dgskorpus_nue_02: Subject Areas

Topics Cinema, Theater, Museum, Art; Cinema, Theater, Museum, Art: Cinema; Cinema, Theater, Museum, Art: Culture; Cinema, Theater, Museum, Art: Museum; Cinema, Theater, Museum, Art: Theater; Communication: Communication with Hearing People; Communication: Subtitles; Deaf Culture; School and Education: Theater; Society: Hearing-Deaf; Vacation, Free Time, Traveling: Pyramids

	Translation	Lexeme/Sign	Mouth	Translation	Lexeme/Sign	Mouth	Moderator
00:00:00:00 00:00:00:40	It's impossible to imagine a world without culture.
00:00:00:40 00:00:00:44		$GEST-OFF^
00:00:00:44 00:00:01:30
00:00:01:30 00:00:02:13		WORLD1	welt
00:00:02:13 00:00:02:27
00:00:02:27 00:00:02:35		WITHOUT1	ohne
00:00:02:35 00:00:03:02
00:00:03:02 00:00:03:43		CULTURE1B*	kultur
00:00:03:43 00:00:04:03
00:00:04:03 00:00:04:07		$MORPH-UN2B*	unvorstellbar
00:00:04:07 00:00:04:15
00:00:04:15 00:00:04:18		IMAGINATION1A*
00:00:04:18 00:00:04:39
00:00:04:39 00:00:05:29		$GEST-OFF^
00:00:05:29 00:00:06:14	I went to Paris in 1971.
00:00:06:14 00:00:06:21		AND-THEN2
00:00:06:21 00:00:06:28
00:00:06:28 00:00:06:31		I1*	ich
00:00:06:31 00:00:06:44
00:00:06:44 00:00:07:11		$NUM-TEEN1:9	neunzehnhunderteinundsiebzig
00:00:07:11 00:00:07:29
00:00:07:29 00:00:07:38		$NUM-ONE-TO-TEN1A:1d
00:00:07:38 00:00:07:45
00:00:07:45 00:00:08:12		$NUM-TENS2A:7d
00:00:08:12 00:00:08:21
00:00:08:21 00:00:08:26		WAS2*	war
00:00:08:26 00:00:08:34
00:00:08:34 00:00:08:36		I1	ich
00:00:08:36 00:00:08:43
00:00:08:43 00:00:08:46		IN1	in
00:00:08:46 00:00:09:10
00:00:09:10 00:00:09:29		PARIS1	paris
00:00:09:29 00:00:10:01
00:00:10:01 00:00:10:07		$INDEX1
00:00:10:07 00:00:10:16
00:00:10:16 00:00:10:30
00:00:10:30 00:00:10:35	There I saw the ‘Mona Lisa’ for the first time.	I1
00:00:10:35 00:00:11:07
00:00:11:07 00:00:11:19		FIRST-OF-ALL1C*	erste
00:00:11:19 00:00:11:28
00:00:11:28 00:00:11:29		I1	mal
00:00:11:29 00:00:11:41
00:00:11:41 00:00:12:03		TO-SEE1
00:00:12:03 00:00:12:21
00:00:12:21 00:00:12:26		ARTICULATION1^*	mona lisa
00:00:12:26 00:00:14:07
00:00:14:07 00:00:14:45	They stretched red velvet around the painting's frame.
00:00:14:45 00:00:15:22		$PROD*
00:00:15:22 00:00:15:46
00:00:15:46 00:00:16:09		RED1A*	rot
00:00:16:09 00:00:16:21
00:00:16:21 00:00:16:39		FEELING1^	samt
00:00:16:39 00:00:17:10
00:00:17:10 00:00:17:33		FRAME1A*	rahmen
00:00:17:33 00:00:18:20
00:00:18:20 00:00:19:01		MEASURE2B^*	[MG]
00:00:19:01 00:00:19:12
00:00:19:12 00:00:20:43		NARROW2^*	[MG]
00:00:20:43 00:00:21:01
00:00:21:01 00:00:21:18
00:00:21:18 00:00:21:36	It's hung up high on the wall and electronically secured so no one can steal it.	ABOVE2A^*	hoch
00:00:21:36 00:00:22:01
00:00:22:01 00:00:22:21		AREA1A^*
00:00:22:21 00:00:22:30
00:00:22:30 00:00:22:34		WITH1A	mit
00:00:22:34 00:00:22:47
00:00:22:47 00:00:23:03		ELECTRICITY6*	strom
00:00:23:03 00:00:23:10
00:00:23:10 00:00:23:47		PLUG1*
00:00:23:47 00:00:24:17
00:00:24:17 00:00:24:21		MUST1A^	damit
00:00:24:21 00:00:24:31
00:00:24:31 00:00:25:02		TO-SWIPE1	[MG]
00:00:25:02 00:00:25:16
00:00:25:16 00:00:25:39	Someone told me there that in the U.S., a painting was stolen twice already.
00:00:25:39 00:00:25:44		HE-SHE-IT1
00:00:25:44 00:00:26:14
00:00:26:14 00:00:26:29		TO-TELL3A*
00:00:26:29 00:00:26:48
00:00:26:48 00:00:27:02		$INDEX1
00:00:27:02 00:00:27:37
00:00:27:37 00:00:27:46		AMERICA1*	amerika
00:00:27:46 00:00:28:06
00:00:28:06 00:00:28:07		$INDEX1
00:00:28:07 00:00:28:23
00:00:28:23 00:00:28:26		ALREADY1A	schon
00:00:28:26 00:00:28:41
00:00:28:41 00:00:29:02		$NUM-TIMES1:2d*	zweimal
00:00:29:02 00:00:29:14
00:00:29:14 00:00:29:20		PICTURE2A*	bild
00:00:29:20 00:00:29:30
00:00:29:30 00:00:29:48		TO-SWIPE1	klauen
00:00:29:48 00:00:30:03
00:00:30:03 00:00:30:11	They succeeded despite its huge size.
00:00:30:11 00:00:30:20		ALTHOUGH2*	obwohl
00:00:30:20 00:00:30:31
00:00:30:31 00:00:30:47		$PROD*	[MG]
00:00:30:47 00:00:31:12
00:00:31:12 00:00:31:25		TO-ACCOMPLISH1A	schaff
00:00:31:25 00:00:31:42
00:00:31:42 00:00:31:45	Until now, no one can imagine how it could get stolen.
00:00:31:45 00:00:32:08		UNTIL-NOW1*	bis jetzt
00:00:32:08 00:00:32:16
00:00:32:16 00:00:32:21		NOT-YET2*	noch nicht
00:00:32:21 00:00:32:23
00:00:32:23 00:00:32:30		ALL1A*	alle
00:00:32:30 00:00:32:37
00:00:32:37 00:00:32:42		CAN1*	kann nicht
00:00:32:42 00:00:33:01
00:00:33:01 00:00:33:15		IMAGINATION1A	vorstellen
00:00:33:15 00:00:33:27
00:00:33:27 00:00:33:39		HOW-QUESTION1*	wie
00:00:33:39 00:00:34:36
00:00:34:36 00:00:35:05	It's also not allowed to take pictures in this room.	AND-THEN2	und da{nn}
00:00:35:05 00:00:35:13
00:00:35:13 00:00:35:25		INTO2
00:00:35:25 00:00:35:34
00:00:35:34 00:00:35:36		I1
00:00:35:36 00:00:35:46
00:00:35:46 00:00:36:01		PHOTO1*
00:00:36:01 00:00:36:11
00:00:36:11 00:00:36:19		PROHIBITED1*	verbot
00:00:36:19 00:00:36:40
00:00:36:40 00:00:37:13	It's forbidden!
00:00:37:13 00:00:37:33		PROHIBITED1*	verbot
00:00:37:33 00:00:38:01
00:00:38:01 00:00:38:47	One deaf guy disregarded the interdiction and took a picture.
00:00:38:47 00:00:39:03		$NUM-ONE-TO-TEN1A:1d	ein
00:00:39:03 00:00:39:12
00:00:39:12 00:00:39:19		DEAF-LOST-HEARING1A
00:00:39:19 00:00:39:27
00:00:39:27 00:00:39:40		TO-IGNORE6	[MG]
00:00:39:40 00:00:40:21
00:00:40:21 00:00:41:11		PHOTO1*
00:00:41:11 00:00:41:40	Someone came immediately and wanted to pull the film out of the camera.
00:00:41:40 00:00:42:00		LIGHTNING-FAST2^	blitz
00:00:42:00 00:00:42:19
00:00:42:19 00:00:42:33		||TO-COME3	[MG]
00:00:42:33 00:00:43:04
00:00:43:04 00:00:43:18		MOVIE2	film
00:00:43:18 00:00:43:24
00:00:43:24 00:00:43:36		TO-DEMOLISH1*	ab
00:00:43:36 00:00:43:43
00:00:43:43 00:00:44:04	Back then, photography wasn't digital, yet.
00:00:44:04 00:00:44:21		BACK-THEN1	damals
00:00:44:21 00:00:44:33
00:00:44:33 00:00:44:41		DIFFERENT1*	ander{s}
00:00:44:41 00:00:44:48
00:00:44:48 00:00:45:10		DIGITAL3	digital
00:00:45:10 00:00:45:13
00:00:45:13 00:00:45:18		$INDEX1
00:00:45:18 00:00:45:22
00:00:45:22 00:00:45:26	They wanted to take out the photographic film.
00:00:45:26 00:00:45:27		NARROW1C^
00:00:45:27 00:00:45:35
00:00:45:35 00:00:45:38		$INDEX1*
00:00:45:38 00:00:45:45
00:00:45:45 00:00:46:03		TO-DEMOLISH1*
00:00:46:03 00:00:46:18	The deaf guy begged to not do it, because he was deaf and so on.
00:00:46:18 00:00:46:43		PLEASE4*	[MG]
00:00:46:43 00:00:47:05
00:00:47:05 00:00:47:15		DEAF-LOST-HEARING1A
00:00:47:15 00:00:47:20
00:00:47:20 00:00:47:24		I1
00:00:47:24 00:00:47:38
00:00:47:38 00:00:48:08		$GEST^
00:00:48:08 00:00:48:10
00:00:48:10 00:00:48:18	They debated it for some time.
00:00:48:18 00:00:48:49		EXTENSIVE1	[MG]
00:00:48:49 00:00:49:02
00:00:49:02 00:00:49:16	The hearing person stood pat, but then gave in eventually and left.
