| Time |
Translation |
Lexem/Gebärde |
Mouth |
Translation |
Lexeme/Sign |
Mouth |
Moderator |
| right hand |
left hand |
right hand |
left hand |
00:00:00:00 00:00:00:24 |
| | | | | | | | |
00:00:00:24 00:00:00:48 |
There were several participants at the Sign Language Festival in Berlin who told various stories. | | | | | | | | |
00:00:00:48 00:00:00:49 |
$INDEX1 | | | | | | | |
00:00:00:49 00:00:01:34 |
| | | | | | | |
00:00:01:34 00:00:01:48 |
BERLIN1A* | | berlin | | | | | |
00:00:01:48 00:00:03:07 |
| | | | | | | |
00:00:03:07 00:00:03:16 |
TO-SIGN1A* | gebärdensprachfestival | | | | | |
00:00:03:16 00:00:03:24 |
| | | | | | |
00:00:03:24 00:00:03:38 |
HISTORY-OR-STORY2^* | | | | | | |
00:00:03:38 00:00:03:49 |
| | | | | | |
00:00:03:49 00:00:04:24 |
CELEBRATION4* | | | | | |
00:00:04:24 00:00:04:37 |
| | | | | | | |
00:00:04:37 00:00:04:41 |
| $INDEX1 | | | | | | |
00:00:04:41 00:00:05:14 |
| | | | | | | |
00:00:05:14 00:00:05:31 |
DISTINCT2B* | verschiedene | | | | | |
00:00:05:31 00:00:05:39 |
| | | | | | | |
00:00:05:39 00:00:05:45 |
TO-PARTICIPATE1* | teilnehmer | | | | | |
00:00:05:45 00:00:06:01 |
| | | | | | |
00:00:06:01 00:00:06:24 |
| $INDEX1* | | | | | |
00:00:06:24 00:00:06:35 |
| | | | | | | |
00:00:06:35 00:00:07:18 |
TO-TELL4* | [MG] | | | | | |
00:00:07:18 00:00:07:34 |
| | | | | | | |
00:00:07:34 00:00:07:41 |
They would sign their stories without any words, not even their lips were moving. | | | | | | | | |
00:00:07:41 00:00:07:49 |
THERE-IS3* | gibt | | | | | |
00:00:07:49 00:00:08:06 |
| | | | | | | |
00:00:08:06 00:00:08:23 |
HISTORY-OR-STORY3* | geschichten | | | | | |
00:00:08:23 00:00:08:26 |
| | | | | | | |
00:00:08:26 00:00:09:16 |
TO-SIGN1A | [MG] | | | | | |
00:00:09:16 00:00:10:03 |
| | | | | | | |
00:00:10:03 00:00:10:05 |
| ATTENTION1A^* | [MG] | | | | | |
00:00:10:05 00:00:10:10 |
| | | | | | |
00:00:10:10 00:00:10:20 |
| DISCREET1^* | | | | | |
00:00:10:20 00:00:10:26 |
| | | | | | | |
00:00:10:26 00:00:10:43 |
TO-SIGN1A* | | | | | | |
00:00:10:43 00:00:11:09 |
| | | | | | | |
00:00:11:09 00:00:11:22 |
| ORAL2* | oral | | | | | |
00:00:11:22 00:00:11:31 |
| | | | | | |
00:00:11:31 00:00:11:35 |
NOT3B* | | | | | |
00:00:11:35 00:00:11:42 |
| | | | | | | |
00:00:11:42 00:00:11:45 |
NOTHING1A* | | | | | | |
00:00:11:45 00:00:12:18 |
| | | | | | | |
00:00:12:18 00:00:12:23 |
| DISCREET1^ | [MG] | | | | | |
00:00:12:23 00:00:12:32 |
| | | | | | | |
00:00:12:32 00:00:13:12 |
TO-SIGN1A | | | | | | |
00:00:13:12 00:00:13:15 |
| | | | | | | |
00:00:13:15 00:00:13:36 |
There were others who would sign poems in a very imaginative manner. That was lovely. | | | | | | | | |
00:00:13:36 00:00:13:42 |
$INDEX1* | | | | | | |
00:00:13:42 00:00:14:05 |
| | | | | | | |
00:00:14:05 00:00:14:15 |
OUTDOORS1A^* | | | | | | | |
00:00:14:15 00:00:14:21 |
| | | | | | | |
00:00:14:21 00:00:14:28 |
DIFFERENT2* | andere | | | | | |
00:00:14:28 00:00:14:37 |
| | | | | | | |
00:00:14:37 00:00:14:43 |
THERE-IS3* | gibt | | | | | |
00:00:14:43 00:00:14:47 |
| | | | | | | |
00:00:14:47 00:00:15:02 |
ALSO1B* | auch | | | | | |
00:00:15:02 00:00:15:24 |
| | | | | | | |
00:00:15:24 00:00:15:40 |
$ALPHA1:P | | poesie | | | | | |
00:00:15:40 00:00:15:47 |
| | | | | | | |
00:00:15:47 00:00:17:10 |
$ALPHA1:P-O-E-S-I-E | | poesie | | | | | |
00:00:17:10 00:00:17:21 |
| | | | | | | |
00:00:17:21 00:00:18:07 |
$GEST^ | [MG] | | | | | |
00:00:18:07 00:00:18:26 |
IMPROVISATION1 | | | | | |
00:00:18:26 00:00:18:38 |
| | | | | | | |
00:00:18:38 00:00:19:25 |
| FANTASY2* | fantasie | | | | | |
00:00:19:25 00:00:19:48 |
| | | | | | | |
00:00:19:48 00:00:20:03 |
$GEST-OFF1^ | | | | | | |
00:00:20:03 00:00:20:26 |
| | | | | | | |
00:00:20:26 00:00:20:31 |
| PRETTY1A* | hübsch | | | | | |
00:00:20:31 00:00:20:45 |
| | | | | | |
00:00:20:45 00:00:21:16 |
| $INDEX2* | | | | | |
00:00:21:16 00:00:21:25 |
It was interesting to see what people came up with, and how they translated their ideas into signs. | | | | | | | | |
00:00:21:25 00:00:21:39 |
INTEREST1B | | interessant | | | | | |
00:00:21:39 00:00:21:41 |
| | | | | | | |
00:00:21:41 00:00:22:16 |
| $INDEX1 | | | | | | |
00:00:22:16 00:00:22:18 |
IDEA1* | | | | | | |
00:00:22:18 00:00:23:04 |
| | | | | | | |
00:00:23:04 00:00:23:12 |
IDEA1 | | ideen | | | | | |
00:00:23:12 00:00:23:45 |
| | | | | | | |
00:00:23:45 00:00:24:24 |
TO-SIGN1A* | [MG] | | | | | |
00:00:24:24 00:00:24:32 |
| | | | | | | |
00:00:24:32 00:00:25:06 |
Some of them told stories creatively, others chose fictional narratives, wait no, rather/ | | | | | | | | |
00:00:25:06 00:00:25:18 |
HISTORY-OR-STORY2* | geschichte | | | | | |
00:00:25:18 00:00:25:25 |
| | | | | | | |
00:00:25:25 00:00:26:03 |
IMPROVISATION1 | [MG] | | | | | |
00:00:26:03 00:00:26:11 |
| | | | | | | |
00:00:26:11 00:00:26:24 |
| ALL2A^* | | | | | | |
00:00:26:24 00:00:27:00 |
| | | | | | | |
00:00:27:00 00:00:27:14 |
IMAGINATION1A^* | fiktion | | | | | |
00:00:27:14 00:00:27:36 |
| | | | | | | |
00:00:27:36 00:00:27:49 |
IMAGINATION1A^* | | f{antasie} | | | | | |
00:00:27:49 00:00:28:00 |
| | | | | | | |
00:00:28:00 00:00:28:30 |
$GEST-OFF1^* | | | | | | |
00:00:28:30 00:00:28:48 |
| | | | | | | |
00:00:28:48 00:00:28:49 |
$INDEX1* | | | | | | |
00:00:28:49 00:00:29:24 |
| | | | | | | |
00:00:29:24 00:00:29:48 |
They told stories using symbols. That was interesting. | | | | | | | | |
00:00:29:48 00:00:30:14 |
SYMBOL2A* | | sym{bol} | | | | | |
00:00:30:14 00:00:30:23 |
| | | | | | | |
00:00:30:23 00:00:30:34 |
SYMBOL2A* | | symbol | | | | | |
00:00:30:34 00:00:30:47 |
| | | | | | |
00:00:30:47 00:00:31:16 |
TO-SIGN1A* | | | | | |
00:00:31:16 00:00:31:41 |
| | | | | | | |
00:00:31:41 00:00:32:04 |
| $INDEX1 | [MG] | | | | | |
00:00:32:04 00:00:32:16 |
| | | | | | | |
00:00:32:16 00:00:33:05 |
Some signed very expressively, while others' mode of expression was weaker. | | | | | | | | |
00:00:33:05 00:00:33:12 |
EXPRESSION1A | audrucksstark | | | | | |
00:00:33:12 00:00:33:26 |
| | | | | | |
00:00:33:26 00:00:33:35 |
STRONG2B | | | | | |
00:00:33:35 00:00:34:12 |
| | | | | | | |
00:00:34:12 00:00:34:21 |
| AREA1A^* | andere | | | | | |
00:00:34:21 00:00:34:40 |
| | | | | | | |
00:00:34:40 00:00:34:46 |
EXPRESSION1A* | audrucksschwach | | | | | |
00:00:34:46 00:00:35:05 |
| | | | | | |
00:00:35:05 00:00:35:20 |
WEAK1 | | | | | |
00:00:35:20 00:00:36:01 |
| | | | | | | |
00:00:36:01 00:00:36:31 |
Some narratives were intriguing, others weren't. That varied quite a bit. | | | | | | | | |
00:00:36:31 00:00:37:02 |
OR4A* | oder | | | | | |
00:00:37:02 00:00:37:21 |
| | | | | | | |
00:00:37:21 00:00:38:12 |
| EXCITEMENT5* | spannung | | | | | |
00:00:38:12 00:00:38:32 |
| | | | | | | |
00:00:38:32 00:00:38:35 |
NOT1* | nicht | | | | | |
00:00:38:35 00:00:38:41 |
| | | | | | | |
00:00:38:41 00:00:39:19 |
| EXCITEMENT5* | spannung | | | | | |
00:00:39:19 00:00:39:41 |
| | | | | | | |
00:00:39:41 00:00:40:01 |
DISTINCT1* | versch{iedene} | | | | | |
00:00:40:01 00:00:40:06 |
| | | | | | | |
00:00:40:06 00:00:40:44 |
AREA1A^* | | [MG] | | | | | |
00:00:40:44 00:00:41:06 |
| | | | | | | |
00:00:41:06 00:00:41:14 |
Obviously, the Sign Language Festival aimed at presenting sign language. | | | | | | | | |
00:00:41:14 00:00:41:24 |
| AIM2* | ziel | | | | | |
00:00:41:24 00:00:42:01 |
| | | | | | | |
00:00:42:01 00:00:42:34 |
TO-SIGN1A | gebärdensprachfestival | | | | | |
00:00:42:34 00:00:42:45 |
| | | | | | |
00:00:42:45 00:00:42:47 |
| MOUTH2^* | | | | | |
00:00:42:47 00:00:43:05 |
| | | | | | |
00:00:43:05 00:00:43:09 |
CELEBRATION4* | | | | | |
00:00:43:09 00:00:43:17 |
| | | | | | | |
00:00:43:17 00:00:43:32 |
AIM1 | ziel | | | | | |
00:00:43:32 00:00:43:41 |
| | | | | | | |
00:00:43:41 00:00:44:01 |
WHAT1B | was | | | | | |
00:00:44:01 00:00:45:21 |
| | | | | | | |
00:00:45:21 00:00:45:26 |
CLEAR1B* | klar | | | | | |
00:00:45:26 00:00:45:39 |
| | | | | | | |
00:00:45:39 00:00:45:45 |
SIGN-OR-DRAWING1A* | zeichensprache | | | | | |
00:00:45:45 00:00:46:06 |
| | | | | | |
00:00:46:06 00:00:47:05 |
TO-SIGN1A^ | | | | | |
00:00:47:05 00:00:47:13 |
| | | | | | | |
00:00:47:13 00:00:47:27 |
| MOUTH1A^* | zeichensprache | | | | | |
00:00:47:27 00:00:47:32 |
| | | | | | |
00:00:47:32 00:00:48:18 |
TO-SIGN1A^ | | | | | |
00:00:48:18 00:00:48:24 |
| | | | | | | |
00:00:48:24 00:00:48:45 |
Among those who participated in the contest, the person whose signed expressions were the clearest were awarded with the “Goldene Hand” [golden hand]. | | | | | | | | |
00:00:48:45 00:00:49:11 |
$PROD | | [MG] | | | | | |
