| Time |
Translation |
Lexem/Gebärde |
Mouth |
Translation |
Lexeme/Sign |
Mouth |
Moderator |
| right hand |
left hand |
right hand |
left hand |
00:00:00:00 00:00:00:41 |
A man is done with work and coming home in a bad mood. | | | | | | | | |
00:00:00:41 00:00:00:46 |
AN1A | | ein | | | | | |
00:00:00:46 00:00:01:20 |
| | | | | | | |
00:00:01:20 00:00:01:29 |
MAN1* | | mann | | | | | |
00:00:01:29 00:00:02:16 |
| | | | | | | |
00:00:02:16 00:00:02:30 |
TO-GO2A | | | | | | | |
00:00:02:30 00:00:03:13 |
| | | | | | | |
00:00:03:13 00:00:03:21 |
CLOSING-TIME1 | feierabend | | | | | |
00:00:03:21 00:00:04:16 |
| | | | | | | |
00:00:04:16 00:00:04:43 |
GO-HOME1* | | nach hause | | | | | |
00:00:04:43 00:00:05:22 |
He takes off his glasses, throws them down and flips out. | | | | | | | | |
00:00:05:22 00:00:05:30 |
$PROD | | [MG] | | | | | |
00:00:05:30 00:00:05:33 |
| | | | | | | |
00:00:05:33 00:00:05:38 |
TO-THROW6A* | | | | | | | |
00:00:05:38 00:00:06:24 |
| | | | | | | |
00:00:06:24 00:00:07:08 |
$GEST-MAD1^* | [MG] | | | | | |
00:00:07:08 00:00:07:09 |
| | | | | | | |
00:00:07:09 00:00:07:39 |
“I am so stressed because of work, so stressed! | | | | | | | | |
00:00:07:39 00:00:07:46 |
STRESS1A* | stress | | | | | |
00:00:07:46 00:00:08:06 |
| | | | | | | |
00:00:08:06 00:00:08:21 |
BUSINESS1A | | betrieb | | | | | |
00:00:08:21 00:00:08:41 |
| | | | | | | |
00:00:08:41 00:00:09:16 |
STRESS1A* | stress | | | | | |
00:00:09:16 00:00:09:22 |
| | | | | | | |
00:00:09:22 00:00:09:30 |
I’m fed up with it all, it’s so much stress!” | | | | | | | | |
00:00:09:30 00:00:10:03 |
$ORAL^ | hab die | | | | | |
00:00:10:03 00:00:10:09 |
| | | | | | | |
00:00:10:09 00:00:10:18 |
TO-BE-FED-UP2* | | schnauze voll | | | | | |
00:00:10:18 00:00:10:49 |
| | | | | | | |
00:00:10:49 00:00:11:12 |
STRESS1A* | stress | | | | | |
00:00:11:12 00:00:11:30 |
| | | | | | | |
00:00:11:30 00:00:11:39 |
The woman says: “Tell me! What’s going on?” | | | | | | | | |
00:00:11:39 00:00:11:44 |
WOMAN6* | | frau | | | | | |
00:00:11:44 00:00:12:23 |
| | | | | | | |
00:00:12:23 00:00:12:32 |
TO-TELL4* | | | | | | | |
00:00:12:32 00:00:12:39 |
| | | | | | | |
00:00:12:39 00:00:13:18 |
WHATS-UP1 | was | | | | | |
00:00:13:18 00:00:13:41 |
| | | | | | | |
00:00:13:41 00:00:14:00 |
He snarls at her: “Enough, stop it! I need to rest!” and is about to leave. | | | | | | | | |
00:00:14:00 00:00:14:03 |
ENOUGH1B* | | genug | | | | | |
00:00:14:03 00:00:14:14 |
| | | | | | | |
00:00:14:14 00:00:14:19 |
NO3B^ | | stopp | | | | | |
00:00:14:19 00:00:14:33 |
| | | | | | | |
00:00:14:33 00:00:14:48 |
TO-NEED1* | | brauch | | | | | |
00:00:14:48 00:00:15:22 |
| | | | | | | |
00:00:15:22 00:00:15:45 |
SILENCE1* | ruhe | | | | | |
00:00:15:45 00:00:16:22 |
| | | | | | | |
00:00:16:22 00:00:16:26 |
SUDDENLY4* | | | | | | |
00:00:16:26 00:00:16:39 |
| | | | | | | |
00:00:16:39 00:00:17:04 |
| TO-ELOPE2* | | | | | | |
00:00:17:04 00:00:17:05 |
| | | | | | | |
00:00:17:05 00:00:17:09 |
The woman says: “Please, calm down. | | | | | | | | |
00:00:17:09 00:00:17:12 |
MAN1* | | mann | | | | | |
00:00:17:12 00:00:17:17 |
| | | | | | | |
00:00:17:17 00:00:17:21 |
WOMAN6* | frau | | | | | |
00:00:17:21 00:00:17:26 |
| | | | | | | |
00:00:17:26 00:00:17:33 |
$GEST-TO-STAY-CALM1^* | | | | | | |
00:00:17:33 00:00:17:42 |
| | | | | | | |
00:00:17:42 00:00:18:01 |
PLEASE4B* | bitte | | | | | |
00:00:18:01 00:00:18:10 |
| | | | | | | |
00:00:18:10 00:00:18:30 |
Please, come here and fix the faucet.” | $GEST-TO-STAY-CALM1^ | komm | | | | | |
00:00:18:30 00:00:18:40 |
| | | | | | | |
00:00:18:40 00:00:19:07 |
| COME-HERE1* | | | | | | |
