Time |
Translation |
Lexem/Gebärde |
Mouth |
Translation |
Lexeme/Sign |
Mouth |
Moderator |
right hand |
left hand |
right hand |
left hand |
00:00:00:00 00:00:00:31 |
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00:00:00:31 00:00:00:41 |
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The first time I dealt with sign language in depth was when I was still a child. |
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00:00:00:41 00:00:01:11 |
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$GEST^ |
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00:00:01:11 00:00:02:10 |
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00:00:02:10 00:00:02:18 |
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I1 | |
ich |
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00:00:02:18 00:00:02:35 |
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00:00:02:35 00:00:03:03 |
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$GEST-OFF1^ |
[MG] |
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00:00:03:03 00:00:03:49 |
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00:00:03:49 00:00:04:31 |
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MAIN1B^ | |
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00:00:04:31 00:00:04:49 |
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00:00:04:49 00:00:05:16 |
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TO-SIGN1D* |
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00:00:05:16 00:00:05:24 |
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00:00:05:24 00:00:05:38 |
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COHERENCE1A |
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00:00:05:38 00:00:05:45 |
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00:00:05:45 00:00:06:12 |
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STRONG2A |
stark |
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00:00:06:12 00:00:06:18 |
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00:00:06:18 00:00:06:31 |
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WHAT1B* |
was |
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00:00:06:31 00:00:06:46 |
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00:00:06:46 00:00:07:01 |
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ALREADY1B |
schon |
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00:00:07:01 00:00:07:09 |
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00:00:07:09 00:00:07:15 |
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PAST-OR-BACK-THEN1 | |
früher |
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00:00:07:15 00:00:07:28 |
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00:00:07:28 00:00:07:45 |
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SMALL3 | |
klein |
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00:00:07:45 00:00:07:48 |
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00:00:07:48 00:00:09:03 |
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It started out because of a student exchange program with America. |
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00:00:09:03 00:00:09:11 |
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THROUGH2A | |
durch |
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00:00:09:11 00:00:09:23 |
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00:00:09:23 00:00:09:31 |
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THIS1B |
[MG] |
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00:00:09:31 00:00:09:45 |
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00:00:09:45 00:00:10:28 |
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AMERICA1 |
amerika |
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00:00:10:28 00:00:11:20 |
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00:00:11:20 00:00:11:38 |
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TO-STUDY1 | |
studentenaustauschprogramm |
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00:00:11:38 00:00:11:45 |
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00:00:11:45 00:00:12:16 |
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TO-EXCHANGE2* |
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00:00:12:16 00:00:12:29 |
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00:00:12:29 00:00:13:06 |
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PROGRAM1B |
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00:00:13:06 00:00:13:23 |
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00:00:13:23 00:00:13:32 |
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BEEN1 | |
gewesen |
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00:00:13:32 00:00:13:45 |
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00:00:13:45 00:00:14:03 |
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My mother saw that there was an opportunity to become a host family. |
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00:00:14:03 00:00:14:06 |
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MY1* | |
meine |
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00:00:14:06 00:00:14:22 |
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00:00:14:22 00:00:14:38 |
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MOTHER1 | |
mutter |
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00:00:14:38 00:00:15:05 |
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00:00:15:05 00:00:15:12 |
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SELF1A* | |
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00:00:15:12 00:00:15:17 |
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00:00:15:17 00:00:15:22 |
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THROUGH2A | |
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00:00:15:22 00:00:15:28 |
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00:00:15:28 00:00:15:32 |
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ACTIVE1^* |
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00:00:15:32 00:00:15:33 |
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00:00:15:33 00:00:15:42 |
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$GEST-NM^ |
[MG] |
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00:00:15:42 00:00:16:04 |
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00:00:16:04 00:00:16:15 |
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OFFER1B |
angebot |
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00:00:16:15 00:00:16:22 |
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00:00:16:22 00:00:16:28 |
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MY1 | |
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00:00:16:28 00:00:16:37 |
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00:00:16:37 00:00:16:40 |
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GUEST2 | |
gastfamilie |
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00:00:16:40 00:00:16:49 |
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00:00:16:49 00:00:17:28 |
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FAMILY1 |
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00:00:17:28 00:00:17:40 |
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So we invited Dr. Feuchte and some American students stayed with us. |
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00:00:17:40 00:00:18:07 |
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BACK-THEN1 | |
damals |
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00:00:18:07 00:00:18:12 |
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00:00:18:12 00:00:18:18 |
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TOWARDS9* | |
zu |
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00:00:18:18 00:00:18:22 |
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00:00:18:22 00:00:18:42 |
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$NAME-HERBERT-FEUCHTE1 |
doktor feuchte |
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00:00:18:42 00:00:19:10 |
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00:00:19:10 00:00:19:28 |
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TO-INVITE1A |
einladen |
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00:00:19:28 00:00:19:46 |
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00:00:19:46 00:00:20:02 |
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AMERICA1* |
amerika |
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00:00:20:02 00:00:20:12 |
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00:00:20:12 00:00:20:22 |
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TO-STUDY1 | |
studenten |
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00:00:20:22 00:00:20:23 |
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00:00:20:23 00:00:20:40 |
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TO-LIST1A |
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00:00:20:40 00:00:21:03 |
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00:00:21:03 00:00:21:42 |
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MASS-OF-PEOPLE-ACTIVE2* |
[MG] |
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00:00:21:42 00:00:21:47 |
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00:00:21:47 00:00:22:10 |
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They were divided among different host families and my mother and I hosted one of them. |
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00:00:22:10 00:00:22:21 |
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THEN1A | |
dann |
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00:00:22:21 00:00:22:29 |
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00:00:22:29 00:00:22:43 |
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TO-DIVIDE5* |
[MG] |
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00:00:22:43 00:00:22:49 |
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00:00:22:49 00:00:23:03 |
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I1 | |
ich |
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00:00:23:03 00:00:23:09 |
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00:00:23:09 00:00:23:14 |
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MOTHER1* | |
mutter |
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00:00:23:14 00:00:23:24 |
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00:00:23:24 00:00:23:41 |
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TO-UNDERTAKE1* |
[MG] |
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00:00:23:41 00:00:24:04 |
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00:00:24:04 00:00:24:12 |
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I discussed and exchanged views on many topics with the American students. |
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00:00:24:12 00:00:24:19 |
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AND1* | |
und |
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00:00:24:19 00:00:24:22 |
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00:00:24:22 00:00:24:27 |
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$INDEX1 | |
da |
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00:00:24:27 00:00:24:34 |
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00:00:24:34 00:00:24:42 |
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AMERICA1 |
amerika |
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00:00:24:42 00:00:25:10 |
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00:00:25:10 00:00:25:24 |
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TO-STUDY1 | |
studenten |
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00:00:25:24 00:00:25:39 |
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00:00:25:39 00:00:26:28 |
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TO-EXCHANGE-COMMUNICATION2 |
[MG] |
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00:00:26:28 00:00:26:36 |
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00:00:26:36 00:00:26:42 |
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MUCH1A | |
viel |
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00:00:26:42 00:00:26:45 |
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00:00:26:45 00:00:26:49 |
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They told me that there was a thing such as Deaf theater in America and that for instance deaf people would stand on a stage and talk about something. |
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00:00:26:49 00:00:27:04 |
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$INDEX1 | |
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00:00:27:04 00:00:27:10 |
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00:00:27:10 00:00:27:17 |
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AND5 | |
und |
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00:00:27:17 00:00:27:27 |
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00:00:27:27 00:00:27:41 |
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TO-TELL4 | |
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00:00:27:41 00:00:27:47 |
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00:00:27:47 00:00:28:04 |
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$INDEX1 | |
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00:00:28:04 00:00:28:17 |
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00:00:28:17 00:00:28:22 |
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AMERICA1 |
amerika |
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00:00:28:22 00:00:28:32 |
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00:00:28:32 00:00:28:39 |
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PRESENT-OR-HERE1 | |
da |
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00:00:28:39 00:00:28:47 |
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00:00:28:47 00:00:29:06 |
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DEAF1A | |
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00:00:29:06 00:00:29:10 |
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00:00:29:10 00:00:29:31 |
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THEATRE6 |
theater |
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00:00:29:31 00:00:29:42 |
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00:00:29:42 00:00:30:00 |
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DEAF1A | |
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00:00:30:00 00:00:30:06 |
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00:00:30:06 00:00:30:12 |
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SELF1A* | |
selbst |
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00:00:30:12 00:00:30:19 |
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00:00:30:19 00:00:30:29 |
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TO-SIGN1E |
[MG] |
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00:00:30:29 00:00:30:40 |
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00:00:30:40 00:00:31:00 |
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STAGE1 |
bühne |
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00:00:31:00 00:00:31:05 |
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I was very impressed and was surprised that deaf people star in plays themselves. |
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00:00:31:05 00:00:31:10 |
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I1 | |
ich |
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00:00:31:10 00:00:31:16 |
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00:00:31:16 00:00:31:40 |
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$PROD* | |
[MG] |
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00:00:31:40 00:00:31:44 |
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00:00:31:44 00:00:31:48 |
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I1 | |
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00:00:31:48 00:00:32:05 |
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00:00:32:05 00:00:32:08 |
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TO-WORRY1A^* | |
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00:00:32:08 00:00:32:11 |
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00:00:32:11 00:00:32:15 |
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I1 | |
ich |
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00:00:32:15 00:00:32:18 |
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00:00:32:18 00:00:32:23 |
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FIRST-TIME3C | |
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00:00:32:23 00:00:32:25 |
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00:00:32:25 00:00:32:30 |
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BEGINNING1A* | |
anfang |
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00:00:32:30 00:00:33:21 |
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00:00:33:21 00:00:33:31 |
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WEIRD-STRANGE1^ |
[MG] |
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00:00:33:31 00:00:33:41 |
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00:00:33:41 00:00:34:01 |
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DEAF1A* | |
gehörlos |
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00:00:34:01 00:00:34:06 |
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00:00:34:06 00:00:34:09 |
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SELF1A | |
selbst |
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00:00:34:09 00:00:34:16 |
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00:00:34:16 00:00:34:28 |
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THEATRE6 |
theater |
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00:00:34:28 00:00:34:29 |
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That already caught my interest. |
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00:00:34:29 00:00:34:34 |
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FOR1* | |
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00:00:34:34 00:00:34:39 |
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00:00:34:39 00:00:35:02 |
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INTEREST1A | |
[MG] |
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00:00:35:02 00:00:35:11 |
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00:00:35:11 00:00:35:26 |
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ALREADY1A |
schon |
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00:00:35:26 00:00:35:32 |
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00:00:35:32 00:00:35:45 |
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When I got a little older, my mother heard about Paris. |
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00:00:35:45 00:00:36:11 |
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TO-PUSH-TO-THE-SIDE1 |
[MG] |
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00:00:36:11 00:00:36:31 |
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00:00:36:31 00:00:36:49 |
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THEN1C | |
dann |
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00:00:36:49 00:00:37:21 |
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00:00:37:21 00:00:37:42 |
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TO-GROW-UP1B | |
[MG] |
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00:00:37:42 00:00:37:44 |
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00:00:37:44 00:00:38:01 |
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$GEST-TO-PONDER1^ | |
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00:00:38:01 00:00:38:04 |
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00:00:38:04 00:00:38:11 |