00:00:49:11 00:00:49:18 |
| | | | | | |
00:00:49:18 00:00:49:33 |
MOVEMENT1B^* | | | | | |
00:00:49:33 00:00:49:44 |
| | | | | | | |
00:00:49:44 00:00:50:06 |
EXPRESSION1A* | ausdruck | | | | | |
00:00:50:06 00:00:50:19 |
| | | | | | | |
00:00:50:19 00:00:50:27 |
CLEAR1B* | klar | | | | | |
00:00:50:27 00:00:51:05 |
| | | | | | | |
00:00:51:05 00:00:51:14 |
| $INDEX1 | | | | | | |
00:00:51:14 00:00:51:22 |
| | | | | | | |
00:00:51:22 00:00:51:32 |
| AWARD2^ | | | | | | |
00:00:51:32 00:00:51:38 |
| | | | | | | |
00:00:51:38 00:00:51:46 |
| TO-OBTAIN1* | bekommen | | | | | |
00:00:51:46 00:00:52:02 |
| | | | | | | |
00:00:52:02 00:00:52:13 |
| AWARD2^* | | | | | | |
00:00:52:13 00:00:52:21 |
| | | | | | | |
00:00:52:21 00:00:52:27 |
GOLD4* | gold | | | | | |
00:00:52:27 00:00:52:41 |
| | | | | | | |
00:00:52:41 00:00:52:45 |
| AWARD2^ | hand | | | | | |
00:00:52:45 00:00:53:10 |
| | | | | | |
00:00:53:10 00:00:53:20 |
$PROD | | | | | | |
00:00:53:20 00:00:53:35 |
| | | | | | | |
00:00:53:35 00:00:54:12 |
$PROD | | [MG] | | | | | |
00:00:54:12 00:00:54:13 |
| | | | | | | |
00:00:54:13 00:00:54:27 |
| | | Did they keep score? | | | | |
00:00:54:27 00:00:54:33 |
$PROD | [MG] | | | | |
00:00:54:33 00:00:54:39 |
WITH1A* | | mit | |
00:00:54:39 00:00:54:41 |
| | | |
00:00:54:41 00:00:55:24 |
| | | | | | |
00:00:55:24 00:00:55:29 |
| | | POINT1C^* | bestimmung | |
00:00:55:29 00:00:55:47 |
| | | | |
00:00:55:47 00:00:56:12 |
| | | | | | | |
00:00:56:12 00:00:56:30 |
| | | | YOU1* | | | |
00:00:56:30 00:00:56:33 |
| | | | | | | |
00:00:56:33 00:00:56:44 |
Yes, a judging panel rated their work. | | | | Did they have to/ | | | | |
00:00:56:44 00:00:56:49 |
POINT1C | punkte | | | | |
00:00:56:49 00:00:57:07 |
| | | | | | |
00:00:57:07 00:00:57:13 |
| | | MUST1* | | muss | |
00:00:57:13 00:00:57:22 |
GROUP3* | | jury | | | | |
00:00:57:22 00:00:57:33 |
| | POINT1A^* | | be{stimmung} | |
00:00:57:33 00:00:57:41 |
GROUP3* | |
00:00:57:41 00:00:57:44 |
| | | |
00:00:57:44 00:00:58:03 |
Did they have to meet any conditions with their work, like signing especially beautifully, and not presenting nonsense? | | | | |
00:00:58:03 00:00:58:09 |
| | | MUST1 | | muss | |
00:00:58:09 00:00:58:16 |
| | | | | | | |
00:00:58:16 00:00:58:31 |
| | | | REASON4A^* | be{dingung} warum | |
00:00:58:31 00:00:58:41 |
| | | | | | | |
00:00:58:41 00:00:58:46 |
| | | | MUST1 | | muss | |
00:00:58:46 00:00:59:20 |
| | | | | | | |
00:00:59:20 00:00:59:46 |
| | | | CONDITION1* | bedingung | |
00:00:59:46 00:01:00:03 |
| | | | | | | |
00:01:00:03 00:01:00:11 |
| | | | $GEST-OFF1^* | | | |
00:01:00:11 00:01:00:35 |
| | | | | | | |
00:01:00:35 00:01:01:01 |
| | | | POINT1C^* | bedingung | |
00:01:01:01 00:01:01:08 |
| | | | | | |
00:01:01:08 00:01:01:15 |
| | | | $INDEX1 | | |
00:01:01:15 00:01:01:24 |
| | | | | | | |
00:01:01:24 00:01:01:27 |
| | | | LIKE-THIS1A* | so | |
00:01:01:27 00:01:01:31 |
| | | | | | |
00:01:01:31 00:01:01:40 |
| | | | $LIST1:1of1d | |
00:01:01:40 00:01:02:03 |
| | | | | | | |
00:01:02:03 00:01:02:11 |
| | | | WHAT1A^* | | wenn | |
00:01:02:11 00:01:02:23 |
| | | | | | | |
00:01:02:23 00:01:02:35 |
| | | | BOLLOCKS1^* | | [MG] | |
00:01:02:35 00:01:02:39 |
| | | | | | | |
00:01:02:39 00:01:02:49 |
| | | | NO1A* | | nein | |
00:01:02:49 00:01:03:12 |
| | | | They certainly had specific categories for that, didn't they? | | | | |
00:01:03:12 00:01:03:18 |
| | | | CERTAIN1* | bestimmt | |
00:01:03:18 00:01:03:23 |
| | | | | | |
00:01:03:23 00:01:03:29 |
| | | | AREA1A^* | | |
00:01:03:29 00:01:03:40 |
| | | | | | | |
00:01:03:40 00:01:04:07 |
| | | | TO-DIVIDE-IN1A^* | regel | |
00:01:04:07 00:01:04:13 |
| | | | | | | |
00:01:04:13 00:01:04:19 |
| | | | RIGHT-OR-AGREED1A | | stimmt | |
00:01:04:19 00:01:04:26 |
| | | | | | | |
00:01:04:26 00:01:04:46 |
| | | | $INDEX1 | | | |
00:01:04:46 00:01:04:48 |
Yes, the participants and the judging panel had to agree beforehand/ | | | | | | | | |
00:01:04:48 00:01:05:41 |
$ORAL^ | ja ja | | | | | |
00:01:05:41 00:01:05:48 |
| | | | | | | |
00:01:05:48 00:01:06:03 |
| MUST1* | muss | | | | | |
00:01:06:03 00:01:06:12 |
| | | | | | | |
00:01:06:12 00:01:06:17 |
| BEFOREHAND1A* | vorher | | | | | |
00:01:06:17 00:01:06:25 |
| | | | | | | |
00:01:06:25 00:01:06:30 |
| $ALPHA1:J_2 | jury | | | | | |
00:01:06:30 00:01:06:37 |
| | | | | | | |
00:01:06:37 00:01:07:02 |
| TO-LET-KNOW1A* | abspr{echen} | | | | | |
00:01:07:02 00:01:07:05 |
| | | | | | |
00:01:07:05 00:01:07:17 |
ACCORD1 | | | | | |
00:01:07:17 00:01:07:21 |
| | | | | | | |
00:01:07:21 00:01:07:25 |
They agreed on a topic beforehand. | | | | | | | | |
00:01:07:25 00:01:07:35 |
| $INDEX1 | absprechen | | | | | |
00:01:07:35 00:01:07:43 |
| | | | | | |
00:01:07:43 00:01:08:06 |
ACCORD1 | | | | | |
00:01:08:06 00:01:08:17 |
| | | | | | | |
00:01:08:17 00:01:08:28 |
| ALL2A^ | | | | | | |
00:01:08:28 00:01:08:32 |
| | | | | | | |
00:01:08:32 00:01:08:39 |
| WHAT1A* | was | | | | | |
00:01:08:39 00:01:09:00 |
| | | | | | | |
00:01:09:00 00:01:09:11 |
| SUBJECT1* | thema | | | | | |
00:01:09:11 00:01:09:32 |
| | | | | | |
00:01:09:32 00:01:09:41 |
| $INDEX1 | | | | | |
00:01:09:41 00:01:10:34 |
The participants were permitted to the contest, if the judging panel had acknowledged their subject. | | | | | | | | |
00:01:10:34 00:01:10:41 |
LEGAL1^ | | | | | | |
00:01:10:41 00:01:10:48 |
| | | | | | | |
00:01:10:48 00:01:11:08 |
| $INDEX1* | | | | | | |
00:01:11:08 00:01:11:14 |
| | | | | | | |
00:01:11:14 00:01:11:23 |
| SUBJECT1* | thema | | | | | |
00:01:11:23 00:01:11:49 |
| | | | | | | |
00:01:11:49 00:01:12:09 |
| $INDEX1 | | | | | | |
00:01:12:09 00:01:12:27 |
| | | | | | | |
00:01:12:27 00:01:12:33 |
FUNCTION2^* | zulassen | | | | | |
00:01:12:33 00:01:12:42 |
| | | | | | |
00:01:12:42 00:01:13:09 |
OFF1A^ | | | | | | |
00:01:13:09 00:01:13:22 |
Participants who chose meaningless subjects weren't permitted into the contest. | | | | | | | | |
00:01:13:22 00:01:13:24 |
| $INDEX1 | | | | | | |
00:01:13:24 00:01:13:41 |
| | | | | | | |
00:01:13:41 00:01:13:48 |
| TO-KNOW-STH2A^* | [MG] | | | | | |
00:01:13:48 00:01:14:07 |
| | | | | | | |
00:01:14:07 00:01:14:17 |
| SUBJECT1* | thema | | | | | |
00:01:14:17 00:01:14:45 |
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00:01:14:45 00:01:15:06 |
TO-ACCEPT1 | annehmen | | | | | |
00:01:15:06 00:01:15:15 |
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00:01:15:15 00:01:15:17 |
NO2A | | | | | | |
00:01:15:17 00:01:15:28 |
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00:01:15:28 00:01:15:47 |
OFF1A^ | | | | | | |
00:01:15:47 00:01:16:15 |
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00:01:16:15 00:01:16:32 |
That's right. | | | | | | | | |
00:01:16:32 00:01:16:37 |
| RIGHT-OR-AGREED1A* | stimmt | | | | | |
00:01:16:37 00:01:17:31 |
| | | | | | | |
00:01:17:31 00:01:17:46 |
The different people that were attending the contest, like actors and presenters, spoke about very different matters. | | | | | | | | |
00:01:17:46 00:01:17:47 |
$INDEX1 | | | | | | | |
00:01:17:47 00:01:18:11 |
| | | | | | | |
00:01:18:11 00:01:18:28 |
TO-SIGN1A* | [MG] | | | | | |
00:01:18:28 00:01:18:37 |
| | | | | | | |
00:01:18:37 00:01:19:11 |
TO-DIVIDE-IN1A^ | [MG] | | | | | |
00:01:19:11 00:01:19:19 |
| | | | | | | |
00:01:19:19 00:01:19:37 |
DISTINCT2B* | verschieden | | | | | |
00:01:19:37 00:01:21:03 |
| | | | | | | |
00:01:21:03 00:01:21:22 |
ACTOR1* | | schauspieler | | | | | |
00:01:21:22 00:01:22:03 |
| | | | | | | |
00:01:22:03 00:01:22:07 |
ALSO1A | | auch | | | | | |
00:01:22:07 00:01:22:12 |
| | | | | | | |
00:01:22:12 00:01:22:29 |
INVOLVED1A* | dabei | | | | | |
00:01:22:29 00:01:22:40 |
| | | | | | | |
00:01:22:40 00:01:23:13 |
$INDEX1 | | | | | | | |
00:01:23:13 00:01:23:26 |
| | | | | | | |
00:01:23:26 00:01:23:35 |
MODERATION-OR-PRESENTATION2* | | moderator dabei | | | | | |
00:01:23:35 00:01:23:43 |
| | | | | | |
00:01:23:43 00:01:24:12 |
INVOLVED1A* | | | | | |
00:01:24:12 00:01:24:13 |
| | | | | | | |
00:01:24:13 00:01:24:21 |
Gunter Puttrich, for example, he attended the Sign Language Festival in the past. | | | | | | | | |
00:01:24:21 00:01:24:28 |
TOWARDS9* | | zum beispiel | | | | | |
00:01:24:28 00:01:24:42 |
| | | | | | | |
00:01:24:42 00:01:25:05 |
$NAME-GUNTER-PUTTRICH1 | | gunter puttrich | | | | | |
00:01:25:05 00:01:25:10 |
| | | | | | | |
00:01:25:10 00:01:25:28 |
EXAMPLE1 | zum beispiel | | | | | |
00:01:25:28 00:01:25:32 |
| | | | | | |
00:01:25:32 00:01:25:39 |
TOWARDS9* | | | | | | |
