46-60f So this helmet is forbidden to use while riding motorcycles, mopeds and motor scooters.
r	MOTORCYCLE1B	TO-ROLL1A	MOTORCYCLE1B		MOTORCYCLE1B
l	MOTORCYCLE1B	TO-ROLL1A	MOTORCYCLE1B	$INDEX-TO-SCREEN1	MOTORCYCLE1B	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m		roller			moped
Bremen \| dgskorpus_hb_02 \| 46-60f So this helmet is forbidden to use while riding motorcycles, mopeds and motor scooters.
r	MOTORCYCLE1B		MOTORCYCLE1B			MOTORCYCLE1B*	PROHIBITED3*
l	MOTORCYCLE1B	$INDEX-TO-SCREEN1	MOTORCYCLE1B	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	MOTORCYCLE1B*	PROHIBITED3*
m	…		moped			motorrad	verboten
Bremen \| dgskorpus_hb_02 \| 46-60f So this helmet is forbidden to use while riding motorcycles, mopeds and motor scooters.
r		MOTORCYCLE1B			MOTORCYCLE1B*	PROHIBITED3*	$INDEX-TO-SCREEN1
l	$INDEX-TO-SCREEN1	MOTORCYCLE1B	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	MOTORCYCLE1B*	PROHIBITED3*
m		moped			motorrad	verboten
Bremen \| dgskorpus_hb_02 \| 46-60f So this helmet is forbidden to use while riding motorcycles, mopeds and motor scooters.
r		MOTORCYCLE1B*	PROHIBITED3*	$INDEX-TO-SCREEN1	HELMET2
l	$INDEX-TO-SCREEN1	MOTORCYCLE1B*	PROHIBITED3*		HELMET2
m		motorrad	verboten		helm
Bremen \| dgskorpus_hb_06 \| 31-45f It is prohibited to bike on that path.
r				$INDEX-TO-SCREEN1	BICYCLE1*	WAY2A
l					BICYCLE1*	WAY2A	PROHIBITED1
m					fahrrad	weg	verboten
Bremen \| dgskorpus_hb_06 \| 31-45f Yes, well/
r			$GEST^*	$INDEX-TO-SCREEN1	$GEST^*
l			$GEST^*		$GEST^*
m					[MG]
Bremen \| dgskorpus_hb_06 \| 31-45f But whether that is what they sign means, I don’t know.
r				$INDEX-TO-SCREEN1	OPINION1B	$GEST-I-DONT-KNOW1^*
l
m				aber	meinen
Bremen \| dgskorpus_hb_06 \| 31-45f It looks like there could be a highway nearby, and bikes are only allowed next to the highway.
r				$INDEX-TO-SCREEN1	$GEST-OFF^
l					$GEST-OFF^
m
Bremen \| dgskorpus_hb_06 \| 31-45f If another person annoys you, you are not supposed to saw the bench.
r	TO-SAW1*	$ORAL^	NOT3A	$INDEX-TO-SCREEN1
l	TO-SAW1*	$ORAL^
m		aber
Bremen \| dgskorpus_hb_06 \| 31-45f No. I think it rather means that the car drivers are supposed to give way to the cyclists.
r	MUST1*	CAREFUL1	$GEST^*	$INDEX-TO-SCREEN1	BICYCLE1	TO-GIVE2^	$INDEX1*
l			$GEST^*		BICYCLE1	TO-GIVE2^
m	muss	vorsicht			fahrrad	vorfahrt
Bremen \| dgskorpus_hb_06 \| 31-45f No. I think it rather means that the car drivers are supposed to give way to the cyclists.
r	BICYCLE1	TO-GIVE2^	$INDEX1*	$INDEX-TO-SCREEN1
l	BICYCLE1	TO-GIVE2^
m	fahrrad	vorfahrt
Bremen \| dgskorpus_hb_06 \| 31-45f Look at it! It’s not a yield sign - the border of the triangle is red.
r						TRIANGLE2^*	$INDEX-TO-SCREEN1*
l		NOT2^	IN-FRONT1^*	$INDEX-TO-SCREEN1	RED1A	TRIANGLE2^*
m			vorfahrt		rot
Bremen \| dgskorpus_hb_06 \| 31-45f But why this sign?
r			$ORAL^	$INDEX-TO-SCREEN1	WHY9*	$INDEX-TO-SCREEN1
l			$ORAL^
m			aber		warum
Bremen \| dgskorpus_hb_06 \| 31-45f You have to sit there together.
r	TOGETHER3A*	TO-SIT1A*	MEANING1*	$INDEX-TO-SCREEN1
l
m	zusammen	sitzen	bedeutet
Bremen \| dgskorpus_hb_06 \| 31-45f But why this sign?
r	$ORAL^	$INDEX-TO-SCREEN1	WHY9*	$INDEX-TO-SCREEN1
l	$ORAL^
m	aber		warum
Bremen \| dgskorpus_hb_06 \| 31-45f It means you have to sit there together.
r	MUST1	TOGETHER3A*	TO-SIT1A*	$INDEX-TO-SCREEN1
l			TO-SIT1A*
m	muss	zusammen
Bremen \| dgskorpus_hb_06 \| 31-45f It has its peak pointed upwards.
r				$INDEX-TO-SCREEN1	TRIANGLE2^*
l					TRIANGLE2^*
m
Bremen \| dgskorpus_hb_06 \| 31-45f No, well it means you have to sit there peacefully together.
r				$INDEX-TO-SCREEN1	ROUND4A^*	TO-COMPREHEND1	MEANING1*
l					ROUND4A^*
m				nein		[MG]	bedeutet
Bremen \| dgskorpus_hb_06 \| 31-45f Well, I think the car drivers have to be considerate of the cyclists.
r		I1^	TO-BELIEVE2A	$INDEX-TO-SCREEN1	CAR1*	MUST1*	CONSIDERATION1
l					CAR1*		CONSIDERATION1
m		aber	glaube		auto	muss	rücksicht
Bremen \| dgskorpus_hb_06 \| 31-45f You are not allowed to saw through the bench, but rather sit on it together.
r		OR1*	MEANING1	$INDEX-TO-SCREEN1	TO-SAW1*	NOT3A	MEANING1*
l					TO-SAW1*
m			bedeutet			nicht	bedeutet
Bremen \| dgskorpus_hb_06 \| 31-45f No. If he sign is turned that way, it just means that riding a bike isn’t allowed.
r		$GEST-NM-SHAKE-HEAD1^	NO1A	$INDEX-TO-SCREEN1	MEANING1*	SIGN2	BICYCLE1*
l		$GEST-NM-SHAKE-HEAD1^			MEANING1*	SIGN2	BICYCLE1*
m			nein		bedeutet		rad
Bremen \| dgskorpus_hb_06 \| 31-45f Because it is universally acknowledged that men are like small boys, it is precautionally forbidden to saw on the bench.
r			I1	$INDEX-TO-SCREEN1	MAN1*	TYPICAL1*	TO-PLAY1*
l						TYPICAL1*	TO-PLAY1*
m			ich		männer	typisch	spielen
Bremen \| dgskorpus_hb_06 \| 31-45f It does not specify that it is about men.
r		$INDEX1	TO-WRITE1E*	$INDEX-TO-SCREEN1	MAN1
l			TO-WRITE1E*
m			schreibt	nicht	mann
Bremen \| dgskorpus_hb_06 \| 31-45f Men have this straight body shape.
r				$INDEX-TO-SCREEN1	MAN1	POISE-BODY1^*	POISE-BODY1^*
l						POISE-BODY1^*	POISE-BODY1^*
m				doch	mann	da	gerade
Bremen \| dgskorpus_hb_06 \| 31-45f There is nothing said about the person.
r	POISE-BODY1^*	$GEST-I-DONT-KNOW1^*	NO3B^*	$INDEX-TO-SCREEN1	TO-BE-SILENT3^	NO3B^	$INDEX-TO-SCREEN1
l	POISE-BODY1^*		NO3B^*
m	[MG]				anonym
Bremen \| dgskorpus_hb_06 \| 31-45f There is nothing said about the person.
r	$INDEX-TO-SCREEN1	TO-BE-SILENT3^	NO3B^	$INDEX-TO-SCREEN1
l
m		anonym
Bremen \| dgskorpus_hb_06 \| 31-45f Whatever.
r			TO-LET1*	$INDEX-TO-SCREEN1
l
m
Bremen \| dgskorpus_hb_06 \| 31-45f So, you’re not allowed to ride your bike, you have to push it.
r				$INDEX-TO-SCREEN1	BICYCLE1*	NO1A^*	ALLOWED2A*
l					BICYCLE1*
m					fahrrad		darf
Bremen \| dgskorpus_hb_07 \| 18-30m It’s a warning sign; it can be found, for example, on batteries.
r
l				$INDEX-TO-SCREEN1	ATTENTION1A^*	$INDEX-TO-SCREEN1	BATTERY3*
m						für	b{atterie}
Bremen \| dgskorpus_hb_07 \| 18-30m It’s about a small boy and a dog.
r				$INDEX-TO-SCREEN1	$NUM-ONE-TO-TEN1A:2	$LIST1:1of1	LAD6
l						$LIST1:1of1
m					zwei		bub
Bremen \| dgskorpus_hb_07 \| 18-30m It’s a warning sign; it can be found, for example, on batteries.
