Frankfurt | dgskorpus_fra_05 | 46-60m I gave them a lot of input at home, as well. |
r | I1^* | AT-HOME2* | I2* | TO-PRODUCE2^ | TO-WATCH1^* |
l |
m | auch zu hause |
Göttingen | dgskorpus_goe_08 | 18-30f You bring them in, and they can try to find words to be signed uniformly in Europe. |
r | THEN1A | TO-TRY2 | WORD3* | TO-PRODUCE2^ | HOW-QUESTION-COMPARISON1 | EUROPE1A | EQUAL8* |
l | | | | |
m | | versuchen | wort | [MG] | wie | europa | [MG] |
Köln (Cologne) | dgskorpus_koe_03 | 18-30m Fashion is great and everyone should be able to wear what they want, that is definitely an aspect on the pro list. |
r | FASHION1A* | GOOD1* | FREE1* | TO-PRODUCE2^ |
l | |
m | mode | [MG] | | |
Münster | dgskorpus_mst_07 | 46-60m But I can understand that, I just have to give them more input then. |
r | TO-UNDERSTAND1* | I2 | MUST1* | TO-PRODUCE2^ |
l | | | |
m | versteh | muss | |
Berlin | dgskorpus_ber_04 | 46-60m It was very creatively done and tickets were always sold out. |
r | | MORE1 | COSY1 | TO-PRODUCE2^* | TO-WATCH1* | ROUND13B^ | SOLD-OUT1 |
l | |
m | mehr | [MG] | [MG] | zuschauer | voll | ausverkauf |
Berlin | dgskorpus_ber_09 | 18-30f What’s also fascinating is love at first sight. |
r | TOGETHER-PERSON2B^* | FIRST-OF-ALL1B* | TOGETHER-PERSON2B^* | TO-PRODUCE2^* | $GEST-DECLINE1^ | TOGETHER-PERSON2B^* |
l | | |
m | | erste | [MG] | | [MG] | |
Berlin | dgskorpus_ber_12 | 31-45f It is that way because I love to pass on my language to others. |
r | I1 | TO-WISH1B | MY1* | TO-PRODUCE2^* | ALL2A | $GEST^ |
l | | | | |
m | | wunsch | | [MG] | | |
Berlin | dgskorpus_ber_13 | 31-45f I would like to pass on all my knowledge. |
r | $GEST-NM-SHAKE-HEAD1^ | I1* | GLADLY1 | TO-PRODUCE2^* |
l | | |
m | [MG] | hätte | gern | [MG] |
Frankfurt | dgskorpus_fra_04 | 61+m They become depressive through the CI. |
r | $INDEX1 | MAYBE2* | DEPRESSION1* | TO-PRODUCE2^* | INSECURE1 | I1* | $INDEX1 |
l | | | | |
m | [MG] | [MG] | depression | [MG] | [MG] |
Frankfurt | dgskorpus_fra_05 | 46-60m I gave them much input at home. |
r | AT-HOME2* | ALSO1A* | I1^ | TO-PRODUCE2^* | $GEST-OFF^ |
l | |
m | zu hause | auch | |
Frankfurt | dgskorpus_fra_07 | 18-30m Some German deaf people are very gifted when it comes to introducing new words. |
r | DEAF1A | TO-BELONG1^* | GOOD1 | TO-PRODUCE2^* | MUCH-OR-MANY1A | GERMAN1 | TO-BELONG1^ |
l | | | | | | | |
m | | | [MG] | | viel | | |
Frankfurt | dgskorpus_fra_14 | 31-45f Let’s wait and see until my kids are grown up because they are in puberty at the moment and it's hard to coordinate everything. |
r | CHILD2* | TO-GROW-UP1A* | $INDEX1* | TO-PRODUCE2^* | I1 | TO-ORGANISE2B^ |
l | | | |
m | kinder | | | pubertät | | [MG] |
Göttingen | dgskorpus_goe_07 | 18-30m They had to think of a topic before and mail it in. |
r | SUBJECT1 | QUOTATION-MARKS2^ | WHAT1B | TO-PRODUCE2^* | EMAIL1 |
l | |
m | thema | was | | e-mail |
Göttingen | dgskorpus_goe_07 | 18-30m I only gave them the information. |
r | | | ONLY2B | TO-PRODUCE2^* | TO-WANT-NO-PART-OF-STH3 |
l | |
m | nur | info | [MG] |
Göttingen | dgskorpus_goe_08 | 18-30f You can add new signs or change them. |
r | | THEN1A | SELF1A | TO-PRODUCE2^* | IN-ADDITION1 | BIT2A | TO-CHANGE1B |
l | | | | | |
m | dann | selbst | [MG] | | bi{sschen} | um |
Hamburg | dgskorpus_hh_03 | 46-60m There were others who would sign poems in a very imaginative manner. That was lovely. |