00:00:49:16 00:00:49:20		HEARING1A
00:00:49:20 00:00:49:30
00:00:49:30 00:00:49:36		HARD1D	hart
00:00:49:36 00:00:49:43
00:00:49:43 00:00:49:48		$INDEX1
00:00:49:48 00:00:50:17
00:00:50:17 00:00:50:21		$GEST-OFF^
00:00:50:21 00:00:50:35
00:00:50:35 00:00:50:49		TO-GIVE-UP1*	aufgegeben
00:00:50:49 00:00:51:08
00:00:51:08 00:00:51:11		$INDEX1
00:00:51:11 00:00:51:25
00:00:51:25 00:00:51:29		TO-ACCEPT-STH1B	[MG]
00:00:51:29 00:00:51:43
00:00:51:43 00:00:52:02		||AWAY1^
00:00:52:02 00:00:52:07
00:00:52:07 00:00:52:22	So the deaf guy could keep the film and the picture of the Mona Lisa.
00:00:52:22 00:00:52:36		TO-KEEP2*	behalten
00:00:52:36 00:00:52:46
00:00:52:46 00:00:53:12		MOVIE2*	film
00:00:53:12 00:00:53:19
00:00:53:19 00:00:53:31		TO-STAY3
00:00:53:31 00:00:53:43
00:00:53:43 00:00:54:02		PHOTO1*	mona lisa
00:00:54:02 00:00:54:04
00:00:54:04 00:00:54:20		$GEST^*
00:00:54:20 00:00:55:07
00:00:55:07 00:00:55:31	I looked at the picture and there was a deaf woman who knew a lot about culture, I myself didn't have a clue.
00:00:55:31 00:00:55:37		AND-THEN2	und
00:00:55:37 00:00:55:42
00:00:55:42 00:00:55:46		I1	ich
00:00:55:46 00:00:56:04
00:00:56:04 00:00:56:31		TO-LOOK-AT1
00:00:56:31 00:00:56:49
00:00:56:49 00:00:57:06		DEAF-LOST-HEARING1A
00:00:57:06 00:00:57:15
00:00:57:15 00:00:57:23		PERSON1
00:00:57:23 00:00:57:41
00:00:57:41 00:00:57:49		TO-KNOW-STH-OR-SB1A
00:00:57:49 00:00:58:21
00:00:58:21 00:00:58:27		CULTURE1B*	kultur
00:00:58:27 00:00:58:37
00:00:58:37 00:00:58:39		I1	ich
00:00:58:39 00:00:59:11
00:00:59:11 00:00:59:14		NO-CLUE1	keine ahnung
00:00:59:14 00:00:59:27
00:00:59:27 00:00:59:30		I1
00:00:59:30 00:00:59:39	It was not until I went to Paris that I started to become aware of culture.
00:00:59:39 00:00:59:43		BEGINNING1A*	anfang
00:00:59:43 00:01:00:01
00:01:00:01 00:01:00:11		THROUGH2B	durch
00:01:00:11 00:01:00:27
00:01:00:27 00:01:00:39		PARIS1	paris
00:01:00:39 00:01:00:49
00:01:00:49 00:01:01:03		I1
00:01:01:03 00:01:01:16
00:01:01:16 00:01:01:27		CULTURE1A	kultur
00:01:01:27 00:01:01:38
00:01:01:38 00:01:01:43		AWARE1	bewusst
00:01:01:43 00:01:02:02
00:01:02:02 00:01:02:04		I1	ich
00:01:02:04 00:01:02:06
00:01:02:06 00:01:02:11	Before, I wasn't. I came to know it late.
00:01:02:11 00:01:02:19		BEFOREHAND1	vorher
00:01:02:19 00:01:02:27
00:01:02:27 00:01:02:43		NONE7*	[MG]
00:01:02:43 00:01:03:05
00:01:03:05 00:01:03:18		$GEST-DECLINE1^
00:01:03:18 00:01:03:32
00:01:03:32 00:01:03:42		LATE1*	spät
00:01:03:42 00:01:04:02
00:01:04:02 00:01:04:04		$GEST-OFF^
00:01:04:04 00:01:04:17
00:01:04:17 00:01:04:28	The woman asked me why the painting was that famous.
00:01:04:28 00:01:04:33		$INDEX1
00:01:04:33 00:01:05:10
00:01:05:10 00:01:05:22		TO-LET-KNOW1A*	frau
00:01:05:22 00:01:05:35
00:01:05:35 00:01:05:44		$INDEX1
00:01:05:44 00:01:06:16
00:01:06:16 00:01:06:20		WHY10B*	warum
00:01:06:20 00:01:06:48
00:01:06:48 00:01:07:11		FAMOUS1A	berühmt
00:01:07:11 00:01:07:21
00:01:07:21 00:01:08:01		PICTURE2B*	bild
00:01:08:01 00:01:08:08
00:01:08:08 00:01:08:16		WHY1*	warum
00:01:08:16 00:01:08:27
00:01:08:27 00:01:08:30		$GEST^	[MG]
00:01:08:30 00:01:08:40
00:01:08:40 00:01:08:49	Because the painter was so talented.
00:01:08:49 00:01:09:18		REASON4A	grund
00:01:09:18 00:01:10:10
00:01:10:10 00:01:10:34		BACK-THEN1	damals
00:01:10:34 00:01:10:46
00:01:10:46 00:01:11:08		TO-PAINT3B
00:01:11:08 00:01:11:21
00:01:11:21 00:01:11:36		TALENT1	[MG]
00:01:11:36 00:01:12:10
00:01:12:10 00:01:12:42	If you are standing to the side and face the painting, the eyes look right at you.
00:01:12:42 00:01:13:03		$INDEX1*	da
00:01:13:03 00:01:13:22
00:01:13:22 00:01:13:37		TO-STAND1A^*	stehen
00:01:13:37 00:01:14:14
00:01:14:14 00:01:14:16		EYE1*	augen
00:01:14:16 00:01:14:29
00:01:14:29 00:01:14:44		TO-LOOK-AT1*
00:01:14:44 00:01:15:00
00:01:15:00 00:01:15:02	If you then walk to the other side of the picture, the eyes follow you.
00:01:15:02 00:01:15:03		I1
00:01:15:03 00:01:15:16
00:01:15:16 00:01:15:44		TO-GO1A*
00:01:15:44 00:01:16:10
00:01:16:10 00:01:16:29		$PROD*	augen
00:01:16:29 00:01:19:03		$PROD*
00:01:19:03 00:01:19:09	It's unreal.
00:01:19:09 00:01:19:21		VERY6	[MG]
00:01:19:21 00:01:19:23
00:01:19:23 00:01:19:30	If you paint something normally, the eyes look straight, but it's different with the Mona Lisa.
00:01:19:30 00:01:19:36		IF-OR-WHEN1	wenn
00:01:19:36 00:01:19:40
00:01:19:40 00:01:19:41		YOU1*	du
00:01:19:41 00:01:19:48
00:01:19:48 00:01:20:07		TO-PAINT2*	malen
00:01:20:07 00:01:20:20
00:01:20:20 00:01:20:24		EYE1*	auge
00:01:20:24 00:01:20:37
00:01:20:37 00:01:20:47		$INDEX1*
00:01:20:47 00:01:21:16
00:01:21:16 00:01:22:04		$INDEX1	mona lisa
00:01:22:04 00:01:22:20
00:01:22:20 00:01:22:29		LIKE-THIS1	so
00:01:22:29 00:01:22:43
00:01:22:43 00:01:23:00	You can walk to the ultimate end of the wall , and the eyes would still look at you.
00:01:23:00 00:01:23:10		CAN2A	kann
00:01:23:10 00:01:23:15
00:01:23:15 00:01:23:17		YOU1*	du
00:01:23:17 00:01:23:25
00:01:23:25 00:01:23:28		I1	ich
00:01:23:28 00:01:23:31
00:01:23:31 00:01:24:21		TO-RUN8*	lauf lauf lauf
00:01:24:21 00:01:24:32
00:01:24:32 00:01:24:38		UNTIL1	bis
00:01:24:38 00:01:24:49
00:01:24:49 00:01:25:16		WALL-OR-SIDE1B*	ende der wand
00:01:25:16 00:01:26:25
00:01:26:25 00:01:26:44		TO-SEE3^
00:01:26:44 00:01:26:45				Ah ok, that's why.
00:01:26:45 00:01:27:18					$ORAL^	ach so
00:01:27:18 00:01:27:31	The eyes move.
00:01:27:31 00:01:27:36		TO-KNOW-OR-KNOWLEDGE2A^
00:01:27:36 00:01:27:49
00:01:27:49 00:01:29:39		$PROD*
00:01:29:39 00:01:30:00
00:01:30:00 00:01:30:05
00:01:30:05 00:01:30:32					THUS1	[MG]
00:01:30:32 00:01:30:33
00:01:30:33 00:01:30:41				I already wondered why it was so famous. The name ‘Mona Lisa’ is widely known, but I don’t know who that is.
00:01:30:41 00:01:30:45					I1*	deswegen
00:01:30:45 00:01:31:07
00:01:31:07 00:01:31:37					TO-WONDER1*	[MG]
00:01:31:37 00:01:31:46
00:01:31:46 00:01:32:01					$INDEX1	mona lisa
00:01:32:01 00:01:32:13
00:01:32:13 00:01:32:17					WELL-KNOWN4*
00:01:32:17 00:01:32:28
00:01:32:28 00:01:32:32					MEANING1*
00:01:32:32 00:01:32:46
00:01:32:46 00:01:33:09					NAME2	name
00:01:33:09 00:01:33:20
00:01:33:20 00:01:33:39					WELL-KNOWN3B*	bekannt
00:01:33:39 00:01:34:01
00:01:34:01 00:01:34:02					I1*	aber
00:01:34:02 00:01:34:09
00:01:34:09 00:01:34:43					WHY1*	[MG]
00:01:34:43 00:01:35:22
00:01:35:22 00:01:35:49	Everyone talks about it, the whole world does.
00:01:35:49 00:01:36:16		TO-SPEAK2^*	[MG]
00:01:36:16 00:01:36:23
00:01:36:23 00:01:36:39		WORLD1*	welt
00:01:36:39 00:01:36:49
00:01:36:49 00:01:37:19		TO-SPEAK2^*	[MG]
00:01:37:19 00:01:37:26
00:01:37:26 00:01:37:34		$GEST-OFF^
00:01:37:34 00:01:37:40
00:01:37:40 00:01:37:46	Everyones' delighted with the painter, too.	$INDEX1
00:01:37:46 00:01:38:04
00:01:38:04 00:01:38:13		PICTURE3*	bild
00:01:38:13 00:01:38:19
00:01:38:19 00:01:38:37		ENTHUSIASTIC1*	begeistert
00:01:38:37 00:01:38:42
00:01:38:42 00:01:39:19	The painter is famous, but unfortunately I don't know his name.