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MY1 | |
meine |
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00:00:38:11 00:00:38:30 |
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00:00:38:30 00:00:38:43 |
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MOTHER5 | |
mutter |
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00:00:38:43 00:00:38:47 |
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00:00:38:47 00:00:39:02 |
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$INDEX1 | |
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00:00:39:02 00:00:39:13 |
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00:00:39:13 00:00:39:27 |
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LIKE-THIS3 |
so |
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00:00:39:27 00:00:39:36 |
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00:00:39:36 00:00:39:42 |
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ALSO1A* | |
auch |
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00:00:39:42 00:00:39:48 |
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00:00:39:48 00:00:40:07 |
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TO-LEARN-STH1A | |
erfahren |
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00:00:40:07 00:00:40:15 |
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00:00:40:15 00:00:40:27 |
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$INDEX1 | |
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00:00:40:27 00:00:40:37 |
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00:00:40:37 00:00:41:03 |
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PARIS1 |
paris |
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00:00:41:03 00:00:41:07 |
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00:00:41:07 00:00:41:10 |
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My mother had a strong connection with Paris and this way I got to go to the IVT [short for International Visual Theater]. |
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00:00:41:10 00:00:41:17 |
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I1 | |
ich |
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00:00:41:17 00:00:41:26 |
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00:00:41:26 00:00:41:41 |
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$GEST-TO-PONDER1^ | |
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00:00:41:41 00:00:41:43 |
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00:00:41:43 00:00:41:48 |
You're right, they have that there. |
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MY1* | |
meine |
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00:00:41:48 00:00:42:04 |
YES1A | |
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00:00:42:04 00:00:42:08 |
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00:00:42:08 00:00:42:10 |
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MOTHER1* | |
mutter |
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00:00:42:10 00:00:42:15 |
$INDEX1 | |
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00:00:42:15 00:00:42:23 |
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00:00:42:23 00:00:42:29 |
RIGHT-OR-AGREED1A | |
stimmt |
STRONG2A |
starke |
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00:00:42:29 00:00:42:37 |
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00:00:42:37 00:00:42:47 |
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00:00:42:47 00:00:43:13 |
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COHERENCE1A^ |
bindung |
|
00:00:43:13 00:00:43:23 |
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00:00:43:23 00:00:43:35 |
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PARIS1 |
paris |
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00:00:43:35 00:00:43:42 |
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00:00:43:42 00:00:44:06 |
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$INDEX1* | |
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00:00:44:06 00:00:44:13 |
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00:00:44:13 00:00:44:24 |
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STRONG2A |
starke |
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00:00:44:24 00:00:44:37 |
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00:00:44:37 00:00:44:47 |
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I2 | |
darum |
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00:00:44:47 00:00:45:05 |
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00:00:45:05 00:00:45:17 |
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TOWARDS9 | |
zum |
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00:00:45:17 00:00:45:23 |
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00:00:45:23 00:00:46:22 |
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$ALPHA1:I-V-T | |
i-v-t |
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00:00:46:22 00:00:46:23 |
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00:00:46:23 00:00:46:26 |
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I was very fortunate to meet Alfredo Corrado there who is the founder of the IVT. |
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I1 | |
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LUCK1 |
glück |
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I2 | |
ich |
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TO-GET-TO-KNOW1 |
kennenlernen |
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00:00:48:13 00:00:49:39 |
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$ALPHA1:A-L-F-E-D-O | |
alfredo corrado |
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$ALPHA1:C-O-RR-A-D-O | |
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SELF1A* | |
selbst |
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TO-FOUND2 |
gründen |
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TO-SEE1* | |
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$ALPHA1:I-V-T | |
i-v-t |
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00:00:54:03 00:00:54:21 |
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Some people got together and formed a group, e.g. Chantal and Joël, you know them right? |
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$PROD* | |
[MG] |
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$NAME |
chantal |
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$NAME |
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Yes. |
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$LIST1:2of2d |
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$GEST^ |
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$NAME |
joël |
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SEVERAL1 | |
[MG] |
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TO-KNOW-STH-OR-SB1A | |
[MG] |
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$INDEX1 | |
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$GEST-OFF1^* | |
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YES1A | |
ja |
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It was a group of young people with fresh energy, and I could experience everything first hand. |
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ALL2C | |
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PRESENT-OR-HERE1 | |
da |
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YOUNG1* |
jung |
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PEOPLE2 | |
leute |
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FRESH1 |
frisch |
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I1 | |
ich |
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WITH1A | |
miterleben |
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TO-LIVE1B |
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When I went to their theater performance, I was amazed! |
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I1* | |
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TO-OBSERVE3A | |
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THEATRE6 |
theateraufführung |
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PERFORMANCE-SHOW1 |
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I2 | |
[MG] |
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FAINT1 | |
[MG] |
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00:01:03:31 00:01:03:41 |
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This kind of modern theater being played by deaf actors! |
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NO3B^ | |
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$INDEX1 | |
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$INDEX1* | |
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MODERN1B* | |
modernes |
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THEATRE6* |
theater |
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TO-ACCOMPLISH1A |
schaffen |
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DEAF1A | |
gehörlos |
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I was stunned! |
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I1 | |
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OPEN-MOUTHED1 | |
[MG] |
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00:01:07:26 00:01:07:35 |
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And they interacted so well with each other. |
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$INDEX1* | |
und |
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00:01:08:04 00:01:08:24 |
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LINK2 |
[MG] |
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00:01:08:24 00:01:08:30 |
How old were you then? |
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00:01:08:30 00:01:08:41 |
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TO-ACCOMPLISH1A |
schaffen |
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HOW-QUESTION2* | |
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OLD5B | |
alt |
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ALSO1A* | |
auch |
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$INDEX1 | |
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00:01:09:22 00:01:09:32 |
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I was somewhere around 12, 13, maybe 14 years of age. |
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00:01:09:32 00:01:09:39 |
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I1 | |
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WAS1 | |
[MG] |
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$NUM-TEEN-SNIP1:2 | |
zwölf |
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$NUM-TEEN1:3d | |
dreizehn |
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Twelve? |
$NUM-TEEN-SNIP1:2 | |
zwölf |
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I see, 13. |
$NUM-TEEN-SNIP1:3d* | |
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$NUM-TEEN1:4 | |
vierzehn |
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$GEST-DECLINE1^* | |
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00:01:12:12 00:01:12:13 |
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I went again and again to watch the play. |
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I1 | |
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TO1* | |
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TO-LOOK-AT5* | |
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$GEST-OFF1^* | |
[MG] |
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But Emmanuelle Laborit wasn’t there yet, that was before her time. |
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00:01:15:26 00:01:15:37 |
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$NAME-EMMANUELLE-LABORIT1 | |
emmanuelle laborit |
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$ALPHA1:L | |
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00:01:16:01 00:01:16:08 |
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00:01:16:08 00:01:16:20 |
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NOT-YET2 | |
noch nicht |
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TO-COME1 | |
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00:01:16:47 00:01:17:09 |
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NOT-YET2 | |
noch nicht |
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BEFORE1G |
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TIME5A* |
zeit |
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BEFORE1B | |
vor |
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$GEST^ |
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00:01:18:31 00:01:18:33 |
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00:01:18:33 00:01:20:09 |
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00:01:20:09 00:01:20:18 |
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It influenced me a lot; I wanted to build a program like that in Germany. |
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00:01:20:18 00:01:20:34 |
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THEN1C | |
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$GEST-OFF1^ |
[MG] |
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THIS2 | |
diese |
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TO-AFFECT1* |
beeinflussen |
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STRONG2A |
stark |
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I2 | |
ich |
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TO-WISH1B | |
wünschen |
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ALSO3A | |
auch |
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GERMAN1 | |
deutschland |
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TO-FOUND3 |
aufbauen |
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TO-DEVELOP1A |
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$GEST-OFF1^ |
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Because sign language was incorporated in this play but there was still a connection to hearing people. |
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WHY1 | |
warum |
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$INDEX1 | |
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00:01:25:19 00:01:25:29 |
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00:01:25:29 00:01:25:38 |
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THEATRE6 |
theater |
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SUDDENLY4 |
so |
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ALSO3A | |
auch |
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WITH1A* |
mit |
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TO-SIGN1A* |
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TO-LINK1A |
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At first, hearing people didn't understand that. |
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00:01:28:35 00:01:28:47 |
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HEARING1A | |
hörende |
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TO-UNDERSTAND1* | |
verstehe |
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NOT3A | |
nicht |
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At first, you had to have the courage to sign regardless of whether or not hearing people would understand you. |
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00:01:30:12 00:01:30:22 |
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BEGINNING1A |
anfang |
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00:01:30:22 00:01:30:28 |
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COURAGE1A | |
mut |
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$GEST-OFF1^ |
[MG] |
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I-AM-SORRY3A* | |
tut mir leid |
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TO-HEAR2 | |
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TO-SIGN1A |
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00:01:32:06 00:01:32:14 |
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TO-UNDERSTAND1* | |
versteht |
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00:01:32:14 00:01:32:15 |
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00:01:32:15 00:01:32:25 |
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NOT3A* | |
nicht |
|
00:01:32:25 00:01:32:29 |
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|
00:01:32:29 00:01:32:31 |
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Then we changed the way we performed and made some adjustments. |
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|
00:01:32:31 00:01:32:49 |
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TO-SIGN1A |
gebärden |
|
00:01:32:49 00:01:33:06 |
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00:01:33:06 00:01:33:20 |
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SHAPE1A* |
form |
|
00:01:33:20 00:01:33:23 |
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|
00:01:33:23 00:01:33:38 |
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SHAPE1A* |
form |
|
00:01:33:38 00:01:33:45 |
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|
00:01:33:45 00:01:34:00 |
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Then hearing people started to understand more and more, and so it happened that not deaf people adjusted to hearing people, but the other way around. |
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|
00:01:34:00 00:01:34:08 |
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HEARING1A* | |
hörende |
|
00:01:34:08 00:01:34:19 |
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00:01:34:19 00:01:35:29 |
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TO-COMPREHEND1* | |
[MG] |
|
00:01:35:29 00:01:35:37 |
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00:01:35:37 00:01:35:49 |
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MEANING1 | $INDEX1 |
bedeutet |
|
00:01:35:49 00:01:36:00 |
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00:01:36:00 00:01:36:05 |
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$GEST-OFF1^* |
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00:01:36:05 00:01:36:14 |
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00:01:36:14 00:01:36:21 |
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HEARING1A* | |
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00:01:36:21 00:01:36:40 |
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|
00:01:36:40 00:01:37:02 |
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TO-ADJUST1 |
[MG] |
|
00:01:37:02 00:01:37:07 |
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|
00:01:37:07 00:01:37:12 |
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HEARING1A* |
hörende |
|
00:01:37:12 00:01:37:21 |
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|
00:01:37:21 00:01:37:27 |
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NOT3A* |
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|
00:01:37:27 00:01:37:36 |
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00:01:37:36 00:01:37:40 |
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HEARING1A* |
hörende |
|
00:01:37:40 00:01:37:49 |
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|
00:01:37:49 00:01:38:22 |
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TO-ADJUST1* |
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|
00:01:38:22 00:01:38:26 |
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|
00:01:38:26 00:01:38:31 |
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I was thrilled. It was amazing! |
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00:01:38:31 00:01:38:35 |
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I1 | |
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00:01:38:35 00:01:39:07 |
