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DOI: 10.25592/dgs.corpus-4.0-text-1251308-15333326-15350303

1251308… (mvp08): Movie Retelling: “Signs”

Topics Flirt (Conversation about Movie)

Time Translation Lexem/Gebärde Mouth Translation Lexeme/Sign Mouth Moderator
right hand left hand right hand left hand
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00:00:00:16		 Alright, so in this movie, it seems as though someone is deaf.
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00:00:00:22		 $INDEX-TO-SCREEN1
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00:00:00:30
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00:00:01:37		 MOVIE1* film
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00:00:03:14		 $GEST-OFF1^* [MG]
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00:00:03:29		 I2*
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00:00:04:24		 TO-SEE1
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00:00:04:47		 OFF2^ ausdruck
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00:00:05:19		 TO-PRINT1
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00:00:05:29		 $INDEX-TO-SCREEN1
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00:00:05:43
00:00:06:06		 DEAF1B [MG]
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00:00:06:27		 $INDEX-TO-SCREEN1
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00:00:07:24		 That’s what it seems like.
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00:00:07:44		 LIKE1A wie
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00:00:08:04		 As though someone is deaf.
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00:00:08:37		 LIKE1A wie
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00:00:09:28		 DEAF1B* [MG] $INDEX-TO-SCREEN1
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00:00:09:35		 Hearing people would have called out for the other person to look over.
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00:00:09:47		 $GEST-ATTENTION1^ [MG]
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00:00:10:19		 BUT1
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00:00:10:37		 ALSO3A
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00:00:11:28		 TO-WHISPER1^ [MG]
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00:00:11:38		 No, they wouldn’t have called out.
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00:00:11:42		 HEARING1B* hörend
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00:00:12:00		 TO-WHISPER1^ ruf
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00:00:12:04		 $GEST-NM^
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00:00:12:49		 $GEST-NM-SHAKE-HEAD1^
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00:00:13:31		 $GEST-NM-SHAKE-HEAD1^
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00:00:13:38		 There was a glass panel.
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00:00:14:06		 $GEST-OFF1^
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00:00:14:24		 GLASS1C glas
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00:00:15:29		 WINDOWPANE1*
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00:00:15:42		 Weren’t there those glass panels?
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00:00:15:46		 WINDOW6* fenster
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00:00:16:19		 I think that especially his expression was typical for a deaf person.
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00:00:16:20		 OFFSIDE4* ausdruck
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00:00:16:34		 PRESSURE1B*
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00:00:17:18		 PLANE2B^* zu
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00:00:17:34		 TO-SEE1
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00:00:18:07		 You can’t hear anything. DEAF1B
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00:00:18:16		 TO-HEAR2 [MG]
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00:00:18:23		 $INDEX1
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00:00:18:35		 $GEST-OFF1^*
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00:00:18:44		 But it worked out well with writing things down.
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00:00:19:02		 BUT1* [MG]
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00:00:19:23		 IT-WORKS-OUT1 kla{ppt}
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00:00:19:35		 Yes, the written communication went smoothly.
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00:00:19:40		 WHAT1A^ ON1A* auf
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00:00:20:37		 TO-WRITE1A*
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00:00:21:03		 TO-WRITE1A
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00:00:21:25		 TO-HOLD-PAPER1A* [MG]
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00:00:21:28		 That way, they could really talk.
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00:00:21:36		 LIKE1A* It went back and forth.
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00:00:21:48		 TALK1 $INDEX1
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00:00:23:33		 TO-SWAP3A*
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00:00:24:20		 And then she disappeared.
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00:00:24:35		 THEN1C dann
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00:00:25:13		 TO-TURN-TO-HOLD-ON1^* anschließend
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00:00:26:02		 VANISHED1A [MG]
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00:00:26:11		 But why did her company move her up?
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00:00:26:33		 $GEST^
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00:00:26:49		 WHY10A* warum
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00:00:27:24		 FAST1B* [MG]
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00:00:27:36		 MIRROR1
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00:00:27:48		 TO-GRAB1A^*
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00:00:28:14		 TO-PUT-FROM-TO1B^* She isn’t disturbed there and that’s why she was transferred. $INDEX1 [MG]
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00:00:29:34		 DISRUPTION1A* störung
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00:00:30:07		 NEW5* neu
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00:00:31:22		 TO-PUT-FROM-TO1A^*
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00:00:32:11		 $INDEX-TO-SCREEN1
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00:00:32:24		 Then she used the mirror.
