DOI: /10.25592/dgs.corpus-3.0-type-14077

SIGN-OR-DRAWING3^

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SIGN-OR-DRAWING3^
Köln (Cologne) | dgskorpus_koe_14 | 61+f   She became a construction draftswoman.
rNOW1HAND1^*SIGN-OR-DRAWING3^
l
mjetztberufbauzeichnerin
Köln (Cologne) | dgskorpus_koe_14 | 61+f   And now she has been a construction designer for 25 years.
r$NUM-ONE-TO-TEN1A:5$NUM-ONE-TO-TEN1A:2d*YEAR1B*SIGN-OR-DRAWING3^$GEST-OFF^
l
mfünfundzwanzigjahrebauzeichnerin
München (Munich) | dgskorpus_mue_01 | 61+f   Then I thought about doing something in fashion.
rTO-ACCEPT-STH1B$GEST-TO-PONDER2^$GEST-ATTENTION1^SIGN-OR-DRAWING3^
l
m[MG][MG]mode
Stuttgart | dgskorpus_stu_01 | 46-60f   The lady designs her own knitting pattern, as well. She invents them herself.
r$INDEX1SELF1A*ALSO1C*SIGN-OR-DRAWING3^*APPROXIMATELY1^*$INDEX1*$INDEX1
lFEELING3*
mselbstauchentwerfen
Stuttgart | dgskorpus_stu_01 | 46-60f   Those designs get printed.
rSIGN-OR-DRAWING3^*TO-PRINT1^ALSO1A$INDEX1
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mentwerfenauch
= ART4A
Berlin | dgskorpus_ber_08 | 46-60f   Well, many open-minded people and artists came to the Kumpelnest 3000.
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lTOLERANT1PEOPLE2*MORE1ART4A$GEST-OFF^*
m[MG][MG]mehrkünstler
Hamburg | dgskorpus_hh_05 | 31-45m   Back then the two of them came up to me and introduced me to sign language art and culture as well as principles of teaching sign language, for instance how to structure classes etc.
rBOTH2AMASS-OF-PEOPLE-ACTIVE1*CULTURE1AART4ASIGN-LANGUAGE1BAND3TO-SIGN1B
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mbeide[MG]kulturkunstgebärdenspracheundgebärdensprachdidaktik
Hamburg | dgskorpus_hh_05 | 31-45m   Art and culture is just as important, it creates a more accepting mindset in society.
rALSO1AART4ACULTURE1A*IMPORTANT1CAN1
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mauchkunstkulturwichtigkann
Hamburg | dgskorpus_hh_08 | 46-60f   They were created by different artists.
rDIFFERENCE1B^ART4A
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mkunst
Köln (Cologne) | dgskorpus_koe_19 | 31-45f   Their program was so diverse, just take the artist department for example.
rOFFER1B*DIFFERENCE1BART4ATHIS-AND-THAT3^
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mangebot[MG]kunst[MG]
Köln (Cologne) | dgskorpus_koe_21 | 61+m   Art exhibitions, I mean.
rART2ART4A$GEST-OFF^
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mkunst
Frankfurt | dgskorpus_fra_04 | 61+m   There were a lot of talks and in America, there are a lot of artists.
rFROM-TO1AMERICA1
lTO-BELONG1^*ART4A*$INDEX1
mvonamerikakünstler
Göttingen | dgskorpus_goe_10 | 46-60m   The artist Dieter Fricke was also there with an exhibition of his work.
r$GEST-OFF^*ALSO1A*ART4A*TO-VOMIT5^*SIDEBURNS1^*ALSO1A*
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mauchkünstlerdieterfrickeauch
Hamburg | dgskorpus_hh_05 | 31-45m   So that when I started to go to university, I felt the urge to change the art program, I wanted to revolutionize it.
rI1FEELING3MUST1*ART4A*OFFER1BTO-CHANGE1A*MOVEMENT1A^
l
mmusskunstangebotrevolution
Leipzig | dgskorpus_lei_15 | 18-30f   You could get information there about culture, that is, events, apprenticeships or arts.
rEDUCATION1OR4B*CULTURE1A*ART4A*$GEST-OFF^*
l
mausbildungoder oderkünstlerisch
Leipzig | dgskorpus_lei_15 | 18-30f   For artistic performances, for instance, or an award for poetry.
rWHAT1B^*ART4A*TO-GIVE-HOLD-ON-TO1AOR4B*REWARD3*
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mkünstleroderpreis
= DESIGN2A
Bremen | dgskorpus_hb_05 | 61+f   Fashion design, I see.
rFASHION1B*DESIGN2A
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mmodedesign
Schleswig-Holstein | dgskorpus_sh_01 | 18-30m   Even the bosses, business executives, managers, designers, engineers and so on.
rSTORE1TO-LEAD1B*MANAGER2DESIGN2AENGINEER1AND-SO-ON5
l
mgeschäftsführermanageringenieuringenieur[MG]
Stuttgart | dgskorpus_stu_01 | 46-60f   Colorful skirts like those of ‘Desigual,’ you know?
rLIKE3B$ALPHA1:G_2$ALPHA1:GDESIGN2A*ART2^*$ALPHA1:G_2-L*
l$INDEX1*
mwied{esigual}desigual
= SIGN-OR-DRAWING3A
Köln (Cologne) | dgskorpus_koe_01 | 18-30f   Yes, construction draftswoman.
rSIGN-OR-DRAWING3A
