Frankfurt | dgskorpus_fra_02 | 31-45m But using new signs, one can´t automatically expect that everyone understands them. |
r | TO-SIGN1A* | NEW1A | TO-SIGN1A* | SHAPE1A | WITH1A | EQUAL1A* | TIME1 |
l | $INDEX1 |
m | | neu | gebärdenform | mit | gleichzeitig |
Frankfurt | dgskorpus_fra_02 | 31-45m All those signs would not have been created and a new form would have emerged. |
r | PAST-OR-BACK-THEN2* | OFF1B* | NEW1A | SHAPE1A | $GEST-DECLINE1^ |
l | | |
m | früher | | neu | form |
Frankfurt | dgskorpus_fra_12 | 61+m Maybe. |
r | | SIMILAR1 | EQUAL1A* | SHAPE1A |
l |
m | | | form |
Frankfurt | dgskorpus_fra_16 | 31-45f His face wasn't the prettiest, but his figure was. |
r | PRETTY1B | $GEST-OFF^* | $GEST-OFF^* | SHAPE1A | WHAT1A | DIFFERENT2 | HIS-HER1 |
l | | | |
m | hübsch | [MG] | form | [MG] | anders |
Göttingen | dgskorpus_goe_07 | 18-30m The way of communication is different, yes. |
r | COMMUNICATION1A* | DIFFERENT1 | COMMUNICATION1A | SHAPE1A | DIFFERENT1 | YES1A |
l | |
m | ko{munnikation} | anders | kommunikationsform | anders | ja |
Göttingen | dgskorpus_goe_07 | 18-30m Somewhat like that. |
r | | I1 | LIKE3A* | SHAPE1A |
l | |
m | | wie | form |
Bremen | dgskorpus_hb_01 | 31-45m Last year it dealt with the manufacturing of chocolate, and this year the topic is phantasy, color, and shape. |
r | SUBJECT1 | FANTASY1* | COLOUR1A | SHAPE1A |
l |
m | thema | fantasie | farbe | form |
Bremen | dgskorpus_hb_01 | 31-45m You can, for instance, look at various shapes. |
r | | | | SHAPE1A | TO-LOOK-AT4^ |
l | |
m | form | |
Bremen | dgskorpus_hb_04 | 18-30f They also adapted their style of signing to the role they were playing: one time very fancy and upscale, another time swag, another time a little feminine. |
r | TO-SIGN1G | ALSO1A* | TO-CHANGE1A | SHAPE1A | TO-CHANGE1A | SHAPE1A* | TO-SIGN1A* |
l | |
m | [MG] | auch | [MG] | form | [MG] | form | |
Hamburg | dgskorpus_hh_04 | 46-60m No that is not what I mean. I mean the shape of it. |
r | NO1B | $INDEX-TO-SCREEN1 | SIGN-OR-DRAWING1^* | SHAPE1A | $INDEX-TO-SCREEN1 |
l | | | |
m | nein | | | form | |
Hamburg | dgskorpus_hh_04 | 46-60m It looks really old and it has these old carvings. |
r | SHAPE1B^* | $PROD | $GEST-OFF^* | SHAPE1A | OLD4B | $INDEX1 |
l | | |
m | | | wie | form | alt | |
Hamburg | dgskorpus_hh_05 | 31-45m In the beginning I didn’t really think about it, I mean, earthquakes or tsunamis like that happen again and again. |
r | TO-LET1^* | LIKE3A* | $GEST-OFF^ | SHAPE1A | | IT-HAPPENS3 | HEAVY1B^ |
l | | $INDEX1* |
m | [MG] | wie | wie | form | [MG] | passiert | mit |
Hamburg | dgskorpus_hh_05 | 31-45m That’s because the island is formed like the letter H. |
r | SELF1A* | SHAPE1A* | $ALPHA1:H* | SHAPE1A | $ALPHA1:H* |
l | | | |
m | selbst | | h | form | h-form |
Köln (Cologne) | dgskorpus_koe_19 | 31-45f I've heard that the Culture Days in Erfurt are supposed to be structured differently in comparison to the first four Culture Days. |
r | $INDEX1* | ERFURT1* | SHALL1 | SHAPE1A | DIFFERENT1 | AS-OR-THAN3 | UNTIL-NOW3B* |
l | | | | |
m | | erfurt | soll | form | anders | als | |
Münster | dgskorpus_mst_04 | 31-45m The relative knew the shape and realized it was the same lawnmower as the one in the GDR. |
r | $INDEX1 | SELF2 | TO-KNOW-STH-OR-SB1A | SHAPE1A | BETTER1 | GDR4 | SAME3* |
l | | | | | | |
