Köln (Cologne) | dgskorpus_koe_02 | 46-60f For example about the machines, as I work as a drafter in mechanical engineering. |
r | TO-WORK1* | $INDEX1 | TECHNOLOGY1* | SIGN-OR-DRAWING1^ | $INDEX1 | MACHINE1A | BUILDING-OR-CONSTRUCTION1 |
l | | | |
m | arbeite | | technische zeichnerin | für | maschinenbau |
Leipzig | dgskorpus_lei_07 | 46-60f They suggested going to Leipzig and becoming an architectural draftswoman. |
r | LIKE-THIS4* | CAN1 | $INDEX1 | SIGN-OR-DRAWING1^ | IN1* | LEIPZIG1B* |
l | | | | | | |
m | so so so | kann | bauzeichner | in | leipzig |
Münster | dgskorpus_mst_13 | 46-60f Americans are experts in technical design and film technology and can fool us. |
r | SKILFUL1 | MOVIE1* | TECHNOLOGY1 | SIGN-OR-DRAWING1^ | MOVIE1* | TECHNOLOGY1 | CAN2A |
l | | | | |
m | | | | | filmtechnik | kann |
Bremen | dgskorpus_hb_06 | 31-45f They collapsed straight and not to the side due the technology, the architecture of the building. |
r | | BUT1* | TECHNOLOGY1 | SIGN-OR-DRAWING1^* | SIGN-OR-DRAWING1^* | $PROD |
l |
m | aber | technik | | archi{tektur} | |
Bremen | dgskorpus_hb_06 | 31-45f They collapsed straight and not to the side due the technology, the architecture of the building. |
r | BUT1* | TECHNOLOGY1 | SIGN-OR-DRAWING1^* | SIGN-OR-DRAWING1^* | $PROD |
l |
m | aber | technik | | archi{tektur} | |
Hamburg | dgskorpus_hh_04 | 46-60m No that is not what I mean. I mean the shape of it. |
r | | NO1B | $INDEX-TO-SCREEN1 | SIGN-OR-DRAWING1^* | SHAPE1A | $INDEX-TO-SCREEN1 |
l | | | |
m | nein | | | form | |
Hamburg | dgskorpus_hh_05 | 31-45m First, the government wanted to create drafts for the city. |
r | PLAN2* | CITY2* | TECHNOLOGY1^* | SIGN-OR-DRAWING1^* |
l |
m | | stadt | wie | |
Hamburg | dgskorpus_hh_05 | 31-45m Only if the drafts are really good they can begin with the reconstruction. |
r | | | | SIGN-OR-DRAWING1^* | RIGHT-OR-AGREED2* | TO-GIVE-HOLD-ON-TO1A^* | GO-START1 |
l | |
m | | | dann | los |
Hamburg | dgskorpus_hh_08 | 46-60f Gunter had a lot of fans and they ran up to him when he arrived, but he acted completely normally and there were no signs that he was very ill. |
r | BAD3B* | | | SIGN-OR-DRAWING1^* |
l | BIT4* | SICK1 |
m | nicht so schlimm | bisschen | krank | vorb{ild} |
Leipzig | dgskorpus_lei_12 | 61+m School/ |
r | | | SCHOOL1A | SIGN-OR-DRAWING1^* |
l | |
m | schulzeit |
Leipzig | dgskorpus_lei_12 | 61+m School was more oriented towards oral education. |
r | | | SCHOOL1A | SIGN-OR-DRAWING1^* | TIME7C* | $GEST^ | MORE1* |
l | | |
m | schulzeit | | mehr |
Münster | dgskorpus_mst_09 | 31-45f She also works as an architectural draftsman, like me. |
r | | | EQUAL8* | SIGN-OR-DRAWING1^* | $INDEX1* |
l | | |
m | [MG] | bauzeichner | |
Rostock | dgskorpus_mvp_07 | 31-45f The case worker asked me if she was allowed to look for jobs in professions other than architectural draftswoman. |
r | ALLOWED1 | MUST1 | SAME5 | SIGN-OR-DRAWING1^* |