r | ALSO1B* | $ALPHA1:P | $ALPHA1:P-O-E-S-I-E | TO-PRODUCE2^* | | $GEST-OFF^ | |
l | | | FANTASY2* | PRETTY1A* |
m | auch | poesie | poesie | [MG] | fantasie | | hübsch |
Hamburg | dgskorpus_hh_03 | 46-60m Some of them told stories creatively, others chose fictional narratives, wait no, rather/ |
r | | | HISTORY-OR-STORY2* | TO-PRODUCE2^* | | IMAGINATION1A^* | IMAGINATION1A^* |
l | ALL2A^* | | |
m | geschichte | [MG] | | fiktion | f{antasie} |
Hamburg | dgskorpus_hh_03 | 46-60m And all channels aired pictures through live-streams. |
r | ALL2A | | PICTURE2B | TO-PRODUCE2^* |
l | | ALL2A* |
m | alle | alle | bild | [MG] |
Hamburg | dgskorpus_hh_05 | 31-45m You have to involve society. |
r | OCCURRENCE1^* | SOCIETY-OR-CORPORATION1* | INTEGRATION1 | TO-PRODUCE2^* | TO-PLAY2^* |
l |
m | | gesellschaft | integriert | | [MG] |
Hamburg | dgskorpus_hh_07 | 18-30f One needs to try to sign and express yourself. |
r | TO-SIGN1A | $GEST-OFF^ | MUST1 | TO-PRODUCE2^* |
l | |
m | … | | muss |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f They showed the story of her life on TV, her babies, the paparazzi. |
r | | | | TO-PRODUCE2^* |
l |
m | [MG] |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f Her story had to be over then, for sure. |
r | MUST1 | HISTORY-OR-STORY2* | OVER4 | TO-PRODUCE2^* |
l | |
m | muss | geschichte | vorbei | [MG] |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f There were so many photos of Diana, but she smiled in each of them that got printed. |
r | | | | TO-PRODUCE2^* | MUCH-OR-MANY1A* | PICTURE1* | PICTURE4* |
l | |
m | [MG] | viel | b{ild} | |
Köln (Cologne) | dgskorpus_koe_09 | 18-30f I didn't really like the movie’s effects much. And I am generally not too keen on German movies. |
r | | TO-CUT-WITH-SCISSORS1^* | WHO2* | TO-PRODUCE2^* | $GEST^ | PERFECT4 | GERMAN1 |
l | | |
m | [MG] | wer | [MG] | | [MG] | deutsch |
Köln (Cologne) | dgskorpus_koe_19 | 31-45f They started using the new media more during these Culture Days. |
r | ALSO1A | MEDIA3 | TECHNOLOGY1* | TO-PRODUCE2^* | VERY7 |
l | | |
m | auch | medien | technik | | [MG] |
Leipzig | dgskorpus_lei_10 | 31-45m The educators should talk to the parents about their children’s behavior, as it might be hitting puberty. |
r | $GEST-OFF^* | ALLOWED1 | MAYBE3* | TO-PRODUCE2^* | $GEST-OFF^* |
l | $INDEX1 | | |
m | | darf | vielleicht | pubertät |
Leipzig | dgskorpus_lei_12 | 61+m We practiced articulation with the help of a mirror. |
r | | $PROD | NECK1^ | TO-PRODUCE2^* | MIRROR1 |
l | | |
m | | artikulation | spiegel |
Münster | dgskorpus_mst_10 | 46-60f In every religion you kind of had to go out and inform yourself and talk about it on the street. |
r | ONLY2A* | STREET1 | TO-SIGN1G* | TO-PRODUCE2^* |
l | |
m | nur | straße | informieren | [MG] |
Münster | dgskorpus_mst_10 | 46-60f That way I can walk the path with fellow believers and talk about Jesus. |
r | AND5* | FOR1* | PEOPLE2* | TO-PRODUCE2^* | TO-BELIEVE1 | TO-GIVE1* | JESUS1* |
l | | | | |
m | und | für | leute | [MG] | glaube | geben | jesus |
Münster | dgskorpus_mst_13 | 46-60f I signed to everybody and they understood so that they were able to form sentences with these words. |
r | ALL2A* | TO-UNDERSTAND1 | SELF1A* | TO-PRODUCE2^* | WORD2 | WORD1 |
l | | | | | |