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|
00:01:39:07 00:01:39:29 |
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APPEALING1* | |
[MG] |
|
00:01:39:29 00:01:39:38 |
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|
00:01:39:38 00:01:40:13 |
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GREAT1A | |
toll |
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00:01:40:13 00:01:40:17 |
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|
00:01:40:17 00:01:40:26 |
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$GEST-OFF1^ |
|
00:01:40:26 00:01:40:28 |
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|
00:01:40:28 00:01:41:17 |
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The IVT showed me how confident deaf people can be and I am very thankful for that. |
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|
00:01:41:17 00:01:41:30 |
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DEAF1A | |
gehörlose |
|
00:01:41:30 00:01:41:35 |
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00:01:41:35 00:01:41:39 |
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CAN1* |
kann |
|
00:01:41:39 00:01:41:42 |
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00:01:41:42 00:01:41:46 |
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SELF1A* | |
selbstbewusst |
|
00:01:41:46 00:01:42:06 |
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00:01:42:06 00:01:42:11 |
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AWARE1 | |
|
00:01:42:11 00:01:42:13 |
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|
00:01:42:13 00:01:42:21 |
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$INDEX1 | |
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|
00:01:42:21 00:01:42:29 |
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|
00:01:42:29 00:01:42:37 |
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SELF1B* | |
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00:01:42:37 00:01:42:43 |
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00:01:42:43 00:01:43:00 |
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TO-SHOW1A* |
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|
00:01:43:00 00:01:43:08 |
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|
00:01:43:08 00:01:43:14 |
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GRATEFUL1* |
dankbar |
|
00:01:43:14 00:01:43:17 |
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|
00:01:43:17 00:01:43:39 |
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$ALPHA1:I-V-T | |
i-v-t |
|
00:01:43:39 00:01:43:44 |
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00:01:43:44 00:01:44:01 |
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MUCH1A | |
viel |
|
00:01:44:01 00:01:44:02 |
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|
00:01:44:02 00:01:44:10 |
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THANKS1 | |
dank |
|
00:01:44:10 00:01:44:24 |
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|
00:01:44:24 00:01:44:47 |
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|
00:01:44:47 00:01:45:18 |
|
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|
I wanted to build something like that in Germany, but the problem was that you had to be a professional in your respective field to work at ITV. |
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|
00:01:45:18 00:01:45:35 |
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THEN1A | |
dann |
|
00:01:45:35 00:01:46:07 |
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|
00:01:46:07 00:01:46:19 |
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|
$GEST-OFF1^ |
[MG] |
|
00:01:46:19 00:01:46:32 |
|
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|
00:01:46:32 00:01:46:40 |
|
|
|
HERE1* |
hier |
|
00:01:46:40 00:01:47:04 |
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|
00:01:47:04 00:01:47:17 |
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TO-TRY1 | |
versuchen |
|
00:01:47:17 00:01:47:22 |
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|
00:01:47:22 00:01:47:28 |
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|
ALSO1A | |
auch |
|
00:01:47:28 00:01:47:44 |
|
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|
00:01:47:44 00:01:48:21 |
|
|
|
TO-FOUND2 |
[MG] |
|
00:01:48:21 00:01:48:31 |
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|
00:01:48:31 00:01:48:42 |
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|
|
$GEST-OFF1^* |
|
|
00:01:48:42 00:01:48:46 |
|
|
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|
00:01:48:46 00:01:49:13 |
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|
|
UNFORTUNATELY1A |
leider |
|
00:01:49:13 00:01:49:26 |
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|
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|
00:01:49:26 00:01:49:36 |
|
|
|
$INDEX1 | |
|
|
00:01:49:36 00:01:49:41 |
|
|
|
|
|
|
00:01:49:41 00:01:50:07 |
|
|
|
$ALPHA1:I-V | |
i-v-t |
|
00:01:50:07 00:01:50:17 |
|
|
|
|
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|
00:01:50:17 00:01:50:24 |
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|
MUST1 | |
|
|
00:01:50:24 00:01:50:35 |
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|
00:01:50:35 00:01:51:07 |
|
|
|
PROFESSIONAL1A |
professionell |
|
00:01:51:07 00:01:51:23 |
I see. |
|
|
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|
|
00:01:51:23 00:01:51:28 |
YES1A | |
|
|
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|
00:01:51:28 00:01:51:44 |
|
|
PROFESSION1A | |
beruf |
|
00:01:51:44 00:01:52:10 |
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|
00:01:52:10 00:01:52:17 |
|
|
|
TO-STAY1^* | |
fach |
|
00:01:52:17 00:01:52:29 |
|
|
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|
|
|
00:01:52:29 00:01:52:41 |
|
|
|
SHELF-OR-SUBJECT2A* |
[MG] |
|
00:01:52:41 00:01:52:45 |
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|
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|
00:01:52:45 00:01:53:11 |
|
|
|
They also offered sign language classes to ensure their financial security. |
|
|
|
00:01:53:11 00:01:53:31 |
|
|
|
TO-MIX2 |
mischung |
|
00:01:53:31 00:01:53:40 |
|
|
|
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|
|
00:01:53:40 00:01:53:46 |
|
|
|
TO-SIGN1A |
gebärdensprachdozenten |
|
00:01:53:46 00:01:54:01 |
|
|
|
|
|
00:01:54:01 00:01:54:06 |
|
|
|
LANGUAGE1* | |
|
00:01:54:06 00:01:54:13 |
|
|
|
|
|
00:01:54:13 00:01:54:39 |
|
|
|
LECTURER2B |
|
00:01:54:39 00:01:55:06 |
|
|
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|
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|
00:01:55:06 00:01:55:14 |
|
|
|
TO-SIGN1A* |
gebärdensprachkurs |
|
00:01:55:14 00:01:55:22 |
|
|
|
|
|
00:01:55:22 00:01:55:24 |
|
|
|
LANGUAGE1* | |
|
00:01:55:24 00:01:55:30 |
|
|
|
|
|
00:01:55:30 00:01:55:39 |
|
|
|
COURSE1* |
|
00:01:55:39 00:01:56:00 |
|
|
|
|
|
|
00:01:56:00 00:01:56:07 |
|
|
|
TO-CONDUCT1* |
|
|
00:01:56:07 00:01:56:14 |
|
|
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|
00:01:56:14 00:01:56:28 |
|
|
|
TO-MIX2 |
mischen |
|
00:01:56:28 00:01:56:34 |
|
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|
00:01:56:34 00:01:56:40 |
|
|
|
CAN1 | |
kann |
|
00:01:56:40 00:01:56:45 |
|
|
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|
|
|
00:01:56:45 00:01:57:06 |
|
|
|
TO-LIVE1G* |
leben |
|
00:01:57:06 00:01:57:10 |
|
|
|
|
|
|
00:01:57:10 00:01:57:35 |
|
|
|
TO-DEVELOP1A |
[MG] |
|
00:01:57:35 00:01:57:46 |
|
|
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|
|
|
00:01:57:46 00:01:58:00 |
|
|
|
$INDEX1 | |
|
|
00:01:58:00 00:01:58:01 |
|
|
|
|
|
|
00:01:58:01 00:01:58:10 |
|
|
|
I was allowed to sit in on the sign language course as well and I was able to see how they structured the French Sign Language classes. |
|
|
|
00:01:58:10 00:01:58:23 |
|
|
|
$INDEX1 | |
|
|
00:01:58:23 00:01:58:30 |
|
|
|
|
|
|
00:01:58:30 00:01:58:35 |
|
|
|
TO-SIGN1A* |
gebärdenkurs |
|
00:01:58:35 00:01:58:38 |
|
|
|
|
|
00:01:58:38 00:01:59:02 |
|
|
|
COURSE1* |
|
00:01:59:02 00:01:59:06 |
|
|
|
|
|
|
00:01:59:06 00:01:59:09 |
|
|
|
I1 | |
ich |
|
00:01:59:09 00:01:59:19 |
|
|
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|
|
|
00:01:59:19 00:01:59:26 |
|
|
|
WITH2 |
mitschauen |
|
00:01:59:26 00:01:59:33 |
|
|
|
|
|
00:01:59:33 00:01:59:38 |
|
|
|
TO-LOOK1 | |
|
00:01:59:38 00:01:59:47 |
|
|
|
|
|
00:01:59:47 00:02:00:08 |
|
|
|
TO-WATCH1 | |
|
00:02:00:08 00:02:00:15 |
|
|
|
|
|
|
00:02:00:15 00:02:00:18 |
|
|
|
$INDEX1 | |
|
|
00:02:00:18 00:02:00:29 |
|
|
|
|
|
|
00:02:00:29 00:02:00:35 |
|
|
|
FRANCE3A | |
französische |
|
00:02:00:35 00:02:00:40 |
|
|
|
|
|
|
00:02:00:40 00:02:00:49 |
|
|
|
SIGN-LANGUAGE1B |
gebärdensprachunterricht |
|
00:02:00:49 00:02:01:12 |
|
|
|
|
|
00:02:01:12 00:02:01:19 |
|
|
|
TO-TEACH1* |
|
00:02:01:19 00:02:01:25 |
|
|
|
|
|
|
00:02:01:25 00:02:01:28 |
|
|
|
This way I got a peak into the concepts of teaching sign language classes early on. |
|
|
|
00:02:01:28 00:02:01:34 |
|
|
|
I1 | |
|
|
00:02:01:34 00:02:01:42 |
|
|
|
|
|
|
00:02:01:42 00:02:02:10 |
|
|
|
ALSO1A | |
auch |
|
00:02:02:10 00:02:02:16 |
|
|
|
|
|
|
00:02:02:16 00:02:02:23 |
|
|
|
EARLY1A | |
früh |
|
00:02:02:23 00:02:03:14 |
|
|
|
|
|
|
00:02:03:14 00:02:03:23 |
|
|
|
HOW-QUESTION2 |
wie |
|
00:02:03:23 00:02:03:33 |
|
|
|
|
|
|
00:02:03:33 00:02:04:00 |
|
|
|
CONCEPT1A |
konzept |
|
00:02:04:00 00:02:04:12 |
|
|
|
|
|
|
00:02:04:12 00:02:04:27 |
|
|
|
TO-TEACH1* |
|
|
00:02:04:27 00:02:04:29 |
|
|
|
|
|
|
00:02:04:29 00:02:04:39 |
|
|
|
Hearing people sat in class well-behaved and learned sign language patiently. |
|
|
|
00:02:04:39 00:02:04:49 |
|
|
|
HEARING1A | |
auch hörende |
|
00:02:04:49 00:02:05:07 |
|
|
|
|
|
|
00:02:05:07 00:02:05:13 |
|
|
|
$PROD* | |
|
|
00:02:05:13 00:02:05:17 |
|
|
|
|
|
|
00:02:05:17 00:02:05:37 |
|
|
|
$PROD* | |
|
|
00:02:05:37 00:02:05:43 |
|
|
|
|
|
|
00:02:05:43 00:02:06:07 |
|
|
|
TO-OBEY1B | |
|
|
00:02:06:07 00:02:06:16 |
|
|
|
|
|
|
00:02:06:16 00:02:06:21 |
|
|
|
TO-LEARN1* | |
lernen |
|
00:02:06:21 00:02:06:27 |
|
|
|
|
|
|
00:02:06:27 00:02:06:36 |
|
|
|
SIGN-LANGUAGE1B* |
gebärdensprache |
|
00:02:06:36 00:02:06:38 |
|
|
|
I was stunned. |
|
|
|
00:02:06:38 00:02:06:45 |
|
|
|
I1 | |
|
|
00:02:06:45 00:02:07:08 |
|
|
|
|
|
|
00:02:07:08 00:02:07:20 |
|
|
|
OPEN-MOUTHED1 | |
|
|
00:02:07:20 00:02:07:34 |
|
|
|
|
|
|
00:02:07:34 00:02:07:49 |
|
|
|
Back then the two of them came up to me and introduced me to sign language art and culture as well as principles of teaching sign language, for instance how to structure classes etc. |
|
|
|
00:02:07:49 00:02:08:14 |
|
|
|
BOTH2A | |
beide |
|
00:02:08:14 00:02:08:22 |
|
|
|
|
|
|
00:02:08:22 00:02:08:43 |
|
|
|
MASS-OF-PEOPLE-ACTIVE1* |
[MG] |
|
00:02:08:43 00:02:09:23 |
|
|
|
|
|
|
00:02:09:23 00:02:09:42 |
|
|
|
CULTURE1A |
kultur |
|
00:02:09:42 00:02:10:04 |
|
|
|
|
|
|
00:02:10:04 00:02:10:20 |
|
|
|
ART4A | |
kunst |
|
00:02:10:20 00:02:10:24 |
|
|
|
|
|
|
00:02:10:24 00:02:10:36 |
|
|
|
SIGN-LANGUAGE1B |
gebärdensprache |
|
00:02:10:36 00:02:11:05 |
|
|
|
|
|
|
00:02:11:05 00:02:11:12 |
|
|
|
AND3 |
und |
|
00:02:11:12 00:02:11:20 |
|
|
|
|
|
|
00:02:11:20 00:02:11:27 |
|
|
|
TO-SIGN1B |
gebärdensprachdidaktik |
|
00:02:11:27 00:02:11:36 |
|
|
|
|
|
00:02:11:36 00:02:11:41 |
|
|
|
LANGUAGE1* | |
|
00:02:11:41 00:02:11:48 |
|
|
|
|
|
00:02:11:48 00:02:12:04 |
|
|
|
DIDACTICS1A* |
|
00:02:12:04 00:02:12:29 |
|
|
|
|
|
|
00:02:12:29 00:02:12:43 |
|
|
|
TO-TEACH1* |
|
|
00:02:12:43 00:02:13:01 |
|
|
|
|
|
|
00:02:13:01 00:02:13:14 |
|
|
|
HOW-QUESTION2 |
wie |
|
00:02:13:14 00:02:13:22 |
|
|
|
|
|
|
00:02:13:22 00:02:13:48 |
|
|
|
TO-INTERNALISE1* |
[MG] |
|
00:02:13:48 00:02:14:18 |
|
|
|
|
|
|
00:02:14:18 00:02:14:45 |
|
|
|
So that when I started to go to university, I felt the urge to change the art program, I wanted to revolutionize it. |
|
|
|
00:02:14:45 00:02:15:06 |
|
|
|
THE1 | |
und |
|
00:02:15:06 00:02:15:20 |
|
|
|
|
|
|
00:02:15:20 00:02:15:36 |
|
|
|
TO-STUDY1 | |
studium |
|
00:02:15:36 00:02:15:44 |
|
|
|
|
|
|
00:02:15:44 00:02:16:16 |
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HERE1* |
hier |
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00:02:16:16 00:02:16:39 |
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00:02:16:39 00:02:16:45 |
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I1 | |
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00:02:16:45 00:02:17:09 |
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00:02:17:09 00:02:17:15 |
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FEELING3 |
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00:02:17:15 00:02:17:19 |
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00:02:17:19 00:02:17:28 |
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MUST1* |
muss |
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00:02:17:28 00:02:18:04 |
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00:02:18:04 00:02:18:20 |
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ART4A* |
kunst |
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00:02:18:20 00:02:18:30 |
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00:02:18:30 00:02:18:45 |
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OFFER1B |
angebot |
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00:02:18:45 00:02:19:25 |
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00:02:19:25 00:02:19:41 |
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TO-CHANGE1A* |
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00:02:19:41 00:02:20:14 |
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00:02:20:14 00:02:20:37 |
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MOVEMENT1A^ |
revolution |
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00:02:20:37 00:02:20:39 |
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00:02:20:39 00:02:20:45 |
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$GEST-OFF1^ |
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00:02:20:45 00:02:20:48 |
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00:02:20:48 00:02:21:01 |
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HERE1 | |
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00:02:21:01 00:02:21:11 |
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00:02:21:11 00:02:21:19 |
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WHY1 | |
warum |
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00:02:21:19 00:02:21:30 |
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Up to that point there had been a deaf German theater with some signs, but those were LBG. [LBG is the German equivalent to Signed English]. |
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00:02:21:30 00:02:21:41 |
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UNTIL-NOW3B |
[MG] |
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00:02:21:41 00:02:22:07 |
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00:02:22:07 00:02:22:16 |
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GERMAN1 | |
deutsch |
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00:02:22:16 00:02:22:25 |
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00:02:22:25 00:02:22:33 |
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DEAF1A | |
gehörlosentheater |
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00:02:22:33 00:02:22:41 |
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00:02:22:41 00:02:23:29 |
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THEATRE6 |
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00:02:23:29 00:02:23:33 |
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00:02:23:33 00:02:23:39 |
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$INDEX1* |
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00:02:23:39 00:02:24:06 |
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00:02:24:06 00:02:24:17 |
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PRESENT-OR-HERE1 | |
da |
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00:02:24:17 00:02:24:33 |
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00:02:24:33 00:02:24:44 |
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TO-SIGN1A |
[MG] |
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00:02:24:44 00:02:24:45 |
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00:02:24:45 00:02:25:04 |
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$ORAL^ |
aber |
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00:02:25:04 00:02:25:05 |
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00:02:25:05 00:02:25:24 |
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TO-FOLLOW1B^ |
l-b-g |
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00:02:25:24 00:02:25:38 |
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00:02:25:38 00:02:26:05 |
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And there was “Thow & Show” [theatre group] in Munich showing the play “Verkehrte Welt” [upside-down world] in sign language. |
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00:02:26:05 00:02:26:12 |
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$INDEX1* |
da |
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00:02:26:12 00:02:26:22 |
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00:02:26:22 00:02:26:26 |
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MUNICH1A* | |
münchen |
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00:02:26:26 00:02:26:30 |
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00:02:26:30 00:02:26:34 |
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$INDEX1 | |
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00:02:26:34 00:02:26:45 |
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00:02:26:45 00:02:27:03 |
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GOOD1 | |
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00:02:27:03 00:02:27:19 |
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00:02:27:19 00:02:27:32 |
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CLEAR1D^ |
thow show |
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00:02:27:32 00:02:27:40 |
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00:02:27:40 00:02:27:48 |
Yes, that was a thing. |
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I1 | |
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00:02:27:48 00:02:28:04 |
YES1A | |
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00:02:28:04 00:02:28:10 |
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00:02:28:10 00:02:28:14 |
$INDEX1 | |
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00:02:28:14 00:02:28:16 |
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GOOD1* | |
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00:02:28:16 00:02:28:41 |
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00:02:28:41 00:02:29:04 |
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00:02:29:04 00:02:29:14 |
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SIGN-LANGUAGE1B |
gebärdensprache |
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00:02:29:14 00:02:29:26 |
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00:02:29:26 00:02:29:30 |
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$INDEX1 | |
auch |
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00:02:29:30 00:02:29:37 |
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00:02:29:37 00:02:29:46 |
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GOOD1 | |
[MG] |
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00:02:29:46 00:02:30:04 |
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00:02:30:04 00:02:30:09 |
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$INDEX1 | |
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00:02:30:09 00:02:30:29 |