00:00:19:07 00:00:19:17 |
| | | | | | | |
00:00:19:17 00:00:19:25 |
PLEASE4B* | bitte | | | | | |
00:00:19:25 00:00:19:39 |
| | | | | | | |
00:00:19:39 00:00:20:09 |
TO-REPAIR1* | reparieren | | | | | |
00:00:20:09 00:00:20:21 |
| | | | | | | |
00:00:20:21 00:00:20:33 |
WATER8* | | wasserhahn | | | | | |
00:00:20:33 00:00:20:42 |
| | | | | | |
00:00:20:42 00:00:20:46 |
TAP1* | | | | | | |
00:00:20:46 00:00:21:02 |
| | | | | | | |
00:00:21:02 00:00:21:11 |
He yells at her: “I need to rest! I don’t have the time, I need to rest!” | | | | | | | | |
00:00:21:11 00:00:21:14 |
I1* | | ich | | | | | |
00:00:21:14 00:00:21:28 |
| | | | | | | |
00:00:21:28 00:00:21:32 |
TO-NEED1* | brauch | | | | | |
00:00:21:32 00:00:21:48 |
| | | | | | | |
00:00:21:48 00:00:22:03 |
SILENCE1 | ruhe | | | | | |
00:00:22:03 00:00:22:12 |
| | | | | | | |
00:00:22:12 00:00:22:14 |
I1* | | ich | | | | | |
00:00:22:14 00:00:22:15 |
| | | | | | | |
00:00:22:15 00:00:22:22 |
$ORAL^ | hab | | | | | |
00:00:22:22 00:00:22:41 |
TIME3 | keine zeit | | | | | |
00:00:22:41 00:00:23:03 |
| | | | | | | |
00:00:23:03 00:00:23:17 |
SILENCE1* | ruhe | | | | | |
00:00:23:17 00:00:23:22 |
| | | | | | | |
00:00:23:22 00:00:23:32 |
Then he leaves. | | | | | | | | |
00:00:23:32 00:00:24:08 |
TO-ELOPE2 | | | | | | | |
00:00:24:08 00:00:24:32 |
| | | | | | | |
00:00:24:32 00:00:24:42 |
The woman stays seated and swallows her disappointment. | | | | | | | | |
00:00:24:42 00:00:24:44 |
WOMAN6* | | frau | | | | | |
00:00:24:44 00:00:25:11 |
| | | | | | | |
00:00:25:11 00:00:26:10 |
TO-SIT1B* | | | | | | | |
00:00:26:10 00:00:26:19 |
| | | | | | | |
00:00:26:19 00:00:26:22 |
WOMAN6* | | frau | | | | | |
00:00:26:22 00:00:26:35 |
| | | | | | | |
00:00:26:35 00:00:26:48 |
TO-BEAR1B | | | | | | | |
00:00:26:48 00:00:27:10 |
| | | | | | | |
00:00:27:10 00:00:27:48 |
The second time it’s almost the same: He comes in, and he throws his keys across the room. | | | | | | | | |
00:00:27:48 00:00:28:15 |
$NUM-ORDINAL2:2d | zweite | | | | | |
00:00:28:15 00:00:28:45 |
| | | | | | | |
00:00:28:45 00:00:29:04 |
ONCE-MORE1A* | | wieder | | | | | |
00:00:29:04 00:00:29:07 |
| | | | | | | |
00:00:29:07 00:00:29:10 |
LIKE3A* | wie | | | | | |
00:00:29:10 00:00:29:23 |
| | | | | | | |
00:00:29:23 00:00:29:37 |
KEY1* | | schlüssel | | | | | |
00:00:29:37 00:00:30:12 |
| | | | | | | |
00:00:30:12 00:00:30:27 |
TO-THROW6B | | [MG] | | | | | |
00:00:30:27 00:00:30:35 |
| | | | | | | |
00:00:30:35 00:00:31:06 |
He throws the glasses, too. | | | | | | | | |
00:00:31:06 00:00:31:09 |
GLASSES1D* | | brille | | | | | |
00:00:31:09 00:00:31:35 |
| | | | | | | |
00:00:31:35 00:00:31:47 |
TO-THROW6B | | [MG] | | | | | |
00:00:31:47 00:00:32:05 |
| | | | | | | |
00:00:32:05 00:00:32:18 |
Like/He looks like a show-off. | | | | | | | | |
00:00:32:18 00:00:32:29 |
LIKE-HOW1A* | wie | | | | | |
00:00:32:29 00:00:33:00 |
| | | | | | | |
00:00:33:00 00:00:33:03 |
WHAT-DOES-IT-LOOK-LIKE1* | | sieht | | | | | |
00:00:33:03 00:00:33:15 |
| | | | | | | |
00:00:33:15 00:00:33:28 |
LOUDMOUTH1 | | | | | | | |
00:00:33:28 00:00:33:40 |
| | | | | | | |
00:00:33:40 00:00:34:01 |
He screams: “I am so stressed! There is so much fighting at work!” | | | | | | | | |
00:00:34:01 00:00:34:03 |
I1* | | [LM:ah] | | | | | |
00:00:34:03 00:00:34:22 |
| | | | | | | |
00:00:34:22 00:00:34:27 |
ONCE-MORE2A* | | wieder | | | | | |
00:00:34:27 00:00:34:45 |
| | | | | | | |
00:00:34:45 00:00:35:01 |
STRESS1A* | stress | | | | | |
00:00:35:01 00:00:35:09 |
| | | | | | | |
00:00:35:09 00:00:35:16 |
BUSINESS1B* | | betrie{b} | | | | | |
00:00:35:16 00:00:35:24 |
| | | | | | |
