Bremen | dgskorpus_hb_01 | 31-45m Last year it dealt with the manufacturing of chocolate, and this year the topic is phantasy, color, and shape. |
r | NOW1 | SUBJECT1 | FANTASY1* | COLOUR1A | SHAPE1A |
l | |
m | jetzt | thema | fantasie | farbe | form |
Bremen | dgskorpus_hb_02 | 46-60f We don’t have black signs here in Germany; it must be from another country. |
r | | GERMAN1 | HERE1 | COLOUR1A | NO1A* | AREA1A^* | SOMEWHERE1* |
l | | | | | |
m | deutschland | farbe | | [MG] | {irgend}wo |
Bremen | dgskorpus_hb_02 | 46-60f Do you know what the different colours of the different badges for the cars mean? |
r | TO-KNOW-OR-KNOWLEDGE2B | CAR1 | STAIN1B^* | COLOUR1A | WHAT-DOES-THAT-MEAN1 | YOU1^* |
l | | | | |
m | weißt | auto | [MG] | farbe | was | |
Bremen | dgskorpus_hb_02 | 46-60f What do the colours mean? |
r | | | YOU1^* | COLOUR1A | WHAT-DOES-THAT-MEAN1 | YOU1^* |
l | | | |
m | | farbe | | |
Bremen | dgskorpus_hb_02 | 46-60f But back to the topic: Depending on the colour of your badge you are only allowed to drive in certain areas. |
r | $GEST-I-DONT-KNOW1^ | HEADING1^ | $INDEX1 | COLOUR1A | ALLOWED1 | $INDEX1 | TO-STEER-STEERING-WHEEL1^* |
l | | | |
m | [MG] | | | farbe | darf | fahren |
Bremen | dgskorpus_hb_04 | 18-30f I am especially impressed with JFK because he was very tolerant towards black and colored people. He stepped up for them and worked on including them into society, and he cared about their interests. |
r | READY2A* | | | COLOUR1A | | TOGETHER1A* | HOW-QUESTION-COMPARISON1 |
l | WITH1A | COLOUR1A* | COLOUR1A* |
m | bereit | mit | schwarz | farbe | | | wie |
Bremen | dgskorpus_hb_04 | 18-30f Colored people might not have the rights to the extent it is written in the constitution today. |
r | | MAYBE3* | COLOUR1A* | COLOUR1A | NOT-YET2* | LAW-OR-JUSTICE1* | FULL2A* |
l | |
m | | farbig | noch nicht | | |
Hamburg | dgskorpus_hh_02 | 31-45f You should also take skin colour into account! |
r | | ALSO1A | SKIN1A | COLOUR1A | TO-WATCH-OUT3* |
l | | |
m | auch | hautfarbe |
Leipzig | dgskorpus_lei_11 | 31-45f The colors are beautiful, really beautiful. |
r | | | | COLOUR1A | BEAUTIFUL1A | COLOUR1A* | INFLUENCE1^* |
l | |
m | farbe | schön | farbe | |
Leipzig | dgskorpus_lei_11 | 31-45f The atmosphere is great, and the warm colors of the lights are beautiful. |
r | | INFLUENCE1^* | WARM2C | COLOUR1A | INFLUENCE1^* | $GEST-OFF^ |
l | |
m | | warme | farbe | | |
Münster | dgskorpus_mst_04 | 31-45m The lawnmower got delivered to [western] Germany; its design was altered so it looked nicer and got sold more easily. |
r | | TRANSPORT2B* | $INDEX1 | COLOUR1A | IN-ADDITION1* | BEAUTIFUL3 | TO-SEE1 |
l | | | |
m | | | far{be} | [MG] | schö{n} | aus{sehen} |
Münster | dgskorpus_mst_04 | 31-45m Here, in [western] Germany, it was different, a lot more colourful. |
r | TO-DELIVER1B* | HERE1 | GERMAN1* | COLOUR1A | IN-ADDITION1* | PRETTY1A | COLOUR1A |
l | | | |
m | [MG] | deutsch | far{be} | [MG] | hübsch | far{be} |
Münster | dgskorpus_mst_04 | 31-45m Here, in [western] Germany, it was different, a lot more colourful. |
r | COLOUR1A | IN-ADDITION1* | PRETTY1A | COLOUR1A |
l | |
m | far{be} | [MG] | hübsch | far{be} |
München (Munich) | dgskorpus_mue_07 | 18-30m They’re brown and go down to approximately the middle of the shin. |