l | | | |
m | darf | muss | selbe | bauzeichner |
Schleswig-Holstein | dgskorpus_sh_02 | 18-30f Then, they started designing; sketches were drawn and looked at. |
r | CONSTRUCTION3A | WHAT-DOES-THAT-MEAN1* | WHAT-DOES-IT-LOOK-LIKE1 | SIGN-OR-DRAWING1^* | WHAT-DOES-IT-LOOK-LIKE1 |
l | | | |
m | | was | wie {sieht} aus | wie {sieht} aus |
Frankfurt | dgskorpus_fra_06 | 31-45f We got used to eachother and they knew my voice and used some gestures and learned signs and so the communication got better. |
r | TO-COMPREHEND1* | BIT2A* | TO-SIGN1A* | SIGN-OR-DRAWING1A* | BIT2A | IN-ADDITION1* | IT-WORKS-OUT1 |
l | | | | |
m | | bis{schen} | | zeich{nen} | bis{schen} | klappt |
Hamburg | dgskorpus_hh_02 | 31-45f It is just a sign. The sign can’t be as big just because the canal is broad. |
r | | | $INDEX-TO-SCREEN1* | SIGN-OR-DRAWING1A* | FOR1* | CLEAR1A^ | SIGN3A* |
l | | | | |
m | [MG] | zeichnung | für | mich | schild |
Hamburg | dgskorpus_hh_03 | 46-60m Obviously, the Sign Language Festival aimed at presenting sign language. |
r | AIM1 | WHAT1B | CLEAR1B* | | TO-SIGN1A^ | | TO-SIGN1A^ |
l | SIGN-OR-DRAWING1A* | MOUTH1A^* |
m | ziel | was | klar | zeichensprache | zeichensprache |
Köln (Cologne) | dgskorpus_koe_01 | 18-30f Oh okay, construction draftswoman. |
r | | | BUILDING-OR-CONSTRUCTION1 | SIGN-OR-DRAWING1A* |
l | |
m | bauzeichner |
Köln (Cologne) | dgskorpus_koe_01 | 18-30f I am the only one training to become a construction draftswoman. |
r | $GEST^ | $GEST^ | EDUCATION1* | SIGN-OR-DRAWING1A* | END1^* |
l | |
m | | | ausbildung | bauzeichnerin | |
Leipzig | dgskorpus_lei_12 | 61+m It was quite typical to be proud of one’s oral education. |
r | LIKE-THIS1A | TYPICAL1* | TO-BE-SILENT3^* | SIGN-OR-DRAWING1A* | $GEST^ | ORAL1 | I2 |
l | | | | |
m | so | typ{isch} | stil | zeich | | oral |
Münster | dgskorpus_mst_12 | 31-45m The experts, I mean the architectural draftsmen who built the nuclear power station with the four reactors, must have spotted the technical error after the explosion of the first reactor. |
r | | SKILFUL3^* | BUILDING-OR-CONSTRUCTION2A* | SIGN-OR-DRAWING1A* | NUCLEAR2 | MUSCLE3^ | FORCE1A* |
l | | |
m | | bauzeichner | atomkraftwerk | |
München (Munich) | dgskorpus_mue_01 | 61+f Sewing, cutting, not just drawing up designs. |
r | TO-SEW1* | TO-CUT-WITH-SCISSORS2* | $INDEX1 | SIGN-OR-DRAWING1A* | NOT3A |
l | | | | |
m | [MG] | | [MG] | [MG] | |
Rostock | dgskorpus_mvp_07 | 31-45f Everything went fine, my draft was correct. |
r | UNTIL-THEN1 | GOOD1 | ATTENTION1A^* | SIGN-OR-DRAWING1A* | I1 | RIGHT-OR-CORRECT1A |
l | | | | |
m | | gut | | zeich | ich | recht |
Rostock | dgskorpus_mvp_07 | 31-45f But that threw me off a lot. |
r | | | $INDEX1* | SIGN-OR-DRAWING1A* | $INDEX1 | TO-BE-CONFUSED1* | NOT3A* |
l | | | |
m | [MG] | | | | nein |
Rostock | dgskorpus_mvp_07 | 31-45f The drafts were different during the second try; they weren't the same ones. |