00:00:35:24 00:00:36:20 |
TO-ARGUE1A | | | | | |
00:00:36:20 00:00:37:03 |
| | | | | | | |
00:00:37:03 00:00:37:04 |
Uh huh. | | | | | | | | |
00:00:37:04 00:00:37:31 |
$GEST-NM-NOD-HEAD1^ | | | | | | |
00:00:37:31 00:00:37:32 |
| | | | | | | |
00:00:37:32 00:00:37:47 |
And then/ | | | | | | | | |
00:00:37:47 00:00:38:04 |
| $GEST-DECLINE1^* | | | | | | |
00:00:38:04 00:00:38:28 |
| | | | | | | |
00:00:38:28 00:00:38:31 |
MAN10* | | | | | | | |
00:00:38:31 00:00:38:39 |
| | | | | | | |
00:00:38:39 00:00:39:04 |
The woman says: “Ah, okay. But please, stay calm and help me. | | | | | | | | |
00:00:39:04 00:00:39:08 |
WOMAN6* | | frau | | | | | |
00:00:39:08 00:00:39:48 |
| | | | | | | |
00:00:39:48 00:00:40:35 |
$GEST-TO-STAY-CALM1^* | ach so | | | | | |
00:00:40:35 00:00:40:47 |
| | | | | | | |
00:00:40:47 00:00:41:13 |
$GEST-TO-STAY-CALM1^* | | | | | | |
00:00:41:13 00:00:41:19 |
| | | | | | | |
00:00:41:19 00:00:41:27 |
PLEASE4B | bitte | | | | | |
00:00:41:27 00:00:41:34 |
| | | | | | | |
00:00:41:34 00:00:41:40 |
$GEST-TO-STAY-CALM1^* | moment | | | | | |
00:00:41:40 00:00:42:06 |
| | | | | | | |
00:00:42:06 00:00:42:15 |
TO-HELP1* | helfen | | | | | |
00:00:42:15 00:00:42:24 |
| | | | | | | |
00:00:42:24 00:00:42:34 |
Please repair the lamp, look here.” | | | | | | | | |
00:00:42:34 00:00:42:46 |
PLEASE2 | bitte | | | | | |
00:00:42:46 00:00:43:10 |
| | | | | | | |
00:00:43:10 00:00:43:29 |
TO-REPAIR1 | reparatur | | | | | |
00:00:43:29 00:00:43:47 |
| | | | | | | |
00:00:43:47 00:00:44:03 |
LAMP1A | | lampe | | | | | |
00:00:44:03 00:00:44:20 |
| | | | | | |
00:00:44:20 00:00:44:26 |
TO-PRESS-WITH-THUMB3^ | | | | | | |
00:00:44:26 00:00:44:42 |
| | | | | | | |
00:00:44:42 00:00:44:47 |
| TO-SEE1 | schau | | | | | |
00:00:44:47 00:00:45:11 |
| | | | | | | |
00:00:45:11 00:00:45:36 |
$INDEX2* | mal | | | | | |
00:00:45:36 00:00:45:41 |
| | | | | | | |
00:00:45:41 00:00:46:10 |
She flicks the switch and the light flickers. | | | | | | | | |
00:00:46:10 00:00:46:16 |
TO-PRESS-WITH-THUMB3^ | | | | | | | |
00:00:46:16 00:00:46:39 |
| | | | | | | |
00:00:46:39 00:00:47:21 |
$PROD | | [MG] | | | | | |
00:00:47:21 00:00:47:46 |
| | | | | | | |
00:00:47:46 00:00:48:10 |
He answers angrily: “No! I need to rest!” | | | | | | | | |
00:00:48:10 00:00:48:13 |
I1* | | nein | | | | | |
00:00:48:13 00:00:48:18 |
| | | | | | | |
00:00:48:18 00:00:48:28 |
$GEST^* | | | | | | | |
00:00:48:28 00:00:48:38 |
| | | | | | | |
00:00:48:38 00:00:48:40 |
I1* | | ich | | | | | |
00:00:48:40 00:00:49:02 |
| | | | | | | |
00:00:49:02 00:00:49:08 |
TO-NEED1* | brauch | | | | | |
00:00:49:08 00:00:49:33 |
| | | | | | | |
00:00:49:33 00:00:49:39 |
SILENCE1 | ruhe | | | | | |
00:00:49:39 00:00:50:13 |
| | | | | | | |
00:00:50:13 00:00:50:30 |
The woman swallows her disappointment. | | | | | | | | |
00:00:50:30 00:00:50:33 |
WOMAN6* | | frau | | | | | |
00:00:50:33 00:00:50:40 |
| | | | | | | |
00:00:50:40 00:00:51:01 |
TO-LOOK-AT2 | | [MG] | | | | | |
00:00:51:01 00:00:51:26 |
| | | | | | |
00:00:51:26 00:00:52:19 |
TO-BEAR1B | | | | | | |
00:00:52:19 00:00:52:28 |
| | | | | | | |
00:00:52:28 00:00:53:02 |
Well then. | | | | | | | | |
00:00:53:02 00:00:53:10 |
| $GEST-DECLINE1^* | | | | | | |
00:00:53:10 00:00:53:18 |
| | | | | | | |
00:00:53:18 00:00:54:33 |
Then, the third time/ | | | | | | | | |
00:00:54:33 00:00:54:36 |
THEN7* | | dann | | | | | |
00:00:54:36 00:00:54:48 |
| | | | | | | |
00:00:54:48 00:00:55:20 |
$NUM-ORDINAL2:3d | dritte | | | | | |
00:00:55:20 00:00:56:21 |
| | | | | | | |
00:00:56:21 00:00:56:33 |
… well, and then/ | | | | | | | | |
00:00:56:33 00:00:56:45 |