r | | | | COLOUR1A | BROWN4* | $PROD | $PROD |
l | |
m | farbe | braun | immer kurz |
München (Munich) | dgskorpus_mue_11 | 31-45f It’s important that I coordinate the color with my outfit. |
r | | | TO-MATCH1 | COLOUR1A | CLOTHES5B | |
l | TO-GROPE-AROUND1* |
m | passt | farbe | |
Rostock | dgskorpus_mvp_01 | 18-30m In this game you shoot one another with color balls. |
r | | | ROUND6A^* | COLOUR1A | STAIN2A^* |
l | | |
m | | farbe | [MG] |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m They even make brown coloured synthetic window frames/ |
r | | | BUT1* | COLOUR1A | THERE-IS3* | BROWN1* | SYNTHETIC1B |
l | | |
m | aber | farbe | gibt | braun | kunststoff |
Schleswig-Holstein | dgskorpus_sh_05 | 61+m They even make brown coloured synthetic window frames/ |
r | SYNTHETIC1B | WINDOW2B | BROWN1 | COLOUR1A |
l | |
m | kunststoff | braun | farbe |
Schleswig-Holstein | dgskorpus_sh_08 | 46-60m The houses were renovated and look very colorful now. |
r | NEW3 | BUILDING-OR-CONSTRUCTION1 | TO-CHANGE2A* | COLOUR1A |
l | |
m | neu | bau | um | farbe |
Frankfurt | dgskorpus_fra_06 | 31-45f It was a tiny bar with nice colors and mostly hearing people went there. |
r | VERY3* | SMALL11 | BEAUTIFUL1A | COLOUR1A* | ONLY2A | HEARING1B | MASS-OF-PEOPLE-ACTIVE1^* |
l | | | | |
m | sehr | klein | schön | farbe | nur | hörend | |
Frankfurt | dgskorpus_fra_11 | 18-30m True, the color vanishes again and again and then reappears somewhere else. |
r | VANISHED1B* | LIKE3B | $INDEX1 | COLOUR1A* | $INDEX1 | TURQUOISE2A | $INDEX1* |
l | | | |
m | [MG] | wie | | farbe | | türkis | [MG] |
Frankfurt | dgskorpus_fra_11 | 18-30m Because many different colors have different meanings. |
r | $GEST^ | DISTINCT1* | $GEST^ | COLOUR1A* | PRESENT-OR-HERE1 | MEANING1* |
l | | |
m | | verschiedene | | farben | da | bedeutungen |
Frankfurt | dgskorpus_fra_11 | 18-30m Then the idea came up to assign a color to Deaf people as well. |
r | DEAF1A* | MEANING1* | HIS-HER1* | COLOUR1A* | MEANING1* | I1 | $GEST-NO-IDEA1^* |
l | | | | | |
m | [MG] | | | farbe | | [MG] | [MG] |
Frankfurt | dgskorpus_fra_11 | 18-30m Through a specific color, one could bring attention to its associated culture and further it at the same time. |
r | TO-WISH1B* | TO-SHOW1A* | PRESENT-OR-HERE1* | COLOUR1A* | PRESENT-OR-HERE1* |
l | |
m | wünsch | | da | farbe | da |
Frankfurt | dgskorpus_fra_12 | 61+m You had to apply paint, press a sheet of paper on the stone and pull it off again. |
r | | | | COLOUR1A* | TO-GIVE-HOLD-ON-TO1A* | TO-SPREAD-OR-TO-COAT3* | TO-SERVER-CAKE1^* |
l |
m | farbe | | | |
Frankfurt | dgskorpus_fra_16 | 31-45f The certificate is red and blue with writing on it. |
r | | | $INDEX1* | COLOUR1A* | SQUARE2^ | RED1A* | BLUE6 |
l | | | |
m | [MG] | farbe | rot | blau |
Bremen | dgskorpus_hb_04 | 18-30f I am especially impressed with JFK because he was very tolerant towards black and colored people. He stepped up for them and worked on including them into society, and he cared about their interests. |
r | $INDEX1 | READY2A* | | | COLOUR1A | | TOGETHER1A* |
l | | WITH1A | COLOUR1A* | COLOUR1A* |
m | | bereit | mit | schwarz | farbe | | |