r
l		$INDEX-TO-SCREEN1	ATTENTION1A^*	$INDEX-TO-SCREEN1	BATTERY3*	$INDEX-TO-SCREEN1*	BATTERY3
m				für	b{atterie}		batterie
Bremen \| dgskorpus_hb_07 \| 18-30m It’s a warning sign; it can be found, for example, on batteries.
r
l	BATTERY3*	$INDEX-TO-SCREEN1*	BATTERY3	$INDEX-TO-SCREEN1
m	b{atterie}		batterie
Bremen \| dgskorpus_hb_07 \| 18-30m There is lead-acid inside of batteries - that’s dangerous.
r					LIKE3A*	$INDEX-TO-SCREEN1
l				$INDEX-TO-SCREEN1	LIKE3A*	SOUR1*	BATTERY3*
m					wie	säure	batterie
Bremen \| dgskorpus_hb_07 \| 18-30m There is lead-acid inside of batteries - that’s dangerous.
r			LIKE3A*	$INDEX-TO-SCREEN1
l		$INDEX-TO-SCREEN1	LIKE3A*	SOUR1*	BATTERY3*	SOUR1*	VERY6
m			wie	säure	batterie	sauer	[MG]
Bremen \| dgskorpus_hb_07 \| 18-30m It can get quite dangerous.
r
l				$INDEX-TO-SCREEN1	DANGEROUS1B*	TO-CORRODE2^*	CAN1
m				[MG]		[MG]	kann
Bremen \| dgskorpus_hb_07 \| 18-30m It can get quite dangerous.
r
l	DANGEROUS1B*	TO-CORRODE2^*	CAN1	$INDEX-TO-SCREEN1
m		[MG]	kann
Bremen \| dgskorpus_hb_07 \| 18-30m The frog takes a big leap out of the glass and flees.
r				$INDEX-TO-SCREEN1	FROG1B	$PROD	NO3A^*
l					FROG1B	$PROD
m					frosch		[MG]
Bremen \| dgskorpus_hb_07 \| 18-30m It can leak - that’s when you have to be extra careful.
r			TO-OVERFLOW1*
l			TO-OVERFLOW1*	$INDEX-TO-SCREEN1	MUST1	TO-WATCH-OUT4*
m			[MG]			aufpassen
Bremen \| dgskorpus_hb_07 \| 18-30m Yellow is a warning, yes.
r
l		ATTENTION1A^*	YELLOW1A	$INDEX-TO-SCREEN1
m			gelb
Bremen \| dgskorpus_hb_07 \| 18-30m Right, but those triangles are sometimes yellow, too.
r					MEANING1*	YELLOW5	DIFFERENT2
l				$INDEX-TO-SCREEN1			DIFFERENT2
m					bedeutet	gelb	andere
Bremen \| dgskorpus_hb_07 \| 18-30m Yes, you have to be careful with those; it must not spill, just like it is shown on the sign.
r			TO-POUR-OR-TO-WATER2*			TO-OVERFLOW1*
l		YES2	TO-POUR-OR-TO-WATER2*	$INDEX-TO-SCREEN1	TO-SEE1*	TO-OVERFLOW1*	$INDEX-TO-SCREEN1*
m			[MG]			[MG]
Bremen \| dgskorpus_hb_07 \| 18-30m Right, it’s the same for both of them.
r	$GEST-OFF^*	RIGHT-OR-AGREED1A*	SAME2A*	$INDEX-TO-SCREEN1
l
m		stimmt	{das}selbe
Bremen \| dgskorpus_hb_07 \| 18-30m I think it is meant to be air.
r			$PROD
l			$PROD	$INDEX-TO-SCREEN1	AIR1*
m					luft
Bremen \| dgskorpus_hb_07 \| 18-30m I really don’t know.
r
l		I1	$GEST-I-DONT-KNOW1^*	$INDEX-TO-SCREEN1	$GEST-I-DONT-KNOW1^*
m
Bremen \| dgskorpus_hb_07 \| 18-30m I don’t know whether those are wires sticking out or air coming out - could be both.
r	OR1*		TO-WAVER1		$GEST-I-DONT-KNOW1^	TO-WAVER1	$GEST-OFF^
l	OR1*	AIR1*	TO-WAVER1	$INDEX-TO-SCREEN1	$GEST-I-DONT-KNOW1^	TO-WAVER1	$GEST-OFF^
m	oder	luft	[MG]		[MG]	[MG]
Bremen \| dgskorpus_hb_08 \| 61+m But I was there before that happened.
r		BEFORE1D		$INDEX-TO-SCREEN1	THROUGH1^
l	BUT1*	BEFORE1D	I1*		THROUGH1^
m	aber	vor
Hamburg \| dgskorpus_hh_02 \| 31-45f That person should have studied for the diver’s certification.
r	TO-DIVE1A	ID-CARD3^	TO-LEARN1*	$INDEX-TO-SCREEN1
l	TO-DIVE1A	ID-CARD3^
m	tauchschein		lernen	[MG]
Hamburg \| dgskorpus_hh_02 \| 31-45f But what does this sign really mean?
r			MEANING1*	$INDEX-TO-SCREEN1	$GEST^
l					$GEST^
m			bedeutet
Hamburg \| dgskorpus_hh_02 \| 31-45f But why are the sides tilted like that?
r				$INDEX-TO-SCREEN1	WEIRD1^*	NARROW2^*
l					WEIRD1^*	NARROW2^*
m				warum	[MG]	[MG]
Hamburg \| dgskorpus_hh_02 \| 31-45f Let’s be serious, what does the sign really mean?
r		$GEST^	WHAT-DOES-THAT-MEAN1*	$INDEX-TO-SCREEN1	$GEST^	WHAT-DOES-THAT-MEAN1*	$INDEX-TO-SCREEN1
l		$GEST^			$GEST^
m		[MG]	was bedeutet		[MG]	was bedeutet
Hamburg \| dgskorpus_hh_02 \| 31-45f It means/
r				$INDEX-TO-SCREEN1	MEANING1	$GEST^
l						$GEST^
m				[MG]	[MG]	[MG]
Hamburg \| dgskorpus_hh_02 \| 31-45f Let’s be serious, what does the sign really mean?
r	$INDEX-TO-SCREEN1	$GEST^	WHAT-DOES-THAT-MEAN1*	$INDEX-TO-SCREEN1
l		$GEST^
m	…	[MG]	was bedeutet
Hamburg \| dgskorpus_hh_02 \| 31-45f I understood it like that: You can go in, but it is hard to get out of there.
r				$INDEX-TO-SCREEN1	I1^	LIKE-THIS1A*	TO-UNDERSTAND1
l
m				aber		so	verstanden
Hamburg \| dgskorpus_hh_02 \| 31-45f I understood it like that: You can go in, but it is hard to get out of there.
r	I1^	LIKE-THIS1A*	TO-UNDERSTAND1	$INDEX-TO-SCREEN1	TO-JUMP4	TO-JUMP2^*	DIFFICULT1
l					TO-JUMP4		DIFFICULT1
m	…	so	verstanden		ja aber	raus	schwierig
Hamburg \| dgskorpus_hh_02 \| 31-45f I understood it like that: You can go in, but it is hard to get out of there.
r	TO-JUMP4	TO-JUMP2^*	DIFFICULT1	$INDEX-TO-SCREEN1
l	TO-JUMP4		DIFFICULT1
m	ja aber	raus	schwierig
Hamburg \| dgskorpus_hh_02 \| 31-45f But if it is supposed to show that one does not get out, why are there two walls?
r				$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*	IF-OR-WHEN1A	TO-JUMP2^*
l
m				[MG]	[MG]	wenn	[MG]
Hamburg \| dgskorpus_hh_03 \| 46-60m That’s the sign for a Deaf space, ha!
r		DEAF1A	AREA1A	$INDEX-TO-SCREEN1	DEAF1A*	AREA1A	$INDEX-TO-SCREEN1
l
m			bereich			bereich
Hamburg \| dgskorpus_hh_03 \| 46-60m That’s the sign for a Deaf space, ha!
r	$INDEX-TO-SCREEN1	DEAF1A*	AREA1A	$INDEX-TO-SCREEN1	$GEST^*
l					$GEST^*
m			bereich
Hamburg \| dgskorpus_hh_03 \| 46-60m I think those are boom gates, but not for trains.
r				$INDEX-TO-SCREEN1	I1	FEELING3*	OPINION1A
l
m					ich	gefühl	meine
Hamburg \| dgskorpus_hh_03 \| 46-60m I think those are boom gates, but not for trains.
r	I1	FEELING3*	OPINION1A	$INDEX-TO-SCREEN1	SEGMENT2A^*	GATE2A*
l					SEGMENT2A^*	GATE2A*	RAILWAY1*
m	ich	gefühl	meine			schranke	bahn
Hamburg \| dgskorpus_hh_03 \| 46-60m There isn’t a train on the sign/
r
l				$INDEX-TO-SCREEN1	RAILWAY1*	NOT2*
m					bahn
Hamburg \| dgskorpus_hh_03 \| 46-60m Or it could be a symbol to indicate that playing music is prohibited.