$$EXTRA-LING-ACT^ | | | | | | |
00:00:56:45 00:00:57:33 |
| | | | | | | |
00:00:57:33 00:00:57:40 |
| THEN6* | dann | | | | | |
00:00:57:40 00:00:57:47 |
| | | | | | | |
00:00:57:47 00:00:58:09 |
The man comes home from work. | | | | | | | | |
00:00:58:09 00:00:58:15 |
$INDEX1 | | | | | | | |
00:00:58:15 00:00:58:25 |
| | | | | | | |
00:00:58:25 00:00:58:31 |
WOMAN6* | | | | | | | |
00:00:58:31 00:00:58:35 |
| | | | | | | |
00:00:58:35 00:00:58:37 |
$INDEX1* | | | | | | | |
00:00:58:37 00:00:59:02 |
| | | | | | | |
00:00:59:02 00:00:59:05 |
MAN1* | | mann | | | | | |
00:00:59:05 00:00:59:35 |
| | | | | | | |
00:00:59:35 00:01:00:04 |
BACK1A* | | zu{rück} arbeit | | | | | |
00:01:00:04 00:01:00:05 |
| | | | | | | |
00:01:00:05 00:01:00:16 |
The woman looks very elegant this time, she is wearing her hair down. | | | | | | | | |
00:01:00:16 00:01:00:23 |
WOMAN6* | | frau | | | | | |
00:01:00:23 00:01:00:33 |
| | | | | | | |
00:01:00:33 00:01:00:36 |
NOW1 | | jetzt | | | | | |
00:01:00:36 00:01:01:02 |
| | | | | | | |
00:01:01:02 00:01:01:18 |
FASHIONABLE1B* | | [MG] | | | | | |
00:01:01:18 00:01:01:30 |
| | | | | | | |
00:01:01:30 00:01:02:04 |
HAIR-LONG1* | | | | | | | |
00:01:02:04 00:01:02:06 |
| | | | | | | |
00:01:02:06 00:01:02:16 |
She looks good. Hair, cleavage, her outfit looks good. | | | | | | | | |
00:01:02:16 00:01:02:19 |
GOOD1 | | gut | | | | | |
00:01:02:19 00:01:02:34 |
| | | | | | | |
00:01:02:34 00:01:02:38 |
TO-SEE1 | | aus{sehen} | | | | | |
00:01:02:38 00:01:03:03 |
| | | | | | | |
00:01:03:03 00:01:03:09 |
CLOTHES3* | | | | | | |
00:01:03:09 00:01:03:15 |
| | | | | | | |
00:01:03:15 00:01:03:28 |
CLEAVAGE1* | [MG] | | | | | |
00:01:03:28 00:01:03:33 |
| | | | | | |
00:01:03:33 00:01:03:40 |
CLOTHES3 | | | | | |
00:01:03:40 00:01:04:00 |
| | | | | | | |
00:01:04:00 00:01:04:01 |
GOOD1* | | gut | | | | | |
00:01:04:01 00:01:04:14 |
| | | | | | | |
00:01:04:14 00:01:04:19 |
TO-SEE1 | | aus{sehen} | | | | | |
00:01:04:19 00:01:04:25 |
| | | | | | |
00:01:04:25 00:01:04:31 |
CLOTHES1A* | | | | | |
00:01:04:31 00:01:04:32 |
| | | | | | | |
00:01:04:32 00:01:04:42 |
She’s not working, she is thumbing through a book. Then the man comes in. | | | | | | | | |
00:01:04:42 00:01:04:46 |
TO-WORK1* | arbeit | | | | | |
00:01:04:46 00:01:05:07 |
| | | | | | | |
00:01:05:07 00:01:05:10 |
NOT3B* | nicht mehr | | | | | |
00:01:05:10 00:01:05:29 |
| | | | | | | |
00:01:05:29 00:01:06:26 |
TO-LEAF-THROUGH2* | | zeitschrift | | | | | |
00:01:06:26 00:01:06:34 |
| | | | | | | |
00:01:06:34 00:01:06:38 |
MAN10* | | mann | | | | | |
00:01:06:38 00:01:06:49 |
| | | | | | |
00:01:06:49 00:01:07:10 |
| TO-COME3 | | | | | |
00:01:07:10 00:01:07:41 |
| | | | | | | |
00:01:07:41 00:01:08:08 |
He’s aghast: “What is going on here?” Something is different about his wife. | | | | | | | | |
00:01:08:08 00:01:08:26 |
$GEST^* | | [MG] | | | | | |
00:01:08:26 00:01:08:31 |
| | | | | | | |
00:01:08:31 00:01:09:11 |
WHAT1B | was | | | | | |
00:01:09:11 00:01:09:30 |
| | | | | | | |
00:01:09:30 00:01:09:41 |
WOMAN1A* | | frau | | | | | |
00:01:09:41 00:01:10:03 |
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TO-CHANGE1A* | anders | | | | | |
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His gaze falls on the faucet. It’s not dripping, despite not having been fixed. | | | | | | | | |
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TO-LOOK-AT3* | | | | | | | |
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WATER8* | | wasserhahn | | | | | |
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$INDEX1 | | | | | | |
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TAP1 | | | | | | |
