| Berlin | dgskorpus_ber_14 | 18-30f   So they just repainted it. | 
 			| r |  |  | NEW1A | TO-PAINT2 | 
| l |  | 
| m | neu | malen | 
 			| Göttingen | dgskorpus_goe_07 | 18-30m   We visited a deaf painter at his work and filmed him, interviewed him. | 
 			| r |  |  | TO-VISIT-OR-TO-ATTEND1A* | TO-PAINT2 | I2 | TO-VISIT-OR-TO-ATTEND1A* | DEAF1A* | 
| l |  |  |  | 
| m | [MG] | maler |  | besuch | [MG] | 
 			| Leipzig | dgskorpus_lei_12 | 61+m   I wanted to become a painter. | 
 			| r | PROFESSION5 | TO-WISH1B | MORE1* | TO-PAINT2 | 
| l |  |  |  |  | 
| m | berufwunsch | mehr | maler | 
 			| Leipzig | dgskorpus_lei_12 | 61+m   When I told my teacher at school that I wanted to become a painter, he disapproved. | 
 			| r |  |  |  | TO-PAINT2 | $INDEX1 | SCHOOL1D | $INDEX1 | 
| l |  |  |  |  | 
| m | maler |  | schule |  | 
 			| Leipzig | dgskorpus_lei_12 | 61+m   I should pick a better occupation and not become a painter. | 
 			| r | PROFESSION5 | TO-TAKE1A | NOT3B* | TO-PAINT2 | $GEST^ | 
| l |  |  |  | 
| m | beruf | nehmen | nicht | maler |  | 
 			| Münster | dgskorpus_mst_07 | 46-60m   They wanted to motivate deaf people to help, with paint jobs for example. | 
 			| r | WITH1A* | DEAF1A* | TO-HELP5* | TO-PAINT2 | 
| l |  |  |  | 
| m | mit | gehörlos | helfen |  | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   I answered, “Yes, I want to paint.“ | 
 			| r |  |  | $GEST-OFF^* | TO-PAINT2 | 
| l | $GEST-OFF^* | I1 |  | 
| m | ja |  | maler | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   She surprisedly asked again, “What? You want to paint?!“ | 
 			| r |  |  | $ORAL^ | TO-PAINT2 | 
| l |  | 
| m | was | maler | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   So I went to the carpentry. | 
 			| r |  |  |  |  | COMPANY1A* | TO-GO-THERE2* |  | 
| l | $INDEX1* | TO-PAINT2 |  |  | $GEST-DECLINE1^* | 
| m | malerfirma | [MG] | 
 			| Rostock | dgskorpus_mvp_01 | 18-30m   It's a lot of fun to be there. You can get your face painted, there are groups who make music and in the evening there is also a disco. | 
 			| r | FUN1 | PRESENT-OR-HERE1 | $GEST-OFF^* | TO-PAINT2 | TOGETHER1A* | $INDEX1* | MUSIC1* | 
| l |  |  |  |  | 
| m | spaß | da |  | malen | [MG] |  | musik | 
 			| Stuttgart | dgskorpus_stu_05 | 61+m   I had to choose between painter and tailor. | 
 			| r |  |  | $INDEX1* | TO-PAINT2 | AND2A* | TAILOR1 | 
| l |  |  | 
| m |  | maler | und | schneider | 
 			| Stuttgart | dgskorpus_stu_05 | 61+m   So, I chose to begin an apprenticeship as a painter; I accepted my fate. | 
 			| r |  | I2 | TO-THINK1B* | TO-PAINT2 | I1 | TO-LET1 | HEAD-NOD1^* | 
| l |  |  |  |  | 
| m |  |  | maler |  |  | [MG] | 
 			| Stuttgart | dgskorpus_stu_05 | 61+m   So, I chose to begin an apprenticeship as a painter; I accepted my fate. | 
 			| r | I1 | TO-LET1 | HEAD-NOD1^* | TO-PAINT2 | 
| l |  |  | 
| m |  |  | [MG] | maler | 
 			| Berlin | dgskorpus_ber_06 | 31-45m   Okay, so the first a carpenter, the second a painter, and the third a shoemaker. | 