r				$INDEX-TO-SCREEN1	CAN1	SYMBOL2A	$INDEX1*
l							$INDEX1*
m				oder	kann	symbol
Hamburg \| dgskorpus_hh_03 \| 46-60m That is true, but the one pictured is not for pushing but rather pedal-powered.
r			RIGHT-OR-AGREED1A	$INDEX-TO-SCREEN1	TO-PUSH3^*	NOT2*	TO-STEP-PEDAL3^
l					TO-PUSH3^*		TO-STEP-PEDAL3^
m				aber
Hamburg \| dgskorpus_hh_04 \| 46-60m Doesn’t the shoe look weird to you?
r	SHOE2*	SHOE5A*	WHAT-DOES-IT-LOOK-LIKE1	$INDEX-TO-SCREEN1
l		SHOE5A*
m	schuh		wie sieht aus
Hamburg \| dgskorpus_hh_04 \| 46-60m No that is not what I mean. I mean the shape of it.
r			NO1B	$INDEX-TO-SCREEN1	SIGN-OR-DRAWING1^*	SHAPE1A	$INDEX-TO-SCREEN1
l					SIGN-OR-DRAWING1^*	SHAPE1A
m			nein			form
Hamburg \| dgskorpus_hh_04 \| 46-60m No that is not what I mean. I mean the shape of it.
r	$INDEX-TO-SCREEN1	SIGN-OR-DRAWING1^*	SHAPE1A	$INDEX-TO-SCREEN1
l		SIGN-OR-DRAWING1^*	SHAPE1A
m			form
Hamburg \| dgskorpus_hh_04 \| 46-60m Ah, I see.
r				$INDEX-TO-SCREEN1
l
m
Hamburg \| dgskorpus_hh_04 \| 46-60m Maybe you are not supposed to walk around much with your soccer shoes once you enter the train.
r	FOOTBALL1B*	TRAIN1D*	TO-JOIN1A^*	$INDEX-TO-SCREEN1	APPROXIMATELY1^
l	FOOTBALL1B*	TRAIN1D*	TO-JOIN1A^*
m		zug			[MG]
Hamburg \| dgskorpus_hh_04 \| 46-60m Well, of course, it means that you are not allowed to put your feet up onto the seats in the train or any other area outside the train.
r	$GEST-OFF^*	CLEAR1B	RIGHT-OR-AGREED1A	$INDEX-TO-SCREEN1	TRAIN1D*	DIFFERENT2*	ALSO1A*
l					TRAIN1D*	DIFFERENT2*
m	[MG]	klar	stimmt		zug	ander{s}	auch
Hamburg \| dgskorpus_hh_04 \| 46-60m Well, of course, it means that you are not allowed to put your feet up onto the seats in the train or any other area outside the train.
r	ALSO1A*	OUTSIDE1	WHERE3*	$INDEX-TO-SCREEN1	TO-LIE-LEG1B*	NOT3A*	NOT3B*
l					TO-LIE-LEG1B*
m	auch	draußen	wo				nicht
Hamburg \| dgskorpus_hh_04 \| 46-60m Well, of course, it means that you are not allowed to put your feet up onto the seats in the train or any other area outside the train.
r	NOT3A*	NOT3B*	PERMISSION1A	$INDEX-TO-SCREEN1
l
m		nicht	erlaubt
Hamburg \| dgskorpus_hh_04 \| 46-60m If the people see these soccer cleat, they know that the sign means their shoes.
r			IF-OR-WHEN1A		PROFILE-OF-A-SHOE1^*	TO-COMPREHEND1	SHOE5A
l				$INDEX-TO-SCREEN1	PROFILE-OF-A-SHOE1^*		SHOE5A
m			wenn			[MG]	schuh
Hamburg \| dgskorpus_hh_04 \| 46-60m But why are those things there/
r			$ORAL^	$INDEX-TO-SCREEN1	WHY1	$PROD	$GEST-TO-PONDER1^*
l			$ORAL^			$PROD
m			aber		warum
Hamburg \| dgskorpus_hh_04 \| 46-60m Because of the soccer cleats everybody should know that they mean shoes and not your feet.
r			NO3A^		TO-WANT2*	TO-SHOW1A	EXPRESSION1A
l				$INDEX-TO-SCREEN1		TO-SHOW1A	EXPRESSION1A
m				glaub	will		ausdruck
Hamburg \| dgskorpus_hh_04 \| 46-60m Because of the soccer cleats everybody should know that they mean shoes and not your feet.
r	PROFILE-OF-A-SHOE1^*	TO-COMPREHEND1	SHOE5A	$INDEX-TO-SCREEN1
l	PROFILE-OF-A-SHOE1^*		SHOE5A
m		[MG]	schuh
Hamburg \| dgskorpus_hh_04 \| 46-60m Putting your shoes on the seat is not allowed.
r			THEREFORE1*	$INDEX-TO-SCREEN1	$PROD	NO1A^
l					$PROD
m			darum
Hamburg \| dgskorpus_hh_05 \| 31-45m The tsunami.
r			TSUNAMI1*	$INDEX-TO-SCREEN1
l
m			tsunami
Hamburg \| dgskorpus_hh_05 \| 31-45m So, the tsunami was in 2004.
r			$INDEX1*	$INDEX-TO-SCREEN1	$NUM-THOUSANDS1:2*	$NUM-ONE-TO-TEN1B:9	$INDEX-TO-SCREEN1*
l						$NUM-ONE-TO-TEN1B:9
m					zweitausendvier	vier
Hamburg \| dgskorpus_hh_05 \| 31-45m I still remember, it was everywhere in the press.
r				$INDEX-TO-SCREEN1	$INDEX1*	TO-THINK1B	TO-SPREAD2^
l							TO-SPREAD2^
m						gedacht	[MG]
Hamburg \| dgskorpus_hh_05 \| 31-45m The image on the monitor shows how wide the wave was stretched out.
r		HOUSE1A^	PICTURE1	$INDEX-TO-SCREEN1	TO-SHOW1A*	ALSO3A	TO-SPREAD1A^*
l		HOUSE1A^	PICTURE1		TO-SHOW1A*		TO-SPREAD1A^*
m			bild
Hamburg \| dgskorpus_hh_06 \| 61+f The sign is about an alarm due to toxins which is indicated by the skull.
r					TO-SPIN2B^*	ALERT1	POISON7*
l				$INDEX-TO-SCREEN1
m						alarm	gift
Hamburg \| dgskorpus_hh_06 \| 61+f The sign is about an alarm due to toxins which is indicated by the skull.
r	TO-SPIN2B^*	ALERT1	POISON7*	$INDEX-TO-SCREEN1	SKELETON1^*	$INDEX-TO-SCREEN1
l					SKELETON1^*
m		alarm	gift	[MG]	totenkopf	[MG]
Hamburg \| dgskorpus_hh_06 \| 61+f The sign is about an alarm due to toxins which is indicated by the skull.
r	POISON7*	$INDEX-TO-SCREEN1	SKELETON1^*	$INDEX-TO-SCREEN1
l			SKELETON1^*
m	gift	[MG]	totenkopf	[MG]
Hamburg \| dgskorpus_hh_06 \| 61+f There is something radioactive.
r				$INDEX-TO-SCREEN1	RADIOACTIVE3B	$INDEX-TO-SCREEN1
l					RADIOACTIVE3B
m				[MG]	radioaktiv
Hamburg \| dgskorpus_hh_06 \| 61+f There is something radioactive.
r		$INDEX-TO-SCREEN1	RADIOACTIVE3B	$INDEX-TO-SCREEN1
l			RADIOACTIVE3B
m		[MG]	radioaktiv
Hamburg \| dgskorpus_hh_06 \| 61+f That is possible.
r			OR4B*	$INDEX-TO-SCREEN1	POSSIBLE2*	$GEST^
l					POSSIBLE2*	$GEST^
m			oder		möglich
Hamburg \| dgskorpus_hh_06 \| 61+f Maybe the sign would be at a restaurant or a bar.
r				$INDEX-TO-SCREEN1	THERE-IS3*	$INDEX1*	EXAMPLE1*
l							EXAMPLE1*
m				da	gibt	[MG]	beispiel
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f We just spoke about the fall of the Berlin Wall.
r	ALREADY1B*	A-MOMENT-AGO2*	TO-SPEAK1A*	$INDEX-TO-SCREEN1	ONLY1	WALL-COMES-DOWN1^
l	ALREADY1B*					WALL-COMES-DOWN1^
m		eben	gesprochen	über	nur wenn	aufgeben
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f I have never heard of artificial insemination. What is that?
r			INSEMINATION2	$INDEX-TO-SCREEN1	I1	TO-HEAR1*	I1
l
m
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f I have never heard of artificial insemination. What is that?
r	I1	TO-HEAR1*	I1	$INDEX-TO-SCREEN1	DIFFERENT2^	$INDEX-TO-SCREEN1	$GEST-OFF^
l					DIFFERENT2^		$GEST-OFF^
m						was ist das
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f I have never heard of artificial insemination. What is that?
r	I1	$INDEX-TO-SCREEN1	DIFFERENT2^	$INDEX-TO-SCREEN1	$GEST-OFF^
l			DIFFERENT2^		$GEST-OFF^
m				was ist das
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f But now we actually have the topic artificial insemination.