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DONE1A | fertig | | | | | |
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ORDER1B* | ordnung | | | | | |
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TO-REPAIR1* | repar{atur} | | | | | |
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DONE2 | fertig | | | | | |
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All suspicious, he asks her: “Who did that?” | | | | | | | | |
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QUESTION1* | | | | | | | |
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WHO3 | | wer | | | | | |
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She shrugs and says: “A neighbor helped me. | | | | | | | | |
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$GEST-I-DONT-KNOW1^* | [MG] | | | | | |
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I2* | | | | | | |
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TO-ORDER1C^* | | mann | | | | | |
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TO-HELP1* | helfen | | | | | |
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NEIGHBOUR1 | nachbar | | | | | |
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NEIGHBOUR2A | | | | | |
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He’s a handsome man, he helped me with the repairs.” | | | | | | | | |
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PRETTY1A | | hübscher | | | | | |
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MAN1* | | mann | | | | | |
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TO-HELP1* | helfen | | | | | |
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TO-REPAIR1* | repa{ratur} | | | | | |
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$INDEX1 | | | | | | |
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The man flinches. He gets angry. | | | | | | | | |
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TO-LOOK-AT2 | | [MG] | | | | | |
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SENTIMENT1 | war bisschen | | | | | |
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MAD1A | wütend | | | | | |
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Oh well. Cut. Next scene: | | | | | | | | |
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| $GEST-DECLINE1^* | | | | | | |
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DONE1A* | fertig | | | | | |
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NEXT1* | | | | | | | |
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The man looks around and sees the lamp. He wants to check whether it has been fixed, too, and flicks the switch. | $INDEX1 | | | | | | | |
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MAN10* | | mann | | | | | |
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TO-LOOK-AT3 | | sehen | | | | | |
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CONTROL1 | lampe | | | | | |
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LAMP1A* | | | | | | |
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ALSO1A* | | auch | | | | | |
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TO-PRESS-WITH-THUMB3^ | | | | | | |
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“Yes, the neighbor helped me with that. He did everything while you did nothing,” she says. | | | | | | | | |
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$GEST-NM-NOD-HEAD1^ | | | | | | |
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MAN10* | | mann | | | | | |
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NEIGHBOUR2A* | | | | | | |