00:01:39:19 00:01:39:41		TO-DRAW4A*	maler
00:01:39:41 00:01:40:20
00:01:40:20 00:01:40:46		FAMOUS1B	berühmt
00:01:40:46 00:01:41:08
00:01:41:08 00:01:41:10		I1
00:01:41:10 00:01:41:19
00:01:41:19 00:01:41:21		UNFORTUNATELY1	leider
00:01:41:21 00:01:41:32
00:01:41:32 00:01:41:39		TO-KNOW-OR-KNOWLEDGE2A*	weiß nicht
00:01:41:39 00:01:42:00
00:01:42:00 00:01:42:11		NAME2*	wie heißt
00:01:42:11 00:01:42:21
00:01:42:21 00:01:42:31		TO-PAINT3B	maler
00:01:42:31 00:01:42:38
00:01:42:38 00:01:42:41		I2	ich
00:01:42:41 00:01:43:00
00:01:43:00 00:01:43:01		$GEST-OFF^	weiß nicht
00:01:43:01 00:01:43:29
00:01:43:29 00:01:43:44	Ten years ago a discussion started about whether the person is a man or a woman.
00:01:43:44 00:01:44:10		$ORAL^	aber
00:01:44:10 00:01:44:11
00:01:44:11 00:01:44:24		NOW2^*	[MG]
00:01:44:24 00:01:44:37
00:01:44:37 00:01:44:48		WAS1*	war
00:01:44:48 00:01:45:13
00:01:45:13 00:01:45:31		YEAR1A*	zehn jahre
00:01:45:31 00:01:45:38
00:01:45:38 00:01:45:45		BEGINNING1A	anfang
00:01:45:45 00:01:46:09
00:01:46:09 00:01:46:42		TO-ARGUE1A	streit
00:01:46:42 00:01:47:04
00:01:47:04 00:01:47:08		IF1	ob
00:01:47:08 00:01:47:18
00:01:47:18 00:01:47:33		PERSON1	person
00:01:47:33 00:01:48:07
00:01:48:07 00:01:48:15		MAN1*	mann
00:01:48:15 00:01:48:19
00:01:48:19 00:01:48:21		PERSON1*
00:01:48:21 00:01:48:26
00:01:48:26 00:01:48:27		OR6B*	oder
00:01:48:27 00:01:48:34
00:01:48:34 00:01:48:46		WOMAN1A	frau
00:01:48:46 00:01:49:25
00:01:49:25 00:01:50:24
00:01:50:24 00:01:51:05	It's still unclear.
00:01:51:05 00:01:51:22		UNTIL-TODAY2*	bis heute
00:01:51:22 00:01:51:36
00:01:51:36 00:01:51:44		NOT-YET2*	noch nicht
00:01:51:44 00:01:52:10
00:01:52:10 00:01:52:21		CLEAR1A	klar
00:01:52:21 00:01:52:28
00:01:52:28 00:01:52:38		$GEST-OFF^
00:01:52:38 00:01:53:30
00:01:53:30 00:01:54:42	I/ Now or soon a book will be published that will tell whether it's a man or a woman.
00:01:54:42 00:01:54:46		I1
00:01:54:46 00:01:55:17
00:01:55:17 00:01:55:29		NOW1*	jetzt
00:01:55:29 00:01:55:34		SOON2^
00:01:55:34 00:01:55:46
00:01:55:46 00:01:56:05		TO-COME1*	komm
00:01:56:05 00:01:56:27
00:01:56:27 00:01:56:36		SHALL1*	soll
00:01:56:36 00:01:57:01
00:01:57:01 00:01:57:18		NEXT1	nächste
00:01:57:18 00:01:57:39
00:01:57:39 00:01:58:01		BOOK1B
00:01:58:01 00:01:58:15
00:01:58:15 00:01:58:17		I1
00:01:58:17 00:01:58:41
00:01:58:41 00:01:59:09		GENUINE1	echt
00:01:59:09 00:01:59:42
00:01:59:42 00:01:59:45		PERSON1
00:01:59:45 00:02:00:05
00:02:00:05 00:02:00:14		MAN1	mann
00:02:00:14 00:02:00:23
00:02:00:23 00:02:00:25		OR6B*	oder
00:02:00:25 00:02:00:39
00:02:00:39 00:02:01:09		PERSON1^	frau
00:02:01:09 00:02:01:14
00:02:01:14 00:02:01:26	It's hard to tell just by looking at it.
00:02:01:26 00:02:01:27		TO-SEE1*
00:02:01:27 00:02:01:40
00:02:01:40 00:02:02:04		HEAVY1A	schwer
00:02:02:04 00:02:02:11
00:02:02:11 00:02:02:14		$INDEX1
00:02:02:14 00:02:02:21
00:02:02:21 00:02:02:27	I looked at the painting and I couldn't say for sure. It's incredibly hard.	I1	ich
00:02:02:27 00:02:02:38
00:02:02:38 00:02:02:39		SELF1A*	selbst
00:02:02:39 00:02:02:46
00:02:02:46 00:02:02:47		EXACTLY1*	genau
00:02:02:47 00:02:03:04
00:02:03:04 00:02:03:06		I1
00:02:03:06 00:02:03:14
00:02:03:14 00:02:03:26		TO-LOOK-AT2*
00:02:03:26 00:02:04:01
00:02:04:01 00:02:04:13		POINTLESS3A*	[MG]
00:02:04:13 00:02:04:26
00:02:04:26 00:02:04:29		CAN1*	kann nicht
00:02:04:29 00:02:04:41
00:02:04:41 00:02:05:00		TO-STATE-OR-TO-REALISE2*	feststellen
00:02:05:00 00:02:05:26
00:02:05:26 00:02:06:08		VERY6	[MG]
00:02:06:08 00:02:06:20
00:02:06:20 00:02:06:40	That's why it's an interesting story.
00:02:06:40 00:02:07:00		THEREFORE1	darum
00:02:07:00 00:02:07:19
00:02:07:19 00:02:07:28		MUCH-OR-MANY1A*	viel
00:02:07:28 00:02:07:31
00:02:07:31 00:02:07:49		INTEREST1B	interessant
00:02:07:49 00:02:08:07
00:02:08:07 00:02:08:21		HISTORY-OR-STORY2	geschichte
00:02:08:21 00:02:08:28
00:02:08:28 00:02:08:31	People are still wondering about the Mona Lisa, but are lost eventually.
00:02:08:31 00:02:08:36		UNTIL-NOW1*	bis
00:02:08:36 00:02:08:44
00:02:08:44 00:02:09:02		TODAY2*	heute
00:02:09:02 00:02:09:11
00:02:09:11 00:02:09:16		$INDEX1*
00:02:09:16 00:02:09:25
00:02:09:25 00:02:09:40		TO-GUESS1B*	[MG]
00:02:09:40 00:02:10:07
00:02:10:07 00:02:10:11		STRAIGHT1B
00:02:10:11 00:02:10:22
00:02:10:22 00:02:10:33		PERSON1
00:02:10:33 00:02:11:11		$ORAL^	mona lisa
00:02:11:11 00:02:11:21	There was a TV show about the Mona Lisa recently, there are books about the Mona Lisa, Mona Lisa here, Mona Lisa there.
00:02:11:21 00:02:11:26		AND5
00:02:11:26 00:02:11:32
00:02:11:32 00:02:11:47		A-MOMENT-AGO2
00:02:11:47 00:02:12:17
00:02:12:17 00:02:12:23		TELEVISION1A*	fernseher
00:02:12:23 00:02:12:37
00:02:12:37 00:02:12:49		SOURCE1C^	mona lisa
00:02:12:49 00:02:13:48
00:02:13:48 00:02:14:05		BOOK1B	buch
00:02:14:05 00:02:14:16
00:02:14:16 00:02:14:25		SOURCE1C^	mona lisa
00:02:14:25 00:02:14:45
00:02:14:45 00:02:15:00		I1
00:02:15:00 00:02:15:28
00:02:15:28 00:02:15:32		FOCUS2A^
00:02:15:32 00:02:15:42
00:02:15:42 00:02:16:08		SOURCE1C^	mona lisa
00:02:16:08 00:02:16:22
00:02:16:22 00:02:16:30	The painting is very expressive and therefore well-known.
00:02:16:30 00:02:17:01		PICTURE2A	bild
00:02:17:01 00:02:17:29
00:02:17:29 00:02:17:44		STRONG1B	[MG]
00:02:17:44 00:02:18:05
00:02:18:05 00:02:18:14		ART6A*	ku{nst}
00:02:18:14 00:02:18:29
00:02:18:29 00:02:18:36		WELL-KNOWN1B	bekannt
00:02:18:36 00:02:18:47
00:02:18:47 00:02:19:04		PERSON1
00:02:19:04 00:02:19:10
00:02:19:10 00:02:19:15	It's still there, absolutely no chance of vanishing.
00:02:19:15 00:02:19:25		UNTIL-NOW1	bis
00:02:19:25 00:02:19:38
00:02:19:38 00:02:19:44		DISSOLUTION1A	[MG]
00:02:19:44 00:02:20:08
00:02:20:08 00:02:20:13		POINTLESS3A	[MG]
00:02:20:13 00:02:20:22
00:02:20:22 00:02:20:31	It's remarkable.
00:02:20:31 00:02:21:07		VERY6*	[MG]
00:02:21:07 00:02:21:17
00:02:21:17 00:02:21:24	That's why I was so impressed. Enough about that now.
00:02:21:24 00:02:21:28		THEREFORE1	darum
00:02:21:28 00:02:21:38
00:02:21:38 00:02:21:40		I1
00:02:21:40 00:02:22:00
00:02:22:00 00:02:22:02		IMPRESSION1	beeindruck
00:02:22:02 00:02:22:10
00:02:22:10 00:02:22:11		I1
00:02:22:11 00:02:22:20
00:02:22:20 00:02:22:30		PERSON1
00:02:22:30 00:02:22:47
00:02:22:47 00:02:23:10		TO-PUSH-TO-THE-SIDE1*
00:02:23:10 00:02:23:23	She also showed me many paintings at the famous museum “Louvre”.
00:02:23:23 00:02:23:35		AND-THEN2	und
00:02:23:35 00:02:25:10
00:02:25:10 00:02:25:20		THROUGH2B	durch
00:02:25:20 00:02:25:26
00:02:25:26 00:02:26:06		$ALPHA1:L	louvre
00:02:26:06 00:02:26:22
00:02:26:22 00:02:26:35		WELL-KNOWN1B	bekannt
00:02:26:35 00:02:27:31
00:02:27:31 00:02:28:17		MUSEUM1	museum
00:02:28:17 00:02:28:32
00:02:28:32 00:02:28:39		PICTURE2A*	bild
00:02:28:39 00:02:29:00
00:02:29:00 00:02:29:45		MUCH-OR-MANY6*	[MG]
00:02:29:45 00:02:30:16
00:02:30:16 00:02:30:26		$INDEX1
00:02:30:26 00:02:30:36
00:02:30:36 00:02:30:38		I1
00:02:30:38 00:02:30:48
00:02:30:48 00:02:31:06		TO-SHOW1A*	zeigen
00:02:31:06 00:02:31:15
00:02:31:15 00:02:31:19		MAN1*	mann
00:02:31:19 00:02:31:29	Incredible!