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mbauzeichner
Nürnberg (Nuremberg) | dgskorpus_nue_04 | 18-30f   It’s from the cartoon with the cat and the mouse.
r$INDEX1MOVIE1*SIGN-OR-DRAWING3AMOVIE1*$INDEX1MOUSE2
l
mfilmzeichenfilmmaus
Berlin | dgskorpus_ber_06 | 31-45m   And you couldn’t become a technical drawer either?
rTECHNOLOGY1SIGN-OR-DRAWING3A*NO2B$GEST-OFF^*NO2B*
l
mtechnisch
Köln (Cologne) | dgskorpus_koe_01 | 18-30f   My sister #Name7 used to be a technical draftswoman.
r$GEST^PAST-OR-BACK-THEN1TECHNOLOGY1SIGN-OR-DRAWING3A*
l
mfrühertechni{scher}zeichner
Köln (Cologne) | dgskorpus_koe_01 | 18-30f   She already finished the apprenticeship to become a draftswoman, and wanted to go to college now.
r$INDEX1*I2TECHNOLOGY1SIGN-OR-DRAWING3A*TO-RISE5^TO-STUDY2*BUILDING-OR-CONSTRUCTION1*
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michtechni{scher}zeichnerstudium
Münster | dgskorpus_mst_16 | 61+m   You know, when I went to vocational school, I had to write and draw a lot.
rI1TO-KNOW-OR-KNOWLEDGE2BTO-WRITE1ASIGN-OR-DRAWING3A*
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mzeichnen
= TO-PAINT5
Köln (Cologne) | dgskorpus_koe_20 | 31-45m   We even had classes like drawing and crafting.
rINVOLVED1A*TO-PAINT5INVOLVED1AHANDICRAFTS1*$GEST-OFF^
l
mmalenwerken
Stuttgart | dgskorpus_stu_13 | 31-45f   He said I could paint so well and should rather do that.
rTO-SAY1GOOD1TO-PAINT5RATHER1
l
msagtgutmalenlieber
Göttingen | dgskorpus_goe_07 | 18-30m   Everything visible on stage in the background, sometimes it looks special.
rLIKE3A*BACKGROUND2TO-PAINT5*WEIRD1*
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mwiehintergrund[MG]
Hamburg | dgskorpus_hh_04 | 46-60m   So I had the idea to design it myself.
rSELF1A*DRAFT1*DRAFT1*TO-PAINT5*
l
mselbstentwurf[MG]
Hamburg | dgskorpus_hh_04 | 46-60m   I made the design according to these measurements.
rTO-PAINT5*ADVICE2*DONE4
lTO-LET1^*
m[MG][MG][MG]
Nürnberg (Nuremberg) | dgskorpus_nue_01 | 61+m   There are a lot of, well, I am going to say frescoes on the wall, as well as a lot of images.
r$ALPHA1:F$CUED-SPEECH*$PRODTO-PAINT5*MUCH-OR-MANY1A*
l
m[MG]viel
Nürnberg (Nuremberg) | dgskorpus_nue_01 | 61+m   Balthasar Neumann built the monastery and a lot of well-known artists were there.
r$GEST-DECLINE1^*WELL-KNOWN4*$INDEX1*TO-PAINT5*PAST-OR-BACK-THEN1$GEST-OFF^*
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mvielebekanntemalerfrüher
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f   You had to follow specific painting regulations.
rCOMMAND1*I1TO-FOLLOW1ATO-PAINT5*
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m[MG]muss folgen
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f   So they always painted specific things in a certain order.
rALWAYS4A*GOOD1^*TO-DIVIDE-IN1A^*TO-PAINT5*TO-DIVIDE-IN1A^
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mimmer[MG]malen
Stuttgart | dgskorpus_stu_13 | 31-45f   I was my teacher's favourite student and he always told me what I could do better, influencing me like that.
rON-PERSON1^*HINT1BETTER1TO-PAINT5*BETTER1ON-PERSON1*
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mtippbessermalenbesserauf
Stuttgart | dgskorpus_stu_13 | 31-45f   So I was just drawing and then he asked me what kind of job career I had in mind.
rTO-AFFECT1*I1TO-PAINT5*AND-THEN1PROFESSION4WHAT1B*
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m[MG][MG]und dannberufwas
Stuttgart | dgskorpus_stu_13 | 31-45f   He told me to drop it and rather become a china painter instead.
rSUGGESTION1AYOU1*DISSOLUTION1B^TO-PAINT5*SHALL1ON-PERSON1^*
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mvorschlagporzellansoll
~ SIGN-OR-DRAWING3B
Hamburg | dgskorpus_hh_04 | 46-60m   It was good that the designs were so well prepared.
rRESCUE1SIGN-OR-DRAWING3BPREPARATION2*DONE1B
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mrettenzeichenvorb{ereitung} vorb{ereitung} vorb{ereitung}fertig
Köln (Cologne) | dgskorpus_koe_01 | 18-30f   Right now, I am training to become a construction draftswoman and I am an apprentice.
rNAÏVE1^NOW3*TO-SIGN-A-FORM1A^SIGN-OR-DRAWING3BI1
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mjetztbauzeichnerin

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