Berlin | dgskorpus_ber_08 | 46-60f Well, many open-minded people and artists came to the Kumpelnest 3000. |
r | | | | | |
l | TOLERANT1 | PEOPLE2* | MORE1 | ART4A | $GEST-OFF^* |
m | [MG] | [MG] | mehr | künstler |
Hamburg | dgskorpus_hh_05 | 31-45m Back then the two of them came up to me and introduced me to sign language art and culture as well as principles of teaching sign language, for instance how to structure classes etc. |
r | BOTH2A | MASS-OF-PEOPLE-ACTIVE1* | CULTURE1A | ART4A | SIGN-LANGUAGE1B | AND3 | TO-SIGN1B |
l | | |
m | beide | [MG] | kultur | kunst | gebärdensprache | und | gebärdensprachdidaktik |
Hamburg | dgskorpus_hh_05 | 31-45m Art and culture is just as important, it creates a more accepting mindset in society. |
r | | | ALSO1A | ART4A | CULTURE1A* | IMPORTANT1 | CAN1 |
l | | | |
m | auch | kunst | kultur | wichtig | kann |
Hamburg | dgskorpus_hh_08 | 46-60f They were created by different artists. |
r | | | DIFFERENCE1B^ | ART4A |
l | |
m | | kunst |
Köln (Cologne) | dgskorpus_koe_19 | 31-45f Their program was so diverse, just take the artist department for example. |
r | | OFFER1B* | DIFFERENCE1B | ART4A | THIS-AND-THAT3^ |
l | |
m | angebot | [MG] | kunst | [MG] |
Köln (Cologne) | dgskorpus_koe_21 | 61+m Art exhibitions, I mean. |
r | | | ART2 | ART4A | $GEST-OFF^ |
l |
m | kunst | |
Frankfurt | dgskorpus_fra_04 | 61+m There were a lot of talks and in America, there are a lot of artists. |
r | FROM-TO1 | | AMERICA1 | | |
l | TO-BELONG1^* | ART4A* | $INDEX1 |
m | … | von | amerika | künstler |
Göttingen | dgskorpus_goe_10 | 46-60m The artist Dieter Fricke was also there with an exhibition of his work. |
r | | $GEST-OFF^* | ALSO1A* | ART4A* | TO-VOMIT5^* | SIDEBURNS1^* | ALSO1A* |
l | | | | | | |
m | | auch | künstler | dieter | fricke | auch |
Hamburg | dgskorpus_hh_05 | 31-45m So that when I started to go to university, I felt the urge to change the art program, I wanted to revolutionize it. |
r | I1 | FEELING3 | MUST1* | ART4A* | OFFER1B | TO-CHANGE1A* | MOVEMENT1A^ |
l | | |
m | | | muss | kunst | angebot | | revolution |
Leipzig | dgskorpus_lei_15 | 18-30f You could get information there about culture, that is, events, apprenticeships or arts. |
r | EDUCATION1 | OR4B* | CULTURE1A* | ART4A* | $GEST-OFF^* |
l | | |
m | ausbildung | oder oder | | künstlerisch |
Leipzig | dgskorpus_lei_15 | 18-30f For artistic performances, for instance, or an award for poetry. |
r | | | WHAT1B^* | ART4A* | TO-GIVE-HOLD-ON-TO1A | OR4B* | REWARD3* |
l | | | | | |
m | | künstler | | oder | preis |
Köln (Cologne) | dgskorpus_koe_20 | 31-45m We even had classes like drawing and crafting. |
r | | | INVOLVED1A* | TO-PAINT5 | INVOLVED1A | HANDICRAFTS1* | $GEST-OFF^ |
l | |
m | | malen | | werken | |
Stuttgart | dgskorpus_stu_13 | 31-45f He said I could paint so well and should rather do that. |
r | | TO-SAY1 | GOOD1 | TO-PAINT5 | RATHER1 |
l | | | | |
m | sagt | gut | malen | lieber |
Göttingen | dgskorpus_goe_07 | 18-30m Everything visible on stage in the background, sometimes it looks special. |
r | | LIKE3A* | BACKGROUND2 | TO-PAINT5* | WEIRD1* |
l |
m | wie | hintergrund | | [MG] |
Hamburg | dgskorpus_hh_04 | 46-60m So I had the idea to design it myself. |
r | SELF1A* | DRAFT1* | DRAFT1* | TO-PAINT5* |
l | | | |
m | selbst | | entwurf | [MG] |
Hamburg | dgskorpus_hh_04 | 46-60m I made the design according to these measurements. |
r | | | | TO-PAINT5* | ADVICE2* | DONE4 | |
l | TO-LET1^* |
m | [MG] | [MG] | [MG] |
Nürnberg (Nuremberg) | dgskorpus_nue_01 | 61+m There are a lot of, well, I am going to say frescoes on the wall, as well as a lot of images. |
r | $ALPHA1:F | $CUED-SPEECH* | $PROD | TO-PAINT5* | MUCH-OR-MANY1A* |
l | | | | |
m | … | [MG] | | viel |
Nürnberg (Nuremberg) | dgskorpus_nue_01 | 61+m Balthasar Neumann built the monastery and a lot of well-known artists were there. |
r | $GEST-DECLINE1^* | WELL-KNOWN4* | $INDEX1* | TO-PAINT5* | PAST-OR-BACK-THEN1 | $GEST-OFF^* |
l | | | | |
m | viele | bekannte | maler | früher |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f You had to follow specific painting regulations. |
r | COMMAND1* | I1 | TO-FOLLOW1A | TO-PAINT5* |
l | | |
m | [MG] | | muss folgen | |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f So they always painted specific things in a certain order. |
r | ALWAYS4A* | GOOD1^* | TO-DIVIDE-IN1A^* | TO-PAINT5* | TO-DIVIDE-IN1A^ |
l | |
m | immer | [MG] | | malen | |
Stuttgart | dgskorpus_stu_13 | 31-45f I was my teacher's favourite student and he always told me what I could do better, influencing me like that. |
r | ON-PERSON1^* | HINT1 | BETTER1 | TO-PAINT5* | BETTER1 | ON-PERSON1* |
l | | | | |
m | … | tipp | besser | malen | besser | auf |
Stuttgart | dgskorpus_stu_13 | 31-45f So I was just drawing and then he asked me what kind of job career I had in mind. |
r | | TO-AFFECT1* | I1 | TO-PAINT5* | AND-THEN1 | PROFESSION4 | WHAT1B* |
l | | | | |
m | [MG] | | [MG] | und dann | beruf | was |
Stuttgart | dgskorpus_stu_13 | 31-45f He told me to drop it and rather become a china painter instead. |
r | SUGGESTION1A | YOU1* | DISSOLUTION1B^ | TO-PAINT5* | SHALL1 | ON-PERSON1^* |
l | | | |
m | vorschlag | | porzellan | | soll |