00:02:31:29 00:02:31:48		BIG3B^*
00:02:31:48 00:02:32:17
00:02:32:17 00:02:32:30		IMAGINATION1A	unvorstellbar
00:02:32:30 00:02:32:42
00:02:32:42 00:02:32:48		I1
00:02:32:48 00:02:33:01
00:02:33:01 00:02:33:10	I started to take an interest in such things.
00:02:33:10 00:02:33:16		SLOW1*	langsam
00:02:33:16 00:02:33:25
00:02:33:25 00:02:33:28		I1
00:02:33:28 00:02:33:47
00:02:33:47 00:02:34:07		$INDEX1*
00:02:34:07 00:02:34:37
00:02:34:37 00:02:35:00		INTEREST1B	[MG]
00:02:35:00 00:02:35:06
00:02:35:06 00:02:35:11	Also for history, how things were in the past and how they developed.
00:02:35:11 00:02:35:29		HISTORY-OR-STORY2	geschichte
00:02:35:29 00:02:35:37
00:02:35:37 00:02:35:41		ALSO3A	auch
00:02:35:41 00:02:35:48
00:02:35:48 00:02:36:19		PAST-OR-BACK-THEN1	früher
00:02:36:19 00:02:36:29
00:02:36:29 00:02:36:43		HOW-QUESTION-COMPARISON1*	wie wie
00:02:36:43 00:02:36:48
00:02:36:48 00:02:37:27		PROCEEDING1^
00:02:37:27 00:02:37:31
00:02:37:31 00:02:37:39	She talked about the well-known king and so on.
00:02:37:39 00:02:38:00		WELL-KNOWN3B	bekannt
00:02:38:00 00:02:38:12
00:02:38:12 00:02:38:19		KING1A	könig
00:02:38:19 00:02:38:33
00:02:38:33 00:02:38:37		WELL-KNOWN3B
00:02:38:37 00:02:38:47
00:02:38:47 00:02:39:01		$INDEX1
00:02:39:01 00:02:39:08
00:02:39:08 00:02:39:16		$GEST-OFF^
00:02:39:16 00:02:39:17
00:02:39:17 00:02:39:18	Now I know how important it is to keep memories about the past.
00:02:39:18 00:02:40:07		$GEST-OFF^	ja
00:02:40:07 00:02:40:10		I2
00:02:40:10 00:02:40:20
00:02:40:20 00:02:40:21		NOW1	jetzt
00:02:40:21 00:02:40:36
00:02:40:36 00:02:40:39		TO-KNOW-OR-KNOWLEDGE2B*	weiß
00:02:40:39 00:02:40:45
00:02:40:45 00:02:40:48		ALSO3A	auch
00:02:40:48 00:02:41:03
00:02:41:03 00:02:41:17		IMPORTANT1	wichtig
00:02:41:17 00:02:42:16
00:02:42:16 00:02:42:21		MEMORY-OR-REMINDER3B	erin{nern}
00:02:42:21 00:02:42:29
00:02:42:29 00:02:42:38		PAST-OR-BACK-THEN1	früher
00:02:42:38 00:02:43:09
00:02:43:09 00:02:43:20		TO-COLLECT1	sammeln
00:02:43:20 00:02:43:28
00:02:43:28 00:02:43:35		MUCH-OR-MANY6*
00:02:43:35 00:02:43:43
00:02:43:43 00:02:43:47		ALSO3A	auch
00:02:43:47 00:02:44:02	I also asked her: “What about deaf people and their culture?”
00:02:44:02 00:02:44:04		I1
00:02:44:04 00:02:44:11
00:02:44:11 00:02:44:13		ALREADY1A	schon
00:02:44:13 00:02:44:17
00:02:44:17 00:02:44:25		TO-LET-KNOW1A*	sagen
00:02:44:25 00:02:44:30
00:02:44:30 00:02:44:34		WHERE1A	wo
00:02:44:34 00:02:44:41
00:02:44:41 00:02:44:43		TO-STAY3	bleib
00:02:44:43 00:02:45:10
00:02:45:10 00:02:45:24		DEAF-LOST-HEARING1B*	gehörlos
00:02:45:24 00:02:45:32
00:02:45:32 00:02:45:41		$GEST-OFF^
00:02:45:41 00:02:45:49
00:02:45:49 00:02:46:17		CULTURE1B*	kultur
00:02:46:17 00:02:46:22
00:02:46:22 00:02:46:36		$GEST-I-DONT-KNOW1^	[MG]
00:02:46:36 00:02:46:39
00:02:46:39 00:02:47:01	Nothing.
00:02:47:01 00:02:47:19		NONE9	[MG]
00:02:47:19 00:02:47:24
00:02:47:24 00:02:47:28		$GEST-OFF^
00:02:47:28 00:02:47:29
00:02:47:29 00:02:47:44	There obviously have been deaf people in the past.
00:02:47:44 00:02:47:48		PAST-OR-BACK-THEN1*	früher
00:02:47:48 00:02:48:06
00:02:48:06 00:02:48:10		DEAF-LOST-HEARING1A	gehörlos
00:02:48:10 00:02:48:18
00:02:48:18 00:02:48:27		TO-LIVE1C	leben
00:02:48:27 00:02:48:37
00:02:48:37 00:02:48:46		$GEST^	[MG]
00:02:48:46 00:02:49:08	You find only little about them there.
00:02:49:08 00:02:49:18		LITTLE-BIT4	wenig
00:02:49:18 00:02:49:27
00:02:49:27 00:02:49:31		$GEST^
00:02:49:31 00:02:50:33
00:02:50:33 00:02:50:49		THEREFORE1	darum
00:02:50:49 00:02:51:00
00:02:51:00 00:02:51:10	Movie theaters are important, too.
00:02:51:10 00:02:51:17		MUST1A	muss
00:02:51:17 00:02:51:22
00:02:51:22 00:02:51:40		CINEMA2A*	kino
00:02:51:40 00:02:52:01
00:02:52:01 00:02:52:09		$INDEX1
00:02:52:09 00:02:52:17
00:02:52:17 00:02:52:22		ALSO3A	auch
00:02:52:22 00:02:52:31
00:02:52:31 00:02:52:40		IMPORTANT1	wichtig
00:02:52:40 00:02:52:47
00:02:52:47 00:02:53:05		$GEST-OFF^
00:02:53:05 00:02:53:20	Everyone likes to unwind and go watch a movie.
00:02:53:20 00:02:53:27		ALL1A
00:02:53:27 00:02:53:37
00:02:53:37 00:02:53:41		TO-WANT8	will
00:02:53:41 00:02:54:04
00:02:54:04 00:02:54:10		TO-SWITCH-OFF-HEAD1	abschalt
00:02:54:10 00:02:54:21
00:02:54:21 00:02:54:23		$GEST-OFF^
00:02:54:23 00:02:54:32
00:02:54:32 00:02:54:39		CINEMA2A*	kino
00:02:54:39 00:02:54:49
00:02:54:49 00:02:55:19		GUEST2^*
00:02:55:19 00:02:55:41
00:02:55:41 00:02:56:04	Now there are some with captions.
00:02:56:04 00:02:56:16		NOW2*	jetzt
00:02:56:16 00:02:56:48
00:02:56:48 00:02:57:07		WITH1A	mit
00:02:57:07 00:02:57:17
00:02:57:17 00:02:57:25		SUBTITLES2*	unter{titel}
00:02:57:25 00:02:57:29
00:02:57:29 00:02:57:34	When I think about deaf people - I guess they usually weren't interested in going to the movies.
00:02:57:34 00:02:57:38		IF-OR-WHEN1	wenn
00:02:57:38 00:02:57:45
00:02:57:45 00:02:57:46		I1
00:02:57:46 00:02:58:09
00:02:58:09 00:02:58:12		DEAF-LOST-HEARING1A*	gehörlos
00:02:58:12 00:02:58:17
00:02:58:17 00:02:58:18		ALL2B
00:02:58:18 00:02:58:29
00:02:58:29 00:02:58:38		PAST-OR-BACK-THEN1*	früher
00:02:58:38 00:02:59:10
00:02:59:10 00:02:59:17		CINEMA2A*	kino
00:02:59:17 00:02:59:30
00:02:59:30 00:02:59:40		$GEST-DECLINE1^
00:02:59:40 00:02:59:41
00:02:59:41 00:02:59:47	They didn't have a chance.
00:02:59:47 00:03:00:00		POINTLESS3A
00:03:00:00 00:03:00:03
00:03:00:03 00:03:00:07		$GEST-DECLINE1^
00:03:00:07 00:03:00:16
00:03:00:16 00:03:00:26		DEAF-LOST-HEARING1A	gehörlos
00:03:00:26 00:03:00:35
00:03:00:35 00:03:00:39		POINTLESS3A
00:03:00:39 00:03:00:48
00:03:00:48 00:03:01:00	But nowadays you can ask for captions in movie theaters.	$ORAL^	aber
00:03:01:00 00:03:01:10
00:03:01:10 00:03:01:19		NOW2*	jetzt
00:03:01:19 00:03:01:30
00:03:01:30 00:03:01:40		$INDEX1
00:03:01:40 00:03:02:14
00:03:02:14 00:03:02:24		CINEMA2A*	kino
00:03:02:24 00:03:02:34
00:03:02:34 00:03:02:44		PLEASE4*
00:03:02:44 00:03:03:00
00:03:03:00 00:03:03:04		WITH1A	mit
00:03:03:04 00:03:03:13
00:03:03:13 00:03:03:33		SUBTITLES2*	untertitel
00:03:03:33 00:03:03:43
00:03:03:43 00:03:04:03		$GEST-OFF^
00:03:04:03 00:03:05:24
00:03:05:24 00:03:05:39	I still ask myself how I would have coped without captions.	$GEST-NM-NOD-HEAD1^	aber
00:03:05:39 00:03:05:44
00:03:05:44 00:03:05:46		I2	ich
00:03:05:46 00:03:06:05
00:03:06:05 00:03:06:13		FEELING3	fühlen
00:03:06:13 00:03:06:43
00:03:06:43 00:03:07:00		HOW-QUESTION1	wie
00:03:07:00 00:03:07:10
00:03:07:10 00:03:07:13		I1
00:03:07:13 00:03:07:23
00:03:07:23 00:03:07:28		CAN2A	kann
00:03:07:28 00:03:07:36
00:03:07:36 00:03:07:47		PAST-OR-BACK-THEN1	früher
00:03:07:47 00:03:08:10
00:03:08:10 00:03:08:16		TO-BEAR1B	aushalten
00:03:08:16 00:03:08:24
00:03:08:24 00:03:08:26		I2
00:03:08:26 00:03:08:33
00:03:08:33 00:03:08:41		WITHOUT1*	ohne
00:03:08:41 00:03:08:48
00:03:08:48 00:03:09:10		SUBTITLES2*	untertitel
00:03:09:10 00:03:09:14
00:03:09:14 00:03:09:17	I would have watched the movie like stupid and not gotten anything at all.