00:01:25:39 00:01:26:20 |
$GEST-OFF1^* | | | | | |
00:01:26:20 00:01:26:24 |
| | | | | | | |
00:01:26:24 00:01:26:39 |
PAST-OR-BACK-THEN1 | | früher | | | | | |
00:01:26:39 00:01:27:04 |
| | | | | | | |
00:01:27:04 00:01:27:22 |
INVOLVED1A | dabei | | | | | |
00:01:27:22 00:01:27:25 |
| | | | | | | |
00:01:27:25 00:01:27:48 |
Who else? | | | | | | | | |
00:01:27:48 00:01:28:10 |
OFF1A^ | | | | | | | |
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| | | | | | | |
00:01:28:22 00:01:28:44 |
Jürgen Endress came from Frankfurt, and gave a lecture in front of many people. | $$EXTRA-LING-ACT^ | | | | | | |
00:01:28:44 00:01:29:10 |
| | | | | | | |
00:01:29:10 00:01:29:17 |
$ALPHA1:J_2 | | jürgen endress | | | | | |
00:01:29:17 00:01:29:33 |
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00:01:29:33 00:01:30:13 |
$ALPHA1:E-S-S | | | | | | |
00:01:30:13 00:01:30:21 |
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00:01:30:21 00:01:30:26 |
$INDEX1 | | frankfurt | | | | | |
00:01:30:26 00:01:30:33 |
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00:01:30:33 00:01:30:41 |
FRANKFURT1* | | | | | |
00:01:30:41 00:01:31:02 |
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IN-ADDITION1^ | | [MG] | | | | | |
00:01:31:12 00:01:31:26 |
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00:01:31:26 00:01:31:41 |
EXAMPLE1 | beispiel | | | | | |
00:01:31:41 00:01:31:46 |
| | | | | | | |
00:01:31:46 00:01:32:17 |
BIG3B* | groß | | | | | |
00:01:32:17 00:01:32:33 |
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00:01:32:33 00:01:32:43 |
| LECTURE1^* | [MG] | | | | | |
00:01:32:43 00:01:33:07 |
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00:01:33:07 00:01:33:48 |
| ALL1A^* | | | | | |
00:01:33:48 00:01:34:06 |
Everyone, who saw him lecturing, was impressed. | $ORAL^ | alle | | | | | |
00:01:34:06 00:01:34:12 |
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ENTHUSIASTIC1* | begeistert | | | | | |
00:01:34:14 00:01:34:29 |
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00:01:34:29 00:01:35:05 |
MASS-OF-PEOPLE-PASSIVE1^ | | | | | |
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00:01:35:23 00:01:35:38 |
| TO-SEE1 | | | | | | |
00:01:35:38 00:01:36:01 |
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00:01:36:01 00:01:36:23 |
PROCEEDING1B^ | | | | | | |
00:01:36:23 00:01:36:30 |
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00:01:36:30 00:01:36:37 |
$GEST-OFF1^* | | | | | | | |
00:01:36:37 00:01:37:22 |
When I was there, Gunter Puttrich won. | | | | | | | | |
00:01:37:22 00:01:37:26 |
$INDEX1* | | | | | | | |
00:01:37:26 00:01:37:31 |
| | | | | | | |
00:01:37:31 00:01:37:45 |
BACK-THEN1 | | damals | | | | | |
00:01:37:45 00:01:38:06 |
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00:01:38:06 00:01:38:23 |
I1* | | ich | | | | | |
00:01:38:23 00:01:38:29 |
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00:01:38:29 00:01:38:33 |
SELF1A* | | selbst | | | | | |
00:01:38:33 00:01:38:38 |
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00:01:38:38 00:01:39:03 |
INVOLVED1A* | dabei | | | | | |
00:01:39:03 00:01:39:12 |
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00:01:39:12 00:01:39:20 |
$NAME-GUNTER-PUTTRICH1 | | gunter puttrich | | | | | |
00:01:39:20 00:01:39:25 |
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00:01:39:25 00:01:39:41 |
TO-WIN1 | | [MG] | | | | | |
00:01:39:41 00:01:40:07 |
| | | | | | | |
00:01:40:07 00:01:40:18 |
LIKE-THIS1^* | | [MG] | | | | | |
00:01:40:18 00:01:40:27 |
| | | | | | | |
00:01:40:27 00:01:40:41 |
Obviously. | | | | | | | | |
00:01:40:41 00:01:40:47 |
CLEAR1B | | klar | | | | | |
00:01:40:47 00:01:41:07 |
| | | | | | | |
00:01:41:07 00:01:41:11 |
I’m telling you, the way he staged his piece ‘Schnee’ [snow] was incredibly expressive. | | | | | | | | |
00:01:41:11 00:01:41:46 |
$INDEX1 | | | | | | | |
00:01:41:46 00:01:42:02 |
| $INDEX1 | [MG] | | | | | |
00:01:42:02 00:01:42:08 |
| | | | | | | |
00:01:42:08 00:01:42:14 |
| I1 | | | | | | |
00:01:42:14 00:01:42:18 |
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00:01:42:18 00:01:42:20 |
| | | Yes, his appearance was highly professional. | | | | |
00:01:42:20 00:01:42:26 |
| TO-SAY1 | sagen | | | | |
00:01:42:26 00:01:42:27 |
$GEST-OFF1^* | | | |
00:01:42:27 00:01:42:31 |
| | | | |
00:01:42:31 00:01:42:34 |
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00:01:42:34 00:01:42:45 |
| WHAT1A* | was | | | | |
00:01:42:45 00:01:43:09 |
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00:01:43:09 00:01:43:18 |
| | | PROFESSIONALISATION1* | professionell | |
00:01:43:18 00:01:43:23 |
SNOW3C* | schnee schnee | |
00:01:43:23 00:01:44:47 |
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00:01:44:47 00:01:45:19 |
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00:01:45:19 00:01:45:37 |
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00:01:45:37 00:01:45:43 |
WIND2* | | | | | | |
00:01:45:43 00:01:46:08 |
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00:01:46:08 00:01:47:13 |
WIND1* | | | | | | |
00:01:47:13 00:01:47:18 |
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00:01:47:18 00:01:47:33 |
| $INDEX1* | [MG] | | | | | |
00:01:47:33 00:01:48:23 |
| | | | | | | |
00:01:48:23 00:01:48:31 |
EXPRESSION1A | ausdrucksstark | | | | | |
00:01:48:31 00:01:48:46 |
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00:01:48:46 00:01:49:11 |
STRONG2B | | | | | |
00:01:49:11 00:01:49:31 |
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00:01:49:31 00:01:49:36 |
Everyone was stunned by his work; that is how he received most votes. | | | | | | | | |
00:01:49:36 00:01:49:47 |
$GEST-OFF1^* | alle | | | | | |
00:01:49:47 00:01:50:03 |
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00:01:50:03 00:01:50:04 |
| ALL1A* | | | | | |
00:01:50:04 00:01:50:12 |
| | | | | | | |
00:01:50:12 00:01:50:16 |
ENTHUSIASTIC1* | begeistert | | | | | |
00:01:50:16 00:01:50:27 |
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00:01:50:27 00:01:50:36 |
| $INDEX1 | | | | | |
00:01:50:36 00:01:50:41 |
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00:01:50:41 00:01:50:44 |
MORE1* | mehr | | | | | |
00:01:50:44 00:01:51:01 |
| | | | | | | |
00:01:51:01 00:01:51:06 |
| VOICE1* | stimme | | | | | |
00:01:51:06 00:01:51:13 |
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00:01:51:13 00:01:51:24 |
| $INDEX1* | | | | | |
00:01:51:24 00:01:51:44 |
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00:01:51:44 00:01:52:12 |
Concurrently, a Children's Sign Language Festival took place. | | | | | | | | |
00:01:52:12 00:01:52:25 |
| OUTDOORS1A^* | und | | | | | |
00:01:52:25 00:01:52:31 |
| | | | | | | |
00:01:52:31 00:01:52:39 |
THERE-IS3* | gibt | | | | | |
00:01:52:39 00:01:52:45 |
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00:01:52:45 00:01:53:00 |
ALSO1B* | auch | | | | | |
00:01:53:00 00:01:53:06 |
| | | | | | | |
00:01:53:06 00:01:53:21 |
| CHILD2* | kindergebärdenfestival | | | | | |
00:01:53:21 00:01:53:30 |
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00:01:53:30 00:01:54:21 |
TO-SIGN1A | | | | | |
00:01:54:21 00:01:54:36 |
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00:01:54:36 00:01:54:48 |
CELEBRATION4 | How sweet! | | | | |
00:01:54:48 00:01:55:13 |
SWEET1* | | süß | |
00:01:55:13 00:01:55:15 |
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00:01:55:15 00:01:55:44 |
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00:01:55:44 00:01:55:47 |
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00:01:55:47 00:01:56:02 |
At the Children's Sign Language Festival the children could use their language unfettered. | | | | | | | | |
00:01:56:02 00:01:56:38 |
$PROD | | [MG] | | | | | |
00:01:56:38 00:01:57:08 |
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00:01:57:08 00:01:57:15 |
CHILD2* | kindersprache | | | | | |
00:01:57:15 00:01:57:22 |
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00:01:57:22 00:01:57:35 |
| LANGUAGE1* | | | | | |
00:01:57:35 00:01:57:42 |
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00:01:57:42 00:01:58:04 |
| TO-BELONG1^* | | | | | |
00:01:58:04 00:01:58:22 |
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00:01:58:22 00:01:59:09 |
Watching them was actually quite exciting. | | | | | | | | |
00:01:59:09 00:01:59:20 |
CURIOUS1* | neugierig | | | | | |
00:01:59:20 00:02:00:18 |
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00:02:00:18 00:02:00:38 |
TENSION6* | spannung | | | | | |