 			| r | CARPENTER1B* | $GEST-DECLINE1^* | $LIST1:2of2d* | TO-PAINT2* | $LIST1:2of2d | TO-PAINT2* | $LIST1:3of3d* | 
| l |  |  | 
| m | tischler |  |  |  |  | maler |  | 
 			| Berlin | dgskorpus_ber_06 | 31-45m   Okay, so the first a carpenter, the second a painter, and the third a shoemaker. | 
 			| r | $LIST1:2of2d* | TO-PAINT2* | $LIST1:2of2d | TO-PAINT2* | $LIST1:3of3d* | $GEST-TO-PONDER1^* | $LIST1:3of3d* | 
| l |  |  |  | 
| m |  |  |  | maler |  |  |  | 
 			| Berlin | dgskorpus_ber_06 | 31-45m   In Leipzig, they firstly trained mechanics, secondly, carpenters, then, painters, and the fourth/ | 
 			| r | $LIST1:2of2d | CARPENTER1B* | $LIST1:3of3d* | TO-PAINT2* | $LIST1:4of4d* | 
| l |  | 
| m |  | tischler |  | maler |  | 
 			| Frankfurt | dgskorpus_fra_04 | 61+m   They didn’t want to do it anymore; they hated it. | 
 			| r |  |  | DONT-WANT1 | TO-PAINT2* | TO-HATE1* | SELF1A* | $GEST-OFF^* | 
| l |  |  |  | 
| m | will nicht | malen | hass |  |  | 
 			| Leipzig | dgskorpus_lei_12 | 61+m   Mindlessly painting without using my brain, without thinking - I rather shouldn‘t do that. | 
 			| r |  |  |  | TO-PAINT2* | $GEST^ | TO-BE-OUT-OF-ONES-HEAD2* | NOT6* | 
| l |  |  | 
| m |  |  |  | nicht | 
 			| Münster | dgskorpus_mst_07 | 46-60m   Everybody came and helped with the painting. | 
 			| r |  | MASS-OF-PEOPLE-ACTIVE1* | TO-HELP1 | TO-PAINT2* | DISTINCT1* | 
| l |  | 
| m | [MG] | helfen | [MG] |  | 
 			| München (Munich) | dgskorpus_mue_01 | 61+f   They were plastered and painted over, now it’s better. | 
 			| r |  | TO-PLASTER1* | BETTER1* | TO-PAINT2* | BETTER1* | 
| l |  |  |  | 
| m |  |  | [MG] | [MG] | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   I went there; inside the carpentry’s office they were painting, repairing and renovating. | 
 			| r | $INDEX1* | OFFICE1* | $INDEX1* | TO-PAINT2* | RENOVATION1 | $PROD | AFTERWARDS1C^ | 
| l |  |  |  |  | 
| m | … | büro | malen | renovierung |  | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   The carpentry journeyman heard that. | 
 			| r |  |  |  | TO-PAINT2* |  | JOURNEYMAN1* |  | 
| l |  | $INDEX1* | $INDEX1* | 
| m | malergeselle | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   Then, in the evening, the carpentry journeyman knocked on the door. | 
 			| r | TO-RING-DOORBELL1* | $GEST-OFF^ | AN1A | TO-PAINT2* | JOURNEYMAN1* | $INDEX4* | OPEN-DOOR2* | 
| l |  |  |  |  |  | 
| m |  |  | ein | malergeselle |  | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   The carpenter said, | 
 			| r |  |  | $INDEX1* | TO-PAINT2* | TO-LET-KNOW1A | 
| l |  |  |  | 
| m |  | maler | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   We are currently doing painting and renovating work there. | 
 			| r | I1^ | $INDEX1 | AT-THE-MOMENT1* | TO-PAINT2* | RENOVATION1* | $INDEX2* | 
| l |  |  |  |  | 
| m | wir | gerade | mal | renovierung | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   I told the master carpenter that he is looking for work. | 
 			| r |  |  | I1 | TO-PAINT2* | MASTER2A | TO-TELL4* | $INDEX1* | 
| l |  |  |  |  | 