00:03:09:17 00:03:09:20		I2*	[MG]
00:03:09:20 00:03:09:33
00:03:09:33 00:03:09:35		$PROD*	[MG]
00:03:09:35 00:03:09:44
00:03:09:44 00:03:09:48		NEVERTHELESS2A*	dumm
00:03:09:48 00:03:10:07
00:03:10:07 00:03:10:10		FOOLISH2
00:03:10:10 00:03:10:19
00:03:10:19 00:03:10:27		$PROD*	[MG]
00:03:10:27 00:03:10:36
00:03:10:36 00:03:10:39		I2*
00:03:10:39 00:03:10:47
00:03:10:47 00:03:11:30		TO-LOOK-AT3*	[MG]
00:03:11:30 00:03:11:31
00:03:11:31 00:03:11:42		$ORAL^	aber
00:03:11:42 00:03:11:44
00:03:11:44 00:03:12:02		CONTENT2	inhalt
00:03:12:02 00:03:12:08				Right.	RIGHT-OR-AGREED1B	[MG]
00:03:12:08 00:03:12:13		NOT6*	nicht
00:03:12:13 00:03:12:16
00:03:12:16 00:03:12:30		TO-UNDERSTAND1	verstand
00:03:12:30 00:03:12:39
00:03:12:39 00:03:12:44		I2
00:03:12:44 00:03:13:03	Or only roughly, always only roughly.
00:03:13:03 00:03:13:11
00:03:13:11 00:03:13:35		TO-ASSESS1	[MG]
00:03:13:35 00:03:13:45
00:03:13:45 00:03:14:08		ALWAYS4A*	immer
00:03:14:08 00:03:14:13				Oh, yes, roughly.	$ORAL^	oh ja
00:03:14:13 00:03:14:24		TO-ASSESS1	[MG]
00:03:14:24 00:03:14:33	I often used to talk to my mom and when I was between 20 and 25 years old, I went to the movies together with her.
00:03:14:33 00:03:14:39		I1
00:03:14:39 00:03:15:07					APPROXIMATELY3	ungefähr
00:03:15:07 00:03:15:12		OFTEN3	oft
00:03:15:12 00:03:15:15
00:03:15:15 00:03:15:19
00:03:15:19 00:03:15:20		I1
00:03:15:20 00:03:15:27
00:03:15:27 00:03:15:30		MUM1A*	mama
00:03:15:30 00:03:15:34
00:03:15:34 00:03:15:45		TO-TELL3B*
00:03:15:45 00:03:16:09
00:03:16:09 00:03:16:20		TO-TELL1*
00:03:16:20 00:03:16:26
00:03:16:26 00:03:16:32		MUM7*
00:03:16:32 00:03:16:41
00:03:16:41 00:03:16:44		WAS1	war
00:03:16:44 00:03:17:08
00:03:17:08 00:03:17:11		I1	ich
00:03:17:11 00:03:17:47
00:03:17:47 00:03:18:26		$NUM-TENS1:2d	zwanzig
00:03:18:26 00:03:19:04
00:03:19:04 00:03:19:17		UNTIL1	bis
00:03:19:17 00:03:19:28
00:03:19:28 00:03:19:29		$NUM-ONE-TO-TEN1A:5	fünfundzwanzig
00:03:19:29 00:03:19:35
00:03:19:35 00:03:19:37		$NUM-TENS1:2d*
00:03:19:37 00:03:19:46
00:03:19:46 00:03:19:49		OLD7	jahre alt
00:03:19:49 00:03:20:10
00:03:20:10 00:03:20:11		I1
00:03:20:11 00:03:20:19
00:03:20:19 00:03:20:30		THROUGH1B	durch
00:03:20:30 00:03:20:39
00:03:20:39 00:03:20:46		WITH1A	mit
00:03:20:46 00:03:21:05
00:03:21:05 00:03:21:08		MUM7*	mama
00:03:21:08 00:03:21:18
00:03:21:18 00:03:21:22		CINEMA2B*	kino
00:03:21:22 00:03:21:30
00:03:21:30 00:03:21:46		TO-GO-THERE1
00:03:21:46 00:03:21:48
00:03:21:48 00:03:22:03	Because in the evening, after we got home she retold me the movie from beginning to end.
00:03:22:03 00:03:22:18		WHY1	warum
00:03:22:18 00:03:22:30
00:03:22:30 00:03:22:33		CINEMA2B*	kino
00:03:22:33 00:03:22:44
00:03:22:44 00:03:22:47		DONE1A*	fertig
00:03:22:47 00:03:23:04
00:03:23:04 00:03:23:09		EVENING2*	abend
00:03:23:09 00:03:23:15
00:03:23:15 00:03:23:16		$INDEX1
00:03:23:16 00:03:23:22
00:03:23:22 00:03:23:23		MUM7*	mama
00:03:23:23 00:03:23:29
00:03:23:29 00:03:23:46		TO-TELL3A*	erzählen
00:03:23:46 00:03:24:02
00:03:24:02 00:03:24:16		BEGINNING1A*	von anfang
00:03:24:16 00:03:24:22
00:03:24:22 00:03:24:28		UNTIL1	bis
00:03:24:28 00:03:24:35
00:03:24:35 00:03:24:41		END1A*	ende
00:03:24:41 00:03:25:01
00:03:25:01 00:03:25:03		$INDEX1
00:03:25:03 00:03:25:10
00:03:25:10 00:03:25:12		MUM7*	mama
00:03:25:12 00:03:25:15
00:03:25:15 00:03:25:35		TO-TELL3A*
00:03:25:35 00:03:26:00
00:03:26:00 00:03:26:26		CONTENT3	[MG]
00:03:26:26 00:03:26:32
00:03:26:32 00:03:26:35	My mom really was warm-hearted.
00:03:26:35 00:03:26:37		MY1*	meine
00:03:26:37 00:03:26:45
00:03:26:45 00:03:26:48		MUM7*	mama
00:03:26:48 00:03:27:05
00:03:27:05 00:03:27:20		SOFT-HEARTED2
00:03:27:20 00:03:27:29
00:03:27:29 00:03:28:17		$GEST^
00:03:28:17 00:03:28:44	Because of her interesting stories in sign language I developed awareness for culture.
00:03:28:44 00:03:29:03		THROUGH2B	durch
00:03:29:03 00:03:29:13
00:03:29:13 00:03:29:16		TO-SIGN1A*
00:03:29:16 00:03:29:23
00:03:29:23 00:03:29:35		INTEREST1B	[MG]
00:03:29:35 00:03:29:42
00:03:29:42 00:03:30:06		PRESENT-OR-HERE1*	da da
00:03:30:06 00:03:30:14
00:03:30:14 00:03:30:16		I1	ich
00:03:30:16 00:03:30:32
00:03:30:32 00:03:30:38		AWARE1	bewusst
00:03:30:38 00:03:31:13
00:03:31:13 00:03:31:20		CULTURE1B	kulturbewusst
00:03:31:20 00:03:31:30
00:03:31:30 00:03:31:35		AWARE1
00:03:31:35 00:03:31:43
00:03:31:43 00:03:31:44	I just didn't think about it before.
00:03:31:44 00:03:31:45		$GEST-OFF^
00:03:31:45 00:03:32:03
00:03:32:03 00:03:32:13		WAS1	war
00:03:32:13 00:03:32:22
00:03:32:22 00:03:32:29		CARELESS3A*	[MG]
00:03:32:29 00:03:32:40	Cultural topics weren't really discussed at school.
00:03:32:40 00:03:32:41		$INDEX1	für
00:03:32:41 00:03:32:49
00:03:32:49 00:03:33:10		SCHOOL1B*	schule
00:03:33:10 00:03:33:33
00:03:33:33 00:03:33:36		OVER-OR-ABOUT1*	über
00:03:33:36 00:03:33:41
00:03:33:41 00:03:33:47		CULTURE1B	kultur
00:03:33:47 00:03:34:05
00:03:34:05 00:03:34:12		POINTLESS3A	[MG]
00:03:34:12 00:03:34:24
00:03:34:24 00:03:34:33		$GEST-DECLINE1^
00:03:34:33 00:03:34:44
00:03:34:44 00:03:34:46		$GEST-OFF^		Neither did it happen for me.
00:03:34:46 00:03:35:04
00:03:35:04 00:03:35:08		TOO-BAD1*	schade
00:03:35:08 00:03:35:16					I1	ich
00:03:35:16 00:03:35:19
00:03:35:19 00:03:35:24
00:03:35:24 00:03:35:32	I'd rather have such things discussed.				NONE8*	[MG]
00:03:35:32 00:03:35:42		RATHER1	lieber
00:03:35:42 00:03:36:04
00:03:36:04 00:03:36:08		LIKE-THIS1^
00:03:36:08 00:03:36:10
00:03:36:10 00:03:36:39
00:03:36:39 00:03:36:42	The movies are important and also museums.
00:03:36:42 00:03:36:49		CINEMA2B*	kino
00:03:36:49 00:03:37:06
00:03:37:06 00:03:37:12		IMPORTANT1*	wichtig
00:03:37:12 00:03:37:18
00:03:37:18 00:03:37:20		$LIST1:2of2d
00:03:37:20 00:03:38:15
00:03:38:15 00:03:38:29		MUSEUM1	museum
00:03:38:29 00:03:38:37
00:03:38:37 00:03:38:42		ALSO1B	auch
00:03:38:42 00:03:38:47
00:03:38:47 00:03:38:49		IMPORTANT1	wichtig
00:03:38:49 00:03:39:09
00:03:39:09 00:03:39:15		$GEST-OFF^
00:03:39:15 00:03:39:28
00:03:39:28 00:03:39:44	And in a museum/
00:03:39:44 00:03:40:00		MUST1A	muss
00:03:40:00 00:03:40:05
00:03:40:05 00:03:40:15		IN2	im
00:03:40:15 00:03:40:23
00:03:40:23 00:03:40:31		MUSEUM1	museum
00:03:40:31 00:03:40:36
00:03:40:36 00:03:40:40	In the past, before World War II, artists and creativity were allowed.
00:03:40:40 00:03:40:41		ATTENTION1A^
00:03:40:41 00:03:41:02
00:03:41:02 00:03:41:27		BACK-THEN1*	damals
00:03:41:27 00:03:41:37
00:03:41:37 00:03:42:02		BEFORE1B	vor
00:03:42:02 00:03:42:12
00:03:42:12 00:03:42:18		$NUM-ORDINAL1:2d	zweiter
00:03:42:18 00:03:42:27
00:03:42:27 00:03:42:43		WORLD1*	weltkrieg
00:03:42:43 00:03:43:04
00:03:43:04 00:03:43:07		WAR1A
00:03:43:07 00:03:43:14
00:03:43:14 00:03:43:26		$INDEX1
00:03:43:26 00:03:44:31
00:03:44:31 00:03:44:43		ART6A*	künstler
00:03:44:43 00:03:45:00
00:03:45:00 00:03:45:09		FREE1	[MG]
00:03:45:09 00:03:45:29
00:03:45:29 00:03:45:39		CREATIVITY1	[MG]
00:03:45:39 00:03:45:48
00:03:45:48 00:03:46:09		PERMISSION6	erlaubt
00:03:46:09 00:03:46:21
00:03:46:21 00:03:46:29		ART2^*	[MG]
00:03:46:29 00:03:46:32
00:03:46:32 00:03:46:36	Everyone could follow their identity and their own taste.