r	BUT1	$INDEX-TO-SCREEN1*	COHERENCE1B	$INDEX-TO-SCREEN1	A-MOMENT-AGO1*	TO-SHOW1A	MEAN-OR-BE-CALLED4*
l			COHERENCE1B			TO-SHOW1A
m	aber				eben	zeig	kün{st}l{iche} bef{ruchtung}
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f I personally don’t really like artificial insemination.
r				$INDEX-TO-SCREEN1	$GEST-I-DONT-KNOW1^	I1*	BEAUTIFUL1A
l					$GEST-I-DONT-KNOW1^
m				aber	[MG]	für mich	ni{cht} schön
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f But a story like the one that was told here happens rarely.
r		$GEST-NM-TO-SHRUG1^	RARELY2	$INDEX-TO-SCREEN1	$ORAL^	RARELY2	HISTORY-OR-STORY2*
l		$GEST-NM-TO-SHRUG1^			$ORAL^	$INDEX-TO-SCREEN1
m		aber	selten		das war	selten	geschichte
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f But a story like the one that was told here happens rarely.
r	RARELY2	$INDEX-TO-SCREEN1	$ORAL^	RARELY2	HISTORY-OR-STORY2*	$GEST^*	$GEST-NM-TO-SHRUG1^
l			$ORAL^	$INDEX-TO-SCREEN1		$GEST^*	$GEST-NM-TO-SHRUG1^
m	selten		das war	selten	geschichte		[MG]
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f That’s right, in the film it was mentioned that a deaf child was conceived through artificial insemination.
r	I1	ONCE1A*	TO-SEE1	$INDEX-TO-SCREEN1	MUCH-OR-MANY5	TO-SIGN1A	BUT1*
l						TO-SIGN1A
m	ich	einmal	sehen		viel	gebärde	aber
Köln (Cologne) \| dgskorpus_koe_08 \| 31-45m On the monitor the topic personal hygiene is displayed.
r				$INDEX-TO-SCREEN1	TO-SAY1	BODY1	CARE1
l						BODY1	CARE1
m					sagt	körperpflege
Köln (Cologne) \| dgskorpus_koe_08 \| 31-45m It said “personal hygiene“, “health“ and other terms on the screen.
r			$GEST-OFF^	$INDEX-TO-SCREEN1	TO-WRITE1A	BODY1	CARE1
l			$GEST-OFF^		TO-WRITE1A	BODY1	CARE1
m				[MG]	schrieben	körperpflege
Köln (Cologne) \| dgskorpus_koe_13 \| 61+m Being able to chat with a webcam from home is enough.
r			AT-HOME1B*		TO-SIGN1G
l			AT-HOME1B*	$INDEX-TO-SCREEN1	TO-SIGN1G	ENOUGH1
m			zu hause		[MG]	genug
Köln (Cologne) \| dgskorpus_koe_13 \| 61+m Using a computer, one can talk to different people via chat and use signs over the webcam.
r					$GEST-OFF^	WHY3A*	FAR1*
l				$INDEX-TO-SCREEN1	$GEST-OFF^	WHY3A*
m				[MG]
Köln (Cologne) \| dgskorpus_koe_13 \| 61+m Using a computer, one can talk to different people via chat and use signs over the webcam.
r	$GEST-OFF^	WHY3A*	FAR1*		CHAT1B*	TO-SIGN1G*
l	$GEST-OFF^	WHY3A*		$INDEX-TO-SCREEN1	CHAT1B*	TO-SIGN1G*	WEBCAM1*
m					chatten		webcam
Leipzig \| dgskorpus_lei_10 \| 31-45m Just like with the video we just saw.
r				TO-SEE1	A-MOMENT-AGO1*	MOVIE1*
l				$INDEX-TO-SCREEN1
m					e{ben}	film
Leipzig \| dgskorpus_lei_13 \| 46-60m I didn't give a thought about the fall of the Berlin Wall or West Germany around the time the Wall actually came down.
r				$INDEX-TO-SCREEN1	BEEN1	I1	EXACT4
l
m					gewesen		[MG]
Münster \| dgskorpus_mst_01 \| 46-60m Look at the elementary school which you have to attend for four, five years.
r	$NUM-ONE-TO-TEN1A:4*	$NUM-ONE-TO-TEN1A:5	SCHOOL1B*	NAME1B*
l			SCHOOL1B*	$INDEX-TO-SCREEN1
m	vier jah{re}	fünf
Münster \| dgskorpus_mst_01 \| 46-60m Children possibly learn faster in an inclusive school, though.
r				$INDEX-TO-SCREEN1	INTEGRATION1^	CHILD2	FAST3A
l					INTEGRATION1^
m				inklusiv		kinder	schnell
Münster \| dgskorpus_mst_08 \| 61+f The picture shows the incident which shocked me when it happened.
r		PAST-OR-BACK-THEN1*	FIRST-OF-ALL1C	$INDEX-TO-SCREEN1	I1*	$GEST^	SHOCK2A*
l						$GEST^
m		früher	erstes	bild	das war für mich	wie	schock
Münster \| dgskorpus_mst_08 \| 61+f I didn't go there, I mostly watched it on TV.
r	NOT3A*	$INDEX-TO-SCREEN1*	PICTURE3*	$INDEX-TO-SCREEN1	TELEVISION1B*	TO-SEE1*	$GEST^
l		$INDEX-TO-SCREEN1*			TELEVISION1B*		$GEST^
m			bild		fernsehen
Münster \| dgskorpus_mst_10 \| 46-60f Yes, no farmer was able to understand it. Back in the old days, they weren't able to read.
r	NOT3A*	TO-READ1C*	CAN1*	$INDEX-TO-SCREEN1	PAST-OR-BACK-THEN1*
l	NOT3A*	TO-READ1C*	CAN1*
m		lesen	kann nicht		früher
München (Munich) \| dgskorpus_mue_03 \| 46-60m The Fall of the Berlin Wall was very/
r				$INDEX-TO-SCREEN1	WALL1B*	TO-LET1^	$INDEX-TO-SCREEN1
l					WALL1B*	TO-LET1^
m					mauerfall
München (Munich) \| dgskorpus_mue_03 \| 46-60m The Fall of the Berlin Wall was very/
r	$INDEX-TO-SCREEN1	WALL1B*	TO-LET1^	$INDEX-TO-SCREEN1	VERY6*	$GEST-TO-PONDER1^
l		WALL1B*	TO-LET1^
m		mauerfall			[MG]
München (Munich) \| dgskorpus_mue_05 \| 61+f Do you know Pope Benedict?
r			$GEST^	$INDEX-TO-SCREEN1	TO-KNOW-OR-KNOWLEDGE2B*	GOOD1	TO-KNOW-STH-OR-SB1A*
l			$GEST^
m							kennst
München (Munich) \| dgskorpus_mue_05 \| 61+f He was murdered.
r		DISRUPTION1A^	TO-CUT2A^*	$INDEX-TO-SCREEN1
l		DISRUPTION1A^
m		wurde	ermordet
München (Munich) \| dgskorpus_mue_05 \| 61+f It’s weird, because his brother lives in Regensburg.
r	MODERN1D^	IN1*	REGENSBURG1	$INDEX-TO-SCREEN1
l			REGENSBURG1
m	wohnt	in	regensburg
München (Munich) \| dgskorpus_mue_05 \| 61+f His brother is a cardinal and very nice, I mean he looks like he is nice.
r	EQUAL1A^*	AS-OR-THAN1	$CUED-SPEECH*	$INDEX-TO-SCREEN1	$GEST-OFF^		LOVELY1B
l	EQUAL1A^*				$GEST-OFF^	YOU1*
m	ist	als	kardinal
München (Munich) \| dgskorpus_mue_05 \| 61+f And that distance, from Passau to Marktl.
r		$INDEX-TO-SCREEN1*	AND2A*	$INDEX-TO-SCREEN1	WE2*	FROM-OR-BY-OR-OF2*	FROM-OR-BY-OR-OF2
l			AND2A*
m							von
München (Munich) \| dgskorpus_mue_05 \| 61+f That’s Benedict’s home area, and he was born there in Marktl close to Burghausen.
r				$INDEX-TO-SCREEN1	$CUED-SPEECH*	$INDEX1*	SOUL4^
l
m					benedikt		heimat
München (Munich) \| dgskorpus_mue_05 \| 61+f Kennedy liked to do that as well, and they had three cute children.
r		AND4*		$CUED-SPEECH*	GLADLY1*	AND2A*	$NUM-ONE-TO-TEN1A:3d
l			$INDEX1	$INDEX-TO-SCREEN1		AND2A*
m		und		kennedy	auch gern	und	drei
München (Munich) \| dgskorpus_mue_05 \| 61+f He wanted to go to/
r				$INDEX-TO-SCREEN1	TO-WANT5*	TO-VISIT-OR-TO-ATTEND1^
l
m					will
München (Munich) \| dgskorpus_mue_05 \| 61+f I like to watch things like that but other things not so much.
r				I1	YES1A	GLADLY1	TO-LOOK1
l				$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m				ich	ja	gern	schaue
München (Munich) \| dgskorpus_mue_05 \| 61+f I like to watch things like that but other things not so much.