m | alle | ver{stehen} | [MG] | | wort |
München (Munich) | dgskorpus_mue_01 | 61+f He’ll talk and we’ll look at everything. |
r | | | TO-TELL3A* | TO-PRODUCE2^* | HISTORY-OR-STORY8* | | $INDEX1 |
l | ALL2B | |
m | erzählt | | gesch{ichte} | | |
München (Munich) | dgskorpus_mue_06 | 18-30f Or it's everybody's fault, individually. |
r | | | | TO-PRODUCE2^* |
l | SELF1A | |
m | auch selbst | |
München (Munich) | dgskorpus_mue_07 | 18-30m As a project week all topics can be discussed such as Africa. |
r | | PROJECT2A | $GEST-OFF^* | TO-PRODUCE2^* | $GEST-OFF^* | SUBJECT1* | AFRICA1 |
l | | | | | |
m | projekt | [MG] | thema | afrika |
München (Munich) | dgskorpus_mue_09 | 61+f It's God given. |
r | | $INDEX1 | GOD1 | TO-PRODUCE2^* |
l | | |
m | | gott | [MG] |
München (Munich) | dgskorpus_mue_09 | 61+f Only when a child feels safe, when it feels the protection of its family, it can develop properly. |
r | $PROD | RELATIONSHIP2* | WARM2B | TO-PRODUCE2^* | $INDEX1 | FEELING2A | BODY1^* |
l | | |
m | | beziehung | wärme | gefühle | | wohl |
München (Munich) | dgskorpus_mue_09 | 61+f And because of that manner I got a positive reaction from him which he showed through the way he said goodbye. |
r | | I1* | FIRST1A | TO-PRODUCE2^* | ANSWER1* | $GEST^ | $GEST-OFF^ |
l | | |
m | | zuerst | | antwort | danke schön | |
München (Munich) | dgskorpus_mue_09 | 61+f When you have problems and feel sad, it's better to talk to someone directly and to ask someone for help. |
r | TO-CRY1* | $GEST^ | RATHER1 | TO-PRODUCE2^* | I2* | TO-LET-KNOW1A* | LOUD2A^ |
l | | | | |
m | | | lieber | raus | | | hilfe |
München (Munich) | dgskorpus_mue_09 | 61+f Apparently he seethed with anger and he released this anger all at once. |
r | | FEELING2A | BODY1^ | TO-PRODUCE2^* | INSIDE1A* | MAD1A* | EXPLOSION2^ |
l | |
m | gefühl | ausdrücken | innen | wut | raus |
München (Munich) | dgskorpus_mue_13 | 46-60m I really felt something grow in me, because I felt so good. |
r | | BODY1^* | FEELING3 | TO-PRODUCE2^* | EXAMPLE1* | LIKE3B* | TO-BLOOM1B* |
l | |
m | | fühl | | beispiel | wie | ?? |
München (Munich) | dgskorpus_mue_13 | 46-60m It was an extraordinary situation for my mother as well, seeing so many deaf people there. |
r | DEAF1A* | RIGHT-OR-AGREED1A* | DEAF1A* | TO-PRODUCE2^* | DEAF1A* | AREA1A^ |
l | | | | | |
m | … | stimmt | | [MG] | | [MG] |
Schleswig-Holstein | dgskorpus_sh_04 | 46-60f If such a word is being used, the interpreter shouldn’t simply translate that word into one sign. |
r | | | $INDEX1* | TO-PRODUCE2^* | NOT-ALLOWED3 | $INDEX1 | WORD1^ |
l | | | | |
m | [MG] | | darf nicht | [MG] | [MG] |
Schleswig-Holstein | dgskorpus_sh_08 | 46-60m Again and again those things popped up while I was driving around. |
r | | | | TO-PRODUCE2^* | I1* | TO-OBSERVE4 | TO-PRODUCE2^* |
l | | |
m | spontan | | spontan |
Schleswig-Holstein | dgskorpus_sh_08 | 46-60m Again and again those things popped up while I was driving around. |
r | TO-PRODUCE2^* | I1* | TO-OBSERVE4 | TO-PRODUCE2^* |
l | | |
m | spontan | | spontan |
Stuttgart | dgskorpus_stu_01 | 46-60f After a while she let herself go and when she got married she got stronger and confident. |
r | | | LATER4* | TO-PRODUCE2^* | TO-MARRY6 | FREE2^* | ELBOW3^ |
l | | |
m | dann später | verheiratet | | selbstbewusst |