00:03:46:36 00:03:46:48		TO-WISH1A	wünsch
00:03:46:48 00:03:47:08
00:03:47:08 00:03:47:12		GLADLY1	[MG]
00:03:47:12 00:03:47:17
00:03:47:17 00:03:47:27		HIS-HER1*
00:03:47:27 00:03:47:40
00:03:47:40 00:03:47:48		IDENTITY1A	identität
00:03:47:48 00:03:48:08
00:03:48:08 00:03:48:14		TO-BELONG1^*
00:03:48:14 00:03:48:23
00:03:48:23 00:03:48:32		TO-TASTE1A^	[MG]
00:03:48:32 00:03:48:37
00:03:48:37 00:03:48:45		$PROD*
00:03:48:45 00:03:49:10	And then it wasn't anymore.
00:03:49:10 00:03:49:17		DOWN1^
00:03:49:17 00:03:49:31
00:03:49:31 00:03:49:35		NOT3A*
00:03:49:35 00:03:49:37
00:03:49:37 00:03:49:43	There were lots of famous artists in Leipzig.
00:03:49:43 00:03:50:01		THROUGH2B	durch
00:03:50:01 00:03:50:12
00:03:50:12 00:03:50:25		LEIPZIG2	leipzig
00:03:50:25 00:03:50:28		||$INDEX1
00:03:50:28 00:03:50:34
00:03:50:34 00:03:50:37		WAS1	war
00:03:50:37 00:03:50:49
00:03:50:49 00:03:51:11		WELL-KNOWN1B*	bekannt
00:03:51:11 00:03:51:28
00:03:51:28 00:03:51:29		||$INDEX1
00:03:51:29 00:03:51:41
00:03:51:41 00:03:51:49		MUST1A^
00:03:51:49 00:03:52:02
00:03:52:02 00:03:52:14	When Hitler took over, everything was destroyed and eliminated.
00:03:52:14 00:03:52:25		HITLER2	hitler
00:03:52:25 00:03:52:35
00:03:52:35 00:03:53:01		TO-PUT-FROM-TO1A^*
00:03:53:01 00:03:53:12
00:03:53:12 00:03:53:15		$INDEX1
00:03:53:15 00:03:53:20
00:03:53:20 00:03:53:23		EVERYHTING2*
00:03:53:23 00:03:53:30
00:03:53:30 00:03:54:18		TO-DESTROY1	[MG]
00:03:54:18 00:03:54:37
00:03:54:37 00:03:54:47		TO-SUPPORT4^
00:03:54:47 00:03:54:49
00:03:54:49 00:03:55:30	Everything was forbidden.	PROHIBITED1*	verbot
00:03:55:30 00:03:56:05
00:03:56:05 00:03:56:22	Creativity, too.	CREATIVITY1*	[MG]
00:03:56:22 00:03:56:33
00:03:56:33 00:03:56:37		PROHIBITED1*
00:03:56:37 00:03:56:38
00:03:56:38 00:03:56:47	You had to follow the Nazis' orders.
00:03:56:47 00:03:57:06		MUST1A*	muss
00:03:57:06 00:03:57:21
00:03:57:21 00:03:57:34		AFTER1	nach
00:03:57:34 00:03:58:07
00:03:58:07 00:03:58:15		ONLY2A	n{ur}
00:03:58:15 00:03:58:26
00:03:58:26 00:03:58:29		COMMAND1*	richt{linie}
00:03:58:29 00:03:59:00
00:03:59:00 00:03:59:09		TO-FOLLOW1A	folg
00:03:59:09 00:03:59:28	You had to follow specific painting regulations.
00:03:59:28 00:03:59:37		SHAPE1A	form
00:03:59:37 00:03:59:47
00:03:59:47 00:04:00:03		$INDEX1	was
00:04:00:03 00:04:00:18
00:04:00:18 00:04:00:25		COMMAND1*	[MG]
00:04:00:25 00:04:00:37
00:04:00:37 00:04:00:38		I1
00:04:00:38 00:04:01:02
00:04:01:02 00:04:01:10		TO-FOLLOW1A	muss folgen
00:04:01:10 00:04:01:20
00:04:01:20 00:04:01:47		TO-PAINT5*
00:04:01:47 00:04:02:07
00:04:02:07 00:04:02:13	Our own creativity was forbidden.
00:04:02:13 00:04:02:23		IMAGINATION1A*
00:04:02:23 00:04:02:34
00:04:02:34 00:04:02:45		CREATIVITY1*	[MG]
00:04:02:45 00:04:03:06
00:04:03:06 00:04:03:15		PROHIBITED1*	verbot
00:04:03:15 00:04:03:22
00:04:03:22 00:04:03:40	The Nazis thought artists weren’t normal, that they were crazy people.
00:04:03:40 00:04:03:45		$INDEX1
00:04:03:45 00:04:04:12
00:04:04:12 00:04:04:23		BONKERS1^	verrückt
00:04:04:23 00:04:04:31
00:04:04:31 00:04:04:35		NONE8	[MG]
00:04:04:35 00:04:04:42
00:04:04:42 00:04:04:48		USUAL1	nicht normal
00:04:04:48 00:04:05:08
00:04:05:08 00:04:05:16		$GEST^
00:04:05:16 00:04:05:22
00:04:05:22 00:04:05:27		HUMAN2*	mensch
00:04:05:27 00:04:05:36
00:04:05:36 00:04:05:43		$INDEX1
00:04:05:43 00:04:06:04
00:04:06:04 00:04:06:12		BONKERS1^	verrückt
00:04:06:12 00:04:06:27
00:04:06:27 00:04:06:29		$GEST-OFF^
00:04:06:29 00:04:06:44
00:04:06:44 00:04:07:04	That's why it was eliminated.
00:04:07:04 00:04:07:12		HENCE1*	deshalb
00:04:07:12 00:04:07:22
00:04:07:22 00:04:07:35		OVER1
00:04:07:35 00:04:07:44
00:04:07:44 00:04:08:22	It changed again after the end of war, thank God, but it took a long time in Eastern Germany.
00:04:08:22 00:04:08:31		NOW1*	jetzt
00:04:08:31 00:04:09:03
00:04:09:03 00:04:09:16		THANK-GOD1*	gott sei dank
00:04:09:16 00:04:09:44
00:04:09:44 00:04:10:06		OVER1	krieg vorbei
00:04:10:06 00:04:10:19
00:04:10:19 00:04:10:39		PROCEEDING1^	lauf
00:04:10:39 00:04:10:49
00:04:10:49 00:04:11:13		LONG-TIME1A	lang
00:04:11:13 00:04:11:22
00:04:11:22 00:04:11:35		TO-NEED1*	gebrau{cht}
00:04:11:35 00:04:11:49
00:04:11:49 00:04:12:10		EAST1C	ostdeutschland
00:04:12:10 00:04:12:12
00:04:12:12 00:04:12:14		$INDEX1
00:04:12:14 00:04:12:24
00:04:12:24 00:04:12:28		TO-NEED1*
00:04:12:28 00:04:12:38
00:04:12:38 00:04:12:40		||$INDEX1
00:04:12:40 00:04:12:42	We were advanced in Western Germany.
00:04:12:42 00:04:12:46		I1
00:04:12:46 00:04:13:00
00:04:13:00 00:04:13:10		WE1A*	wir
00:04:13:10 00:04:13:13
00:04:13:13 00:04:13:15		I1
00:04:13:15 00:04:13:23
00:04:13:23 00:04:13:27		ALREADY1A	schon
00:04:13:27 00:04:13:41
00:04:13:41 00:04:14:28		PROCEEDING2^	[MG]
00:04:14:28 00:04:15:34
00:04:15:34 00:04:16:03	There was much fuss about Picasso in the whole world.
00:04:16:03 00:04:16:14		THROUGH2B	durch
00:04:16:14 00:04:16:31
00:04:16:31 00:04:17:07		VEIL3^*	picasso
00:04:17:07 00:04:17:33
00:04:17:33 00:04:17:44		HE-SHE-IT1
00:04:17:44 00:04:18:06
00:04:18:06 00:04:18:29		VEIL3^*	picasso	Oh, okay.	$ORAL^	ach so
00:04:18:29 00:04:19:18
00:04:19:18 00:04:19:33		WORLD1*	welt
00:04:19:33 00:04:19:37
00:04:19:37 00:04:19:42		WAS1	war
00:04:19:42 00:04:20:06
00:04:20:06 00:04:20:24		BIG3B	groß
00:04:20:24 00:04:20:32
00:04:20:32 00:04:21:17		TO-UPSET1*	aufregung
00:04:21:17 00:04:21:19
00:04:21:19 00:04:21:29	It was bad.
00:04:21:29 00:04:22:20		BAD4	schlimm
00:04:22:20 00:04:22:28
00:04:22:28 00:04:22:31	It certainly was around 1970, I remember it roughly.
00:04:22:31 00:04:22:37		WAS1	war
00:04:22:37 00:04:22:49
00:04:22:49 00:04:23:14		CERTAIN2	bestimmt
00:04:23:14 00:04:23:34
00:04:23:34 00:04:23:45		APPROXIMATELY1	[MG]
00:04:23:45 00:04:24:01
00:04:24:01 00:04:24:08		$NUM-TEEN1:9*	neunzehnhundertsiebzig
00:04:24:08 00:04:24:22
00:04:24:22 00:04:24:31		$NUM-TENS2A:7d
00:04:24:31 00:04:24:38
00:04:24:38 00:04:24:42		I1	ich
00:04:24:42 00:04:25:03
00:04:25:03 00:04:25:07		TO-KNOW-OR-KNOWLEDGE2A	weiß
00:04:25:07 00:04:25:14
00:04:25:14 00:04:25:27		BETWEEN1B*
00:04:25:27 00:04:25:38	What a catastrophe, those shifted faces and everything; that's not normal.