r			I1	YES1A	GLADLY1	TO-LOOK1	I1
l			$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m			ich	ja	gern	schaue
München (Munich) \| dgskorpus_mue_05 \| 61+f I like to watch things like that but other things not so much.
r		I1	YES1A	GLADLY1	TO-LOOK1	I1
l		$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m		ich	ja	gern	schaue		aber
München (Munich) \| dgskorpus_mue_05 \| 61+f I like to watch things like that but other things not so much.
r	I1	YES1A	GLADLY1	TO-LOOK1	I1		LIKE-THIS1A*
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	LIKE-THIS1A*
m	ich	ja	gern	schaue		aber	so
München (Munich) \| dgskorpus_mue_05 \| 61+f I like to watch things like that but other things not so much.
r	YES1A	GLADLY1	TO-LOOK1	I1		LIKE-THIS1A*	$INDEX-TO-SCREEN1*
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	LIKE-THIS1A*	$INDEX-TO-SCREEN1*
m	ja	gern	schaue		aber	so
München (Munich) \| dgskorpus_mue_05 \| 61+f I like to watch things like that but other things not so much.
r	GLADLY1	TO-LOOK1	I1		LIKE-THIS1A*	$INDEX-TO-SCREEN1*
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	LIKE-THIS1A*	$INDEX-TO-SCREEN1*
m	gern	schaue		aber	so
München (Munich) \| dgskorpus_mue_05 \| 61+f But with the Pope, I watched for one or two minutes and then fled.
r			I1*	POPE2*	I1	$NUM-ONE-TO-TEN1A:1d	$NUM-ONE-TO-TEN1A:2d
l				$INDEX-TO-SCREEN1
m				papst	[MG]	ein	zwei
München (Munich) \| dgskorpus_mue_05 \| 61+f But with the Pope, I’ll stay there for one or two minutes while my husband watches everything from beginning to end.
r			BUT1	I1*		BUT1*	I1
l			$INDEX1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m			aber			aber	[MG]
München (Munich) \| dgskorpus_mue_05 \| 61+f But with the Pope, I’ll stay there for one or two minutes while my husband watches everything from beginning to end.
r		BUT1	I1*		BUT1*	I1	$NUM-ONE-TO-TEN1A:1d
l		$INDEX1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1
m		aber			aber	[MG]	ein
München (Munich) \| dgskorpus_mue_05 \| 61+f Everybody liked Kennedy, he was just so nice.
r	PEOPLE1*	ALSO1A*	TO-PLEASE1		ON-PERSON1*	$INDEX-TO-SCREEN1*	$CUED-SPEECH*
l				$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*
m	leute	auch	gefallen		auf		kennedy
München (Munich) \| dgskorpus_mue_05 \| 61+f Everybody liked Kennedy, he was just so nice.
r	ALSO1A*	TO-PLEASE1		ON-PERSON1*	$INDEX-TO-SCREEN1*	$CUED-SPEECH*	$ORAL^
l			$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*		$ORAL^
m	auch	gefallen		auf		kennedy	so lieb
München (Munich) \| dgskorpus_mue_05 \| 61+f Well, he was in Berlin in any case.
r	IN1*	BERLIN1A*	THERE1*	$INDEX-TO-SCREEN1
l	IN1*
m	in	berlin
München (Munich) \| dgskorpus_mue_05 \| 61+f I found out about it through the newspaper or the TV.
r	I1	TO-LEARN-STH1A	I1*	$INDEX-TO-SCREEN1
l
m	…	erfahren
München (Munich) \| dgskorpus_mue_05 \| 61+f Everyone was saying their condolences because Kennedy was incredibly popular with everyone.
r	ALL2A*	ALL1A*	POPULAR1*	ON-PERSON1^	$CUED-SPEECH*	$INDEX-TO-SCREEN1
l				$INDEX-TO-SCREEN1
m	alle	alle	beliebt	mit	kennedy
München (Munich) \| dgskorpus_mue_05 \| 61+f Everyone was saying their condolences because Kennedy was incredibly popular with everyone.
r	POPULAR1*	ON-PERSON1^	$CUED-SPEECH*	$INDEX-TO-SCREEN1
l		$INDEX-TO-SCREEN1
m	beliebt	mit	kennedy
München (Munich) \| dgskorpus_mue_05 \| 61+f Even though we were in Germany and he was in America, he was very popular.
r	ALTHOUGH2*	WE1A*	GERMAN1	HERE1
l	ALTHOUGH2*	I1	I1*	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$CUED-SPEECH*	$INDEX-TO-SCREEN1
m	obwohl	wir	deutschland		[MG]	kenn{edy}
München (Munich) \| dgskorpus_mue_05 \| 61+f Even though we were in Germany and he was in America, he was very popular.
r	WE1A*	GERMAN1	HERE1
l	I1	I1*	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$CUED-SPEECH*	$INDEX-TO-SCREEN1	$CUED-SPEECH*
m	wir	deutschland		[MG]	kenn{edy}		amerika
München (Munich) \| dgskorpus_mue_05 \| 61+f Even though we were in Germany and he was in America, he was very popular.
r	HERE1						NEVERTHELESS4*
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$CUED-SPEECH*	$INDEX-TO-SCREEN1	$CUED-SPEECH*	TO1*
m	…	[MG]	kenn{edy}		amerika		trotzdem
München (Munich) \| dgskorpus_mue_05 \| 61+f Even though we were in Germany and he was in America, he was very popular.
r	PEOPLE1*	POPULAR1*	ON-PERSON1^	$INDEX-TO-SCREEN1
l
m	leute	beliebt		kennedy
München (Munich) \| dgskorpus_mue_05 \| 61+f He was such a good person.
r				$INDEX-TO-SCREEN1	CROSS1C^*	$NUM-ONE-TO-TEN1A:1d	GOOD1
l					CROSS1C^*
m				er	ist	ein	guter
München (Munich) \| dgskorpus_mue_05 \| 61+f No, I found it out through TV.
r	$INDEX1*	TELEVISION1A	I1	$INDEX-TO-SCREEN1
l		TELEVISION1A
m		fernseher
München (Munich) \| dgskorpus_mue_05 \| 61+f But, tell me, wasn’t John Paul also German?
r
l	ALSO3A	SELF1A*	GERMAN1*	$INDEX-TO-SCREEN1
m	auch	selbst	deutsch
München (Munich) \| dgskorpus_mue_08 \| 18-30f But that was Argentina against Germany.
r		I1	IS2*	$GEST-TO-PONDER1^	ARGENTINA1*	AGAINST3C	GERMAN1
l	WAS1	$INDEX-TO-SCREEN1*		$INDEX-TO-SCREEN1		AGAINST3C
m	war				argentinien	gegen	deutschland
München (Munich) \| dgskorpus_mue_08 \| 18-30f But that was Argentina against Germany.
r	ARGENTINA1*	AGAINST3C	GERMAN1
l		AGAINST3C		$INDEX-TO-SCREEN1
m	argentinien	gegen	deutschland
München (Munich) \| dgskorpus_mue_08 \| 18-30f If I compare it to the one this year then this one is much better.
r	I2	MUCH-OR-MANY1A*	BETTER1	$INDEX-TO-SCREEN1
l
m		viel viel viel	besser
München (Munich) \| dgskorpus_mue_10 \| 31-45m Or it might be/
r	$GEST-ATTENTION1^	OR5	MAYBE3	$INDEX-TO-SCREEN1
l		OR5	MAYBE3		$GEST-OFF^*
m	oder		vielleicht		[MG]
München (Munich) \| dgskorpus_mue_10 \| 31-45m I think there might be showers like that for horses, and the sign just shows that you shouldn’t shower them at that specific place.
r	TO-BELIEVE2A	I1^	APPROXIMATELY2^
l			APPROXIMATELY2^	$INDEX-TO-SCREEN1
m	glauben
München (Munich) \| dgskorpus_mue_12 \| 46-60f Maybe you have to pay attention not to fall, because the floor is hard.
r	$GEST^	I1	IMAGINATION1A	$INDEX-TO-SCREEN1	TO-FALL2A^	CAREFUL1*	GROUND1
l	$GEST^					CAREFUL1*	GROUND1
m	[MG]	[MG]	vorstellen			vorsicht	boden
München (Munich) \| dgskorpus_mue_12 \| 46-60f On Lanzarote for example, there is a bad water shortage.
r	WATER3B	VERY7*	BARELY1	$INDEX-TO-SCREEN1
l			BARELY1
m	wasser	[MG]	knapp
München (Munich) \| dgskorpus_mue_12 \| 46-60f And for that reason, people have to save water.
r	WATER3B*	TO-SAVE2	$GEST-TO-STAY-CALM1^*	$INDEX-TO-SCREEN1
l		TO-SAVE2	$GEST-TO-STAY-CALM1^*
m	wasser	sparen		[MG]
München (Munich) \| dgskorpus_mue_12 \| 46-60f And bathing is not allowed.
r				$INDEX-TO-SCREEN1	TO-BATH1A*	PROHIBITED1*
l					TO-BATH1A*	PROHIBITED1*
m					baden	verboten
München (Munich) \| dgskorpus_mue_12 \| 46-60f It looks like you are falling down.