Bremen | dgskorpus_hb_04 | 18-30f I am especially impressed with JFK because he was very tolerant towards black and colored people. He stepped up for them and worked on including them into society, and he cared about their interests. |
r | | | COLOUR1A | | TOGETHER1A* | HOW-QUESTION-COMPARISON1 | |
l | WITH1A | COLOUR1A* | COLOUR1A* | HIS-HER1 |
m | mit | schwarz | farbe | | | wie | |
Bremen | dgskorpus_hb_04 | 18-30f Since there was a strict segregation between black and white people this is the most important chapter in all of history. |
r | CLEAR1A* | TIME1 | | | | | TO-SEPARATE1B* |
l | BECAUSE1* | COLOUR1A* | WHITE1A | PAST-OR-BACK-THEN2* |
m | klar | zeit | weil | schwarz | weiß | früher | [MG] |
Bremen | dgskorpus_hb_04 | 18-30f Colored people might not have the rights to the extent it is written in the constitution today. |
r | | | MAYBE3* | COLOUR1A* | COLOUR1A | NOT-YET2* | LAW-OR-JUSTICE1* |
l | |
m | | farbig | noch nicht | |
Bremen | dgskorpus_hb_04 | 18-30f He made it clear that black people are eligible to the same rights. |
r | TO-SHOW1B | STOP1* | $GEST^ | COLOUR1A* | $INDEX1 | ALSO1A* | SUPER2* |
l | | |
m | [MG] | | | schwarz | auch | [MG] |
Bremen | dgskorpus_hb_04 | 18-30f It is just a color of skin. What is the big deal? Hello? |
r | | ONLY2A* | SKIN-CHEEK1 | COLOUR1A* | $GEST^ | |
l | | | HELLO1 |
m | nur | haut | farbe | [MG] | hallo |
Bremen | dgskorpus_hb_04 | 18-30f It started with the racial segregation. |
r | | | THROUGH2A* | COLOUR1A* | AND2A | WHITE1A |
l | | | |
m | durch | schwarz | und | weiß |
Hamburg | dgskorpus_hh_02 | 31-45f So, it was a donation, but it wasn’t about skin colour. |
r | $INDEX1 | SITUATION1* | BUT1* | COLOUR1A* | SKIN1A* | COLOUR1A* | NOT3B* |
l | | | |
m | [MG] | situation | aber | farbe | hautfarbe | nicht |
Hamburg | dgskorpus_hh_02 | 31-45f So, it was a donation, but it wasn’t about skin colour. |
r | BUT1* | COLOUR1A* | SKIN1A* | COLOUR1A* | NOT3B* | $GEST-OFF^* |
l | | |
m | aber | farbe | hautfarbe | nicht | |
Hamburg | dgskorpus_hh_04 | 46-60m One of the neighbors approached me to congratulate me on the great color of my kitchen. |
r | NEIGHBOUR2B | $INDEX1* | TO-LOOK-AT2* | COLOUR1A* | ON-PERSON1* | CONGRATULATION2* | $INDEX1 |
l | | | | |
m | nachbar | [MG] | farbe | auf | glückwunsch |
Köln (Cologne) | dgskorpus_koe_03 | 18-30m Everything is in one color and that's it. |
r | | | $NUM-ONE-TO-TEN1B:1d | COLOUR1A* | CLOTHES1A* | DONE4 |
l | |
m | ein | farb | | [MG] |
Köln (Cologne) | dgskorpus_koe_16 | 46-60f … how the sunlight affects the plant and what cycle happens inside, how the color develops. |
r | $PROD | COURSE-OF-TIME1* | $GEST-NM-NOD-HEAD1^ | COLOUR1A* |
l |
m | [MG] | farbe |
Köln (Cologne) | dgskorpus_koe_22 | 46-60m I experienced it like this. In the flooded areas were/ Well, a wall has two colors. The lower one shows where the flood was. |
r | | | $NUM-ONE-TO-TEN1A:2* | COLOUR1A* | $INDEX1* | $INDEX1* | WATER1* |
l | AN1A* | WALL-OR-SIDE1B* | | | | |
m | ein | wand | zwei | farben | | | hochwasser |
Leipzig | dgskorpus_lei_11 | 31-45f The chocolate globes have various colors. |
r | | | | COLOUR1A* | $PROD |
l |
m | farb | |
Leipzig | dgskorpus_lei_11 | 31-45f The colors are beautiful, really beautiful. |
r | | COLOUR1A | BEAUTIFUL1A | COLOUR1A* | INFLUENCE1^* |
l | |