00:04:25:38 00:04:25:43		WAS1*	war
00:04:25:43 00:04:26:10
00:04:26:10 00:04:26:29		VERY7*	katastrophe
00:04:26:29 00:04:26:44
00:04:26:44 00:04:27:16		TO-BREAK1^*
00:04:27:16 00:04:27:43
00:04:27:43 00:04:28:00		BONKERS1^	nicht normal
00:04:28:00 00:04:28:13
00:04:28:13 00:04:28:21		$PROD*
00:04:28:21 00:04:28:32
00:04:28:32 00:04:29:04		$PROD*	[MG]
00:04:29:04 00:04:29:14
00:04:29:14 00:04:29:31	Today, he's well-known everywhere.	$ORAL^	aber
00:04:29:31 00:04:29:39
00:04:29:39 00:04:29:42		TODAY1*	heute
00:04:29:42 00:04:30:34
00:04:30:34 00:04:30:45		WELL-KNOWN1A
00:04:30:45 00:04:31:08
00:04:31:08 00:04:31:28		LIKE-THIS1^	weltweit
00:04:31:28 00:04:31:45
00:04:31:45 00:04:32:23		WELL-KNOWN1B	bekannt
00:04:32:23 00:04:32:38
00:04:32:38 00:04:33:00		PERSON1
00:04:33:00 00:04:33:15	He was mocked back then and suffered a lot.
00:04:33:15 00:04:33:29		BUT1	aber
00:04:33:29 00:04:34:10
00:04:34:10 00:04:34:13		WAS1	war
00:04:34:13 00:04:34:20
00:04:34:20 00:04:34:28		TO-TEASE1*	verspot{ten}
00:04:34:28 00:04:34:35
00:04:34:35 00:04:34:37		$INDEX1
00:04:34:37 00:04:34:48
00:04:34:48 00:04:35:01		MUCH-OR-MANY1A*	viel
00:04:35:01 00:04:35:07
00:04:35:07 00:04:35:18		POOR-YOU1	gelitten
00:04:35:18 00:04:35:26
00:04:35:26 00:04:35:32		PERSON1^
00:04:35:32 00:04:35:43
00:04:35:43 00:04:35:49	Today, people love it and he has lots of fans.
00:04:35:49 00:04:36:09		TODAY1*	heute
00:04:36:09 00:04:36:34
00:04:36:34 00:04:37:14		$GEST^*	begeisterung
00:04:37:14 00:04:37:24
00:04:37:24 00:04:37:46		FAN2	[MG]
00:04:37:46 00:04:37:47
00:04:37:47 00:04:37:49	Everyone buys the paintings.
00:04:37:49 00:04:38:06		ALL1A*	alle
00:04:38:06 00:04:38:13
00:04:38:13 00:04:38:19		TO-BUY1A	kaufen
00:04:38:19 00:04:38:41
00:04:38:41 00:04:39:05		$PROD*
00:04:39:05 00:04:39:08
00:04:39:08 00:04:40:06	That's how people understood that it's a culture for itself.	WHAT1A*	was
00:04:40:06 00:04:40:22
00:04:40:22 00:04:40:42		$GEST^
00:04:40:42 00:04:41:12
00:04:41:12 00:04:41:42		TO-COMPREHEND1	begriff
00:04:41:42 00:04:42:06
00:04:42:06 00:04:42:11		$GEST^	[LM:ah]
00:04:42:11 00:04:42:27
00:04:42:27 00:04:42:28		CULTURE1B*
00:04:42:28 00:04:42:43
00:04:42:43 00:04:43:02		OWN1A	eigene
00:04:43:02 00:04:43:09
00:04:43:09 00:04:43:24		CULTURE1B	kultur
00:04:43:24 00:04:43:29
00:04:43:29 00:04:43:34		$GEST-OFF^
00:04:43:34 00:04:43:37	They didn't think about it before.
00:04:43:37 00:04:43:44		PAST-OR-BACK-THEN1*	früher
00:04:43:44 00:04:44:13
00:04:44:13 00:04:44:24		CARELESS3A*	[MG]
00:04:44:24 00:04:44:31
00:04:44:31 00:04:44:37	During the war everyone was involved in, no one thought about it.	THROUGH2B	durch
00:04:44:37 00:04:44:45
00:04:44:45 00:04:45:01		WAR1A	krieg
00:04:45:01 00:04:45:08
00:04:45:08 00:04:45:13		ALL1A*	alle
00:04:45:13 00:04:45:27
00:04:45:27 00:04:45:36		WAR1A	krieg
00:04:45:36 00:04:46:05
00:04:46:05 00:04:46:17		CARELESS3A*	[MG]
00:04:46:17 00:04:46:27
00:04:46:27 00:04:46:32	No one really knew about culture.
00:04:46:32 00:04:46:45		CULTURE1B*	kultur
00:04:46:45 00:04:47:09
00:04:47:09 00:04:47:12		WELL-KNOWN4*	nicht bekannt
00:04:47:12 00:04:47:17
00:04:47:17 00:04:47:29	But now I am happy that art is valued again.
00:04:47:29 00:04:47:36		NOW1*	jetzt
00:04:47:36 00:04:48:11
00:04:48:11 00:04:48:15		I1
00:04:48:15 00:04:48:39
00:04:48:39 00:04:48:41		HAPPY1*	freue
00:04:48:41 00:04:49:04
00:04:49:04 00:04:49:14		I1	mich
00:04:49:14 00:04:49:39
00:04:49:39 00:04:50:00		VALUABLE1B	wertvoll
00:04:50:00 00:04:50:28
00:04:50:28 00:04:50:39		ART6B	kunst
00:04:50:39 00:04:50:49
00:04:50:49 00:04:51:11		$GEST-OFF^
00:04:51:11 00:04:51:13
00:04:51:13 00:04:51:27	And I have to say, it was tremendous in Egypt.			Yes, Egypt.
00:04:51:27 00:04:51:41		AND-THEN2	und dann		$GEST-ATTENTION1^*	ja
00:04:51:41 00:04:51:49
00:04:51:49 00:04:52:11		EGYPT1*	ägypten
00:04:52:11 00:04:52:25					$ORAL^	ägypten
00:04:52:25 00:04:52:37		TO-GO-THERE1^
00:04:52:37 00:04:53:09
00:04:53:09 00:04:53:23
00:04:53:23 00:04:53:37		$GEST-DECLINE1^*	[MG]
00:04:53:37 00:04:53:49
00:04:53:49 00:04:54:02		I1
00:04:54:02 00:04:54:16		$ORAL^	muss
00:04:54:16 00:04:54:23		TO-SAY1	sagen
00:04:54:23 00:04:54:47
00:04:54:47 00:04:55:05		HONEST1	ehrlich
00:04:55:05 00:04:55:17
00:04:55:17 00:04:55:38		VERY7*	[MG]
00:04:55:38 00:04:56:02
00:04:56:02 00:04:56:25	There is this saying that goes, “Without Egypt, the world would be poor”.
00:04:56:25 00:04:56:34		WITHOUT2*	ohne
00:04:56:34 00:04:56:40
00:04:56:40 00:04:56:42		$INDEX1
00:04:56:42 00:04:57:06
00:04:57:06 00:04:57:15		EGYPT1*	ägypten
00:04:57:15 00:04:57:26
00:04:57:26 00:04:57:28		WAS1	war
00:04:57:28 00:04:57:41
00:04:57:41 00:04:58:12		WORLD1	die welt
00:04:58:12 00:04:58:24
00:04:58:24 00:04:58:27		POVERTY4*	arm
00:04:58:27 00:04:58:36
00:04:58:36 00:04:58:43		$GEST-DECLINE1^
00:04:58:43 00:04:59:03
00:04:59:03 00:04:59:09		TO-SAY1	sagt man
00:04:59:09 00:04:59:24
00:04:59:24 00:04:59:30		ALWAYS1A*	immer
00:04:59:30 00:04:59:39
00:04:59:39 00:05:00:01		LANGUAGE1	spruch
00:05:00:01 00:05:00:13
00:05:00:13 00:05:01:03		$GEST-NM-NOD-HEAD1^	[MG]
00:05:01:03 00:05:01:31	It's incredible how building pyramids was possible such a long time ago.
00:05:01:31 00:05:02:03		VERY6*	[MG]
00:05:02:03 00:05:02:15
00:05:02:15 00:05:02:21		SKILLFUL1A^*	unvor{stellbar}
00:05:02:21 00:05:02:29
00:05:02:29 00:05:02:32		TO-PUT-IN2^
00:05:02:32 00:05:02:48
00:05:02:48 00:05:03:42		PAST-OR-BACK-THEN1*	früher oft
00:05:03:42 00:05:04:04
00:05:04:04 00:05:04:07		HOW-QUESTION1*	wie
00:05:04:07 00:05:04:13
00:05:04:13 00:05:04:25		TO-ACCOMPLISH1A	schaff
00:05:04:25 00:05:04:38
00:05:04:38 00:05:04:49		BUILDING-OR-CONSTRUCTION2A*	bau
00:05:04:49 00:05:05:15
00:05:05:15 00:05:05:26		PYRAMID2B	pyramide
00:05:05:26 00:05:05:41
00:05:05:41 00:05:05:47		HOW-QUESTION1	wie
00:05:05:47 00:05:06:07
00:05:06:07 00:05:06:13	I saw them myself.
00:05:06:13 00:05:06:15		SELF1A*	se{lbst}
00:05:06:15 00:05:06:21
00:05:06:21 00:05:06:24		I1
00:05:06:24 00:05:06:32
00:05:06:32 00:05:07:02		TO-LOOK1*
00:05:07:02 00:05:07:15	It's absolutely incredible there.
00:05:07:15 00:05:07:24		IMAGINATION1A*	unvorstellbar
00:05:07:24 00:05:07:34
00:05:07:34 00:05:07:42		$GEST-DECLINE1^*
00:05:07:42 00:05:08:04
00:05:08:04 00:05:08:06		$INDEX1
00:05:08:06 00:05:08:26
00:05:08:26 00:05:09:01		VERY6*	[MG]
00:05:09:01 00:05:09:14	Without cranes and without machines.
00:05:09:14 00:05:09:25		STILL5	noch
00:05:09:25 00:05:09:44
00:05:09:44 00:05:10:01		WITHOUT2*	ohne
00:05:10:01 00:05:10:27
00:05:10:27 00:05:10:40		CRANE1*	kran
00:05:10:40 00:05:11:04
00:05:11:04 00:05:11:16		WITHOUT2*	ohne
00:05:11:16 00:05:11:32
00:05:11:32 00:05:11:45		MACHINE3*	masch{ine}
00:05:11:45 00:05:11:47
00:05:11:47 00:05:12:00	How did they do it?
00:05:12:00 00:05:12:09		LIKE-THIS1
00:05:12:09 00:05:12:25
00:05:12:25 00:05:12:35		HOW-QUESTION-COMPARISON1*	wie
00:05:12:35 00:05:12:43
00:05:12:43 00:05:13:00		TO-ACCOMPLISH1A	schaff
00:05:13:00 00:05:13:13
00:05:13:13 00:05:13:20		$GEST-OFF^
00:05:13:20 00:05:13:30	People worked unbelievably hard back then.