m | | [MG] | kenn | form | [MG] | | dieselb |
Münster | dgskorpus_mst_10 | 46-60f Their school system and form of school was adopted here. |
r | | SCHOOL1A* | SYSTEM2* | SHAPE1A | AMERICA1* | TO-TRANSFER1A* |
l |
m | schulsystem | | amerika | |
Münster | dgskorpus_mst_10 | 46-60f The meaning of the story of the woman can be seen figuratively. |
r | | $INDEX1* | MEANING3* | SHAPE1A | TO-TRANSFER1A^* |
l | | |
m | | bedeutet | formen |
Münster | dgskorpus_mst_10 | 46-60f That has also something to do with the fact that they repeat the same topics, e.g. parenting and education, in the same manner over and over again. |
r | EDUCATION1* | REPETITION1A* | LIKE7B | SHAPE1A | LIKE3A* |
l |
m | bildung | wieder | wie | form |
Münster | dgskorpus_mst_10 | 46-60f I'd like to see them adopt it in a similar fashion in the church service. |
r | | | $INDEX1 | SHAPE1A | SIMILAR1* | TO-WISH1B* | TO-TRANSFER1A* |
l | | |
m | | form | ähnlich | wünschen | |
Münster | dgskorpus_mst_13 | 46-60f The teacher was annoyed with me, just like it was the case with you and your teacher. We just weren’t properly supported. |
r | I1 | SAME2A* | YOU1* | SHAPE1A | $GEST-OFF^ | NOT3B* | TO-PROMOTE1A |
l | | |
m | … | selbe | | form | | | fördern |
Münster | dgskorpus_mst_14 | 18-30m It does take a different form there. |
r | | ALREADY1A | DIFFERENT1 | SHAPE1A |
l |
m | schon | anders | form |
Münster | dgskorpus_mst_14 | 18-30m That’s how one can describe it. |
r | | | LIKE4A* | SHAPE1A | $GEST-NM-NOD-HEAD1^ |
l | |
m | wie | form | |
München (Munich) | dgskorpus_mue_13 | 46-60m Him and the hearing teacher took turns teaching, in a way you could call what they did interpreting. |
r | TO-TEACH1* | $GEST-OFF^ | LIKE3B | SHAPE1A | INTERPRETER1* | $INDEX2* |
l | |
m | | | wie | form | dolmetsch aber |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f You had to follow specific painting regulations. |
r | | | | SHAPE1A | $INDEX1 | COMMAND1* | I1 |
l | | | |
m | form | was | [MG] | |
Schleswig-Holstein | dgskorpus_sh_07 | 31-45m There was also a picture published of Diana, what she would look like at the age of 50 or 60, old and with wrinkles. |
r | $NUM-TENS2A:5* | WHAT-DOES-IT-LOOK-LIKE1 | OLD8B* | SHAPE1A | TO-SHRINK1A^* | WRINKLE1* | I1 |
l | | | | | |
m | fünfzig | wie aus | alt | form | falte | falte |
Stuttgart | dgskorpus_stu_01 | 46-60f Well, I saw the shape on the photograph. It was somewhat longish/ |
r | | | PICTURE2A* | SHAPE1A | | $PROD |
l | TO-SEE1* | I1 | TO-SEE1* |
m | sehen | | [MG] | form | |
Stuttgart | dgskorpus_stu_06 | 18-30f They have the same shape, they look similar. |
r | EQUAL1A* | $GEST-NM-SHAKE-HEAD1^ | EQUAL8* | SHAPE1A | $PROD | CROSS1C^ |
l |
m | gleich | | gleich | form | | gleich |
Stuttgart | dgskorpus_stu_15 | 61+f Obviously, just picking up spoken wording didn‘t work for him. I had to come up with something else. |
r | TO-HEAR2* | PERCEPTION1^* | TO-SPEAK4 | SHAPE1A | $INDEX1* | NOT-YET3* | NOT3A* |
l | | | | | |
m | hör | | sprech | formen | noch nicht |
Stuttgart | dgskorpus_stu_15 | 61+f I say this because, looking back at my own school days long time ago, classes were taught in a completely different way than they are nowadays. |
r | SCHOOL1D* | TO-TEACH1 | DIFFERENT1 | SHAPE1A | DIFFERENT1 |
l | |
m | schule | unterricht | anders | form | anders |