m | farbe | schön | farbe | |
Leipzig | dgskorpus_lei_13 | 46-60m There, I got the money. It was really different from our money. The colours were much brighter. |
r | NOTE-OR-TICKET1A | TO-HOLD-PAPER1A^* | DIFFERENT1* | COLOUR1A* | GLARY1 | SOLID1A^* | COLOUR1A* |
l | |
m | … | | [MG] | farbe | [MG] | farbe |
Leipzig | dgskorpus_lei_13 | 46-60m There, I got the money. It was really different from our money. The colours were much brighter. |
r | COLOUR1A* | GLARY1 | SOLID1A^* | COLOUR1A* | TO-HOLD-PAPER1A |
l |
m | farbe | [MG] | farbe |
Münster | dgskorpus_mst_02 | 18-30f The side streets are being lit up in different colors, especially at night. |
r | NIGHT2 | SPECIAL-OR-PARTICULARLY1A | NIGHT2 | COLOUR1A* | $PROD |
l | |
m | nachts | besond{ers} | a{bends} | fa{r}be |
Münster | dgskorpus_mst_03 | 18-30f The colour of the water is indescribable. |
r | | WATER11* | PLANE3A^* | COLOUR1A* | $PROD | $MORPH-UN5* | DESCRIPTION1B* |
l | | |
m | wasser | farbe | unbeschreiblich |
Münster | dgskorpus_mst_03 | 18-30f You can’t describe that colour, you have to see it for yourself. |
r | | | CAN2A^* | COLOUR1A* | TO-EXPLAIN1* | TO-SEE1 | MUST1 |
l | | |
m | nur | farbe | {er}klären | | muss |
Münster | dgskorpus_mst_03 | 18-30f The colours are incredible. |
r | | | | COLOUR1A* | SOURCE-TO-EMANATE1^* | VERY6 |
l | | |
m | farbe | | [MG] |
Münster | dgskorpus_mst_03 | 18-30f My colleague spent six weeks there, the colours are indescribable. |
r | $INDEX1 | $GEST^ | $MORPH-UN5* | COLOUR1A* | CAN1* | DESCRIPTION1B* | $GEST-OFF^ |
l | | | |
m | … | [MG] | | farbe | unbeschreiblich |
Münster | dgskorpus_mst_04 | 31-45m It was the beginning of the spread of color TVs. |
r | SOMETIMES1* | TO-CHANGE1A | MORE1 | COLOUR1A* | TO-RISE1^* | TO-SHOW1A* | TELEVISION1B* |
l | |
m | ma{nch}mal | [MG] | [MG] | far{be} | erstes mal | zeig | fernseher |
Münster | dgskorpus_mst_04 | 31-45m As far as I know the first color TVs were available in 1971 or '72. |
r | $NUM-ONE-TO-TEN1A:2d | $NUM-TENS2A:7d* | FIRST-OF-ALL1C | COLOUR1A* | TELEVISION1B* | TO-SPREAD2 |
l | | |
m | zweiundsiebzig | erste | farbfern{seher} | [MG] |
Münster | dgskorpus_mst_04 | 31-45m You can watch it in color now and not in black-and-white like before. |
r | TO-SHOW1A* | RIGHT-OR-CORRECT1A* | BETTER1 | COLOUR1A* | PRESENT-OR-HERE1* | BEFORE1G* | BLACK3* |
l | | |
m | | richt{ig} | besser | fa{rbe} | da | vorher | schwarz-weiß |
Münster | dgskorpus_mst_04 | 31-45m Everything used to be more colorful, and more extreme. Today people are friendlier, and do everything in moderation. |
r | $GEST-TO-PONDER1^* | HOW-QUESTION-COMPARISON1* | EXPRESSION1A | COLOUR1A* | STRONG1A* | INTENSIVE3^* | TO-EXAGGERATE1* |
l | | | |
m | [MG] | [MG] | [MG] | farb | stark | [MG] | übertri{eben} |
Münster | dgskorpus_mst_04 | 31-45m Today, the audience blazes from the colors they have painted their faces with, and people wear big, crazy hats. |
r | TODAY3* | GREAT1A* | $PROD | COLOUR1A* | $PROD | HOORAY2 | $PROD |
l |
m | heute | [MG] | [MG] | farbe | | [MG] | |
Münster | dgskorpus_mst_04 | 31-45m Very crude, no colour or nice designs. |
r | EASY1 | LIKE3B | NONE1* | COLOUR1A* | $PROD | BEAUTIFUL3* | NOT4 |
l | | |
m | [MG] | [MG] | kei{n} | farb | [MG] | schön | nicht |