r				$INDEX-TO-SCREEN1	ABOVE1	TO-FALL2A^*	$INDEX-TO-SCREEN1
l
m					oben	[MG]
München (Munich) \| dgskorpus_mue_12 \| 46-60f It looks like you are falling down.
r	$INDEX-TO-SCREEN1	ABOVE1	TO-FALL2A^*	$INDEX-TO-SCREEN1
l
m		oben	[MG]
München (Munich) \| dgskorpus_mue_12 \| 46-60f In hotels?
r			HOTEL6*	$INDEX-TO-SCREEN1
l
m			hotel
München (Munich) \| dgskorpus_mue_12 \| 46-60f Where would you see this? Not here, maybe in another country?
r			TO-GIVE2^	$INDEX-TO-SCREEN1	NO2B*	DIFFERENT2*	$GEST-OFF^*
l			TO-GIVE2^			DIFFERENT2*
m			was geben	aber		anders	[MG]
München (Munich) \| dgskorpus_mue_12 \| 46-60f But as you can see on the sign, it is far too shallow.
r					TO-SHOW1B	MEASURE8A^*
l				$INDEX-TO-SCREEN1	TO-SHOW1B	MEASURE8A^*
m						[MG]
München (Munich) \| dgskorpus_mue_13 \| 46-60m I think it said 2001.
r	IN-ADDITION1^*	$NUM-THOUSANDS1:2	$NUM-ONE-TO-TEN1A:1	$INDEX-TO-SCREEN1
l
m	steht steht	zweitausendeins
München (Munich) \| dgskorpus_mue_13 \| 46-60m Right! I was in Dresden, as well.
r				$INDEX-TO-SCREEN1	I1	WAS1	ALSO3A
l
m						war	auch
Rostock \| dgskorpus_mvp_08 \| 46-60m Alright, so in this movie, it seems as though someone is deaf.
r				$INDEX-TO-SCREEN1	MOVIE1*	$GEST-OFF^*	I2*
l						$GEST-OFF^*
m					film	[MG]
Rostock \| dgskorpus_mvp_08 \| 46-60m Alright, so in this movie, it seems as though someone is deaf.
r	TO-SEE1	OFF2^	TO-PRINT1	$INDEX-TO-SCREEN1	DEAF1B	$INDEX-TO-SCREEN1
l			TO-PRINT1
m		ausdruck			[MG]
Rostock \| dgskorpus_mvp_08 \| 46-60m Alright, so in this movie, it seems as though someone is deaf.
r	TO-PRINT1	$INDEX-TO-SCREEN1	DEAF1B	$INDEX-TO-SCREEN1
l	TO-PRINT1
m	…		[MG]
Rostock \| dgskorpus_mvp_08 \| 46-60m That’s what it seems like.
r			LIKE4A	$INDEX-TO-SCREEN1
l			LIKE4A
m			wie
Rostock \| dgskorpus_mvp_08 \| 46-60m She isn’t disturbed there and that’s why she was transferred.
r	$INDEX1	NEW5*	TO-PUT-FROM-TO1A^*	$INDEX-TO-SCREEN1
l		NEW5*	TO-PUT-FROM-TO1A^*
m		neu
Rostock \| dgskorpus_mvp_08 \| 46-60m Or they’re hearing.
r			$GEST^*	$INDEX-TO-SCREEN1	POSSIBLE1*	$INDEX1	HEARING1A*
l			$GEST^*
m			[MG]	[MG]	möglich	[MG]	hörend
Nürnberg (Nuremberg) \| dgskorpus_nue_01 \| 61+m At the time Lady Diana had her accident, I was in Ethiopia, Africa.
r	I1	$INDEX-TO-SCREEN1*	$ALPHA1:D	$INDEX-TO-SCREEN1	ACCIDENT2A	TO-FALL2A^*	BEFORE1A^*
l					ACCIDENT2A
m	ich		diana		[MG]		war
Nürnberg (Nuremberg) \| dgskorpus_nue_01 \| 61+m That's how it came along.
r			HENCE1	$INDEX-TO-SCREEN1
l			HENCE1
m			[LM:ah]
Nürnberg (Nuremberg) \| dgskorpus_nue_01 \| 61+m That's when I first learned about Diana's accident in France.
r	I1	$NUM-ORDINAL1:1	EXPERIENCE1A	$INDEX-TO-SCREEN1	$ALPHA1:D	ACCIDENT2A	$INDEX1
l			EXPERIENCE1A			ACCIDENT2A
m	war	mein erstes	erlebnis		diana	unfall
Nürnberg (Nuremberg) \| dgskorpus_nue_01 \| 61+m Later on, it was said that is was an assassination.
r			AFTERWARDS1A^*		TO-SAY1	PENALTY1B^	$GEST-OFF^
l			AFTERWARDS1A^*	$INDEX-TO-SCREEN1			$GEST-OFF^
m			später		sagt	attentat
Nürnberg (Nuremberg) \| dgskorpus_nue_01 \| 61+m And now what? He is finished, isn't he? Is it my turn now?
r				$INDEX-TO-SCREEN1	TO-SWAP3A	DONE1B	$INDEX1*
l					TO-SWAP3A	DONE1B
m
Nürnberg (Nuremberg) \| dgskorpus_nue_04 \| 18-30f I like International Sign.
r				$INDEX-TO-SCREEN1	I1	TO-LOVE-STH1	$INDEX-TO-SCREEN1
l
m					ich	[MG]
Nürnberg (Nuremberg) \| dgskorpus_nue_04 \| 18-30f I like International Sign.
r	$INDEX-TO-SCREEN1	I1	TO-LOVE-STH1	$INDEX-TO-SCREEN1	INTERNATIONAL1*	$GEST-OFF^
l					INTERNATIONAL1*	$GEST-OFF^
m		ich	[MG]		international
Nürnberg (Nuremberg) \| dgskorpus_nue_04 \| 18-30f I like International Sign.
r				$INDEX-TO-SCREEN1	TO-LOVE-STH1	INTERNATIONAL1*	$GEST^
l						INTERNATIONAL1*	$GEST^
m					[MG]	international
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f Well, there’s just one slight problem.
r			GOOD1	ONLY2A*	I1	SOMETIMES2*	PROBLEM2A
l				$INDEX-TO-SCREEN1		SOMETIMES2*	PROBLEM2A
m			gut	nur	ich	manchmal	problem
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f So yes, I’m free on Monday from twelve o’clock.
r					CAN2B	$NUM-SNIP1:2d
l				$INDEX-TO-SCREEN1	CAN2B
m					kann	zwölf
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f I could do Monday noon.
r				ALSO3A	MONDAY5A	CAN2B	ALSO3A
l				$INDEX-TO-SCREEN1		CAN2B
m				auch	montag	kann	auch
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f Shouldn’t you do that later on?
r	APPROXIMATELY1*	$GEST-OFF^*	TO-POSTPONE3^*	$INDEX-TO-SCREEN1
l	APPROXIMATELY1*	$GEST-OFF^*	TO-POSTPONE3^*
m	[MG]		[MG]	[MG]
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f And if something goes wrong and the hair turns out green, I’ll still have time to fix it.
r			IF-OR-WHEN1A*		WEIRD1^*	GREEN31*	HAIR-LONG1*
l				$INDEX-TO-SCREEN1	WEIRD1^*
m			wenn		panne	grün
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f So Wednesday is our day then?
r			$GEST-DECLINE1^*	BUT1*	WEDNESDAY3	TO-STAY2*
l				$INDEX-TO-SCREEN1	WEDNESDAY3		TO-STAY2*
m			also	aber	mittwoch	bleibt
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f I’m free while you have your appointment.
r				$INDEX-TO-SCREEN1	I1	YOU1	PRESENT-OR-HERE1
l
m							da
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f We’re basically alternating, I have an appointment at 1.45 pm.
r	AGAINST3A*	BOTH1^*	$GEST^	$INDEX-TO-SCREEN1	I1	PRESENT-OR-HERE1	APPOINTMENT1B
l	AGAINST3A*		$GEST^				APPOINTMENT1B
m	gegenteil					da	termin
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f I have to go, it means a lot to me.
r		VALUABLE1B	I1	MUST1*	TO-COME1*	I1	$GEST-OFF^*
l		VALUABLE1B		$INDEX-TO-SCREEN1			$GEST-OFF^*
m		wertvoll		muss	kommen
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f Nothing, just your good mood.
r			$GEST-NM-SHAKE-HEAD1^	ONLY2A*	GOOD1	GOOD-MOOD1	$GEST-OFF^*
l			$GEST-NM-SHAKE-HEAD1^	$INDEX-TO-SCREEN1			$GEST-OFF^*
m			[MG]	nur	gut	laune
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f I’ve just realized that I have a swim scheduled for 10 am, but I can skip that.
r				$INDEX-TO-SCREEN1	I1	TO-SEE1	CAN1*
l							CAN1*
m							kann
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f I’ve just realized that I have a swim scheduled for 10 am, but I can skip that.
r	TO-SEE1	CAN1*	BODY3^	$INDEX-TO-SCREEN1	$NUM-CLOCK1A:10	TO-SWIM1*	I2
l		CAN1*			$NUM-CLOCK1A:10	TO-SWIM1*
m		kann			zehn uhr	schwimmen
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f I hope you haven’t forgotten.