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00:00:32:31		 HE-SHE-IT2 sie
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00:00:32:46		 ONCE-MORE1A wieder
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00:00:33:30		 MIRROR1 spiegel
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00:00:33:37		 Calling wouldn’t have helped.
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00:00:33:40		 TO-WHISPER1^* [MG]
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00:00:34:22		 Calling wouldn’t have helped.
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00:00:34:32		 TO-WHISPER1^* $GEST-OFF1^
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00:00:34:48		 It was easy to find her with the mirror.
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00:00:34:49		 $GEST^
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00:00:35:06		 That’s why they used it.
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00:00:35:25		 MIRROR1* spiegel MIRROR1 spiegel
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00:00:35:47		 EASY-OR-LIGHT1* leicht
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00:00:36:07		 It’s typical for deaf people, because you can’t just call someone over or speak on the phone. LIKE1A* wie
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00:00:36:16		 DEAF1B* [MG]
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00:00:36:33		 TO-FIND1B finden
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00:00:37:05		 SCREAM4 [MG]
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00:00:37:17		 $GEST-ATTENTION1^*
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00:00:37:44		 PHONE1 anruf
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00:00:38:19		 NOT1
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00:00:38:35		 You can’t speak on the phone or call with your mobile.
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00:00:38:42		 TETRAGON10^*
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00:00:39:10		 NONE2*
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00:00:39:44		 PHONE1 telefon
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00:00:40:05		 AND2A und
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00:00:40:26		 MOBILE2 handy
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00:00:41:18		 NOT1 [MG]
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00:00:41:41		 Doesn’t matter.
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00:00:42:04		 $GEST^
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00:00:42:16		 It worked with the mirror.
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00:00:42:17		 The mirror was a great idea.
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00:00:42:26		 MIRROR1* spiegel
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00:00:42:42		 IT-WORKS-OUT1 auf
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00:00:43:33		 MIRROR1 spiegel
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00:00:44:02		 TO-MATCH1 passt
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00:00:44:15		 She just had to wait until the sun was in the right position and then she could start.
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00:00:44:20		 TO-WAIT3* warten
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00:00:44:39		 UNTIL1 bis
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00:00:45:23		 TO-COME1 kommen
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00:00:46:15		 SUNRISE1* [MG]
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00:00:46:36		 FINALLY2A endlich
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00:00:46:41		 Yes, it worked with the mirror.
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00:00:47:01		 IT-WORKS-OUT1 [MG]
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00:00:47:07		 $PROD*
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00:00:47:18		 MIRROR1 [MG]
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00:00:47:38		 $GEST-OFF1^
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00:00:48:01		 At first, they waved at one another and then they started writing. $GEST-OFF1^
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00:00:48:04		 I2^ [MG]
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00:00:48:33		 TO-WAVE1
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00:00:49:09		 LIKE4A^*
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00:00:49:37		 TO-WRITE1A* sch{reiben}
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00:00:49:49		 Why didn’t they sign?
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00:00:50:26		 TO-SIGN1A*
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00:00:51:47		 $GEST-OFF1^ [MG]
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00:00:52:21		 WHY1* warum
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00:00:53:10		 TO-SIGN1A* {gebärden}sprache The pieces of paper with the writing on them were better than any other form of communication.
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00:00:53:33		 TO-WRITE1A*
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00:00:54:04		 LANGUAGE1*
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00:00:54:32		 $GEST-OFF1^
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00:00:54:47		 Why did they write everything down?