00:02:00:38 00:02:01:01 |
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00:02:01:01 00:02:01:31 |
I was thrilled by their signing ability. | | | | | | | | |
00:02:01:31 00:02:01:36 |
| I1 | [MG] | | | | | |
00:02:01:36 00:02:01:40 |
| | | | | | |
00:02:01:40 00:02:02:10 |
TO-SIGN1A* | | | | | |
00:02:02:10 00:02:02:20 |
| | | | | | | |
00:02:02:20 00:02:02:29 |
ENTHUSIASTIC1* | begeistert | | | | | |
00:02:02:29 00:02:02:42 |
| | | | | | | |
00:02:02:42 00:02:03:01 |
The children received a hand-shaped trophy as well. | | | | | | | | |
00:02:03:01 00:02:03:06 |
$GEST-DECLINE1^* | auch | | | | | |
00:02:03:06 00:02:03:11 |
| | | | | | | |
00:02:03:11 00:02:03:24 |
CHILD2* | | kinder | | | | | |
00:02:03:24 00:02:03:46 |
| $PROD | [MG] | | | | | |
00:02:03:46 00:02:04:22 |
| | | | | | | |
00:02:04:22 00:02:04:27 |
| $PROD | hand | | | | | |
00:02:04:27 00:02:04:36 |
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00:02:04:36 00:02:05:09 |
| $PROD | | | | | | |
00:02:05:09 00:02:05:18 |
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00:02:05:18 00:02:05:22 |
| ALSO1B | auch | | | | | |
00:02:05:22 00:02:05:43 |
| | | | | | | |
00:02:05:43 00:02:06:16 |
The Sign Language Festival was meant to take place annually, but it never happened. | | | | | | | | |
00:02:06:16 00:02:06:23 |
SHOULD1 | | soll | | | | | |
00:02:06:23 00:02:06:35 |
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00:02:06:35 00:02:06:40 |
ACTUALLY1C | | eigent{lich} | | | | | |
00:02:06:40 00:02:07:00 |
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00:02:07:00 00:02:07:04 |
PLAN2* | plan | | | | | |
00:02:07:04 00:02:07:06 |
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00:02:07:06 00:02:07:08 |
$INDEX1 | | | | | | |
00:02:07:08 00:02:07:11 |
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00:02:07:11 00:02:08:34 |
YEAR2A* | | jahr jahr jahr | | | | | |
00:02:08:34 00:02:08:49 |
| $GEST-OFF1^* | | | | | | |
00:02:08:49 00:02:09:04 |
I think it worked out the first two years, thereafter it just did not continue. | TO-BELIEVE2B* | | glauben | | | | | |
00:02:09:04 00:02:09:27 |
| | | | | | | |
00:02:09:27 00:02:09:43 |
YEAR1B* | | zwei zwei jahre | | | | | |
00:02:09:43 00:02:09:45 |
| | | | | | |
00:02:09:45 00:02:10:23 |
AFTERWARDS2A^* | | | | | | |
00:02:10:23 00:02:10:35 |
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00:02:10:35 00:02:10:46 |
TO-BE-CANCELLED1^* | | | | | | |
00:02:10:46 00:02:11:05 |
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00:02:11:05 00:02:11:11 |
| | | This year it will take place again. | | | | |
00:02:11:11 00:02:11:17 |
| | | THIS2 | | diesem | |
00:02:11:17 00:02:11:29 |
| | | | | | |
00:02:11:29 00:02:11:32 |
TO-SLEEP1A | | einschlafen | | | | |
00:02:11:32 00:02:11:33 |
YEAR1A | | jahr | |
00:02:11:33 00:02:11:38 |
| | |
00:02:11:38 00:02:11:41 |
| | | | |
00:02:11:41 00:02:11:42 |
| | THIS2 | | |
00:02:11:42 00:02:11:44 |
TO-FALL-ASLEEP4 | |
00:02:11:44 00:02:11:45 |
| | |
00:02:11:45 00:02:12:02 |
SOON1^* | | |
00:02:12:02 00:02:12:07 |
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00:02:12:07 00:02:12:14 |
They are reviving it at present. | | | | | | | |
00:02:12:14 00:02:12:19 |
| | | ONCE-MORE1A | | wieder | |
00:02:12:19 00:02:12:21 |
| NOW1 | jetzt | |
00:02:12:21 00:02:12:25 |
| | | |
00:02:12:25 00:02:12:27 |
THIS2* | | diesem | |
00:02:12:27 00:02:12:37 |
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00:02:12:37 00:02:12:39 |
| | | | | | |
00:02:12:39 00:02:12:48 |
| ONCE-MORE1A | wieder | | | | |
00:02:12:48 00:02:13:04 |
YEAR1A | | jahr | |
00:02:13:04 00:02:13:05 |
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00:02:13:05 00:02:13:34 |
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00:02:13:34 00:02:14:05 |
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00:02:14:05 00:02:14:16 |
AWAKE1* | aufwachen | | | | | |
00:02:14:16 00:02:14:34 |
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00:02:14:34 00:02:15:06 |
Once more, they wanted to arrange something similar concerning sign language. | | | | | | | | |
00:02:15:06 00:02:15:08 |
| TO-WANT5* | w{ill} | | | | | |
00:02:15:08 00:02:15:19 |
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00:02:15:19 00:02:15:28 |
| ONCE-AGAIN2C | noch mal | | | | | |
00:02:15:28 00:02:15:33 |
| | | | | | | |
00:02:15:33 00:02:16:10 |
TO-ORGANISE2A^ | [MG] | | | | | |
00:02:16:10 00:02:16:30 |
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00:02:16:30 00:02:17:05 |
TO-SIGN1A^ | sprache | | | | | |
00:02:17:05 00:02:17:28 |
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00:02:17:28 00:02:17:35 |
Maybe I'll be going again/ | | | | | | | | |
00:02:17:35 00:02:17:43 |
$GEST-OFF1^* | | vielleicht | | | | | |
00:02:17:43 00:02:18:05 |
| | | | | | |
00:02:18:05 00:02:18:09 |
I1 | | | | | | |
00:02:18:09 00:02:18:31 |
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00:02:18:31 00:02:18:42 |
TO-GO-THERE1* | | | | | | | |
00:02:18:42 00:02:18:48 |
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00:02:18:48 00:02:19:05 |
It is supposed to be this November, isn't it? | | | | | | | | |
00:02:19:05 00:02:19:12 |
SHOULD1* | | soll | | | | | |
00:02:19:12 00:02:19:23 |
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00:02:19:23 00:02:20:04 |
NOVEMBER7B | | november | | | | | |
00:02:20:04 00:02:20:10 |
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RIGHT-OR-AGREED1A | | stimmt | | | | | |
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This November? | | | | | | | | |
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NOVEMBER7B | | november | | | | | |
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I don't know. | | | | |
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$GEST^ | [MG] | |
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| | | | TO-KNOW-STH2B* | | weiß | |
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| | | | I1* | | | |
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We'll see. | | | | | | | | |
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MUST1 | | muss | | | | | |
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$GEST-OFF1^* | | | | | | |
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TO-LOOK1 | | schauen | | | | | |
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$GEST-OFF1^* | | | | | | |
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You haven't gone once, have you? | | | | | | | | |
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YOU1* | | du | | | | | |
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$NUM-ONE-TO-TEN1A:1 | | nicht einmal | | | | | |
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INVOLVED1A* | dabei | | | | | |
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No, not yet. I've missed it each and every time it took place. | | | | |
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NEVER-BEFORE1 | | noch nie | |
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TO-MISS-OUT-ON-STH1A* | | [MG] | |
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| | | | It is true. I have never attended it. | UNTIL-NOW1* | | bis | |
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| | | | $NUM-ONE-TO-TEN1A:1 | | einmal | |
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| | | | INVOLVED1A* | dabei | |
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| | | | RIGHT-OR-AGREED1A | | stimmt | |
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But perhaps you have attended the Culture Days in Munich, they had/ | | | | | | | | |
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| $INDEX1* | | | | | | |
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MAYBE3* | vielleicht | | | | | |
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$INDEX1* | | | | | | | |
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CULTURE1A | kulturtage | | | | | |
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DAY1A | | | | | |
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$INDEX1* | | | | | | | |
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MUNICH1A* | | münchen | | | | | |
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$NUM-ONE-TO-TEN1A:1 | | ein | | | | | |
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$GEST-OFF1^ | | | | | | |
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They had a cultural program as well. | | | | | | | | |
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PROGRAM1A* | programm | | | | | |
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IN-ADDITION1^* | | | | | |