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00:02:30:29 00:02:30:39 |
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TO-SHOW1A |
zeigen |
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00:02:30:39 00:02:31:02 |
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00:02:31:02 00:02:31:20 |
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TO-SWAP3A |
verkehrte welt |
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00:02:31:20 00:02:31:33 |
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00:02:31:33 00:02:32:22 |
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WORLD1 |
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00:02:32:22 00:02:32:43 |
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00:02:32:43 00:02:33:06 |
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You don't know that play? |
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00:02:33:06 00:02:33:14 |
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TO-KNOW-STH-OR-SB1A* | |
kennen |
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00:02:33:14 00:02:33:23 |
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00:02:33:23 00:02:34:10 |
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THEATRE6* |
theaterstück |
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00:02:34:10 00:02:34:13 |
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00:02:34:13 00:02:34:27 |
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It was really good. |
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00:02:34:27 00:02:34:38 |
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THE1 | |
das |
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00:02:34:38 00:02:34:42 |
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00:02:34:42 00:02:35:06 |
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GREAT1A | |
[MG] |
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00:02:35:06 00:02:35:08 |
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00:02:35:08 00:02:35:24 |
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“Sehen statt Hören” [German TV show in German Sign Language, literally: seeing instead of hearing] recorded the show and aired it a second time. |
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00:02:35:24 00:02:35:30 |
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TO-SEE1 | |
sehen |
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00:02:35:30 00:02:35:33 |
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00:02:35:33 00:02:35:40 |
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INSTEAD1 |
statt |
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00:02:35:40 00:02:35:49 |
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00:02:35:49 00:02:36:04 |
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HEARING1A | |
hören |
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00:02:36:04 00:02:36:07 |
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00:02:36:07 00:02:36:16 |
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PAST-OR-BACK-THEN1* | |
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00:02:36:16 00:02:36:29 |
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00:02:36:29 00:02:36:38 |
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ONCE-MORE1B | |
wiederholung |
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00:02:36:38 00:02:36:45 |
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00:02:36:45 00:02:37:06 |
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REPETITION1B |
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00:02:37:06 00:02:37:14 |
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00:02:37:14 00:02:37:28 |
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TO-SHOW1A |
zeigen |
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00:02:37:28 00:02:37:43 |
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00:02:37:43 00:02:38:13 |
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The play “Verkehrte Welt” was the first play on stage featuring sign language. |
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00:02:38:13 00:02:38:22 |
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TO-SWAP3A |
verkehrt |
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00:02:38:22 00:02:38:32 |
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00:02:38:32 00:02:38:43 |
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TO-SHOW1A |
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00:02:38:43 00:02:39:22 |
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00:02:39:22 00:02:39:29 |
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ALSO1A | |
auch |
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00:02:39:29 00:02:39:43 |
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00:02:39:43 00:02:40:01 |
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$INDEX1 | |
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00:02:40:01 00:02:40:16 |
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00:02:40:16 00:02:40:31 |
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TO-SIGN1G |
[MG] |
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00:02:40:31 00:02:40:37 |
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00:02:40:37 00:02:40:49 |
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FIRST1A | |
zuerst |
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00:02:40:49 00:02:41:04 |
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00:02:41:04 00:02:41:17 |
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DGS1* | |
d-g-s |
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00:02:41:17 00:02:41:24 |
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00:02:41:24 00:02:41:38 |
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TO-MAKE-USE-OF-STH1 |
benutzen |
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00:02:41:38 00:02:41:48 |
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00:02:41:48 00:02:42:09 |
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STAGE1 |
bühne |
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00:02:42:09 00:02:42:17 |
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00:02:42:17 00:02:42:33 |
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$INDEX1 | |
da |
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00:02:42:33 00:02:42:35 |
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00:02:42:35 00:02:42:46 |
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I, on the other hand, wanted to focus on and address deafness itself. |
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00:02:42:46 00:02:43:05 |
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I1 | |
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00:02:43:05 00:02:43:19 |
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00:02:43:19 00:02:43:38 |
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TO-WISH1B | |
wünsche |
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00:02:43:38 00:02:44:17 |
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00:02:44:17 00:02:44:25 |
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MORE1* |
mehr |
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00:02:44:25 00:02:44:39 |
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00:02:44:39 00:02:45:03 |
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SUBJECT1 |
thema |
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00:02:45:03 00:02:45:16 |
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00:02:45:16 00:02:45:29 |
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DEAF1A | |
gehörlos |
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00:02:45:29 00:02:45:36 |
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00:02:45:36 00:02:45:48 |
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QUOTATION-MARKS2 |
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00:02:45:48 00:02:45:49 |
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00:02:45:49 00:02:46:06 |
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So for instance, the emotional world and the suffering of deaf people. |
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00:02:46:06 00:02:46:19 |
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LIKE3A |
wie |
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00:02:46:19 00:02:46:38 |
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00:02:46:38 00:02:47:08 |
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TO-SUFFER1A |
leidensgeschichte |
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00:02:47:08 00:02:47:12 |
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00:02:47:12 00:02:47:16 |
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$LIST1:1of1d |
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00:02:47:16 00:02:47:21 |
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00:02:47:21 00:02:47:34 |
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HISTORY-OR-STORY2 |
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00:02:47:34 00:02:47:39 |
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00:02:47:39 00:02:48:00 |
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$GEST-OFF1^ |
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00:02:48:00 00:02:48:15 |
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00:02:48:15 00:02:48:23 |
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DEAF1A* | |
gehörlose |
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00:02:48:23 00:02:48:24 |
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|
00:02:48:24 00:02:48:33 |
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INSIDE1A* | |
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00:02:48:33 00:02:48:39 |
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00:02:48:39 00:02:49:00 |
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FEELING3 |
gefühl |
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00:02:49:00 00:02:49:04 |
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|
00:02:49:04 00:02:49:11 |
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$GEST-OFF1^ |
|
00:02:49:11 00:02:49:19 |
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00:02:49:19 00:02:49:31 |
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HOW-QUESTION2 |
wie |
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00:02:49:31 00:02:49:41 |
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00:02:49:41 00:02:50:08 |
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TO-SHOW1A |
[MG] |
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00:02:50:08 00:02:50:30 |
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00:02:50:30 00:02:50:40 |
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TO-WISH1B | |
wünschen |
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00:02:50:40 00:02:50:44 |
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00:02:50:44 00:02:51:05 |
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That’s why I founded the “Visuelles Theater Hamburg” [Engl.: Hamburg Visual Theater]. |
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00:02:51:05 00:02:51:14 |
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THEREFORE1* |
darum |
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00:02:51:14 00:02:51:27 |
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00:02:51:27 00:02:52:03 |
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VISUAL1A* | |
visuelles |
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00:02:52:03 00:02:52:11 |
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00:02:52:11 00:02:52:24 |
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THEATRE6* |
theater |
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00:02:52:24 00:02:52:46 |
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00:02:52:46 00:02:53:03 |
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HAMBURG1 | |
hamburg |
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00:02:53:03 00:02:53:22 |
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00:02:53:22 00:02:53:48 |
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TO-FOUND2 |
[MG] |
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00:02:53:48 00:02:54:04 |
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00:02:54:04 00:02:54:09 |
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At that time Germany was still divided, that was before the Fall of the Berlin Wall. |
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00:02:54:09 00:02:54:33 |
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IN-ADDITION1* |
dazu |
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00:02:54:33 00:02:54:46 |
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00:02:54:46 00:02:55:16 |
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$GEST-OFF1^* | |
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00:02:55:16 00:02:55:47 |
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00:02:55:47 00:02:56:29 |
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FALL-OF-THE-BERLIN-WALL2 |
mauerfall |
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00:02:56:29 00:02:56:48 |
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00:02:56:48 00:02:57:13 |
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NOT-YET2 | |
noch nicht |
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00:02:57:13 00:02:57:20 |
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00:02:57:20 00:02:57:47 |
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BEFOREHAND2 |
vorher |
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00:02:57:47 00:02:57:48 |
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00:02:57:48 00:02:58:10 |
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A deaf person joined the group; his name was Peter Schick. |
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00:02:58:10 00:02:58:20 |
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|
AN1A | |
ein |
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00:02:58:20 00:02:58:27 |
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00:02:58:27 00:02:58:39 |
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DEAF1A | |
gehörloser |
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00:02:58:39 00:02:59:03 |
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00:02:59:03 00:02:59:30 |
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TO-COME1 | |
[MG] |
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00:02:59:30 00:03:00:15 |
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00:03:00:15 00:03:00:23 |
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$NAME-PETER-SCHICK1 | |
peter |
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00:03:00:23 00:03:00:28 |
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00:03:00:28 00:03:00:45 |
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$ALPHA1:SCH-I | |
schick |
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00:03:00:45 00:03:00:48 |
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00:03:00:48 00:03:01:05 |
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$INDEX1 | |
|
00:03:01:05 00:03:01:07 |
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|
00:03:01:07 00:03:01:09 |
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I was very interested in theater, especially combined with pantomime. |
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|
00:03:01:09 00:03:01:16 |
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I2* | |
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|
00:03:01:16 00:03:01:21 |
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00:03:01:21 00:03:01:25 |
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HE-SHE-IT2 | |
er |
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00:03:01:25 00:03:01:31 |
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|
00:03:01:31 00:03:01:48 |
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|
INTEREST1B* | |
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00:03:01:48 00:03:02:06 |
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|
00:03:02:06 00:03:02:19 |
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THEATRE6 |
theater |
|
00:03:02:19 00:03:02:28 |
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|
00:03:02:28 00:03:02:35 |
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MORE1 | |
mehr |
|
00:03:02:35 00:03:02:36 |
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00:03:02:36 00:03:03:04 |
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PANTOMIME1 |
pantomime |
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00:03:03:04 00:03:03:10 |
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|
00:03:03:10 00:03:03:19 |
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TOGETHER4 |
|
00:03:03:19 00:03:03:20 |
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|
00:03:03:20 00:03:03:43 |
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|
So, we thought about the matter and finally founded the theater. |
TO-PLAN-AND-GO-THROUGH-WITH-STH1 |
[MG] |
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THEN1A* |
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TO-FOUND2 |
[MG] |
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Then the Berlin Wall fell and a professional joined our group: Volkmar Otte. |
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TO-DEVELOP1A |
[MG] |
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SUDDENLY4^ |
[MG] |
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FALL-OF-THE-BERLIN-WALL2 |
mauerfall |
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COME-HERE1 | |
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PROFESSIONAL1A |
profi |
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$ALPHA1:# | |
volkmar otte |
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Yes, I know of him. |
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$NAME |
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YES2 | |
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Thomas Zander who was also an experienced actor joined our group as well. |
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WITH2* |
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$ALPHA1:T | |
thomas zander |
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$NAME-THOMAS-ZANDER1 | |
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ALSO1A | |
auch |
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EXPERIENCE-OR-KNOWLEDGE1A* | |
erfahrene |
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ACTOR1 | |
schauspieler |
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WITH2 |
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So we founded the “Visuelle Theater” together. |
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I1* | |
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TOGETHER7 |
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TO-FOUND3 |
[MG] |
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TO-DEVELOP1A |
[MG] |
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VISUAL1A* | |
visuelles |
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THEATRE6 |
theater |
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We accomplished to put on many different plays with themes involving sign language and “What’s a Deaf identity,” as well as various conflicts with the hearing world and other topics. |
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$INDEX1 | |
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MUCH1A | |
viel |
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TO-ACCOMPLISH1A |
schaffen |
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SUBJECT1 |
thema |
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SIGN-LANGUAGE1B* |
geb{ärden}sprache |