r | | | | SIGN-OR-DRAWING1A* | $INDEX1 | DIFFERENT1 | SIGN-OR-DRAWING1A* |
l | |
m | | | anders | zeichen |
Rostock | dgskorpus_mvp_07 | 31-45f The drafts were different during the second try; they weren't the same ones. |
r | SIGN-OR-DRAWING1A* | $INDEX1 | DIFFERENT1 | SIGN-OR-DRAWING1A* | EQUAL8* |
l | |
m | | | anders | zeichen | [MG] |
Rostock | dgskorpus_mvp_07 | 31-45f I wanted to make a fresh start as a retail specialist in another division, in kitchen design, but I didn't get accepted. |
r | OUTDOORS1A^* | EASY1 | KITCHEN3B | SIGN-OR-DRAWING1A* | CAN1* | $INDEX1* | TRADE-OR-NEGOTIATION1B |
l | | |
m | | einfa{ch} | küchendesign | kann | handelskaufmann |
Rostock | dgskorpus_mvp_07 | 31-45f I finished my apprenticeship to become an architectural draftswoman. |
r | | | BUILDING-OR-CONSTRUCTION1* | | DONE2* | FINISH1* |
l | I1* | SIGN-OR-DRAWING1A* |
m | ich | bauzeichner | | |
Nürnberg (Nuremberg) | dgskorpus_nue_08 | 18-30f I work as a technical drawer. |
r | MY1 | PROFESSION2* | TECHNOLOGY1 | SIGN-OR-DRAWING1A* |
l | |
m | | beruf | technisch | zeichner |
Hamburg | dgskorpus_hh_04 | 46-60m If they would have drawn the shoes evenly, everybody would think that they mean socks. |
r | | YOU1^* | IF-OR-WHEN1A | TO-DRAW4A | AREA-BOTTOM-OF-THE-FOOT1^* | | AREA-BOTTOM-OF-THE-FOOT1^* |
l | | | | TO-WISH1A* |
m | | wenn | malen | [MG] | wunsch | [MG] |
Frankfurt | dgskorpus_fra_04 | 61+m Afterwards, we started painting. |
r | TO-ORGANISE2B^* | $INDEX1* | GO-START1 | TO-DRAW4A* | | MUST1* |
l | | | ALL1A* |
m | | | los | malen | |
Frankfurt | dgskorpus_fra_06 | 31-45f Mrs. #Name3 forced everyone of us to draw a picture or give some candy to put on the table. |
r | STRICT2 | $INDEX1* | MUST1 | TO-DRAW4A* | $GEST-OFF^ | OR4B | SMALL11* |
l | | |
m | | jeder | muss | malen | | oder | klein |
Köln (Cologne) | dgskorpus_koe_03 | 18-30m There was this drawing, well more a couple pictures in a row, kind of like a cartoon. |
r | SUDDENLY4* | $INDEX1 | WHAT1A* | TO-DRAW4A* | TO-LOOK1* |
l | | |
m | [MG] | | | malen | |
Köln (Cologne) | dgskorpus_koe_03 | 18-30m There was this drawing, well more a couple pictures in a row, kind of like a cartoon. |
r | | RIGHT-OR-AGREED1A* | $INDEX1 | TO-DRAW4A* | $PROD |
l | | |
m | stimmt | | malen | |
Nürnberg (Nuremberg) | dgskorpus_nue_02 | 61+f The painter is famous, but unfortunately I don't know his name. |
r | | | | TO-DRAW4A* | FAMOUS1B | I1 | UNFORTUNATELY1 |
l | | |
m | maler | berühmt | | leider |
Stuttgart | dgskorpus_stu_14 | 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner. |
r | $NAME | $INDEX1* | MOTIVATION1 | TO-DRAW4A* | FOR1 | TO-DRIVE-SB1A^ | TO-DRAW4A* |
l | | | |
m | #name1 | | [MG] | | für | beckenbauer | malen |
Stuttgart | dgskorpus_stu_14 | 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner. |
r | TO-DRAW4A* | FOR1 | TO-DRIVE-SB1A^ | TO-DRAW4A* | ALL2A* | TO-DRAW4A* | I1 |
l | | | |