Frankfurt | dgskorpus_fra_06 | 31-45f He was creative when he signed; I especially liked the waggling of the eyelashes. |
r | | | | CREATIVITY1 | TO-SIGN1A* | FACIAL-EXPRESSION1 | EYELASHES1A |
l |
m | [MG] | | mimik | [MG] |
Hamburg | dgskorpus_hh_05 | 31-45m In my opinion, the both of them were role models for us. They got us off the ground and showed us how to develop our own ideas and how to get creative. |
r | WHAT1B | THEATRE6 | IDEA2A | CREATIVITY1 |
l | |
m | | | idee | kreativ |
Leipzig | dgskorpus_lei_12 | 61+m They found it very exciting, and I continued making up things like one would do for an essay. |
r | SELF1A | MUCH-OR-MANY1A* | BRAIN1A^ | CREATIVITY1 | LIKE7A | TO-WRITE1A^ | $INDEX1 |
l | | | | |
m | selbst | viel | | | wie | aufsatz |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f In the past, before World War II, artists and creativity were allowed. |
r | $INDEX1 | ART6A* | FREE1 | CREATIVITY1 | PERMISSION6 | ART2^* |
l | | | |
m | | künstler | [MG] | [MG] | erlaubt | [MG] |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f You need to be creative. |
r | | | | CREATIVITY1 | $GEST-OFF^ |
l |
m | kreativ kreativ | brauch man |
Stuttgart | dgskorpus_stu_01 | 46-60f They are so creative at times. |
r | | | | CREATIVITY1 |
l | $INDEX1 |
m | ma{nch}ma{l} |
Stuttgart | dgskorpus_stu_01 | 46-60f When flipping through the pages, I saw a very creative jacket. |
r | TO-SAY1 | TO-OPEN-BOOK1^ | $INDEX1 | CREATIVITY1 | TO-BE-EYE-CATCHING1* | JACKET1 | $PROD |
l | | |
m | | | | kreative | | jacke | |
Stuttgart | dgskorpus_stu_01 | 46-60f They have so many creative things there, so many. |
r | | | | CREATIVITY1 | |
l | ALSO1A* | MUCH-OR-MANY1A* | MUCH-OR-MANY1A* |
m | auch | viel | [MG] | viel |
Stuttgart | dgskorpus_stu_01 | 46-60f They had all those colorful jackets and jeans with colorful edging on the waistband, very creative. |
r | COLOURFUL3A* | NARROW1A^* | $PROD | CREATIVITY1 |
l |
m | bunt | borten | |
Stuttgart | dgskorpus_stu_01 | 46-60f Very creative — a variety of shapes. |
r | | | $GEST^ | CREATIVITY1 | DISTINCT2A | TRIANGLE1^* |
l |
m | im{mer} | verschieden |
Stuttgart | dgskorpus_stu_01 | 46-60f Something else I found extremely creative that I had seen in the shop were those kinds of Christmas balls. |
r | | | | CREATIVITY1 | ALSO1A | I1 | TO-JOIN1A^ |
l | | | |
m | | auch | | |
Leipzig | dgskorpus_lei_12 | 61+m They found it very exciting, and I continued making up things like one would do for an essay. |
r | TO-WRITE1A^ | $INDEX1 | I1 | CREATIVITY1* | SELF1A | BOLLOCKS2^ | TO-SIGN1A* |
l | | | | |
m | aufsatz | | | selbst | | |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f Creativity, too. |
r | | | | CREATIVITY1* | PROHIBITED1* |
l |
m | [MG] | |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f Our own creativity was forbidden. |
r | | | IMAGINATION1A* | CREATIVITY1* | PROHIBITED1* |
l | |
m | | [MG] | verbot |
Nürnberg (Nuremberg) | dgskorpus_nue_04 | 18-30f You can also be kind of creative and invent something yourself. |
r | QUOTATION-MARKS1* | INCLUSIVE1 | CAN2A | CREATIVITY1* | MORE1 |
l | | | |
m | [MG] | | kann | [MG] | mehr |
Bremen | dgskorpus_hb_01 | 31-45m Last year it dealt with the manufacturing of chocolate, and this year the topic is phantasy, color, and shape. |
r | PROCEEDING1A | NOW1 | SUBJECT1 | FANTASY1* | COLOUR1A | SHAPE1A |
l | |
