TO-CUT-WITH-SCISSORS2^
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≙ TO-CUT-WITH-SCISSORS2^ | |||||||
Göttingen | dgskorpus_goe_02 | 61+m Everyone who smokes does so to relax their mind in times of anger or they smoke to take a break or to ease their ire. | |||||||
r | WHY2A* | TO-BE-ANNOYED2* | TO-MAKE2 | TO-CUT-WITH-SCISSORS2^ | |||
l | |||||||
m | warum | ärger | machen | [MG] | |||
Schleswig-Holstein | dgskorpus_sh_08 | 46-60m But then the conversation breaks off and they talk to one another. | |||||||
r | TO-CUT-WITH-SCISSORS2^ | HEARING1A | TO-SPEAK5A* | ||||
l | |||||||
m | abbruch | [MG] | |||||
Göttingen | dgskorpus_goe_02 | 61+m But I can't walk up to everyone and tell them to quit smoking. | |||||||
r | EVERYTHING2* | TO-SAY1 | TO-SMOKE1A* | TO-CUT-WITH-SCISSORS2^* | |||
l | |||||||
m | alle | sagen | |||||
= SCISSORS1 | |||||||
Köln (Cologne) | dgskorpus_koe_13 | 61+m For example Bohle, Schere, three lane alleys and classic. | |||||||
r | $LIST1:1of1d | $LIST1:2of2d | $LIST1:3of3d | ||||
l | NINE-PIN-BOWLING1 | SCISSORS1* | $NUM-ONE-TO-TEN1A:3d | PATH1A* | |||
m | bohle | schere | drei | bahnen | |||
Nürnberg (Nuremberg) | dgskorpus_nue_06 | 31-45f Or some scissors, even a towrope or a big balloon. | |||||||
r | OR6B | SCISSORS1* | $GEST^ | $GEST-NM-TO-SHRUG1^ | TO-TOW1 | ||
l | |||||||
m | oder | schere | abschleppseil | ||||
Schleswig-Holstein | dgskorpus_sh_01 | 18-30m It's like opening scissors. The gap between rich and poor [German technical term: scissors between rich and poor]. | |||||||
r | LIKE3A* | SCISSORS1* | $PROD | LIKE3A* | |||
l | $GEST-OFF^* | ||||||
m | wie | schere | auf | wie | |||
Stuttgart | dgskorpus_stu_10 | 18-30m Suddenly the teacher grabbed a pair of scissors and threw it across the room. | |||||||
r | TEACHER3* | SCISSORS1* | TO-THROW2* | ||||
l | |||||||
m | lehrer | schere | |||||
Stuttgart | dgskorpus_stu_10 | 18-30m How those scissors hurtled towards my face and missed me by a whisker. | |||||||
r | SCISSORS1* | $PROD | I1 | $PROD | |||
l | |||||||
m | schere | ||||||
= TO-CUT-WITH-SCISSORS2 | |||||||
München (Munich) | dgskorpus_mue_01 | 61+f It only worked together, one needed to be able to cut and sew, too. | |||||||
r | MUST1 | TOGETHER-PERSON1^ | TO-CUT-WITH-SCISSORS2 | TO-SEW1* | MUST1* | $GEST-NM^ | |
l | |||||||
m | muss | muss | [MG] | ||||
München (Munich) | dgskorpus_mue_01 | 61+f We used to have to cut it with scissors, per hand, nowadays a computer does that. | |||||||
r | TO-CUT-WITH-SCISSORS2* | PAST-OR-BACK-THEN1* | TO-CUT-WITH-SCISSORS2 | NOW2* | $INDEX1 | MOUSE-COMPUTER1^ | |
l | |||||||
m | früh | [MG] | jetzt | computer | |||
Berlin | dgskorpus_ber_08 | 46-60f Then I wanted to, err you know, decorate shop windows professionally, things like that. | |||||||
r | RAG1 | TO-LOOK1 | TO-CUT-WITH-SCISSORS2* | ART5* | $PROD | ||
l | $INDEX1* | $INDEX1 | GOOD1^* | ||||
m | schaufenster | kunst | muss | ||||
München (Munich) | dgskorpus_mue_01 | 61+f Sewing, cutting, not just drawing up designs. | |||||||
r | MUST1 | COHERENCE1A | TO-SEW1* | TO-CUT-WITH-SCISSORS2* | $INDEX1 | SIGN-OR-DRAWING1A* | NOT3A |
l | |||||||
m | muss | [MG] | [MG] | [MG] | [MG] | ||
München (Munich) | dgskorpus_mue_01 | 61+f We used to have to cut it with scissors, per hand, nowadays a computer does that. | |||||||
r | TO-CUT-WITH-SCISSORS2* | PAST-OR-BACK-THEN1* | TO-CUT-WITH-SCISSORS2 | NOW2* | |||
l | |||||||
m | früh | [MG] | jetzt | ||||
Stuttgart | dgskorpus_stu_06 | 18-30f Why do you sign that so accurately, with the cutting of the grapes? | |||||||
r | WHY1* | $PROD | TO-CUT-WITH-SCISSORS2* | $PROD | $PROD | ||
l | |||||||
m | |||||||
~ CUT3 | |||||||
Hamburg | dgskorpus_hh_08 | 46-60f The heather needs to be trimmed in order to increase. | |||||||
r | $PROD | $INDEX1 | TO-NEED1* | CUT3* | $ORAL^ | MORE3* | |
l | |||||||
m | … | brauch | schnitt | um | vermehren |