| m | habe | malermeister | erzählt |  | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   We need a new painter to work for us.“ | 
 			| r | NEW1A |  | $INDEX1* | TO-PAINT2* | 
| l | TO-HIRE1A |  |  | 
| m | neu |  | mal | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   And I often helped my mother with painting work, too. | 
 			| r | OFTEN1A* | TO-HELP1* | I1 | TO-PAINT2* | $GEST-OFF^* | 
| l |  |  |  | 
| m | oft | helfen | malen | aber | 
 			| München (Munich) | dgskorpus_mue_10 | 31-45m   At some point, the master painter/ | 
 			| r |  |  | LATER7 | TO-PAINT2* | MASTER2A | $INDEX1* | 
| l |  |  |  | 
| m | später | malermeister | 
 			| München (Munich) | dgskorpus_mue_13 | 46-60m   When I did it, I mixed up the colours, and the teacher told me that it was all wrong. | 
 			| r |  | I1 | TO-MODIFY1B | TO-PAINT2* | TEACHER2* | $INDEX2* | TO-SAY1* | 
| l |  |  |  |  | 
| m | ich | verändern |  | lehrer | sa{gen} | 
 			| München (Munich) | dgskorpus_mue_13 | 46-60m   I continued colouring and used the wrong colours. | 
 			| r |  |  | I1* | TO-PAINT2* | WRONG1 | 
| l |  |  |  | 
| m | ich |  | falsch | 
 			| Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f   If you paint something normally, the eyes look straight, but it's different with the Mona Lisa. | 
 			| r |  | IF-OR-WHEN1A | YOU1* | TO-PAINT2* | EYE1* | $INDEX1* | $INDEX1 | 
| l |  |  |  |  | 
| m | wenn | du | malen | auge | mona lisa | 
 			| Schleswig-Holstein | dgskorpus_sh_05 | 61+m   All the work, the painting and plastering as well, is also included in the 800 euros. | 
 			| r | $PROD | $INDEX1 | WITH4* | TO-PAINT2* | CONTENT2^ | $NUM-HUNDREDS1:8d | 
| l |  |  | 
| m | [MG] |  | mit | malen | zusammen | achthundert euro | 
 			| Stuttgart | dgskorpus_stu_05 | 61+m   You were able to choose between metalworker, shoemaker, and tailor. | 
 			| r | $LIST1:1of1d | METALWORKER1* | $LIST1:2of2d | TO-PAINT2* | $LIST1:3of3d | SHOEMAKER1* | $NUM-ONE-TO-TEN1A:4d | 
| l |  |  |  | 
| m |  | schlosser | maler | schuhmach | 
 			| Stuttgart | dgskorpus_stu_10 | 18-30m   It’s really comfortable for arrangements, for example when asking whether it’s okay to paint the walls. | 
 			| r | PLEASANT2 | ALLOWED1 | I2* | TO-PAINT2* | YES1A* | ALLOWED1 | GOOD3 | 
| l |  |  |  |  |  |  |  | 
| m | angenehm | darf |  |  |  | darf | [MG] | 
 			| Stuttgart | dgskorpus_stu_10 | 18-30m   Everyone can decorate their room so they feel comfortable in it, it’s like having a flat of your own. | 
 			| r |  |  | I1 | TO-PAINT2* | RENOVATION1 | TO-HURT-ONES-EYES1* | PLEASANT2 | 
| l |  |  |  |  | 
| m |  |  | [MG] | [MG] | angenehm | 
 			| Stuttgart | dgskorpus_stu_13 | 31-45f   When I think about it now, I'm happy I didn't do it, because it would have been always the same thing. | 
 			| r | NONE7 | BEEN1 | TO-JOIN1A* | TO-PAINT2* | SAME4 | $GEST-OFF^* | 
| l |  |  |  |  | 
| m | nicht |  |  | selbe selbe selbe | [LM:boah] | 
 			| Stuttgart | dgskorpus_stu_14 | 46-60m   At that time she used to teach handicrafts and art. | 
 			| r | $INDEX1* | TO-KNEAD1A^ | WORKSHOP-ROOM1 | TO-PAINT2* | 
| l |  | 
| m |  | werken |  | malen |