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DEAF1A | |
gehörlos |
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IDENTITY1A | |
identität |
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MEANING1* | |
bedeutet |
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CONFLICT1C |
konflikt |
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HEARING1A | |
hörende |
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WORLD1 |
welt |
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MUCH6 |
[MG] |
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TO-SHOW1A* |
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That was a great time in my life. |
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BEAUTIFUL1A | |
schöne |
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TIME7C | |
zeit |
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MY1 | |
mein |
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TO-LIVE1E |
leben |
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UNTIL-NOW3B |
bis |
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$GEST-OFF1^ |
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In my opinion it is not enough to promote only politically that sign language matters. |
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AND1 | |
und |
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MY1* | |
mein |
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OPINION1A | |
meinung |
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TO-SIGN1A |
gebärdensprachpolitik |
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LANGUAGE1* | |
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POLITICS1 |
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TO-BE-COMMITTED1 |
[MG] |
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ALONE1A* | |
allein |
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ENOUGH1A* | |
genug |
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NOT3A* | |
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Art and culture is just as important, it creates a more accepting mindset in society. |
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ALSO1A | |
auch |
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Art, exactly. |
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ART4A | |
kunst |
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ART2A* | |
kunst |
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$GEST-OFF1^ |
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CULTURE1A* |
kultur |
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IMPORTANT1 |
wichtig |
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CAN1 | |
kann |
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SOCIETY2 |
gesellschaft |
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TO-ACCEPT1* |
akzeptieren |
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That would be just like only explaining to somebody that there is something like German Sign Language and that it is taught in classes. |
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BETTER1* |
besser |
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YES1A | |
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OR4B* | $INDEX1 |
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LIKE3A* |
wie |
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TO-TEACH1 |
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$INDEX1 | $NUM-ONE-TO-TEN1A:1d |
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TO-KNOW-STH2A* |
weiß |
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SIGN-LANGUAGE1A* |
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THERE-IS3 |
gibt |
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TO-LET-KNOW1A* | |
bescheid |
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YES1A | |
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TO-TEACH1* |
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But then hearing people don't get a picture of what the life and the world behind this language look like. |
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OUTDOORS1B^* |
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TO-LIVE1E |
leben |
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TO-SWARM1^ |
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WHAT1B |
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TO-SWARM1^ |
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EMPTY1 |
leer |
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$GEST-OFF1^ |
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00:03:43:19 00:03:43:32 |
For instance when the movie “Jenseits der Stille” [English title: “Beyond Silence”] was released, it created awareness. |
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TO-SPOT2* | |
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TO-EMERGE2* |
[MG] |
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EXAMPLE1 |
beispiel |
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$INDEX1* | |
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MOVIE1* | |
film |
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$ALPHA1:J | |
jenseits |
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SILENT2 | |
stille |
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$LIST1:1of1d |
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$INDEX1 | |
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TO-APPEAR1 | |
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ALL2C | $INDEX1 |
alle |
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COGNITION1^ | |
bewusst |
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The people really liked that movie and it educated and raised awareness for the topic. |
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MUCH1B* | |
viel |
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BEAUTIFUL1A | |
schön |
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GOOD1* | |
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COGNITION1^ | |
bewusst |
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$INDEX1 | |
da |
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EXAMPLE1* |
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00:03:53:09 00:03:53:24 |
ATTENTIVE1 |
aufmerksam |
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PRESENT-OR-HERE1 | FIRST-OF-ALL1A |
da |
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One could acquire the same amount of awareness through theater, take the play “Argonautengang” for instance. |
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YOU1* | |
du |
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THEATRE6 |
theater |
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TO-SHOW1A |
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COGNITION1^* | |
bewusst |
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PRESENT-OR-HERE1 | |
da |
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YOU1* | |
du |
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NO-CLUE1^ | |
argonautengang |
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TO-GO4* |
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TO-LIST1A^ |
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This way hearing people get introduced to the whole topic and can develop awareness for it. |
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COGNITION1^* | |
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PRESENT-OR-HERE1* |
da |
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TO-EMERGE1^* | |
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MORE1 | |
mehr |
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AWARE1 | |
bewusst |
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PRESENT-OR-HERE1* |
da |
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And things like these raise awareness because they catch the attention of the people. |
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$INDEX1 | |
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TO-STRIKE1A | |
auffallen auffallen auffallen |
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TO-STRIKE1B* |
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If you only tell people that there is such a thing as sign language, that doesn't get you anywhere. |
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ONLY2A | |
nur |
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$ORAL^ |
ein |
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SENTENCE2 |
satz |
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THERE-IS3* |
gibt |
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PRESENT-OR-HERE1* |
da |
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$GEST-NO-IDEA1^ |
aber |
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TO-HELP1* |
helfen |
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NOT1 |
nicht |
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$GEST-OFF1^ |
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You have to involve society. |
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OCCURRENCE1^* |
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SOCIETY1* |
gesellschaft |
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INTEGRATION1 |
integriert |
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$GEST^ |
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TO-PLAY2^* |
[MG] |
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Nowadays there are more and more posters that address the topic of art. |
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EXAMPLE1* |
zu{m} bei{spiel} |
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NOW3 |
jetzt |
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MOMENT1* | |
moment |
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PLACARD1* |
plakat |
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$PROD* | |
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ART2A* | |
kunst |
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We wanted to show that we could do something like this as well and that we are not stupid. |
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I2 | |
wir |
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TO-ACCOMPLISH1B* |
schaffen |
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I1 | |
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FOOLISH1 | |
nicht dumm |
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$GEST-OFF1^* |
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We can work in our dream profession. |
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CAN1* |
kann |
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$GEST-OFF1^ |
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TO-ACQUIRE1* |
schaffen |
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MY1* | |
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DREAM1 | |
traumberuf |
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PROFESSION1A | |
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$INDEX1 | |
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Of course we are able to do so because of the integration process. |
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TO-LIST1A^* |
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COHERENCE1A |
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CONTENT3* |
integr{ieren} |
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INTEGRATION1 |
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$GEST-OFF1^ |
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Yes, you're right. |
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RIGHT-OR-AGREED1A* | |
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Asks B not to move around with his chair as much but rather to stay in one place. |
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Yes. |
YES1A | |
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I1* | |
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I always slide so far down. |
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I1 | |
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$PROD* |
[MG] |
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Yes/ |
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YES1A* | |
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I1* | |
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Maybe if you adjust the height of the chair, it would be more comfortable for you. I feel like I am constantly sliding forward as well. |
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CAN1 | |
kann |
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HIGH7* |
hoch |
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WELL1 | |
wohl |
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I2 | |
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OFTEN1A | |
oft |
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I2 | |
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Yes! |
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$PROD* | |
[MG] |
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YES2 | |
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And even during the time before I joined the “Visuelle Theater” I was interested in stage performances and stage work, I was mesmerized. |
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$ORAL^ |
auch |
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$INDEX1 | |
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I1* | |
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VISUAL1A* | |
visuel{les} |
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THEATRE6* | |
theater |
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$INDEX1 | |
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I1 | |
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BACK-THEN1 | |
damals |
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I2 | |
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TO-JOIN1* | |
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NOT-YET2 | |
noch nicht |
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BEFOREHAND4* |
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I1 | |
aber |
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STAGE1 |
bühne |
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I1* | |
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TO-LOOK-AT1^ | |
[MG] |
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INTEREST1B | |
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00:04:35:15 00:04:36:21 |
FASCINATING3* |
[MG] |
You went to see theatre plays? That's interesting. |
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TO-SEE1 | |
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BEEN1 | |
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I especially liked the play ‘Gehörlos so, was?!’ [Deaf so, what?! Title literally translated from German Sign Language, meaning “What is Deafness?“]. |
YES2 | |
ja |
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INTEREST1A | |
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BACK-THEN1* | |
war so |
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LET-ME-PUT-IT-THIS-WAY1 | |
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PARTICULARLY1A | |
bes{onders} |
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00:04:38:34 00:04:38:40 |
BEAUTIFUL1A | |
schön |
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00:04:39:02 00:04:39:10 |
SEGMENT2B |
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00:04:39:43 00:04:39:49 |
DEAF1A | |
gehörlos |
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00:04:39:49 00:04:40:07 |
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00:04:40:07 00:04:40:13 |
LIKE-THIS1A* |
so |
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00:04:40:13 00:04:40:15 |
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00:04:40:15 00:04:41:03 |
WHAT1A* |
was |
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00:04:41:03 00:04:41:18 |
And I thought Susanne and Marco were the best. |
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00:04:41:18 00:04:41:23 |
$NAME-MARCO-LIPSKI1 | |
marco |
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AND2A |
und |
Right, Marco, yes. |
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00:04:41:30 00:04:41:39 |
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YES1A | |
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00:04:41:46 00:04:42:06 |
$NAME-SUSANNE-GENC1 | |
susanne |
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00:04:42:15 00:04:42:34 |
$INDEX1 | |
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00:04:42:34 00:04:42:43 |
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00:04:42:43 00:04:43:01 |
FOR1* | |
für |
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00:04:43:01 00:04:43:35 |
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00:04:43:35 00:04:44:02 |
SPIKY1A* |
spitze |
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00:04:44:02 00:04:44:26 |
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00:04:44:26 00:04:44:28 |
LIKE3A* |
w{ie} |
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00:04:44:28 00:04:44:38 |
From all the theater plays I had seen so far, this one outdid them all. |
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00:04:44:38 00:04:45:02 |
BEFOREHAND4* |
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00:04:45:02 00:04:45:09 |
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00:04:45:09 00:04:45:17 |
THEATRE6 |
theaterstück |
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00:04:45:17 00:04:45:20 |
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00:04:45:20 00:04:45:28 |
PLAY1 |
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00:04:45:31 00:04:45:35 |
$INDEX1* |
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00:04:45:35 00:04:45:39 |
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00:04:45:39 00:04:45:49 |
PERIOD1A^* | |
bis |
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00:04:45:49 00:04:46:18 |
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00:04:46:18 00:04:46:35 |
SPIKY1A* |
spitze |
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00:04:46:35 00:04:46:46 |
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00:04:46:46 00:04:47:30 |
VERY6 | $INDEX1 |
[MG] |
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00:04:47:30 00:04:47:33 |
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00:04:47:33 00:04:47:38 |
And that was around the time I joined the ‘Visuelle Theater’. |
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00:04:47:38 00:04:47:45 |
AND5 | $INDEX1 |
und |
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00:04:47:45 00:04:48:00 |
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00:04:48:00 00:04:48:15 |
THEN1A* | $INDEX1 |
dann |
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00:04:48:15 00:04:48:37 |
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00:04:48:37 00:04:49:00 |
$INDEX1 | |
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00:04:49:00 00:04:49:30 |
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00:04:49:30 00:04:49:36 |
DEAF1B* | |
gehörlos |
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00:04:49:36 00:04:49:42 |
LIKE-THIS1A* | |
so |
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00:04:49:42 00:04:50:00 |
WHAT1A* | |
was |
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00:04:50:00 00:04:50:22 |
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00:04:50:22 00:04:50:34 |
SAME2A* |
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00:04:50:34 00:04:51:10 |
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00:04:51:10 00:04:51:19 |
TIME1* |
zeit |
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00:04:51:19 00:04:51:22 |