m | ablauf | jetzt | thema | fantasie | farbe | form |
Stuttgart | dgskorpus_stu_01 | 46-60f Sure, but everything I‘ve seen there so far is so exciting, so creative, just fantastic. |
r | | | | FANTASY1* | | I1 | ONCE-MORE1B^ |
l | $INDEX1 | MUST1 | $INDEX1* | ALSO1A | | |
m | | ?? | [MG] | | auch | mal |
Stuttgart | dgskorpus_stu_01 | 46-60f Sure, but everything I‘ve seen there so far is so exciting, so creative, just fantastic. |
r | TO-LOOK-AT2* | FASCINATING1* | $INDEX1 | FANTASY1* | TO-KNIT1 | $INDEX1 | FANTASY1* |
l | | | | |
m | [MG] | fantasie | | fantastisch |
Stuttgart | dgskorpus_stu_01 | 46-60f Sure, but everything I‘ve seen there so far is so exciting, so creative, just fantastic. |
r | FANTASY1* | TO-KNIT1 | $INDEX1 | FANTASY1* |
l | |
m | fantasie | | fantastisch |
Stuttgart | dgskorpus_stu_01 | 46-60f Fanciful wool that is used for knitting. |
r | | | | FANTASY1* | WOOL5 | TO-KNIT1 | $INDEX2 |
l | |
m | fantasie | wolle |
Stuttgart | dgskorpus_stu_01 | 46-60f It is so creative. |
r | | | ALSO1A | FANTASY1* | INVOLVED1A* |
l | |
m | auch | fantasie |
Stuttgart | dgskorpus_stu_02 | 18-30f It wasn't a real sign language, yet. It was more like signs we invented ourselves, fantasy signs. |
r | TO-SIGN1A* | LIKE3A* | CHILD2* | FANTASY1* | TO-SIGN1A* |
l | |
m | | wie | kinderphantasiegebärden |
Hamburg | dgskorpus_hh_03 | 46-60m Right, but I did go to other events instead where they showed sign language poetry. |
r | $GEST-OFF^* | TO-SHOW1A^* | TO-SIGN4* | POETRY1 |
l | |
m | [MG] | | poesie |
Göttingen | dgskorpus_goe_07 | 18-30m In the evening, there was theater, poetry, entertainment, the gala, but I wasn’t there for any of that. |
r | PROGRAM1B* | $GEST-OFF^ | THEATRE1 | POETRY1* | $GEST^ | OR2* | $GEST^ |
l | |
m | … | | theater | poesie | [MG] | oder | |
Bremen | dgskorpus_hb_04 | 18-30f Ah yes, a poetry thing for children. |
r | | | $GEST^ | POETRY1* | OFFER1B | FOR1 | CHILD2* |
l | | | |
m | [LM:ah] | poesie | angebot | für | kinder |
Bremen | dgskorpus_hb_04 | 18-30f Also two children from Jürgen Endress' sign poetry course, who were exceptionally good, performed something and everyone gave it up for them. |
r | WHAT1A* | $NAME-JÜRGEN-ENDRESS1* | SIGN-LANGUAGE1B | POETRY1* | $INDEX1 | CHILD2* | $NUM-ONE-TO-TEN1A:1d |
l | | | | | |
m | was | jürgen endress | gebärdensprachpoesie | | kinder | ein |
Bremen | dgskorpus_hb_04 | 18-30f There were poetry performances by the kids, the film, theater, and dancing. |
r | REMAINS1B* | $GEST-ATTENTION1^ | REMAINS1B* | POETRY1* | CHILD2* | TO-SHOW1A* | MOVIE3* |
l | | | | |
m | re{st} | aber sonst | rest | poesie | kinder | [MG] | film |
Leipzig | dgskorpus_lei_15 | 18-30f For artistic performances, for instance, or an award for poetry. |
r | OR4B* | REWARD3* | FOR1 | POETRY1* | OR4B* |
l | | | | | |
m | oder | preis | für | poesie | oder |
Leipzig | dgskorpus_lei_15 | 18-30f There was also poetry, theater and sketches. |
r | INVOLVED1A* | BUT1* | WITH1A* | POETRY1* | AFFECTED2^ | JOKE1 | $GEST-OFF^* |
l | | | | |
m | dabei | aber | mit | poesie | theater | sketch |
Leipzig | dgskorpus_lei_15 | 18-30f In the afternoon and in the evening, the sign language and poetry contest took place. |
r | EVENING2 | WAS1 | SIGN-LANGUAGE1B | POETRY1* | CONTEST1* | $INDEX1 |
l | | | |
m | abend | war | gebärdensprachpoesie | wettbewerb |