SIGN-OR-DRAWING3^

	
	254

frontal

45°

90°

from above

L		LIKE3A*	BACKGROUND2	TO-PAINT5*	WEIRD-STRANGE1*
≙ SIGN-OR-DRAWING3^ (5 tokens)
by transcript \| by glosses \| by right neighbours \| by left neighbours
1429964 1429964 \| 61+f She became a construction draftswoman.
R		NOW1	HAND1^*	SIGN-OR-DRAWING3^
L			HAND1^*
M		jetzt	beruf	bauzeichnerin
1204691 1204691 \| 61+f Then I thought about doing something in fashion.
R	TO-ACCEPT-STH1B	$GEST-TO-PONDER2^	$GEST-ATTENTION1^	SIGN-OR-DRAWING3^
L
M	[MG]	[MG]		mode
1429964 1429964 \| 61+f And now she has been a construction designer for 25 years.
R	$NUM-ONE-TO-TEN1A:5	$NUM-ONE-TO-TEN1A:2d*	YEAR1B*	SIGN-OR-DRAWING3^	$GEST-OFF1^
L					$GEST-OFF1^
M	fünfundzwanzig		jahre	bauzeichnerin
1211082-13131933-13230433 1211082-… \| 46-60f Those designs get printed.
R				SIGN-OR-DRAWING3^*	TO-PRINT1^	ALSO1A	$INDEX1
L				SIGN-OR-DRAWING3^*	TO-PRINT1^
M				entwerfen		auch
1211082-13131933-13230433 1211082-… \| 46-60f The lady designs her own knitting pattern, as well. She invents them herself.
R	$INDEX1	SELF1A*	ALSO1C*	SIGN-OR-DRAWING3^*	APPROXIMATELY1^*	$INDEX1*	$INDEX1
L				SIGN-OR-DRAWING3^*			FEELING3*
M	frau	selbst	auch	entwerfen
= DESIGN2A (3 tokens)
Mouth: ∅
frontal 45° 90° from above
Translational equivalent: design
by transcript \| by glosses \| by right neighbours \| by left neighbours
1220196-12291229-12432115 1220196-… \| 46-60m Fashion design, I see.
R			FASHION1B*	DESIGN2A
L
M			modedesign
1179389 1179389 \| 18-30m Even the bosses, business executives, managers, designers, engineers and so on.
R	STORE1	TO-LEAD1B*	MANAGER2	DESIGN2A	ENGINEER1	AND-SO-ON5
L	STORE1	TO-LEAD1B*	MANAGER2			AND-SO-ON5
M	geschäftsführer		manager	ingenieur	ingenieur	[MG]
1211082-13131933-13230433 1211082-… \| 46-60f Colorful skirts like those of ‘Desigual,’ you know?
R	LIKE3B	HEADING1^*	$ALPHA1:G	DESIGN2A*	ART2^*	$ALPHA1:G_2-L*	$INDEX1*
L	LIKE3B						$INDEX1*
M	wie	d{esigual}			desigual
= ART4A (11 tokens)
Mouth: künstler
frontal 45° 90° from above
Translational equivalents: artist; art
by transcript \| by glosses \| by right neighbours \| by left neighbours
1183846 1183846 \| 31-45m Art and culture is just as important, it creates a more accepting mindset in society.
R			ALSO1A	ART4A	CULTURE1A*	IMPORTANT1	CAN1
L					CULTURE1A*	IMPORTANT1
M			auch	kunst	kultur	wichtig	kann
1179224 1179224 \| 31-45f They were created by different artists.
R			DIFFERENCE1B^	ART4A
L			DIFFERENCE1B^
M				kunst
1431642-17445220-17471818 1431642-… \| 61+m Art exhibitions, I mean.
R			ART6	ART4A	$GEST-OFF1^
L					$GEST-OFF1^
M			kunst
1431222 1431222 \| 31-45f Their program was so diverse, just take the artist department for example.
R		OFFER1B*	DIFFERENCE1B	ART4A	THIS-AND-THAT3^
L		OFFER1B*	DIFFERENCE1B		THIS-AND-THAT3^
M		angebot	[MG]	kunst	[MG]
1183846 1183846 \| 31-45m Back then the two of them came up to me and introduced me to sign language art and culture as well as principles of teaching sign language, for instance how to structure classes etc.
R	BOTH2A	MASS-OF-PEOPLE-ACTIVE1*	CULTURE1A	ART4A	SIGN-LANGUAGE1B	AND3	TO-SIGN1B
L		MASS-OF-PEOPLE-ACTIVE1*	CULTURE1A		SIGN-LANGUAGE1B	AND3	TO-SIGN1B