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BEEN2B* | gewesen | | | | | |
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Do you know anything about it? They, too, had some performances. | | | | | | | | |
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| TO-KNOW-STH2A* | | | | | | |
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| YOU1* | | | | | | |
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| THERE1* | | | | | | |
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$PROD | [MG] | | | | | |
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| $GEST-OFF1^* | | | | | | |
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I don't know who initiated it. | | | | | | | | |
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| WHO3* | wer | | | | | |
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TO-MAKE1 | hat gemacht | | | | | |
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| DONT-KNOW2 | weiß ich nicht | | | | | |
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| I2 | | | | | |
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| $GEST-OFF1^* | ja | Right, but I did go to other events instead where they showed sign language poetry. | | | | |
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| | | | I2* | | [MG] | |
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| | | | RIGHT-OR-AGREED1B | | stimmt | |
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| | | | DIFFERENT1* | andere | |
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| | | | $GEST-OFF1^* | [MG] | |
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| | | | TO-SHOW1A^* | |
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| | | | TO-SIGN1D* | | |
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| | | | POETRY1* | | poesie | |
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| | | | I have seen some other things as well, but I have never been to the Sign Language Festival. | | | | |
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| | | | DIFFERENT1* | andere | |
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| | | | I1 | | [MG] | |
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| | | | TO-LOOK1* | | [MG] | |
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| | | | $INDEX1* | | |
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| | | | YES2* | | ja | |
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| | | | $INDEX1* | | aber | |
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| | | | TO-SIGN1A* | gebärdensprachfestival | |
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| | | | FESTIVAL2B | |
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| | | | $INDEX1* | |
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| | | | I1* | | |
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| | | | TO-JOIN1^* | [MG] | |
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| | | | $NUM-ONE-TO-TEN1A:1 | | einmal | |
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| | | | INVOLVED1A | dabei | |
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| | | | But other stuff I've seen. That's right. | | | | |
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| | | | I1 | | | |
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| | | | DIFFERENT1 | anders | |
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| | | | $INDEX1* | | |
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| | | | BEEN1* | gewe{sen} | |
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| | | | TO-SEE1* | | | |
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| | | | RIGHT-OR-AGREED1B | | stimmt stimmt stimmt | |
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| | | | Usually, it just didn't work out time wise, or something unexpected came up. Yes, that's true. | | | | |
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| | | | $INDEX1 | | | |
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| | | | MOST1A* | | meist | |
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| | | | I1 | | | |
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| | | | $GEST-OFF1^ | | |
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| | | | SUDDENLY4 | [MG] | |
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| | | | $INDEX1* | | | |
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| | | | $GEST-OFF1^ | | |
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| | | | TO-MATCH2 | passen | |
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| | | | NOT3A* | nicht | |
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| | | | WAY-COURSE2^ | [MG] | |
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| | | | RIGHT-OR-AGREED1A | | stimmt | |
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That's great. To me the Sign Language Festival feels like a music festival for hearing people: the act with the best voice wins. | | | | | | | | |
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BEAUTIFUL1A | | schön | | | | | |
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$INDEX1* | | | | | | | |
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I1 | | | | | | | |
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FEELING2B | fühlen | | | | | |
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WHAT1B | was | | | | | |
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$INDEX1* | | | | | | |
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HEARING1A | | hörend | | | | | |
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TO-BELONG1* | | | | | | |
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TO-SING3A | singen | | | | | |
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FESTIVAL3 | festival | | | | | |
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TO-SING3A* | | | | | | |
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| $INDEX1 | | | | | | |
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| TO-WIN1 | [MG] | | | | | |
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| VOICE1* | stimme | | | | | |
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SYLLABLES1^ | | | | | | |
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| GREAT1A | [MG] | | | | | |
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Concerning the Deaf Community, you could say that a good voice compares to a good sense of your hands, your facial expression, and your posture and body movements. Eventually, the award is the recognition for the person's ability to use their body poetically. | | | | | | | | |
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| DEAF1A | gehörlos | | | | | |
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TO-SIGN1A* | [MG] | | | | | |
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FEELING3 | | | | | | |
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HAND3* | hand | | | | | |
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FACIAL-EXPRESSION1* | mimik | | | | | |
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BODY1^ | form | | | | | |
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MOVEMENT1A^ | haltung | | | | | |
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TO-SIGN1A* | [MG] | | | | | |
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TO-ACKNOWLEDGE1 | [MG] | | | | | |
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TO-GIVE-MONEY1^ | [MG] | | | | | |
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I think it is awesome to watch. | | | | | | | | |
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| I1 | [MG] | | | | | |
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| TO-SEE1* | [MG] | | | | | |
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| GREAT1A | toll | | | | | |
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| $GEST-OFF1^* | | | | | | |
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Events like this match our community. That's where they award the prizes. | | | | | | | | |
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LIKE-THIS1A* | so | | | | | |
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WELL1 | | wohl | | | | | |
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MASS-OF-PEOPLE3^ | | für uns | | | | | |
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TO-MATCH2 | pass | | | | | |
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TO-CELEBRATE1* | fe{ier} | | | | | |
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$GEST-OFF1^ | | | | | | |
