Köln (Cologne) | dgskorpus_koe_19 | 31-45f I was in charge of running the theatre there. |
r | | I1 | AS-OR-THAN4 | THEATRE3 | TO-LEAD1A | I1 | SELF1A* |
l | | | | |
m | | als | theaterführer | | selbst |
Rostock | dgskorpus_mvp_01 | 18-30m Furthermore we have a theater. |
r | | | DIFFERENT1* | THEATRE3 | TO-MAKE1 |
l |
m | ander | theater | machen |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f It is, however, not possible today to go to the theater and to ask someone to join me whenever I want to. |
r | | | AND-THEN2 | THEATRE3 | TO-WISH1B | TODAY2 | TO-ADDRESS2* |
l | | | |
m | dann | theater | wünsch | heute | [MG] |
Berlin | dgskorpus_ber_07 | 31-45m That’s right, they do theatrical work. |
r | | | | THEATRE3* | $GEST-DECLINE1^* |
l | |
m | theater |
Berlin | dgskorpus_ber_07 | 31-45m Yes, exactly theater! |
r | | | YOU1* | THEATRE3* | $NUM-ORDINAL1:1d | $LIST1:1of1d | $NUM-ORDINAL1:1d |
l | | | |
m | | theater | | | |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f Take theater for instance/ |
r | | ALSO1A* | $ORAL^ | THEATRE3* | $INDEX1 | ALSO1A |
l | | | |
m | auch | zum beispiel | | | auch |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f Theater is nice, for instance. |
r | | | EXAMPLE1 | THEATRE3* | BEAUTIFUL1A |
l | |
m | beispiel | theater | auch schön |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f Right, but in everyday life it's not possible to go to the theater just when I feel like it. |
r | SPONTANEOUS1* | I1 | TO-WISH1B | THEATRE3* | TO-GO-THERE1 | POINTLESS1* |
l | | | | | |
m | spontan | [LM:ah] | wünsch | theater | |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f For instance, you get to know that there's a special play about a special topic at the theatre. |
r | | MUST1 | WEIRD1^ | THEATRE3* | PRESENT-OR-HERE1 | WEIRD1^ | SUBJECT1 |
l | | |
m | muss | [MG] | theater | da | [MG] | thema |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f So it's not the same as it is for hearing people who can go to the theater whenever they want. |
r | HEARING1B | EVERYDAY-LIFE1 | CAN2B | THEATRE3* | BACK-AND-FORTH1^* | BODY1^* | TO-HOPE1C^* |
l | | | |
m | hörend | alltag | kann | theater | was | will |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f It is, however, not possible today to go to the theater and to ask someone to join me whenever I want to. |
r | DELIGHT1A* | TO-COME-FROM1* | TO-GO-THERE1^ | THEATRE3* | $GEST-OFF^ |
l | | |
m | lust | [MG] | | theater | [MG] |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f That means: if there is a theater in Munich, everyone has to go there to rehearse. |
r | | MEANING1* | $NUM-ONE-TO-TEN1A:1d | THEATRE3* | MUNICH1A* | TO-COME2* | TO-PRACTICE1 |
l | | | |
m | bedeutet | ein | theater | münchen | [MG] | üben |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f When the play is over, they go on, let's say to Bremen. |
r | | | | THEATRE3* | DONE1B | BACK1A^* | $GEST-I-DONT-KNOW1^ |
l |
m | theater | fertig | dann | |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f And when it's over there, they go back to Nuremberg. |
r | | | | THEATRE3* | DONE1B | BACK1A* | NUREMBERG1B* |
l | |
m | | fertig | | nürnberg |
Nürnberg (Nuremberg) | dgskorpus_nue_06 | 31-45f And you’re going to the theater that night, it doesn’t really work out. |
r | YOU1* | EVENING1 | YOU1* | THEATRE3* | TO-DRIVE1* | $GEST^ | $GEST-DECLINE1^* |
l | | | |
m | | abend | | theater | | |
Nürnberg (Nuremberg) | dgskorpus_nue_06 | 31-45f The theater is important to me, it’s about sign language. |
r | | | | THEATRE3* | I2 | VALUABLE1B | |
l | | $INDEX1 |
m | theater | wertvoll |