M	beide	[MG]	kultur	kunst	gebärdensprache	und	gebärdensprachdidaktik»
1585453 1585453 \| 18-30f For artistic performances, for instance, or an award for poetry.
R			WHAT1B^*	ART4A*	TO-GIVE-HOLD-ON-TO1A	OR4B*	REWARD3*
L				ART4A*
M				künstler		oder	preis
1585453 1585453 \| 18-30f You could get information there about culture, that is, events, apprenticeships or arts.
R	EDUCATION1	OR4B*	CULTURE1A*	ART4A*	$GEST-OFF1^*
L	EDUCATION1	OR4B*	CULTURE1A*	ART4A*
M	ausbildung	oder oder		künstlerisch
1249542 1249542 \| 46-60m The artist Dieter Fricke was also there with an exhibition of his work.
R	$GEST-DECLINE1^*	$GEST-OFF1^*	ALSO1A*	ART4A*	TO-VOMIT5^*	SIDEBURNS1^*	ALSO1A*
L			ALSO1A*	ART4A*			ALSO1A*
M			auch	künstler	dieter fricke		auch
1183846 1183846 \| 31-45m So that when I started to go to university, I felt the urge to change the art program, I wanted to revolutionize it.
R	I1	FEELING3	MUST1*	ART4A*	OFFER1B	TO-CHANGE1A*	MOVEMENT1A^
L		FEELING3	MUST1*	ART4A*	OFFER1B	TO-CHANGE1A*	MOVEMENT1A^
M			muss	kunst	angebot		revolution
1418903 1418903 \| 31-45f Well, many open-minded people and artists came to the Kumpelnest 3000.
R
L	TOLERANT1	PEOPLE2*	MORE1	ART4A	$GEST-OFF1^*
M	[MG]	[MG]	mehr	künstler
1245390 1245390 \| 61+m There were a lot of talks and in America, there are a lot of artists.
R	FROM-TO1	TO-BELONG1^*	AMERICA1
L	FROM-TO1	TO-BELONG1^*	AMERICA1	ART4A*	$INDEX1
M	vortrag	von	amerika	künstler
= TO-PAINT5 (12 tokens)
Mouth: malen
frontal 45° 90° from above
Translational equivalents: to paint (a wall); painting
by transcript \| by glosses \| by right neighbours \| by left neighbours
1184145 1184145 \| 61+m There are a lot of, well, I am going to say frescoes on the wall, as well as a lot of images.
R	$ALPHA1:F	$CUED-SPEECH:K1	$PROD	TO-PAINT5*	MUCH1C*
L
M	fresko		[MG]		viel
1431277-12504848-12590316 1431277-… \| 31-45m We even had classes like drawing and crafting.
R			INVOLVED1A*	TO-PAINT5	INVOLVED1A	HANDICRAFTS1*	$GEST-OFF1^
L			INVOLVED1A*		INVOLVED1A	HANDICRAFTS1*	$GEST-OFF1^
M				malen		werken
1182343 1182343 \| 31-45f He said I could paint so well and should rather do that.
R		TO-SAY1	GOOD1	TO-PAINT5	RATHER1
L
M		sagt	gut	malen	lieber
1177702 1177702 \| 46-60m I made the design according to these measurements.
R				TO-PAINT5*	ADVICE2*	DONE4
L				TO-PAINT5*	ADVICE2*	DONE4	TO-LET1^*
M				[MG]	[MG]	[MG]»
1184145 1184145 \| 61+m Balthasar Neumann built the monastery and a lot of well-known artists were there.
R	$GEST-DECLINE1^*	WELL-KNOWN4*	$INDEX1*	TO-PAINT5*	PAST-OR-BACK-THEN1	$GEST-OFF1^*
L	$GEST-DECLINE1^*			TO-PAINT5*		$GEST-OFF1^*
M	viele	bekannte		maler	früher
1248862 1248862 \| 18-30f Everything visible on stage in the background, sometimes it looks special.
R		LIKE3A*	BACKGROUND2	TO-PAINT5*	WEIRD-STRANGE1*
M		wie	hintergrund		[MG]
1182343 1182343 \| 31-45f He gave me tips on how to paint better, influenced me, and I strived to get better at painting.
R		HINT1	BETTER1	TO-PAINT5*	BETTER1	ON-PERSON1*	TO-AFFECT1*
L		HINT1		TO-PAINT5*			TO-AFFECT1*
M		tipp	besser	malen	besser	auf	[MG]
1184367 1184367 \| 61+f So they always painted specific things in a certain order.
R	ALWAYS4A*	GOOD1^*	TO-DIVIDE-IN1A^*	TO-PAINT5*	TO-DIVIDE-IN1A^