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| REWARD3 | preis | | | | | |
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TO-GIVE2^* | [MG] | | | | | |
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For the deaf it is like winning an Oscar. | | | | | | | | |
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DEAF1A* | | gehörlos | | | | | |
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FEELING2B | fühl | | | | | |
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TO-GIVE-MONEY1^* | | | | | | |
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$GEST-OFF1^ | wie | | | | | |
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CONTAINER2^ | oscar | | | | | |
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At the Sign Language Festival, they feel the same way as famous actors do when winning an Oscar. | | | | | | | | |
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$INDEX1* | | | | | | |
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WELL-KNOWN1A* | bekannt | | | | | |
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ACTOR1* | | schauspieler | | | | | |
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TO-BELONG1* | | | Yes, I know. You are right. | | | | |
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| | | TO-KNOW-STH-OR-SB1A* | | | |
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TO-GIVE-MONEY1* | | | | | |
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| YES1A* | | | |
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| RIGHT-OR-AGREED1B | | | |
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| $INDEX1* | | | | | | |
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LIKE-THIS1B* | so | | | | | |
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| | | | Do all the candidates get to participate on stage? Or is it that just a specific group, namely the best, get to perform in the final? | | | | |
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| | | | $INDEX1 | | | |
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| | | | $INDEX1* | | [MG] | |
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| | | | FULL2A^ | |
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| | | | HOW-MUCH3A | wie viel | |
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| | | | TO-PARTICIPATE1* | teilnehmer | |
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| | | | MASS-OF-PEOPLE-ACTIVE2* | [MG] | |
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| | | | ONLY2A* | | nur | |
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| | | | SHORT2^* | | |
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| | | | CERTAIN1* | | bestimmte | |
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| | | | TO-LIST1A^ | |
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| | | | BEST1* | | beste | |
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| | | | $INDEX1* | | |
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| | | | AND-THEN2 | | dann | |
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| | | | QUOTATION-MARKS1^* | [MG] | |
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| | | | FINAL3* | finale | |
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| | | | $PROD | [MG] | |
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| | | | TO-SHOW1A* | zeigen zeigen zeigen | |
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Obviously, they had to qualify for the final. They were about 20 finalists. | | | | |
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CLEAR1A* | | [MG] | |
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BEFORE-TEMPORAL2A | | vor | | | | | |
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QUALIFICATION2 | qualifikation | | | | | |
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TO-TIDY1^ | [MG] | | | | | |
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TO-DECREASE-STH1B^* | | | | | | |
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$GEST-OFF1^ | [MG] | | | | | |
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ROUGH1* | | grob | | | | | |
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$NUM-TENS1:2 | | zwanzig | | | | | |
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TO-PARTICIPATE1 | teilnehmer | | | | | |
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TO-DECREASE-STH1B^ | [MG] | | | | | |
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Five or six of them made it to the next round. | | | | | | | | |
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APPROXIMATELY1* | | | | | | | |
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$GEST-OFF1^* | | [MG] | | | | | |
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| $NUM-ONE-TO-TEN1A:5 | fünf | | | | | |
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$NUM-ONE-TO-TEN1A:6d | sechs | | | | | |
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TO-SLIDE-OR-TO-PUSH2^* | | | | | | | |
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It is a timing issue, as it would take too long otherwise. | | | | | | | | |
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TIME1* | zeit | | | | | |
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VERY6* | [MG] | | | | | |
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Right! The program had to be squeezed into a short time frame. | | | | |
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$GEST-OFF1^* | [MG] | | | | |
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RIGHT-OR-AGREED1B | | | |
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LONG-TEMPORAL4A* | lang | | | | |
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TO-COMPRESS1B | [MG] | |
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They were split into a women's group, a men's group, and a group for the children. | | | | | | | | |
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IN-ADDITION1 | | zu | | | | | |
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WOMAN1A* | | frauen | | | | | |
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TO-HIRE1A* | | | | | | |
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THEN1A | | | | | | | |
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MISTER1 | | herren | | | | | |
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THEN1A* | | | | | | | |
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CHILD2* | | kinder | | | | | |
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$GEST-OFF1^ | | | | | | |
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So that was the whole evening program. | | | | | | | | |
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TOGETHER7 | | | | | | |
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| $GEST-OFF1^* | | | | | | |
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| EVENING2* | abendprogramm | | | | | |
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PROGRAM1B | | | | | |
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FULL2A* | voll | | | | | |
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All seats were taken. | | | | | | | | |
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MASS-OF-PEOPLE-PASSIVE1^ | [MG] | | | | | |
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That was great! | | | | | | | | |
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BEAUTIFUL1A* | | schön | | | | | |
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| | | | | | | | Asks about his experience and what differences there are for women, men, and children. Asks what it feels like to know there is now a sign language festival considering that sign language was discriminated against. |
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I/ | | | | | | | | |
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I1 | | | | | | | |
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Yes, I/ | | | | | | | | |
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I1* | | | | | | | |
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$GEST-OFF1^* | | | | | | |
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You/ | | | | | | | | |
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YOU1* | | du | | | | | |
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Back at that Sign Language Festival, the deaf could show well how sign language can be used for different purposes. | | | | | | | | |
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$INDEX1* | | | | | | | |
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LANGUAGE1 | | sprachfestival | | | | | |