Frankfurt | dgskorpus_fra_08 | 18-30f When everything was done, everyone was supposed to hand in their work to the person responsible of putting everything together and working on the layout. |
r | EVERYTHING1A* | LIKE3A* | BEAUTIFUL1A* | SHAPE1A* | LIKE3A* | FOR1* | OUR1B |
l | | |
m | | wie | schön | form | | für | uns |
Frankfurt | dgskorpus_fra_08 | 18-30f When everything was done, everyone was supposed to hand in their work to the person responsible of putting everything together and working on the layout. |
r | ENTIRELY1 | GROUP1B^* | TO-PUT-IN2^* | SHAPE1A* |
l |
m | voll | | [MG] |
Göttingen | dgskorpus_goe_05 | 31-45m It's the same structure as the one that was used in Iraq. |
r | | | LIKE3A | SHAPE1A* | PAST-OR-BACK-THEN1* | $ALPHA1:I | $ALPHA1:I |
l | | | |
m | wie | form | früher | i{rak} | irak |
Göttingen | dgskorpus_goe_05 | 31-45m They passed on the position from generation to generation in a similar manner. |
r | $GEST-OFF^* | THIS-AND-THAT1^* | LIKE3A | SHAPE1A* | $GEST-OFF^ |
l |
m | | | wie | form |
Bremen | dgskorpus_hb_01 | 31-45m Even though Osnabrück and Bremen are quite close to each other, architecture and style differ quite a bit. |
r | | CITY2 | DIFFERENT1* | SHAPE1A* | STYLE2* | DIFFERENT1* |
l | |
m | stadt | a{nders} | form | stil | an{ders} |
Bremen | dgskorpus_hb_04 | 18-30f They also adapted their style of signing to the role they were playing: one time very fancy and upscale, another time swag, another time a little feminine. |
r | TO-CHANGE1A | SHAPE1A | TO-CHANGE1A | SHAPE1A* | TO-SIGN1A* | MUST1A^ | TO-SIGN1A* |
l | |
m | [MG] | form | [MG] | form | | | |
Hamburg | dgskorpus_hh_01 | 61+m It’s more like a LiLaBe event [costume party around the carnival time], simply another type of event. |
r | | | LIKE3A | SHAPE1A* | $ALPHA1:L-?-L* | LIKE3A | $GEST-OFF^* |
l | | |
m | wie | form | lilabe | wie | |
Hamburg | dgskorpus_hh_04 | 46-60m And it wouldn't have turned out as nice. |
r | | $GEST^ | BEAUTIFUL1A | SHAPE1A* | NO3A^ | BEAUTIFUL1A | $GEST^ |
l | | | |
m | | schön | form | | schön |
Hamburg | dgskorpus_hh_05 | 31-45m Then we changed the way we performed and made some adjustments. |
r | | | TO-SIGN1A | SHAPE1A* | SHAPE1A* |
l |
m | gebärden | form | form |
Hamburg | dgskorpus_hh_05 | 31-45m Then we changed the way we performed and made some adjustments. |
r | | TO-SIGN1A | SHAPE1A* | SHAPE1A* |
l |
m | gebärden | form | form |
Hamburg | dgskorpus_hh_05 | 31-45m That’s because the island is formed like the letter H. |
r | QUOTATION-MARKS2^* | ISLAND3* | SELF1A* | SHAPE1A* | $ALPHA1:H* | SHAPE1A | $ALPHA1:H* |
l | | | | |
m | … | insel | selbst | | h | form | h-form |
Hamburg | dgskorpus_hh_07 | 18-30f No, I don’t mean a form like that. |
r | | | NO1A* | SHAPE1A* | NO1B |
l | | |
m | [MG] | form | [MG] |
Hamburg | dgskorpus_hh_07 | 18-30f Transferring that concept to a hearing school, lessons there take a different form. |
r | $INDEX1 | HEARING1A | DIFFERENT1* | SHAPE1A* | DIFFERENT1 | $INDEX1* |
l | | |
m | hö{rend} | anders | form | and{ers} |
Hamburg | dgskorpus_hh_07 | 18-30f But how and in which way, that has to be researched further and an exchange about it is necessary. That’s better. |
r | | HOW-QUESTION-COMPARISON1 | EXACTLY1* | SHAPE1A* | $INDEX1 | MUST1 | RESEARCH1A* |
l | | |
m | wie | genau | form | | muss | |