Münster | dgskorpus_mst_04 | 31-45m Over there, it had a very simple design, completely grey. |
r | EASY1 | LIKE3A | GREY30 | COLOUR1A* | $PROD | $GEST-OFF^ | EASY1 |
l | |
m | [MG] | wie | grau | far{be} | | [MG] |
Münster | dgskorpus_mst_07 | 46-60m I know there was a color company that wanted to take over the area. |
r | | TO-KNOW-OR-KNOWLEDGE2A* | $INDEX1 | COLOUR1A* | FACTORY6* | OCCUPIED-OR-OWNED1B* |
l | | |
m | weiß | | farbfabrik | [MG] |
Münster | dgskorpus_mst_09 | 31-45f Color settings, portraits, things like that. |
r | | | | COLOUR1A* | TO-CONVERT2* | $PROD |
l |
m | farbe | um | [MG] |
Münster | dgskorpus_mst_13 | 46-60f Yes, black and white; we didn't have a color TV. |
r | | BLACK3* | WHITE1A* | COLOUR1A* | NOT-YET2* | PRESENT-OR-HERE1* |
l | | |
m | schwarz | weiß | farbe | noch nicht | da |
Münster | dgskorpus_mst_13 | 46-60f In 1969, there were color TVs already. |
r | | $NUM-ONE-TO-TEN1A:9* | $NUM-TENS1:6d* | COLOUR1A* | PRESENT-OR-HERE1 |
l | |
m | neunzehnsechzig | farbe | da |
München (Munich) | dgskorpus_mue_11 | 31-45f Next is eyeshadow, eyeliner and mascara. |
r | | | EYELID1* | COLOUR1A* | THEN1A* | MASCARA1* | $PROD |
l | THEN1A | |
m | dann | | farbe | dann | | |
München (Munich) | dgskorpus_mue_13 | 46-60m But unfortunately I am colour-blind. |
r | UNFORTUNATELY1* | AN1A | I1 | COLOUR1A* | BLIND1B* | I1* |
l | | |
m | leider | ein | farb{en}blind | |
München (Munich) | dgskorpus_mue_13 | 46-60m At the window, he showed me the tree outside, which was black. I had used dark brown in my painting. |
r | TO-SPOT2^* | SQUARE1^* | I1* | COLOUR1A* | $INDEX1* | BLACK2* | BUT1* |
l | | | | TO-SHOW-PAPER1^ | |
m | scheibe | | farbe | schwarz | {a}ber |
München (Munich) | dgskorpus_mue_13 | 46-60m Although I was in pain, I still insisted that I was right. |
r | $PROD | I1* | RIGHT-OR-AGREED1A* | COLOUR1A* | $INDEX1 | TO-SAY1* | I2* |
l | | | | | |
m | [LM:au] | ich | farb | | |
München (Munich) | dgskorpus_mue_13 | 46-60m Although I was in pain, I still insisted that I was right. |
r | $INDEX1 | TO-SAY1* | I2* | COLOUR1A* |
l | | | |
m | … | | | farb |
München (Munich) | dgskorpus_mue_13 | 46-60m But I can distinguish strong reds from greens or other flashy colours. |
r | | | $INDEX1* | COLOUR1A* | LIKE3B* | STRONG1A* | RED1B* |
l | | $NUM-ONE-TO-TEN1A:1d |
m | | farbe | wie | stark | rot |
Rostock | dgskorpus_mvp_01 | 18-30m Nature starts to look colorful again. |
r | MUCH-OR-MANY1A* | MORE1* | TO-SEE1* | COLOUR1A* | PRESENT-OR-HERE1* | $GEST-OFF^ | $GEST-OFF^ |
l | | |
m | viel | mehr | aussehen | farbe | da | | |
Nürnberg (Nuremberg) | dgskorpus_nue_04 | 18-30f You know, the inside is held in those typical African colors. |
r | TYPICAL1* | $GEST-TO-PONDER1^ | AFRICA2* | COLOUR1A* | YOU1* |
l | | | |
m | typisch | | afrika | farbe | |
Nürnberg (Nuremberg) | dgskorpus_nue_04 | 18-30f It’s now held in turquoise as a symbol for the Deaf. |
r | QUOTATION-MARKS1* | WITH1A | $ALPHA1:T-U-#-#-I-S | COLOUR1A* | QUOTATION-MARKS1* | $INDEX1 | NEW1A |
l | | | | | |
m | | mit | türkis | farbe | | | neu |
Schleswig-Holstein | dgskorpus_sh_07 | 31-45m Later they found white color particles on her car. |
r | | | | COLOUR1A* | WHITE1A* | SELF1A* |
l | | |
m | farbe | weiß | selbst |