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00:00:55:38		 TO-WRITE1A $PROD*
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00:00:56:18		 TO-UNDERSTAND1 verstehen
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00:00:57:02		 BETTER1* besser
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00:00:57:14		 AS3 als
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00:00:58:21		 COMMUNICATION1A kommunikation
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00:00:58:43		 Yes, maybe. $GEST-NM-TO-SHRUG1^ [MG] $GEST-OFF1^
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00:00:59:23		 $$EXTRA-LING-ACT^
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00:00:59:46		 $GEST-OFF1^
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00:01:02:48		 True, but I ask you: Why did they have to/
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00:01:03:27		 RIGHT-OR-AGREED1A* stimmt
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00:01:03:39		 I1*
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00:01:04:12		 QUESTION1 frage
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00:01:05:08		 WHY2A warum
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00:01:05:34		 MUST1 muss
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00:01:06:14		 The woman and the man knew how to sign.
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00:01:06:32		 WOMAN6$INDEX1* frau
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00:01:07:02		 MAN1$INDEX1 mann
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00:01:07:25		 MUST1* muss
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00:01:07:48		 $PROD*
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00:01:08:43		 TO-SIGN1A
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00:01:09:00		 $INDEX1 [MG]
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00:01:09:06		 Why did they write everything on pieces of paper and held them up? $INDEX1
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00:01:09:31		 WHY1* warum
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00:01:10:02		 PAPER1 papier
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00:01:10:40		 SHEET-OF-PAPER1*
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00:01:11:01		 It was a secret.
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00:01:11:20		 TO-WRITE2F*TO-HOLD-PAPER1A*
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00:01:11:45		 SECRET1A geheim
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00:01:12:15		 $GEST-OFF1^*
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00:01:12:20		 It was secret, that’s why they used the papers.
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00:01:12:30		 WHY10A* wa{rum}
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00:01:13:33		 TO-HOLD-PAPER1A
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00:01:14:03		 Or they’re hearing.
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00:01:14:26		 $GEST-OFF1^ [MG] $GEST^* [MG]
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00:01:14:40		 $INDEX-TO-SCREEN1 [MG]
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00:01:15:10		 POSSIBLE1* möglich
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00:01:16:17		 I’m talking about the scene where they approach one another. $INDEX1*
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00:01:16:32		 ATTENTION1A^
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00:01:17:39		 $PROD*
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00:01:18:03		 They approach each other.
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00:01:18:10		 $PROD*
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00:01:19:14		 But they don’t love each other.
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00:01:19:18		 THEN1A* da{nn}
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00:01:19:32		 There’s no speaking there.
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00:01:19:48		 TO-SPEAK4 sprechen
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00:01:20:04		 TO-FALL-IN-LOVE1* lieben
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00:01:20:13		 NO1B*
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00:01:20:24		 TO-SPEAK4* sprechen
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00:01:20:27		 $GEST-OFF1^
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00:01:20:38		 They don’t say anything.
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00:01:20:42		 TO-SAY1*
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00:01:20:48		 NO1B
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00:01:21:03		 She just puts her hand in front of her mouth.
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00:01:21:07		 TO-KEEP-SBS-MOUTH-SHUT1^
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00:01:21:13		 NOT1*
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00:01:21:48		 Then she shows the love heart and they get together.
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00:01:22:22		 HEART2A* herz
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00:01:23:14		 HEART2A*
00:01:23:14
00:01:23:16
00:01:23:16
00:01:24:03		 TO-HOLD-PAPER1A
00:01:24:03
00:01:24:07		 They don’t hug, they just stand there. TO-HUG2*
00:01:24:07
00:01:24:19		 $GEST-OFF1^
00:01:24:19
00:01:24:25
00:01:24:25
00:01:24:36		 IT-WORKS-OUT1*
00:01:24:36
00:01:24:37
00:01:24:37
00:01:25:15		 TO-HUG2*
00:01:25:15
00:01:25:21
00:01:25:21
00:01:25:28		 $GEST^
00:01:25:28
00:01:25:36		 $GEST-OFF1^
00:01:25:36
00:01:26:26		 $PROD*
00:01:26:26
00:01:26:27
00:01:26:27
00:01:26:47		 They should hug each other!
00:01:26:47
00:01:27:19		 TO-HUG2*
00:01:27:19
00:01:27:33
00:01:27:33
00:01:28:05		 $GEST-OFF1^
00:01:28:05
00:01:28:28
00:01:28:28
00:01:29:27

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