Hamburg | dgskorpus_hh_07 | 18-30f It’s about what the lessons should look like. |
r | | THIS2* | $GEST-OFF^* | SHAPE1A* | HOW-QUESTION-COMPARISON1 | $GEST-OFF^* | TO-TEACH1* |
l | |
m | | | form | wie | |
Köln (Cologne) | dgskorpus_koe_05 | 46-60f We entered the studio, and there really was a set with a rocket which showed the moon landing. |
r | $GEST-OFF^ | $PROD | SAME2A* | SHAPE1A* | CAMERA1^* | $GEST-OFF^ |
l | |
m | | | selbe | form | | |
Köln (Cologne) | dgskorpus_koe_15 | 31-45m Like a sculpture. |
r | | | | SHAPE1A* | LIKE3A* | FEELING3^* | TO-CLEAN-UP2A^ |
l |
m | | wie | [MG] |
Köln (Cologne) | dgskorpus_koe_19 | 31-45f They want to have a new special structure in Erfurt. |
r | SHALL1 | TO-CHANGE1B* | WEIRD1 | SHAPE1A* | NEW1A* |
l | |
m | soll | | [MG] | form | |
Leipzig | dgskorpus_lei_13 | 46-60m I remember it was quite a similar experience. |
r | I1 | MEMORY-OR-REMINDER3B | LIKE3A* | SHAPE1A* | ALSO3A* |
l | | | |
m | ich | erinnere | wie | form | auch |
Leipzig | dgskorpus_lei_13 | 46-60m Everything was different in the West. |
r | | | THERE1 | SHAPE1A* | DIFFERENT2 | SHAPE1A* | HIS-HER1* |
l | |
m | da | | andere | form |
Leipzig | dgskorpus_lei_13 | 46-60m Everything was different in the West. |
r | THERE1 | SHAPE1A* | DIFFERENT2 | SHAPE1A* | HIS-HER1* | | WEST1B |
l | | $INDEX1* | |
m | da | | andere | form | | westen |
Leipzig | dgskorpus_lei_14 | 31-45m I pointed my camera at them, but the cars went past so fast and just drove out of the frame. |
r | STARTING-SIGNAL1 | $PROD | $PROD | SHAPE1A* | $PROD | $PROD |
l | CAR-TO-STOP2* |
m | schnell | | form | |
Münster | dgskorpus_mst_13 | 46-60f It could have happened like that or slightly differently. |
r | | | SIMILAR2* | SHAPE1A* | $INDEX1* | TRUE1 | $ORAL^ |
l | |
m | ähnlich | form | | wahr | oder |
Münster | dgskorpus_mst_15 | 31-45f A door opens, and new contacts arise from it. |
r | $INDEX1* | SOMETIMES1* | LIKE-THIS3* | SHAPE1A* | MORE1* | OPEN-DOOR4A | FOR1* |
l | | | | |
m | | manchmal | so | form | mehr | tür auf |
München (Munich) | dgskorpus_mue_07 | 18-30m I think I know how to handle situations like this and know forms of communication by heart. |
r | HOW-QUESTION-COMPARISON1 | TO-TRY1* | DIFFERENT1 | SHAPE1A* | COMMUNICATION1A* | SHAPE1A* | TO-AVOID2 |
l | |
m | wie | v{ersuchen} | anders | form | kommunikation | form | umgang |
München (Munich) | dgskorpus_mue_07 | 18-30m I think I know how to handle situations like this and know forms of communication by heart. |
r | DIFFERENT1 | SHAPE1A* | COMMUNICATION1A* | SHAPE1A* | TO-AVOID2 | I1 | TO-BELIEVE2A* |
l | | |
m | anders | form | kommunikation | form | umgang | glauben |
Rostock | dgskorpus_mvp_07 | 31-45f When I went there, I got handed a new contract. |
r | | I2* | TO-KNOW-STH-OR-SB1A* | SHAPE1A* | | | WHAT2* |
l | TO-HOLD-PAPER1A* | | | I2 | TO-HOLD-PAPER1A* | |
m | | | kenne | form | | was |
Nürnberg (Nuremberg) | dgskorpus_nue_04 | 18-30f I tried them on and they fit very well. |
r | TO-MATCH1 | GOOD1* | I2 | SHAPE1A* | SHOE4B^* |
l | | |
m | passen | gut | | form | |
Schleswig-Holstein | dgskorpus_sh_02 | 18-30f Compare those famous plane crashes with any other incident, and you'll realize that it's worse than anything else. |
r | | | | SHAPE1A* | AS-ALWAYS1 | REALLY1 | AS-ALWAYS1 |
l | | | |
m | | | | wie |