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CELEBRATION4* | | | | | |
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TO-SIGN1A* | | | | | | |
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TO-SHOW1A | zeigen | | | | | |
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| DEAF1A | gehörlos | | | | | |
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| CAN1 | können | | | | | |
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| BEAUTIFUL1A | schön | | | | | |
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TO-SIGN1A | gebärden | | | | | |
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TO-MAKE-USE-OF-STH1 | benutzen | | | | | |
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They showed that using signs can convey the same things as a singing voice for hearing people. | | | | | | | | |
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TO-SIGN1A* | gebärden | | | | | |
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CAN2B* | kann | | | | | |
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LIKE-SAYING1 | wie | | | | | |
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TO-CHANGE1B | um | | | | | |
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| $INDEX1* | | | | | | |
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| HEARING1A | hörend | | | | | |
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| VOICE1 | stimme | | | | | |
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SYLLABLES1^* | | | | | | |
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You can use your voice to sing high and low, thereby you are creating a melody. | | | | | | | | |
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VOICE1 | | | | | | | |
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| HIGH6 | hoch | | | | | |
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| DEEP1 | tief | | | | | |
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VOICE1* | | melodie | | | | | |
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SYLLABLES1^* | | | | | |
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When deaf people sign they convey an imagery, a particular image/ | | | | | | | | |
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| DEAF1A | gehörlos | | | | | |
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TO-SIGN1A* | gebärden | | | | | |
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| FANCY1 | [MG] | | | | | |
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FEELING3 | | | | | | |
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SYMBOL2A* | symbol | | | | | |
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$PROD | | | | | | |
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PICTURE2A | bild | | | | | |
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Well, that's body language. | | | | | | | | |
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$GEST-OFF1^ | | | | | | |
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BODY1 | körpersprache | | | | | |
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LANGUAGE1* | | | | | |
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$GEST-OFF1^ | | | | | | |
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That's just great! | | | | | | | | |
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| $INDEX1 | | | | | | |
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GREAT1A* | toll | | | | | |
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$GEST-OFF1^ | | | | | | |
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I am just saying that it is similar; hearing people sing and deaf people sign. To me, it is comparable. | | | | | | | | |
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| I1 | | | | | | |
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| $GEST-OFF1^* | | | | | | |
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OPINION1A* | | meine | | | | | |
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SIMILAR1* | ähnlich | | | | | |
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HEARING1A* | hörend | | | | | |
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TO-SING3A* | singen | | | | | |
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DEAF1A* | gehörlos | | | | | |
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TO-SIGN1A* | [MG] | | | | | |
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COMPARISON2 | vergleichen | | | | | |
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Back when I went to school, we just signed. | | | | | | | | |
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| PAST-OR-BACK-THEN1* | früher | | | | | |
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SCHOOL1A | schule | | | | | |
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TO-SIGN1A* | gebärden | | | | | |
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We believed that sign language is exclusively for communication purposes. Therefore, we solely signed in order to interact with each other. The Sign Language Festival opened up new possibilities. | | | | | | | | |
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TO-BELIEVE2A | | glau{be} | | | | | |
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| I1 | | | | | | |
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COMMUNICATION1A | kommunikation | | | | | |
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LIKE3A* | so wie | | | | | |
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TO-SIGN1A* | gebärden | | | | | |
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COMMUNICATION1A | kommunikation | | | | | |
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$INDEX1* | | | | | | | |
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IN-ADDITION1^ | | festival | | | | | |
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We didn’t know that in the past they ‘signed’ [gebärden] at the schools for the deaf. We knew it as ‘to chat’ [plaudern]. | | | | |
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PAST-OR-BACK-THEN1 | | früher | |
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| | | YOU1 | | | |
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| | | | PAST-OR-BACK-THEN1* | | früher | |
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| | | | SCHOOL1A* | | |
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| | | | DEAF1A | | gehörlosenschule | |
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| | | | SCHOOL1A* | |
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| | | | TO-SIGN1A* | gebärden | |
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| | | | WE2 | | |
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| | | | TO-KNOW-STH-OR-SB1B* | | | |
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| | | | QUOTATION-MARKS1^* | | |
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| | | | TO-CHAT1A* | plaudern | |
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| | | | Our teacher would bug us by saying: “Stop chatting all the time!” | | | | |
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| | | | TEACHER1* | | |
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| | | | TO-MOCK-SB1 | [MG] | |
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| | | | $INDEX1 | | | |
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| | | | $INDEX1 | | | |
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| | | | TO-CHAT1A* | plaudern | |
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| | | | $GEST-OFF1^ | zu viel | |
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Yes, that was called “plaudern” [to chat]. | | | | Chatting instead of signing? We did not know that word! | | | | |
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| | | TO-CHAT1A* | plaudern gebär{den} | |
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$GEST-OFF1^* | | | |
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WORD2 | | wort | | | | |
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BOTH2A* | | beide | |
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$INDEX1 | | | |
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| | | TO-KNOW-STH-OR-SB1A* | | kennen | |
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| | | $INDEX1 | | | |
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| | | | WORD3* | | wort | |
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| | | | $INDEX1 | | |
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Later on, they used the word ‘signing’. | | | | | | | | |