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NEIGHBOUR1 | nachbar | | | | | |
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TO-HELP1* | helfen | | | | | |
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YES3A | | ja | | | | | |
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EVERYTHING2* | | alles | | | | | |
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YOU1 | | du | | | | | |
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NOTHING1A* | nichts | | | | | |
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Then… next/ | $GEST-NM-NOD-HEAD1^ | | | | | | |
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THEN1C* | | dann | | | | | |
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NEXT1* | | | | | | | |
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MAN10* | | m{ann} | | | | | |
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…the man asks: “Why him? Why not me?” | | | | | | | | |
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MAN10* | | mann | | | | | |
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MAN10* | | | | | | | |
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WHY1* | | warum | | | | | |
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I1* | | warum | | | | | |
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$GEST^* | | | | | | |
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She responds flippantly: “This was my problem, not yours, was it? | | | | | | | | |
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FOR1* | | nicht | | | | | |
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YOUR1 | | dein | | | | | |
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PROBLEM2B* | | problem | | | | | |
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MY1* | | mein | | | | | |
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PROBLEM2B* | | problem | | | | | |
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OR4A* | oder | | | | | |
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WHAT1B* | was | | | | | |
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Was I supposed to bake him a cake, or what?” | | | | | | | | |
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$GEST-TO-GIVE-A-KISS1A^* | | | | | | |
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TO-BAKE3A* | backen | | | | | |
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FRESH1 | frisch | | | | | |
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OR4A | oder | | | | | |
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WHAT1B* | was | | | | | |
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The man looks at her, shocked, and just blinks. | | | | | | | | |
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TO-LOOK-AT2 | | | | | | | |
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MAN10* | | | | | | | |
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$INDEX1* | | mann | | | | | |
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$GEST-NM^ | | | | | | |
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TO-LOOK-AT2* | | [MG] | | | | | |
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That’s it. | | | | | | | | |
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DONE1B | | | | | | |
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$GEST-OFF1^ | | | | | | |
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That was pretty exaggerated. | | | | | | | | |
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VERY6 | | schon | | | | | |
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TO-EXAGGERATE1* | übertreiben | | | | |
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