L		GOOD1^*	TO-DIVIDE-IN1A^*	TO-PAINT5*	TO-DIVIDE-IN1A^
M	immer	[MG]		malen
1177702 1177702 \| 46-60m So I had the idea to design it myself.
R	SELF1A*	DRAFT1*	DRAFT1*	TO-PAINT5*
L			DRAFT1*	TO-PAINT5*
M	selbst		entwurf	[MG]
1184367 1184367 \| 61+f You had to follow specific painting regulations.
R	COMMAND1*	I1	TO-FOLLOW1A	TO-PAINT5*
L			TO-FOLLOW1A	TO-PAINT5*
M	[MG]		muss folgen
1182343 1182343 \| 31-45f He told me to drop it and rather become a china painter instead.
R	SUGGESTION1A	YOU1*	DISSOLUTION1B^	TO-PAINT5*	SHOULD1	ON-PERSON1^*
L	SUGGESTION1A		DISSOLUTION1B^	TO-PAINT5*
M	vorschlag		porzellan		soll
1182343 1182343 \| 31-45f He gave me tips on how to paint better, influenced me, and I strived to get better at painting.
R	ON-PERSON1*	TO-AFFECT1*	I1	TO-PAINT5*
L		TO-AFFECT1*		TO-PAINT5*
M	auf	[MG]		[MG]
= SIGN-OR-DRAWING3A (6 tokens)
Mouth: zeichner
frontal 45° 90° from above
Translational equivalent: to draw (art)
by transcript \| by glosses \| by right neighbours \| by left neighbours
1414563 1414563 \| 18-30f And you couldn’t become a technical drawer either?
R			TECHNOLOGY1	SIGN-OR-DRAWING3A*	NO2B	$GEST-OFF1^*	NO2B*
L			TECHNOLOGY1
M			technisch
1292768 1292768 \| 61+m You know, when I went to vocational school, I had to write and draw a lot.
R	I1	TO-KNOW-STH2B	TO-WRITE1A	SIGN-OR-DRAWING3A*
L			TO-WRITE1A
M	berufsschule			zeichnen
1427158-11470746-12015917 1427158-… \| 18-30f Yes, construction draftswoman.
R				SIGN-OR-DRAWING3A
L
M				bauzeichner
1184756 1184756 \| 31-45m It’s from the cartoon with the cat and the mouse.
R		$INDEX1	MOVIE1*	SIGN-OR-DRAWING3A	MOVIE1*	$INDEX1	MOUSE2
L
M			film	zeichenfilm			maus
1427158-11470746-12015917 1427158-… \| 18-30m She already finished the apprenticeship to become a draftswoman, and wanted to go to college now.
R	$INDEX1*	I2	TECHNOLOGY1	SIGN-OR-DRAWING3A*	TO-RISE5^	TO-STUDY2*	TO-BUILD1*
L			TECHNOLOGY1	SIGN-OR-DRAWING3A*			TO-BUILD1*
M		ich	techni{scher}	zeichner		studium
1427158-11470746-12015917 1427158-… \| 18-30m My sister #Name7 used to be a technical draftswoman.
R	$GEST^	PAST-OR-BACK-THEN1	TECHNOLOGY1	SIGN-OR-DRAWING3A*
L	$GEST^		TECHNOLOGY1	SIGN-OR-DRAWING3A*
M		früher	techni{scher}	zeichner
~ SIGN-OR-DRAWING3B (2 tokens)
Mouth: ∅
frontal 45° 90° from above
Translational equivalent: to draw (art)
by transcript \| by glosses \| by right neighbours \| by left neighbours
1177702 1177702 \| 46-60m It was good that the designs were so well prepared.
R			RESCUE1	SIGN-OR-DRAWING3B	PREPARATION2*	DONE1B*
L			RESCUE1	SIGN-OR-DRAWING3B	PREPARATION2*	DONE1B*
M			retten	zeichen	vorb{ereitung} vorb{ereitung} vorb{ereitung}	fertig
1427158-11470746-12015917 1427158-… \| 18-30f This is my second apprenticeship, and so far I'm in my third year as a construction draftswoman.
R	$NUM-YEAR-OF-APPRENTICESHIP1:3d*	NOW3	TO-BUILD1*	SIGN-OR-DRAWING3B	I1
L		NOW3		SIGN-OR-DRAWING3B
M	dritte lehrjahr	jetzt	bauzeichnerin

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Types ID	Gloss	HamNoSys	Mouth
14077	SIGN-OR-DRAWING3^		∅
52766	DESIGN2A		∅
12590	ART4A		künstler
27128	TO-PAINT5		malen
65675	SIGN-OR-DRAWING3A		zeichner
78244	SIGN-OR-DRAWING3B		∅