r				$INDEX-TO-SCREEN1	YOU1*	NOT3A	TO-FORGET1
l
m						nicht	vergessen
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f I’m coming, too.
r		I1	ALSO3A	I1	TO-COME1*
l				$INDEX-TO-SCREEN1
m			auch		kommen
Schleswig-Holstein \| dgskorpus_sh_08 \| 46-60m The fish restaurants, the fish restaurants.
r	RESTAURANT1	FISH1*	RESTAURANT1	$INDEX-TO-SCREEN1
l	RESTAURANT1		RESTAURANT1
m	…	fischrestaurant
Stuttgart \| dgskorpus_stu_01 \| 46-60f When I saw it, I thought that it couldn't be true.
r				$INDEX-TO-SCREEN1	THERE-IS3*
l					THERE-IS3*
m					gibts nicht
Stuttgart \| dgskorpus_stu_01 \| 46-60f After staring at the TV-screen in shock, #Name1 and I looked at each other, and we just couldn't believe that Lady Diana was dead.
r				$INDEX-TO-SCREEN1	$NAME	I1*	TO-LOOK-AT1^*
l					$NAME
m					#name1
Stuttgart \| dgskorpus_stu_15 \| 61+f Yes, that would be bad.
r				$INDEX-TO-SCREEN1	$GEST-ATTENTION1^*	I1*	$GEST-DECLINE1^*
l
m				schrecklich	eigentlich		[MG]
Berlin \| dgskorpus_ber_12 \| 31-45f There were other people I could ask.
r			THERE-IS3	$INDEX-TO-SCREEN1*	THERE-IS3
l			THERE-IS3		THERE-IS3
m			gibt		gibt
Göttingen \| dgskorpus_goe_04 \| 31-45m It should be the same all over Europe.
r				$INDEX-TO-SCREEN1*	I1	$INDEX-TO-SCREEN1*	$NUM-ORDINAL1:3d
l
m							dritte
Göttingen \| dgskorpus_goe_04 \| 31-45m It should be the same all over Europe.
r		$INDEX-TO-SCREEN1*	I1	$INDEX-TO-SCREEN1*	$NUM-ORDINAL1:3d	EUROPE1A*	SHALL1*
l
m					dritte	europa	soll
Bremen \| dgskorpus_hb_02 \| 46-60f It shows two pictures at the bottom of the sign that are crossed out; you’re also supposed to wear a helmet.
r	TO-CROSS-OUT2*	TO-CROSS-OUT2*	YES1A	HELMET2*
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*
m			ja	helm
Bremen \| dgskorpus_hb_02 \| 46-60f You need to wear a helmet while inline skating too.
r	BUT1*	MORE1*	ALSO1A*	$INDEX-TO-SCREEN1*
l	BUT1*	MORE1*	ALSO1A*	$INDEX-TO-SCREEN1*
m		mehr	auch
Bremen \| dgskorpus_hb_02 \| 46-60f The motorcycle is crossed out but so is the helmet; it doesn’t really make sense.
r	BUT1*	MOTORCYCLE1B	TO-CROSS-OUT2*	$INDEX-TO-SCREEN1*	HELMET2	ALSO3A	HELMET2
l		MOTORCYCLE1B	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*	HELMET2	$INDEX-TO-SCREEN1	HELMET2
m	aber	motorrad			helm	auch
Bremen \| dgskorpus_hb_02 \| 46-60f It is a helmet used for riding a bicycle.
r	$INDEX-TO-SCREEN1	FOR1*	BICYCLE1	$INDEX-TO-SCREEN1*
l		FOR1*	BICYCLE1	$INDEX-TO-SCREEN1*
m		für	fahrrad
Bremen \| dgskorpus_hb_06 \| 31-45f It’s a bike path.
r		BICYCLE1*	WAY2A	$INDEX-TO-SCREEN1*
l		BICYCLE1*	WAY2A
m		rad	weg
Bremen \| dgskorpus_hb_06 \| 31-45f Look at it! It’s not a yield sign - the border of the triangle is red.
r			TRIANGLE2^*	$INDEX-TO-SCREEN1*
l	$INDEX-TO-SCREEN1	RED1A	TRIANGLE2^*
m	…	rot
Bremen \| dgskorpus_hb_07 \| 18-30m It’s a warning sign; it can be found, for example, on batteries.
r
l	ATTENTION1A^*	$INDEX-TO-SCREEN1	BATTERY3*	$INDEX-TO-SCREEN1*	BATTERY3	$INDEX-TO-SCREEN1
m		für	b{atterie}		batterie
Bremen \| dgskorpus_hb_07 \| 18-30m Yet, this one here is yellow.
r				$INDEX-TO-SCREEN1*
l					YELLOW5*
m					gelb
Bremen \| dgskorpus_hb_07 \| 18-30m You have to be careful with those when pouring, and you shouldn’t break them, just like the battery.
r	$GEST-OFF^	CAREFUL1*	TO-TURN1C^*	$INDEX-TO-SCREEN1*
l	$GEST-OFF^
m	…	vorsicht
Bremen \| dgskorpus_hb_07 \| 18-30m Yes, you have to be careful with those; it must not spill, just like it is shown on the sign.
r			TO-OVERFLOW1*		NO3A^*
l	$INDEX-TO-SCREEN1	TO-SEE1*	TO-OVERFLOW1*	$INDEX-TO-SCREEN1*	NO3A^*
m			[MG]		[MG]
Hamburg \| dgskorpus_hh_02 \| 31-45f It is just a sign. The sign can’t be as big just because the canal is broad.
r				$INDEX-TO-SCREEN1*	SIGN-OR-DRAWING1A*	FOR1*	CLEAR1A^
l							CLEAR1A^
m				[MG]	zeichnung	für	mich
Hamburg \| dgskorpus_hh_02 \| 31-45f But if it is supposed to show that one does not get out, why are there two walls?
r			$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*	IF-OR-WHEN1A	TO-JUMP2^*	CAN1*
l
m			[MG]	[MG]	wenn	[MG]	[MG]
Hamburg \| dgskorpus_hh_02 \| 31-45f But two walls are strange, I think.
r	$NUM-ONE-TO-TEN1A:2	$PROD	DIFFERENT1^*	$INDEX-TO-SCREEN1*
l		$PROD	DIFFERENT1^*
m	aber zwei		[MG]	[MG]
Hamburg \| dgskorpus_hh_03 \| 46-60m I’ll make an application to put up a poster like that in the deaf community center.
r	REQUEST1B*	CLUB1A	HOME1A	$INDEX-TO-SCREEN1*	REQUEST1B	POSTER1^*	DONE4
l	REQUEST1B*	CLUB1A	HOME1A		REQUEST1B	POSTER1^*	DONE4
m	antrag	clubheim
Hamburg \| dgskorpus_hh_03 \| 46-60m Anyways, traffic participants should pay attention because handcars could cross their way.
r				$INDEX-TO-SCREEN1*	TRAFFIC1A*		$PROD
l				$INDEX-TO-SCREEN1*	TRAFFIC1A*	ATTENTION1	$PROD
m					verkehr	achtung	[MG]
Hamburg \| dgskorpus_hh_03 \| 46-60m The sign means that everybody has to be quiet.
r				$INDEX-TO-SCREEN1*	$PROD	MUST1	SILENT2
l					$PROD
m						muss
Hamburg \| dgskorpus_hh_04 \| 46-60m People also put their feet on the seats on trains and that is not allowed.
r	OR1*	TRAIN2A*	TYPICAL1*	$INDEX-TO-SCREEN1*	TO-LIE-LEG1A*	NO2A*	$GEST-OFF^*
l			TYPICAL1*		TO-LIE-LEG1A*
m	…	zug	typisch		[MG]
Hamburg \| dgskorpus_hh_04 \| 46-60m But why do we see these soccer cleats?
r	WHY1*	$PROD	TO-SEE1	$INDEX-TO-SCREEN1*
l		$PROD
m	warum			so
Hamburg \| dgskorpus_hh_05 \| 31-45m So, the tsunami was in 2004.
r	$INDEX-TO-SCREEN1	$NUM-THOUSANDS1:2*	$NUM-ONE-TO-TEN1B:9	$INDEX-TO-SCREEN1*	TSUNAMI1
l			$NUM-ONE-TO-TEN1B:9		TSUNAMI1
m		zweitausendvier	vier		tsunami
Hamburg \| dgskorpus_hh_06 \| 61+f It is forbidden to swim with a bathing suit on.
r			TO-SWIM1*	$INDEX-TO-SCREEN1*	LIKE-THIS1A*	TO-BATH2*	BIKINI1*
l			TO-SWIM1*		LIKE-THIS1A*	TO-BATH2*	BIKINI1*
m			baden		so	baden	bikini
Hamburg \| dgskorpus_hh_06 \| 61+f This sign exists, because some people are ashamed when they see others walking around in their bathing suits.
r	SWIMMING-TRUNKS1	STREET1*	SHAME4	$INDEX-TO-SCREEN1*
l	SWIMMING-TRUNKS1	STREET1*
m	badehose	auf der straße	[MG]
Hamburg \| dgskorpus_hh_06 \| 61+f Maybe it also means that you are not allowed to drink alcohol while you are at the tanning studio.