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00:04:51:22 00:04:51:35 |
BETWEEN3 |
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00:04:51:35 00:04:51:41 |
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00:04:51:41 00:04:51:45 |
I1 | |
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00:04:51:45 00:04:52:09 |
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00:04:52:09 00:04:52:27 |
TO-JOIN1* | |
[MG] |
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00:04:52:27 00:04:52:45 |
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00:04:52:45 00:04:52:49 |
VISUAL1A* |
visuelles |
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00:04:52:49 00:04:53:04 |
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00:04:53:04 00:04:53:09 |
THEATRE6* |
theater |
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00:04:53:09 00:04:53:10 |
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00:04:53:10 00:04:53:46 |
TO-JOIN1* | |
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00:04:53:46 00:04:54:15 |
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00:04:54:15 00:04:54:34 |
And Susanne told me a lot about the plays that had been performed so far and she also showed me videos. |
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00:04:54:34 00:04:54:42 |
$NAME-SUSANNE-GENC1 | |
susanne |
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00:04:54:42 00:04:54:46 |
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00:04:54:46 00:04:55:10 |
TO-TELL3A* |
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00:04:55:10 00:04:55:12 |
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00:04:55:12 00:04:55:21 |
PAST-OR-BACK-THEN1* | |
früher |
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00:04:55:21 00:04:55:35 |
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00:04:55:35 00:04:56:03 |
BEFOREHAND4* | |
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00:04:56:03 00:04:56:14 |
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00:04:56:14 00:04:56:29 |
PAST-OR-BACK-THEN1* | |
früher |
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00:04:56:29 00:04:56:42 |
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00:04:56:42 00:04:57:11 |
$INDEX1* | |
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00:04:57:11 00:04:57:14 |
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00:04:57:14 00:04:57:23 |
PAST-OR-BACK-THEN1* | $INDEX1 |
früher |
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00:04:57:23 00:04:57:43 |
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00:04:57:43 00:04:57:49 |
PLAY1 |
stück |
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00:04:57:49 00:04:58:03 |
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00:04:58:03 00:04:58:11 |
VERY6 | $INDEX1 |
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00:04:58:11 00:04:58:23 |
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00:04:58:23 00:04:58:31 |
VIDEO1 |
video |
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00:04:58:31 00:04:58:37 |
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00:04:58:37 00:04:59:07 |
TO-SHOW1A* |
zeigen |
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00:04:59:07 00:04:59:12 |
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00:04:59:12 00:04:59:18 |
In the past, when Thomas Zander, Peter Schick, and others starred in. |
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00:04:59:18 00:04:59:25 |
BACK-THEN1* | |
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00:04:59:25 00:04:59:40 |
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00:04:59:40 00:05:00:00 |
$ALPHA1:T | $NUM-ONE-TO-TEN1A:1d |
thomas zander |
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00:05:00:00 00:05:00:01 |
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00:05:00:01 00:05:00:16 |
$NAME-THOMAS-ZANDER1 | $NUM-ONE-TO-TEN1A:1d* |
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00:05:00:16 00:05:00:47 |
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00:05:00:47 00:05:01:09 |
$NAME-PETER-SCHICK1 | $NUM-ONE-TO-TEN1A:2d |
peter schick |
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00:05:01:09 00:05:01:11 |
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00:05:01:11 00:05:01:18 |
$LIST1:3of3d |
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00:05:01:18 00:05:01:20 |
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00:05:01:20 00:05:01:29 |
She also told me that they used to have daily rehearsals and that they rehearsed many hours every week. |
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00:05:01:29 00:05:01:36 |
TO-TELL4 | |
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00:05:01:36 00:05:02:12 |
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00:05:02:12 00:05:02:18 |
GROUP1A* |
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00:05:02:18 00:05:02:23 |
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00:05:02:23 00:05:02:30 |
TO-PRACTICE1* |
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00:05:02:30 00:05:02:38 |
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00:05:02:38 00:05:02:49 |
DAILY1A | |
täglich |
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00:05:02:49 00:05:03:02 |
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00:05:03:02 00:05:03:24 |
OFTEN2B | |
oft oft |
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00:05:03:24 00:05:03:28 |
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00:05:03:28 00:05:03:36 |
$GEST-OFF1^ |
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00:05:03:36 00:05:04:00 |
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00:05:04:00 00:05:04:08 |
WEEK1A | |
woche |
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00:05:04:08 00:05:04:15 |
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00:05:04:15 00:05:04:26 |
HOUR1A* |
stunde |
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00:05:04:26 00:05:04:29 |
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00:05:04:29 00:05:04:38 |
$GEST-OFF1^ |
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00:05:04:38 00:05:04:39 |
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00:05:04:39 00:05:04:42 |
She said that people joining the group would have to invest a lot of time, but they would have fun doing so. |
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00:05:04:42 00:05:04:45 |
$INDEX1 | |
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00:05:04:45 00:05:05:06 |
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00:05:05:06 00:05:05:12 |
$NAME-SUSANNE-GENC1 | |
susanne |
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00:05:05:12 00:05:05:21 |
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00:05:05:21 00:05:05:32 |
EXHAUSTING5* |
[MG] |
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00:05:05:32 00:05:05:37 |
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00:05:05:37 00:05:05:45 |
TO-PRACTICE1* |
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00:05:05:45 00:05:06:04 |
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00:05:06:04 00:05:06:08 |
BUT1* | |
aber |
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00:05:06:08 00:05:06:24 |
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00:05:06:24 00:05:06:29 |
$NAME-SUSANNE-GENC1 | |
susanne |
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00:05:06:29 00:05:06:31 |
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00:05:06:31 00:05:06:35 |
SELF1A* | |
selbst |
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00:05:06:35 00:05:06:38 |
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00:05:06:38 00:05:06:44 |
TO-TELL3A* |
erzähl |
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00:05:06:44 00:05:07:01 |
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00:05:07:01 00:05:07:05 |
SELF1A* | |
selbst |
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00:05:07:05 00:05:07:14 |
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00:05:07:14 00:05:08:11 |
TO-SAY1 | |
sag |
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00:05:08:11 00:05:08:32 |
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00:05:08:32 00:05:08:43 |
THEATRE6 |
thea{ter} |
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00:05:08:43 00:05:08:46 |
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00:05:08:46 00:05:09:23 |
TO-JOIN1* | |
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00:05:09:23 00:05:09:47 |
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00:05:09:47 00:05:10:05 |
TROUBLE1 | |
[MG] |
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00:05:10:05 00:05:10:12 |
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00:05:10:12 00:05:10:27 |
HOUR1A* |
viele stunden |
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00:05:10:27 00:05:10:30 |
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00:05:10:30 00:05:10:34 |
ROBBERY1 | |
[MG] |
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00:05:10:34 00:05:10:39 |
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00:05:10:39 00:05:11:01 |
BUT1 | |
aber |
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00:05:11:01 00:05:11:13 |
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00:05:11:13 00:05:11:24 |
CONTENT1 |
viel |
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00:05:11:24 00:05:11:29 |
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00:05:11:29 00:05:11:33 |
MUCH1A | |
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00:05:11:33 00:05:11:41 |
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00:05:11:41 00:05:11:47 |
FUN1* | |
spaß |
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00:05:11:47 00:05:12:04 |
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00:05:12:04 00:05:12:12 |
[She said] you would be able to learn a lot and exchange knowledge, that it’d be great. |
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00:05:12:12 00:05:12:25 |
TO-LEARN1* | |
lernen |
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00:05:12:25 00:05:12:31 |
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00:05:12:31 00:05:13:00 |
EXPERIENCE-OR-KNOWLEDGE1B^* | |
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00:05:13:00 00:05:13:06 |
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00:05:13:06 00:05:13:13 |
TO-NEED1* |
brau{chen} |
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00:05:13:13 00:05:13:18 |
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00:05:13:18 00:05:13:48 |
TO-EXCHANGE-COMMUNICATION2 |
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00:05:13:48 00:05:14:10 |
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00:05:14:10 00:05:14:17 |
TO-KNOW-STH1* |
wissen |
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00:05:14:17 00:05:14:20 |
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00:05:14:20 00:05:15:09 |
TO-EXCHANGE-COMMUNICATION2 |
tauschen |
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00:05:15:09 00:05:15:23 |
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00:05:15:23 00:05:15:48 |
GREAT1A* |
[MG] |
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00:05:15:48 00:05:16:09 |
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00:05:16:09 00:05:16:12 |
Then I talked to Marco and got the script for my first play, ‘Argonautengang’. |
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00:05:16:12 00:05:16:18 |
AND5 | |
und |
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00:05:16:18 00:05:16:20 |
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00:05:16:20 00:05:16:27 |
I1 | |
[MG] |
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00:05:16:27 00:05:16:33 |
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00:05:16:33 00:05:16:42 |
TO-LOOK-AT1^ | |
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00:05:17:00 00:05:17:06 |
THEN1A | |
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00:05:17:06 00:05:17:17 |
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00:05:17:17 00:05:17:25 |
$NAME-MARCO-LIPSKI1 | |
marco |
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00:05:17:25 00:05:18:19 |
SELF1A* | |
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00:05:18:19 00:05:18:30 |
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00:05:18:30 00:05:19:00 |
$INDEX1 | |
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00:05:19:00 00:05:19:08 |
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00:05:19:08 00:05:19:14 |
I1 | |
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00:05:19:14 00:05:19:21 |
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00:05:19:21 00:05:19:28 |
BEEN1 | |
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00:05:19:28 00:05:19:36 |
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00:05:19:36 00:05:19:46 |
PLAY1 |
stück |
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00:05:19:46 00:05:20:03 |
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00:05:20:03 00:05:20:13 |
COHERENCE1A^ |
mit |
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00:05:20:13 00:05:20:25 |
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00:05:20:25 00:05:20:30 |
NO-CLUE1^ | |
argonautengang |
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00:05:20:30 00:05:20:43 |
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00:05:20:43 00:05:21:05 |
EXIT1^* |
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00:05:21:05 00:05:21:12 |
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00:05:21:12 00:05:21:19 |
I1 | |
ich |
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00:05:21:19 00:05:21:26 |
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00:05:21:26 00:05:21:39 |
FIRST-TIME3A | |
erste |
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00:05:21:39 00:05:21:48 |
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00:05:21:48 00:05:22:01 |
TO-READ-BOOK2A* |
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00:05:22:01 00:05:22:03 |
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00:05:22:03 00:05:22:07 |
I2 | |
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$INDEX1 | |
[MG] |
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00:05:22:24 00:05:22:31 |
FOR-WHAT1^* |
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00:05:22:33 00:05:23:02 |
At first I didn't understand a single thing. |
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MEANING1 | |
bedeutet |
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$PROD* |
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TEXT1B* |
text |
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$PROD* | |
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TO-MISS-STH1B* |
[MG] |
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00:05:26:49 00:05:27:07 |
It just went over my head, but Marco was able to translate the text into fluent DGS [short for Deutsche Gebärdensprache, Engl.: German Sign Language]. |
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00:05:27:07 00:05:27:21 |
INFLUENCE1^* |
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PHILOSOPHY2^* | |
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$PROD* | |
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APPROXIMATELY1* | |
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$INDEX1 | |
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$NAME-MARCO-LIPSKI1* | |
marco |
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TO-TRANSLATE2* |
übersetzen |
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TO-ACCOMPLISH1A |
schaffen |
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DGS1 | |
d-g-s |
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TO-TRANSLATE2* |
übersetzen |
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TO-SIGN1A* |
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I2 | |
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00:05:32:42 00:05:33:06 |
This way I developed a fascination and an interest for it and I finally managed to get an angle on these abstract topics. |
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00:05:33:06 00:05:33:18 |
INTEREST1B* | |
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TO-COMPREHEND1 | |
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TO-ACCOMPLISH1C* |
schaffen |
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00:05:34:43 00:05:35:14 |
NOT4 | |
nicht |
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00:05:35:18 00:05:35:39 |
INTEREST1B | |
[MG] |
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ENTRY2* | |
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ABSTRACT1 | |
abstrakt |
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ENTRY2 | |
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END1B |
ende |
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ENTRY2* | |
zugang |
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00:05:39:03 00:05:39:17 |
PRESENT-OR-HERE1* |
da |
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00:05:39:24 00:05:39:29 |
Finally I found my angle on the abstract world, philosophy, I finally did it! |
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FOR1* | |
für |
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ABSTRACT1 | |
abstrakte |
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00:05:40:24 00:05:40:41 |
WORLD1* |
welt |
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00:05:41:09 00:05:41:30 |
PHILOSOPHY2 | |
phil{o}sophie |
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FINALLY2B |
endlich |
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00:05:42:19 00:05:42:27 |
ENTRY2* | |
zugang |
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00:05:42:29 00:05:42:33 |
Before that, things were more objective and visual for me, sort of like soccer when someone scores a goal. |
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PAST-OR-BACK-THEN1* | |
früher |
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BEFORE1G |
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ZERO1A* |
null |
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ONLY2A | |
nur |
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00:05:43:36 00:05:44:19 |
OBJECTIVE1* |
sachlich |
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00:05:44:31 00:05:44:42 |
LIKE-THIS1A |
so |
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THERE-IS3 |
was |
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$INDEX1* | |
gibt |
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FOOTBALL4 | |
fußball |
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$INDEX1* | |
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TO-WIN1 | |
gewonnen |
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MAIN1A^ | |
eins |
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ZERO6C* |
null |
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TO-SAY1 | |
er |
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TO-KICK-STH-OR-SB1^ |
schießt |
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GOAL1A | |
tor |
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$INDEX1 | |
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TO-TELL4* |
[MG] |
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$PROD* | |
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But I didn't really have a feeling for abstract topics yet. |
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$GEST-OFF1^ |
aber |
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00:05:50:25 00:05:50:36 |
ABSTRACT1 | |
abstrakt |
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FEELING3 |
gefühl |
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NOT6* |
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00:05:51:35 00:05:51:42 |
Because I joined the ‘Visuelle Theater’, I finally found an approach to abstract topics. |