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LATER5 | später | | | | | |
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WORD2 | | wort | | | | | |
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$INDEX1 | | gebärden | | | | | |
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It was discriminatory, back then. | | | | |
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LATER3* | | später | | | | |
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MEANING1* | | bedeu{ten} | |
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| | | WASTE1^* | |
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| | | BACK-THEN1* | | damals | |
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| | | | Sign language wasn't regarded as valuable. | | | | |
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| | | | FEELING3^* | bedeutet | |
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| | | | LABEL1B* | bezeichnung | |
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| | | | WASTE1^* | [MG] | |
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| | | | It's like having to endure submitting to the oralism. It does not feel right. | LIKE1A* | | wie | |
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| | | | I1* | | | |
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| | | | TO-ACCEPT-STH3B* | | | |
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| | | | TO-ADJUST1 | | |
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| | | | ORAL1* | | oral | |
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| | | | RIGHT-OR-AGREED1A | | stimmt | |
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| | | | FEELING3^* | [MG] | |
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| | | | NOT6 | nicht | |
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| | | | Right. | | | | |
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| | | | RIGHT-OR-AGREED1A* | | stimmt | |
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| | | | Nowadays you can sense the impact of sign language performances - people are thrilled. That's right. | | | | |
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| | | | NOW3* | und jetzt | |
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| | | | $INDEX1 | | merken | |
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| | | | TO-NOTICE2* | |
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| | | | ALREADY1B* | schon | |
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| | | | $INDEX1* | | |
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| | | | WHAT-DOES-IT-LOOK-LIKE1* | | | |
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| | | | $GEST-OFF1^* | wie | |
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| | | | INFLUENCE1^* | | [MG] | |
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| | | | TO-SIGN1A* | |
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| | | | TO-BE-CONFUSED3^ | [MG] | |
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| | | | RIGHT-OR-AGREED1A | | stimmt | |
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Hearing people are sometimes also curious, see the beauty of the signs and ask about the meaning and content. | | | | | | | | |
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HEARING1A* | | hörend | | | | | |
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SOMETIMES1* | manchmal | | | | | |
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ALSO1A* | auch | | | | | |
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CURIOUS1 | | neugierig | | | | | |
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$INDEX1 | | | | | | | |
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BEAUTIFUL5 | | sch{ön} | | | | | |
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BEAUTIFUL1A | | schön | | | | | |
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TO-SIGN1A* | gebärden | | | | | |
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WHAT-DOES-THAT-MEAN1* | was bedeutet | | | | | |
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CONTENT3* | | | | | | |
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They ask for the meaning of the signs. | | | | | | | | |
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WHAT-DOES-THAT-MEAN1* | was | | | | | |
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TO-SIGN1A* | | | | | | |
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They ask how to do it, and why things are signed the way they are signed. | | | | | | | | |
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$INDEX1 | | | | | | | |
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HOW-QUESTION1 | wie | | | | | |
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TO-MAKE1 | machen | | | | | |
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WHY1 | | warum | | | | | |
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TO-SIGN1A* | | | | | |
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My hearing colleagues ask me all the time, and I explain to them why something is signed that way. | | | | | | | | |
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I1 | | | | | | | |
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$GEST-OFF1^ | | | | | | |
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| HEARING1A* | hörend | | | | | |
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| COLLEAGUE1A | kollege | | | | | |
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$GEST-OFF1^ | | | | | | |
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QUESTION1* | frag | | | | | |
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| I1 | [MG] | | | | | |
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| $GEST-OFF1^* | [MG] | | | | | |
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$GEST-OFF1^ | [MG] | | | | | |
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TO-CHANGE1B | umsetzen | | | | | |
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TO-EXPLAIN1 | erklären | | | | | |
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$GEST-OFF1^ | | | | | | |
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EXAMPLE1 | zum beispiel | | | | | |
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$GEST-OFF1^ | | | | | | |
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You know that the way a person signs also depends on the different characters he or she is portraying. | | | | | | | | |
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$INDEX1* | | | | | | | |
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TO-KNOW-STH2A* | | | | | | | |
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TO-SIGN1A* | gebärden | | | | | |
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OWN1B* | | eigene | | | | | |
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DISTINCT1 | verschiedene | | | | | |
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POISE-BODY1^ | arten | | | | | |
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There are those who sign aggressively, and those who sign softly. | | | | | | | | |
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THERE-IS3 | gibt | | | | | |
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TO-SIGN1A* | | | | | | |
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AGGRESSIVE1* | aggressiv | | | | | |
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TO-SIGN1A* | | | | | | |
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| | | There are some people who sign very softly, or really fast, and others that take their time. That's right. | | | | |
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SOFT2A | weich | | | | |
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SOFT2C* | weich | |
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It varies. | | | | | | | |
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| | | FAST3B* | [MG] | |
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DISTINCT1 | verschieden | |
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And there are the fast signers as well. | | | | | | | |
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FAST3B* | schnell | | | | |
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VIOLIN1^* | [MG] | |
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| | | RIGHT-OR-AGREED1A | | stimmt | |
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That varies quite a bit. | | | | | | | | |
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DISTINCT1 | verschieden | | | | |
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