r	$GEST-ATTENTION1^*	TO-BELIEVE2B	I1	$INDEX-TO-SCREEN1*	IRRADIATION1*	UNDER1B*	$INDEX1*
l
m	s{olarium}	glaube	ich		solarium	unten	[MG]
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f But now we actually have the topic artificial insemination.
r			BUT1	$INDEX-TO-SCREEN1*	COHERENCE1B	$INDEX-TO-SCREEN1	A-MOMENT-AGO1*
l					COHERENCE1B
m			aber				eben
Köln (Cologne) \| dgskorpus_koe_02 \| 46-60f But if I had the dream of having a child I also might accept having to do it that way.
r	$GEST^	I2*	TO-TAKE1A*	$INDEX-TO-SCREEN1*
l	$GEST^		TO-TAKE1A*
m	joa	ich	nimm
Köln (Cologne) \| dgskorpus_koe_03 \| 18-30m The term itself originated in the economy.
r		FASHION1A*	WORD2	$INDEX-TO-SCREEN1*	REALLY2	ECONOMY1B	TO-BELONG1*
l					REALLY2	ECONOMY1B
m		mode				wirtschaft
Köln (Cologne) \| dgskorpus_koe_08 \| 31-45m There is nothing else on the monitor to see, okay.
r				$INDEX-TO-SCREEN1*	NOT3B*
l				$INDEX-TO-SCREEN1*	NOT3B*
m
Köln (Cologne) \| dgskorpus_koe_13 \| 61+m It’s because of the computer.
r		$INDEX1*	COMPUTER2	$INDEX-TO-SCREEN1*
l		$INDEX1*	COMPUTER2	$INDEX-TO-SCREEN1*
m		computer
Köln (Cologne) \| dgskorpus_koe_13 \| 61+m One can talk a lot with a computer.
r				$INDEX-TO-SCREEN1*		TO-SIGN1G	PRESENT-OR-HERE1*
l			I1	$INDEX-TO-SCREEN1*	MUCH-OR-MANY1A	TO-SIGN1G	PRESENT-OR-HERE1*
m				[MG]	viel	unterhalten	da
Münster \| dgskorpus_mst_08 \| 61+f I know what to say about the first topic but nothing about the other ones.
r	TO-KNOW-OR-KNOWLEDGE2B	I1	TO-TELL3A*	$INDEX-TO-SCREEN1*	I1	TO-KNOW-OR-KNOWLEDGE2B*
l			TO-TELL3A*
m	weiß					weiß nicht
Münster \| dgskorpus_mst_08 \| 61+f I didn't go there, I mostly watched it on TV.
r	I2*	TO-DRIVE3*	NOT3A*	$INDEX-TO-SCREEN1*	PICTURE3*	$INDEX-TO-SCREEN1	TELEVISION1B*
l		TO-DRIVE3*		$INDEX-TO-SCREEN1*			TELEVISION1B*
m		[MG]			bild		fernsehen
München (Munich) \| dgskorpus_mue_03 \| 46-60m The Fall of the Berlin Wall was in August.
r			WALL1B	$INDEX-TO-SCREEN1*	$GEST-TO-PONDER1^	WAS1*	$INDEX1
l			WALL1B
m			mauerfall			war
München (Munich) \| dgskorpus_mue_05 \| 61+f And that distance, from Passau to Marktl.
r				$INDEX-TO-SCREEN1*	AND2A*	$INDEX-TO-SCREEN1	WE2*
l					AND2A*
m
München (Munich) \| dgskorpus_mue_05 \| 61+f That’s Benedict’s home area, and he was born there in Marktl close to Burghausen.
r	AT-OR-ON1C	TO-STEP-PEDAL3^*	HOUSE1A	$INDEX-TO-SCREEN1*
l	AT-OR-ON1C	TO-STEP-PEDAL3^*	HOUSE1A
m	bei	burghausen
München (Munich) \| dgskorpus_mue_05 \| 61+f Then he had to move to Rome.
r				$INDEX-TO-SCREEN1*	TO-ACCEPT-STH3B*	MUST1*	TO-MOVE2*
l						MUST1*
m						muss
München (Munich) \| dgskorpus_mue_05 \| 61+f But his brother, Benedict’s brother from Regensburg, looks very lovable and nice.
r	HIS-HER1	BROTHER1A*	$CUED-SPEECH*		$CUED-SPEECH*	HIS-HER1*	BROTHER1A
l		BROTHER1A*		$INDEX-TO-SCREEN1*			BROTHER1A
m	sein				benedikt	sein	bruder
München (Munich) \| dgskorpus_mue_05 \| 61+f Where did he want to go?
r		WHERE1A*	TO-WANT5	$INDEX-TO-SCREEN1*	TO-HAVE-TO-OWN1*	WITH1B	JOURNEY1B*
l		WHERE1A*
m		wo	wollte		hat	mit	[MG]
München (Munich) \| dgskorpus_mue_05 \| 61+f I like to watch things like that but other things not so much.
r	I1		LIKE-THIS1A*	$INDEX-TO-SCREEN1*
l	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	LIKE-THIS1A*	$INDEX-TO-SCREEN1*
m		aber	so
München (Munich) \| dgskorpus_mue_05 \| 61+f Everybody liked Kennedy, he was just so nice.
r	TO-PLEASE1		ON-PERSON1*	$INDEX-TO-SCREEN1*	$CUED-SPEECH*	$ORAL^
l		$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1	$INDEX-TO-SCREEN1*		$ORAL^
m	gefallen		auf		kennedy	so lieb
München (Munich) \| dgskorpus_mue_05 \| 61+f He had already been to Berlin because/ Why was he in Berlin again?
r				$INDEX-TO-SCREEN1*	WAS1*	ALREADY1A*	IN1*
l						ALREADY1A*	IN1*
m					war	schon	in
München (Munich) \| dgskorpus_mue_05 \| 61+f Well, he was in Berlin in any case.
r				$INDEX-TO-SCREEN1*	SELF2	INVOLVED1A	IN1*
l				$INDEX-TO-SCREEN1*		INVOLVED1A	IN1*
m					selbst	dabei	in
München (Munich) \| dgskorpus_mue_05 \| 61+f No, I found it out through TV.
r			NO2B*	$INDEX-TO-SCREEN1*	TELEVISION1A*	$GEST^	$INDEX1*
l					TELEVISION1A*	$GEST^
m					fernseher
München (Munich) \| dgskorpus_mue_08 \| 18-30f But that was Argentina against Germany.
r		I2*		I1	IS2*	$GEST-TO-PONDER1^	ARGENTINA1*
l	$INDEX1	$INDEX1	WAS1	$INDEX-TO-SCREEN1*		$INDEX-TO-SCREEN1
m			war				argentinien
München (Munich) \| dgskorpus_mue_12 \| 46-60f People should not think that there is a bathroom.
r	TO-BATH1A*	TO-KNOW-OR-KNOWLEDGE2B^	QUOTATION-MARKS2^*	$INDEX-TO-SCREEN1*	ROUND3A^*	$GEST-OFF^
l	TO-BATH1A*		QUOTATION-MARKS2^*			$GEST-OFF^
m	bad		glauben	wie bad		aber
Nürnberg (Nuremberg) \| dgskorpus_nue_01 \| 61+m At the time Lady Diana had her accident, I was in Ethiopia, Africa.
r			I1	$INDEX-TO-SCREEN1*	$ALPHA1:D	$INDEX-TO-SCREEN1	ACCIDENT2A
l							ACCIDENT2A
m			ich		diana		[MG]
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f The story is really funny.
r			FUNNY1	$INDEX-TO-SCREEN1*	FUNNY1	$INDEX-TO-SCREEN1*
l			FUNNY1		FUNNY1
m			lustig		lustig
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f The story is really funny.
r	FUNNY1	$INDEX-TO-SCREEN1*	FUNNY1	$INDEX-TO-SCREEN1*
l	FUNNY1		FUNNY1
m	lustig		lustig
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f If the wedding is on Sunday, you could go to the hairdressers on Friday, then everything would still be fresh.
r				$INDEX-TO-SCREEN1*	SUNDAY2*	WEDDING2A	BEFORE1G*
l				$INDEX-TO-SCREEN1*	SUNDAY2*	WEDDING2A	BEFORE1G*
m					sonntag		[MG]
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f Oh right, after my hairdresser appointment, at two/
r				$INDEX-TO-SCREEN1*	HAIRDRESSER1*	RIGHT-OR-AGREED1A	NEXT2*
l				$INDEX-TO-SCREEN1*			NEXT2*
m					friseur	stimmt
Nürnberg (Nuremberg) \| dgskorpus_nue_06 \| 31-45f So you can’t do Monday?
r			MONDAY5A*	$INDEX-TO-SCREEN1*	CAN1*	YOU1*
l				$INDEX-TO-SCREEN1*
m			montag			[MG]
Schleswig-Holstein \| dgskorpus_sh_08 \| 46-60m In Husum there’s a well known fish restaurant.
r				$INDEX-TO-SCREEN1*	HUSUM1*	THERE1*	WELL-KNOWN1A*
l							WELL-KNOWN1A*
m					husum		bekannt

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