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$INDEX1 | |
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TO-LOOK-AWAY-AND-BACK1^* | |
visuell |
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TO-JOIN1* |
endlich |
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FINALLY2B |
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ENTRY2* | |
zugang |
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ABSTRACT1* |
abstrakt |
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I became fascinated and concerned myself further with the topics. All in all, I finally found my own approach to it. |
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INTEREST1B* | |
[MG] |
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TO-FOLLOW1A |
verfolgen |
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ENTRY2* | |
zugang |
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DONE1B |
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00:05:57:30 00:05:57:37 |
Then they had this project called “Blue” at the institute [Whenever the informant mentions “the institute” he probably talks about the Institute of German Sign Language at the University of Hamburg]. |
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TO-SLIDE-OR-TO-PUSH2^* |
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00:05:58:22 00:05:58:38 |
THEN1A | |
dann |
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TO-POSTPONE3^ |
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PROJECT2A | |
projekt |
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$INDEX1 | |
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INSTITUTE1 |
institut |
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00:06:01:00 00:06:01:46 |
BLUE3A | |
blue |
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$INDEX1 | |
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I saw that one! That's the play I am very glad to have seen; it was great! |
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I1* | |
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TO-SEE1 | |
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I1 | |
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CONVERSELY1 |
um |
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Yes! So anyway, I tried in “Blue” to/ |
YES2 | |
ja |
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HAPPY1 |
froh |
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TO-LOOK-AT1 | |
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SUPER1 | |
super |
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BLUE3A | |
blue |
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$INDEX1 | |
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I1 | |
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UMLAUT-MARK1^* | |
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00:06:09:42 00:06:09:44 |
… because just before “Blue” I had signed a piece at the Sign Language festival. |
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00:06:09:44 00:06:10:02 |
I1 | |
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REASON4A |
grund |
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FIRST1A | |
zuerst |
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BEFORE1G* |
bevor bevor |
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00:06:11:48 00:06:12:02 |
BLUE3A | |
blue |
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BEFORE1G |
vor |
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00:06:12:41 00:06:12:47 |
TO-SIGN1A* |
gebärdensprachfestival |
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00:06:12:47 00:06:13:16 |
FESTIVAL2B |
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00:06:13:18 00:06:13:26 |
I1 | |
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TO-SIGN1A |
[MG] |
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It was about/ Oh, no, this is bad. What was it about? It had something to do with Hitler but what was the topic called again? |
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I2 | |
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SUBJECT1 |
thema |
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I2 | |
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BAD3B* | |
schlimm |
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TO-LINK1B^* | |
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SUBJECT1* | |
thema |
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MY1 | |
mein |
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$NAME-HITLER2 | |
hitler |
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COHERENCE1A |
aber |
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NAME1A* | |
n{ame} |
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00:06:18:22 00:06:19:07 |
SUBJECT1* |
them{a} |
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Were you at the university then? |
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UNIVERSITY3 | |
uni |
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$INDEX1 | |
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Yes. |
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YES2* | |
ja |
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No, before that! |
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NO2A | |
[MG] |
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BEFORE1G |
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I was at the Sign Language festival. |
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I1* | |
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SIGN-LANGUAGE1B |
gebärdensprachfestival |
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FESTIVAL2A |
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$INDEX1 | |
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I1 | |
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00:06:23:46 00:06:23:49 |
I signed, children/ No, children, Hitler Youth, yes, ‘Hitler Youth’, that seems right. That was what it was about! |
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I see, right. |
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YES2* | |
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TO-SIGN1A* |
gebärden |
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I1 | |
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CHILD2* | |
kinder |
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CHILD2* | |
kinder |
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$NAME-HITLER2* | |
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CHILD2 | |
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$NAME-HITLER2* | |
hitlerjugend |
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YOUNG1 | |
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$NAME-HITLER2 | |
hitlerjugend |
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YOUNG1* | |
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00:06:28:42 00:06:29:01 |
Yes, you're right! I was mesmerized by that piece. |
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YES1A | |
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RIGHT-OR-AGREED1A | |
stimmt |
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SUBJECT1 |
thema |
RIGHT-OR-AGREED1B | |
stimmt stimmt |
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I1 | |
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SUBJECT1* |
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I1* | |
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FASCINATING3 |
[MG] |
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I signed there. |
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I1* | |
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TO-SIGN1A |
[MG] |
There were a couple/ |
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TO-LIST1C | |
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00:06:32:11 00:06:32:21 |
Yes, you’re right. |
RIGHT-OR-AGREED1A | |
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00:06:32:26 00:06:32:36 |
The people from the institute filmed me. |
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00:06:32:36 00:06:32:42 |
CAMERA1* | |
aufnahme |
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INTAKE1* |
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$INDEX1 | |
am |
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00:06:33:41 00:06:34:02 |
INSTITUTE1 |
institut |
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00:06:34:02 00:06:34:10 |
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00:06:34:10 00:06:34:18 |
They wanted to showcase my research, so they invited me/ |
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00:06:34:18 00:06:34:27 |
MY1 | |
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00:06:34:43 00:06:35:02 |
RESEARCH1A |
forschen |
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00:06:35:19 00:06:35:41 |
$GEST-TO-PONDER1^ | |
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00:06:35:41 00:06:36:05 |
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00:06:36:05 00:06:36:14 |
TO-INVITE1A |
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$INDEX1 | |
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TO-INVITE2* |
einladen |
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00:06:37:13 00:06:37:25 |
Yes, you’re right! |
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RIGHT-OR-AGREED1A | |
stimmt stimmt |
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They invited me to a debate, I mean, to debate it with all the people from the institute. |
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TO-INVITE2* |
einladung |
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00:06:39:23 00:06:39:46 |
DISCUSSION1A* |
[MG] |
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INSTITUTE1* |
institut |
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TO-STUDY1* | |
studenten |
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TO-SIT-IN-A-SEMI-CIRCLE1* |
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DISCUSSION1A* |
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00:06:41:44 00:06:42:04 |
I was instantly interested that there were these things such as debates and thought to myself that I had to remember the time it would take place. |
I1* |
ich |
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DISCUSSION1A* |
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INTEREST1B | |
[MG] |
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$INDEX1* | |
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THERE-IS3 |
gibt |
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DISCUSSION1A |
diskussion |
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HEY1* | |
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WHEN1 | |
wann |
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TIME1* |
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00:06:45:10 00:06:45:18 |
$ORAL^ |
immer |
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TO-KNOW-STH2A | |
weiß |
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TO-MEMORISE1^ | |
im kopf |
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00:06:46:00 00:06:46:07 |
Someone told me it would take place on Tuesdays starting at four until five/ I mean three until five o'clock. |
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TUESDAY11* | |
dienstag |
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REGULARLY2* |
[MG] |
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TUESDAY11* | |
dienstag |
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$NUM-CLOCK1A:4 | |
v{ier uhr} |
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$NUM-CLOCK1A:4 | |
vier uhr |
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UNTIL1 | |
b{is} |
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$NUM-CLOCK1A:5* | |
f{ünf uhr} |
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$NUM-CLOCK1A:3d | |
drei uhr |
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UNTIL1 | |
bis |
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$NUM-CLOCK1A:5 | |
fünf uhr |
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| MEASURE-VERTICAL1^ |
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00:06:51:35 00:06:51:36 |
They would always have debates from three to five o’clock, and I thought, “Wow, this is great!” |
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ALL2C | |
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$NUM-CLOCK1A:3d* | |
drei uhr |
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UNTIL1* | |
bis |
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$NUM-CLOCK1A:5 | |
fünf uhr |
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OFTEN5B |
[MG] |
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YES1A | |
ja |
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DISCUSSION1A* |
[MG] |
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TO-SIT-IN-A-CIRCLE1* |
sitzen |
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DISCUSSION1A* |
[MG] |
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TO-EXCHANGE-COMMUNICATION2 |
[MG] |
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Yes, that is interesting. |
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I1 | $INDEX1 |
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INTEREST1A | |
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00:06:56:11 00:06:56:17 |
At that time I was in the middle of an apprenticeship and thought, “I should be able to arrange it so that I could get off work a little before three o’clock.” |
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00:06:56:17 00:06:56:25 |
THEN1C | |
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I1 | |
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EDUCATION1* |
ausbildung |
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I2 | |
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TIME7A* |
zur zeit |
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00:06:57:27 00:06:57:36 |
EDUCATION1* |
ausbildung |
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$INDEX1 | |
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I1 | |
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00:06:57:49 00:06:58:10 |
TO-ACCOMPLISH1A* |
schaff |
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$NUM-CLOCK1A:3d | |
drei uhr |
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TO-ACCOMPLISH1A* |
schaff |
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I1* | |
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00:06:59:05 00:06:59:20 |
BEFORE1B^* | |
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00:06:59:23 00:06:59:28 |
If I got off work earlier, I could go there. |
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BEFORE1B^* | |
früh |
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00:06:59:37 00:06:59:40 |
FINISH1* | |
schluss |
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00:06:59:48 00:07:00:00 |
I1 | |
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00:07:00:06 00:07:00:16 |
TO-COME1 | |
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00:07:00:16 00:07:00:17 |
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00:07:00:17 00:07:00:29 |
Which I did and I ended up going regularly. |
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00:07:00:29 00:07:00:35 |
I2 | |
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00:07:00:35 00:07:00:46 |
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00:07:00:46 00:07:01:23 |
TO-COME1* | |
komme komme |
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00:07:01:23 00:07:01:25 |
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00:07:01:25 00:07:01:27 |
It was on a voluntarily basis and I ended up going every time to debate with others and to share ideas and knowledge. |
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00:07:01:27 00:07:01:41 |
$GEST-NM-TO-SHRUG1^ |
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00:07:01:42 00:07:01:46 |
VOLUNTARY1* |
freiwillig |
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00:07:01:46 00:07:02:01 |
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00:07:02:01 00:07:02:08 |
TO-COME1* | |
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00:07:02:16 00:07:02:18 |
I2 | |
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00:07:02:18 00:07:02:26 |
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00:07:02:26 00:07:03:03 |
TO-COME1* | |
komme komme |
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00:07:03:03 00:07:03:19 |
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00:07:03:19 00:07:03:23 |
FASCINATING1A | |
[MG] |
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00:07:03:23 00:07:03:25 |
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00:07:03:25 00:07:03:42 |
DISCUSSION1A* |
diskussion |
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00:07:03:42 00:07:04:07 |
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00:07:04:07 00:07:04:09 |
TO-KNOW-STH1* | |
wissen |
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00:07:04:09 00:07:04:13 |
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00:07:04:13 00:07:04:34 |
TO-EXCHANGE-COMMUNICATION2 |
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00:07:04:34 00:07:04:35 |
At some point we got the script for “Blue” and started to think about the way we could realize it and Marco said to Tomas Vollhaber, “Hey, you should be in the play, too!” |
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00:07:04:35 00:07:04:41 |
SUDDENLY4* |
[MG] |
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00:07:04:41 00:07:05:03 |
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00:07:05:03 00:07:05:38 |
$GEST-TO-PONDER1^* |
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00:07:05:38 00:07:06:08 |
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00:07:06:08 00:07:06:17 |
SUBJECT1* |
thema |
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00:07:06:17 00:07:06:29 |
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00:07:06:29 00:07:06:45 |
TEXT1B |
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00:07:06:45 00:07:07:05 |
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00:07:07:05 00:07:07:13 |
BLUE3A* |
blue |
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00:07:07:13 00:07:07:25 |
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00:07:07:25 00:07:07:43 |
TEXT1B |
text |
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00:07:07:43 00:07:08:13 |
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00:07:08:13 00:07:09:09 |
TO-FLIP-STH-OVER3A^* |
transkription |
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00:07:09:09 00:07:09:44 |
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00:07:09:44 00:07:10:01 |
HOW-QUESTION2* |
wie |
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00:07:10:07 00:07:10:26 |
$GEST-TO-PONDER1^* |
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00:07:10:26 00:07:10:30 |
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00:07:10:30 00:07:10:34 |
$INDEX1 | |
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00:07:10:34 00:07:10:37 |
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00:07:10:37 00:07:10:44 |
$NAME-MARCO-LIPSKI1* | |
marco |
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00:07:10:44 00:07:11:02 |
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00:07:11:02 00:07:11:11 |
TO-LET-KNOW1A* | |
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00:07:11:11 00:07:11:33 |
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00:07:11:33 00:07:11:39 |
EYE1^* | |
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00:07:11:39 00:07:11:48 |
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00:07:11:48 00:07:12:03 |
$ALPHA1:T | |
tomas vollhaber |
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00:07:12:03 00:07:12:10 |