m | | für | beckenbauer | malen | | malen | |
Stuttgart | dgskorpus_stu_14 | 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner. |
r | TO-DRIVE-SB1A^ | TO-DRAW4A* | ALL2A* | TO-DRAW4A* | I1 | WITH1A | TO-DRAW4A* |
l | | | |
m | beckenbauer | malen | | malen | | mit | malen |
Stuttgart | dgskorpus_stu_14 | 46-60m Sister #Name1 was highly motivated and therefore she painted a huge picture for Beckenbauer which could be used as a banner. |
r | TO-DRAW4A* | I1 | WITH1A | TO-DRAW4A* | AREA1A^* |
l | | | |
m | malen | | mit | malen | [MG] |
Berlin | dgskorpus_ber_08 | 46-60f She did a vocational training in technical drawing. |
r | | | FURTHER1A | EDUCATION4 | | | |
l | TO-STUDY1 | TO-RISE6* | TO-LEARN1 |
m | weiterbildung | | [MG] | lernen |
Hamburg | dgskorpus_hh_08 | 46-60f But I had noticed that there were barely any pictures of him. |
r | I1 | TO-STRIKE1A | STRONG2A | EDUCATION4 | $GEST-NM-SHAKE-HEAD1^ |
l | | |
m | | auffallen | stark | bildung | [MG] |
Münster | dgskorpus_mst_13 | 46-60f After class I’d receive various books so that I was able to study further for my future. |
r | I1 | SELF1A | FURTHER1A | EDUCATION4 | PERIOD1C |
l | | |
m | ich | selbst | weiterbilden |
Münster | dgskorpus_mst_13 | 46-60f Nevertheless, I made it because I continued to study. |
r | REASON4A | SELF1A | FURTHER1A | EDUCATION4 |
l | |
m | grund | selbst | weiterbilden |
München (Munich) | dgskorpus_mue_03 | 46-60m I was trained there, no, I was a journeyman. |
r | LATER2 | I2* | PRESENT-OR-HERE1* | EDUCATION4 | $GEST-NM^ | TO-WORK2 | TESTING-OR-INSPECTION3^ |
l | | | |
m | {spä}ter | | da | ausbildung | | | geselle |
Münster | dgskorpus_mst_13 | 46-60f But for the purpose of my education, it was better to work together with hearing people rather than deaf people. |
r | WITH3* | HEARING1A* | MORE1* | EDUCATION4* | AS-OR-THAN3 | WITH3 | DEAF1A |
l | | | | | | |
m | mit | hörend | mehr | bildung | als | mit | gehörlos |
Münster | dgskorpus_mst_13 | 46-60f Acquiring extensive general knowledge is very important. Yet, it is lacking in schools. |
r | | | GENERALLY3 | EDUCATION4* | TO-PROMOTE1A | EDUCATION4* | TO-PROMOTE1A |
l | |
m | allgemein | förderung | bildung | förderung |
Münster | dgskorpus_mst_13 | 46-60f Acquiring extensive general knowledge is very important. Yet, it is lacking in schools. |
r | GENERALLY3 | EDUCATION4* | TO-PROMOTE1A | EDUCATION4* | TO-PROMOTE1A | THIS-AND-THAT1 | $INDEX1* |
l | | |
m | allgemein | förderung | bildung | förderung | [MG] | [MG] |
Stuttgart | dgskorpus_stu_04 | 61+f That’s where I got my vocational training. |
r | | | $INDEX1 | EDUCATION4* | $INDEX1 |
l | | | |
m | | berufsausbildung |
Stuttgart | dgskorpus_stu_04 | 61+f I immediately started an apprenticeship as a dressmaker. |
r | | | | EDUCATION4* | IMMEDIATELY2B* | TO-HIRE1A* | TAILOR1 |
l | | | |
m | aus{bildung} | sof{ort} | [MG] | damen damenschneiderin damenschneiderin |