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00:07:12:10 00:07:12:16 |
$NAME-TOMAS-VOLLHABER1 | |
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00:07:12:16 00:07:12:22 |
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00:07:12:22 00:07:12:28 |
TO-LET-KNOW1A* | |
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00:07:12:28 00:07:12:38 |
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00:07:12:38 00:07:12:49 |
$GEST-DECLINE1^* |
[MG] |
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00:07:12:49 00:07:13:02 |
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00:07:13:02 00:07:13:06 |
I1 | |
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00:07:13:06 00:07:13:15 |
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00:07:13:15 00:07:13:26 |
WITH1A* |
mitspielen |
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00:07:13:26 00:07:13:32 |
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00:07:13:32 00:07:13:39 |
TO-PLAY2* |
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00:07:13:39 00:07:14:01 |
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00:07:14:01 00:07:14:15 |
INCLUSIVE1^* |
mitspielen |
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00:07:14:15 00:07:14:16 |
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00:07:14:16 00:07:14:28 |
That we should just all star in the play together even if the hearing actors weren't that good at signing. |
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00:07:14:28 00:07:14:42 |
$GEST-DECLINE1^ |
alle |
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00:07:14:42 00:07:15:02 |
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00:07:15:02 00:07:15:12 |
ALL1A* |
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00:07:15:12 00:07:15:22 |
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00:07:15:22 00:07:15:25 |
HEARING1A* | |
hörende |
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00:07:15:25 00:07:15:31 |
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00:07:15:31 00:07:15:42 |
TO-SIGN1A |
[MG] |
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00:07:15:42 00:07:15:46 |
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00:07:15:46 00:07:16:04 |
$INDEX1 | |
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00:07:16:04 00:07:16:27 |
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00:07:16:27 00:07:16:36 |
WITH1A* |
mit |
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00:07:16:36 00:07:16:37 |
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00:07:16:37 00:07:17:04 |
Marco’s original idea was to perform together with Gunter. |
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00:07:17:04 00:07:17:27 |
BOTH2A* | |
zwei |
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00:07:17:27 00:07:17:38 |
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00:07:17:38 00:07:17:42 |
$ORAL^ |
warum |
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00:07:17:42 00:07:17:43 |
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00:07:17:43 00:07:17:47 |
$INDEX1 | |
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00:07:17:47 00:07:18:01 |
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00:07:18:01 00:07:18:15 |
WAS1* | |
war |
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00:07:18:15 00:07:18:30 |
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00:07:18:30 00:07:18:37 |
$NAME-MARCO-LIPSKI1* | |
marco |
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00:07:18:37 00:07:18:41 |
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00:07:18:41 00:07:19:01 |
PLAN2 |
plan |
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00:07:19:01 00:07:19:03 |
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00:07:19:03 00:07:19:12 |
$ORAL^ |
was |
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00:07:19:12 00:07:19:17 |
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00:07:19:17 00:07:19:23 |
WITH1A | |
mit |
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00:07:19:23 00:07:19:27 |
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00:07:19:27 00:07:19:35 |
$NAME-GUNTER-PUTTRICH1 | |
gunter puttrich |
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00:07:19:35 00:07:19:43 |
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00:07:19:43 00:07:21:04 |
TOGETHER3A* | |
zusammen |
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00:07:21:04 00:07:21:09 |
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00:07:21:09 00:07:21:17 |
That was the original plan but Gunter couldn't do it because of scheduling conflicts, he was involved in another project for the Expo in Hanover. |
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00:07:21:17 00:07:22:02 |
PLAN2 |
plan |
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00:07:22:02 00:07:22:21 |
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00:07:22:21 00:07:22:28 |
LIKE-HOW1A* | |
wie |
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00:07:22:28 00:07:22:49 |
$GEST^ |
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00:07:22:49 00:07:23:09 |
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00:07:23:09 00:07:23:13 |
$NAME-GUNTER-PUTTRICH1 | |
gunter puttrich |
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00:07:23:13 00:07:23:41 |
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00:07:23:41 00:07:24:05 |
DEVIATION3^ |
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00:07:24:05 00:07:24:27 |
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00:07:24:27 00:07:24:37 |
DIFFERENT1 |
anderes |
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00:07:24:37 00:07:24:45 |
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00:07:24:45 00:07:25:03 |
PROJECT2A | |
projekt |
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00:07:25:03 00:07:25:10 |
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00:07:25:10 00:07:25:24 |
$INDEX1 | |
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00:07:25:24 00:07:25:30 |
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I see, alright. |
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00:07:25:30 00:07:25:42 |
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$GEST-NM-NOD-HEAD1^ |
okay |
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00:07:25:42 00:07:26:11 |
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00:07:26:11 00:07:26:22 |
HANOVER2A* | |
hannover |
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00:07:26:22 00:07:26:46 |
HANOVER1 | |
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00:07:26:46 00:07:27:02 |
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00:07:27:02 00:07:27:06 |
$INDEX1 | |
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00:07:27:06 00:07:27:10 |
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$GEST-DECLINE1^ |
okay |
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00:07:27:10 00:07:27:27 |
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00:07:27:27 00:07:27:36 |
MEDIA1^* |
expo |
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00:07:27:36 00:07:27:49 |
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00:07:27:49 00:07:28:10 |
OFF-OR-TO-REMOVE-STH1C | |
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00:07:28:10 00:07:28:26 |
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00:07:28:26 00:07:28:38 |
$NAME-GUNTER-PUTTRICH1* | |
g{unter} |
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00:07:28:39 00:07:29:01 |
$GEST-OFF1^* | |
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00:07:29:01 00:07:29:02 |
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00:07:29:02 00:07:29:06 |
I joined the project then and we formed a group with deaf and hearing people. |
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00:07:29:06 00:07:29:10 |
I1 | |
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00:07:29:25 00:07:29:40 |
INCLUSIVE1^ |
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00:07:29:40 00:07:30:14 |
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00:07:30:14 00:07:30:27 |
TOGETHER1A* |
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00:07:30:27 00:07:30:35 |
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00:07:30:35 00:07:30:43 |
HEARING1A | |
hörend |
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00:07:30:43 00:07:31:04 |
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00:07:31:04 00:07:31:08 |
GROUP1A* |
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00:07:31:10 00:07:31:18 |
TO-MEET2B* |
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00:07:31:18 00:07:31:41 |
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00:07:31:41 00:07:31:48 |
$NAME-MARCO-LIPSKI1 | |
marco |
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00:07:31:48 00:07:32:11 |
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00:07:32:11 00:07:32:22 |
TOGETHER1A |
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00:07:32:22 00:07:32:35 |
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00:07:32:35 00:07:33:17 |
We had a team of directors: Tomas Vollhaber and Rona paired up for that. |
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00:07:33:17 00:07:33:33 |
DIRECTOR1 |
regisseur |
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00:07:33:33 00:07:34:20 |
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00:07:34:20 00:07:34:26 |
$LIST1:1of1d |
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00:07:34:26 00:07:34:37 |
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00:07:34:37 00:07:34:42 |
$NAME-TOMAS-VOLLHABER1 | |
tomas vollhaber |
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00:07:34:42 00:07:35:03 |
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00:07:35:03 00:07:35:20 |
$LIST1:2of2d |
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00:07:35:20 00:07:36:05 |
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00:07:36:05 00:07:36:19 |
$NAME-RONA-MEYENDORF1 | |
rona |
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00:07:36:19 00:07:36:48 |
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00:07:36:48 00:07:37:21 |
TOGETHER-PERSON1^* |
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00:07:37:21 00:07:37:33 |
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00:07:37:33 00:07:38:04 |
Susanne was part of that team as well but she usually just watched and made some small adjustments. |
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00:07:38:04 00:07:38:26 |
$NAME-SUSANNE-GENC1 | |
susanne |
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00:07:38:26 00:07:38:40 |
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00:07:38:40 00:07:38:47 |
INVOLVED1A* |
aber |
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00:07:38:47 00:07:39:03 |
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00:07:39:03 00:07:39:09 |
ONLY2A | |
nur |
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00:07:39:09 00:07:39:15 |
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00:07:39:15 00:07:39:23 |
TO-WATCH1* |
schauen |
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00:07:39:23 00:07:39:32 |
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00:07:39:32 00:07:40:03 |
TO-IMPROVE1 |
ver{bessern} |
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00:07:40:03 00:07:40:14 |
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00:07:40:14 00:07:40:34 |
$GEST-OFF1^ |
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00:07:40:34 00:07:40:35 |
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00:07:40:35 00:07:41:15 |
That was our group. |
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00:07:41:15 00:07:41:28 |
TOGETHER1A |
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00:07:41:28 00:07:41:33 |
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00:07:41:33 00:07:42:03 |
$GEST-OFF1^ |
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00:07:42:03 00:07:42:04 |
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00:07:42:04 00:07:42:14 |
The translation into sign language was very interesting and we had to do excessive research, which fascinated me. |
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00:07:42:14 00:07:42:23 |
TO-TRANSLATE2 |
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00:07:42:23 00:07:42:33 |
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00:07:42:33 00:07:42:47 |
TO-SIGN1A |
[MG] |
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00:07:42:47 00:07:43:09 |
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00:07:43:09 00:07:43:16 |
INTEREST1B* | |
[MG] |
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00:07:43:16 00:07:43:46 |
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00:07:43:46 00:07:44:05 |
RESEARCH1A* |
[MG] |
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00:07:44:05 00:07:44:23 |
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00:07:44:23 00:07:44:35 |
DOWN1^ | |
[MG] |
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00:07:44:35 00:07:44:45 |
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00:07:44:45 00:07:45:01 |
$GEST-OFF1^ |
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00:07:45:01 00:07:45:20 |
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00:07:45:20 00:07:45:36 |
FASCINATING3 |
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00:07:45:36 00:07:45:44 |
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00:07:45:44 00:07:46:19 |
$GEST-OFF1^ |
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00:07:46:19 00:07:46:20 |
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00:07:46:20 00:07:46:40 |
We played that piece on a regular basis until Marco left and Susanne moved away. |
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00:07:46:40 00:07:47:04 |
PERIOD1A^ |
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00:07:47:04 00:07:47:15 |
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00:07:47:15 00:07:47:23 |
THEN1A* | |
dann |
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00:07:47:23 00:07:47:37 |
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00:07:47:37 00:07:48:16 |
PERIOD3^ |
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00:07:48:16 00:07:48:21 |
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00:07:48:21 00:07:48:26 |
$INDEX1 | |
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00:07:48:26 00:07:48:29 |
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00:07:48:29 00:07:48:49 |
PLAY1 |
stück |
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00:07:49:09 00:07:49:22 |
UNTIL-THEN1^* |
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00:07:49:29 00:07:49:38 |
SUDDENLY4* | |
[MG] |
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00:07:50:16 00:07:50:21 |
TIME7A^* |
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00:07:50:21 00:07:50:35 |
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00:07:50:35 00:07:50:43 |
$NAME-MARCO-LIPSKI1* | |
marco |
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00:07:50:43 00:07:51:11 |
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00:07:51:11 00:07:51:21 |
OFF-OR-TO-REMOVE-STH1C | |
wo{anders} |
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00:07:51:43 00:07:52:08 |
$INDEX1 | |
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$NAME-SUSANNE-GENC1 | |
susanne |
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TO-MOVE1* | |
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00:07:53:22 00:07:53:27 |
This way the group broke up. |
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00:07:53:27 00:07:54:06 |
DISSOLUTION1A |
[MG] |
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00:07:54:06 00:07:54:17 |
That’s right. Too bad! |
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TOO-BAD1* |
schade |
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RIGHT-OR-AGREED1A | |
stimmt |
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00:07:55:17 00:07:55:30 |
In my opinion, the both of them were role models for us. They got us off the ground and showed us how to develop our own ideas and how to get creative. |
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00:07:55:30 00:07:55:37 |
I1 | |
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TO-THINK1B* | |
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BOTH2A | |
beide |
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FOR1* | |
für |
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00:07:57:10 00:07:57:23 |
WHATEVER3* |
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00:07:58:20 00:07:58:42 |
ROLE-MODEL1 |
vorbild |
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00:07:58:42 00:07:59:01 |
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00:07:59:01 00:07:59:16 |
$INDEX1* |
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00:07:59:16 00:07:59:33 |
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00:07:59:33 00:07:59:43 |
TO-LEAD1A |
führen |
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00:07:59:43 00:08:00:00 |
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00:08:00:00 00:08:00:11 |
WHAT1B |
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00:08:00:13 00:08:00:18 |
THEATRE6 |
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00:08:00:18 00:08:00:28 |
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00:08:00:28 00:08:00:35 |
IDEA2A | |
idee |
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00:08:00:35 00:08:00:40 |
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00:08:00:40 00:08:01:14 |
CREATIVITY1 |
kreativ |
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00:08:01:14 00:08:01:23 |
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00:08:01:23 00:08:01:32 |
Because I was part of that group, I thought it was — how should I put this — a pity that the group broke up. |
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00:08:01:32 00:08:01:40 |
$INDEX1* |
wo |
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00:08:02:06 00:08:02:25 |
INCLUSIVE1^ |
[MG] |
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00:08:02:25 00:08:02:35 |
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00:08:02:35 00:08:02:44 |
DISSOLUTION1A |
[MG] |
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00:08:02:44 00:08:03:00 |
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00:08:03:00 00:08:03:07 |
I1* |
ich |
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00:08:03:14 00:08:03:20 |
SELF1A* | |
selbst |
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00:08:03:20 00:08:03:29 |
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00:08:03:29 00:08:04:13 |
$GEST-NM-TO-SHRUG1^ |
[MG] |
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00:08:04:13 00:08:04:16 |
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00:08:04:16 00:08:04:23 |
MORE1* |
nicht mehr |
Understandable. |
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00:08:04:23 00:08:04:28 |
RIGHT-OR-AGREED1A | |
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00:08:04:38 00:08:04:45 |
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00:08:04:45 00:08:05:00 |
$GEST-OFF1^ |
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00:08:05:00 00:08:05:03 |
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00:08:05:03 00:08:05:13 |
TOO-BAD1* |
schade |
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00:08:05:13 00:08:05:32 |
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00:08:05:32 00:08:06:05 |
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Yes, you're right. |
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00:08:06:05 00:08:06:15 |
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RIGHT-OR-AGREED1A | |
stimmt |
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00:08:06:17 00:08:07:36 |
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