00:05:13:30 00:05:13:40		PEOPLE2*	leute
00:05:13:40 00:05:13:49
00:05:13:49 00:05:14:04		WAS1	war
00:05:14:04 00:05:14:15
00:05:14:15 00:05:14:23		HARD1D	hart
00:05:14:23 00:05:14:38
00:05:14:38 00:05:14:44		TO-WORK4*	arbeit
00:05:14:44 00:05:15:02
00:05:15:02 00:05:15:14		PAST-OR-BACK-THEN1	früher
00:05:15:14 00:05:15:23
00:05:15:23 00:05:15:43		VERY6*	[MG]
00:05:15:43 00:05:16:07
00:05:16:07 00:05:16:24		$GEST-NM-TO-SHRUG1^
00:05:16:24 00:05:16:26
00:05:16:26 00:05:17:05	The king had in mind exactly how everything was supposed to be implemented.
00:05:17:05 00:05:17:16		KING1A*	könig
00:05:17:16 00:05:17:24
00:05:17:24 00:05:17:33		PAST-OR-BACK-THEN1	früher
00:05:17:33 00:05:17:48
00:05:17:48 00:05:18:02		TO-KNOW-OR-KNOWLEDGE2A^
00:05:18:02 00:05:18:07
00:05:18:07 00:05:18:19		TECHNOLOGY1*	[MG]
00:05:18:19 00:05:18:26
00:05:18:26 00:05:18:31		PRESENT-OR-HERE1*	da
00:05:18:31 00:05:18:40	People think the kings were dumber back then, but that's not true.
00:05:18:40 00:05:18:42		$INDEX1
00:05:18:42 00:05:19:13
00:05:19:13 00:05:19:17		TO-BELIEVE2A	glaub
00:05:19:17 00:05:19:22
00:05:19:22 00:05:19:30		PAST-OR-BACK-THEN1*	früher
00:05:19:30 00:05:20:09
00:05:20:09 00:05:20:12		KING1A*	könig
00:05:20:12 00:05:20:20
00:05:20:20 00:05:20:26		FOOLISH2	dumm
00:05:20:26 00:05:20:40
00:05:20:40 00:05:21:02		LIKE-THIS1	so
00:05:21:02 00:05:21:19
00:05:21:19 00:05:21:37	We just have better technology today.
00:05:21:37 00:05:21:42		TODAY1	heute
00:05:21:42 00:05:22:00
00:05:22:00 00:05:22:06		MORE1*	mehr
00:05:22:06 00:05:22:15
00:05:22:15 00:05:22:29		TECHNOLOGY1*	technik
00:05:22:29 00:05:22:36
00:05:22:36 00:05:22:44		$GEST-OFF^
00:05:22:44 00:05:23:10				Right.
00:05:23:10 00:05:23:18	But in the past/
00:05:23:18 00:05:23:20		BUT1*	aber
00:05:23:20 00:05:23:24
00:05:23:24 00:05:23:28					$GEST-ATTENTION1^	ja
00:05:23:28 00:05:23:33		PAST-OR-BACK-THEN1*	früher
00:05:23:33 00:05:23:39
00:05:23:39 00:05:23:47					RIGHT-OR-AGREED1A*	stimmt
00:05:23:47 00:05:24:16
00:05:24:16 00:05:24:18
00:05:24:18 00:05:24:29				More things were invented back then like horse carriages.
00:05:24:29 00:05:25:05					PAST-OR-BACK-THEN1	früher
00:05:25:05 00:05:25:20
00:05:25:20 00:05:25:25					MORE1*	mehr
00:05:25:25 00:05:25:49
00:05:25:49 00:05:26:21					$INDEX1*
00:05:26:21 00:05:26:43					$ORAL^	wie
00:05:26:43 00:05:26:46					TO-KNOW-OR-KNOWLEDGE2A^*
00:05:26:46 00:05:27:13
00:05:27:13 00:05:27:33					TO-INVENT1*	[MG]
00:05:27:33 00:05:27:45
00:05:27:45 00:05:28:08					$INDEX1*	hauptsach
00:05:28:08 00:05:28:27
00:05:28:27 00:05:28:38					WAGGON5*
00:05:28:38 00:05:29:00
00:05:29:00 00:05:29:38					HORSE1*	pferd
00:05:29:38 00:05:30:14
00:05:30:14 00:05:30:29					BUS1A^	wagen
00:05:30:29 00:05:30:36
00:05:30:36 00:05:30:44				But it was hard for people, as well.
00:05:30:44 00:05:31:00					BUT1	aber
00:05:31:00 00:05:31:11
00:05:31:11 00:05:31:14					MUCH-OR-MANY1A*
00:05:31:14 00:05:31:30
00:05:31:30 00:05:31:34					POOR-YOU1*
00:05:31:34 00:05:32:10
00:05:32:10 00:05:32:21					FOR1	für
00:05:32:21 00:05:33:08
00:05:33:08 00:05:33:37					PEOPLE2*	[MG]
00:05:33:37 00:05:34:01
00:05:34:01 00:05:34:17					POOR-YOU1	hart
00:05:34:17 00:05:34:28
00:05:34:28 00:05:34:43					$GEST-OFF^
00:05:34:43 00:05:34:45
00:05:34:45 00:05:35:14				They had to carry heavy things.
00:05:35:14 00:05:36:07					$PROD*	[MG]
00:05:36:07 00:05:36:25
00:05:36:25 00:05:37:06					TO-TOW1^	trag
00:05:37:06 00:05:37:21
00:05:37:21 00:05:37:42					$PROD*	schwer
00:05:37:42 00:05:37:48
00:05:37:48 00:05:38:03				Some died.
00:05:38:03 00:05:38:10					ALSO1A	auch
00:05:38:10 00:05:38:18
00:05:38:18 00:05:39:18					DEATH2*	tot tot tot
00:05:39:18 00:05:39:22	They suffered.
00:05:39:22 00:05:39:23
00:05:39:23 00:05:39:29
00:05:39:29 00:05:39:38		TO-SUFFER1A*	leiden
00:05:39:38 00:05:39:39				It was bad.
00:05:39:39 00:05:39:45
00:05:39:45 00:05:40:17					$INDEX1
00:05:40:17 00:05:40:32
00:05:40:32 00:05:41:19					VERY7*	[MG]
00:05:41:19 00:05:41:22
00:05:41:22 00:05:41:37				People were lashed and had to carry stones.
00:05:41:37 00:05:42:18					TO-BEAT2^	[MG]
00:05:42:18 00:05:42:30
00:05:42:30 00:05:43:16					TO-LIFT-UP5^*	ab ab
00:05:43:16 00:05:43:18
00:05:43:18 00:05:43:47				The stones were huge and had to be pushed over round wooden beams.
00:05:43:47 00:05:44:20					SQUARE5^*	stein
00:05:44:20 00:05:44:42
00:05:44:42 00:05:45:13					$PROD*	[MG]
00:05:45:13 00:05:45:27
00:05:45:27 00:05:45:39					HOW-QUESTION-COMPARISON1*	wie
00:05:45:39 00:05:46:13
00:05:46:13 00:05:46:23					TO-ROLL1B^*
00:05:46:23 00:05:46:39
00:05:46:39 00:05:47:06					NARROW1B^*	holz
00:05:47:06 00:05:47:19
00:05:47:19 00:05:47:40					TO-ROLL1B	rollen
00:05:47:40 00:05:48:13
00:05:48:13 00:05:48:42					TO-SLIDE-OR-TO-PUSH2^*	[MG]
00:05:48:42 00:05:49:06	That's extreme.
00:05:49:06 00:05:49:24		VERY7^*	[MG]
00:05:49:24 00:05:49:30
00:05:49:30 00:05:49:34
00:05:49:34 00:05:49:49
00:05:49:49 00:05:50:05					$GEST-OFF^
00:05:50:05 00:05:50:09
00:05:50:09 00:05:50:12
00:05:50:12 00:05:50:18				I can imagine how hard that must have been.
00:05:50:18 00:05:50:37					IMAGINATION1B	vorstellen
00:05:50:37 00:05:50:46
00:05:50:46 00:05:51:40					VERY7*	[MG]
00:05:51:40 00:05:52:03
00:05:52:03 00:05:52:17					$INDEX1	[MG]
00:05:52:17 00:05:52:27				It was, however, impressive how wild it was.
00:05:52:27 00:05:52:31					$GEST-OFF^	[MG]
00:05:52:31 00:05:53:09
00:05:53:09 00:05:53:29					VERY7*	[MG]
00:05:53:29 00:05:54:02
00:05:54:02 00:05:54:40					LIKE-THIS1*	so
00:05:54:40 00:05:55:00
00:05:55:00 00:05:55:12					GAME-ANIMALS5*	wild
00:05:55:12 00:05:55:25
00:05:55:25 00:05:55:27				Paintings were also included in the buildings.
00:05:55:27 00:05:55:34					PICTURE2B*
00:05:55:34 00:05:56:06
00:05:56:06 00:05:56:15					WITH3	auch mit
00:05:56:15 00:05:56:28
00:05:56:28 00:05:57:22					PICTURE2B*	bild bilder
00:05:57:22 00:05:57:30
00:05:57:30 00:05:58:13					$INDEX1
00:05:58:13 00:05:58:25				Despite the working conditions - well, I think it's all great.
00:05:58:25 00:05:58:32					$GEST-DECLINE1^
00:05:58:32 00:05:58:41
00:05:58:41 00:05:59:14					TO-PUSH-TO-THE-SIDE1*
00:05:59:14 00:05:59:37
00:05:59:37 00:06:00:03					GREAT1A	[MG]
00:06:00:03 00:06:00:14
00:06:00:14 00:06:00:43					$GEST-OFF^
00:06:00:43 00:06:01:10	There/			Kings and different people were painted on the walls.
00:06:01:10 00:06:01:13					$GEST-ATTENTION1^*	vom
00:06:01:13 00:06:01:14
00:06:01:14 00:06:01:22		$INDEX1*
00:06:01:22 00:06:01:25
00:06:01:25 00:06:01:39					KING1A	könig
00:06:01:39 00:06:02:09
00:06:02:09 00:06:02:20					EVERYHTING2	alles
00:06:02:20 00:06:02:45
00:06:02:45 00:06:02:47					LIKE4A*	wie
00:06:02:47 00:06:03:07
00:06:03:07 00:06:04:00					TO-PAINT1B*	[MG]
00:06:04:00 00:06:04:02
00:06:04:02 00:06:04:09				The one who lived before, his son, his son's son and other people. They are all standing next to each other there; incredible.
00:06:04:09 00:06:04:18					$INDEX1
00:06:04:18 00:06:04:39
00:06:04:39 00:06:05:04					PAST-OR-BACK-THEN1	früher
00:06:05:04 00:06:05:16
00:06:05:16 00:06:05:36					SELF1A*
00:06:05:36 00:06:05:49
00:06:05:49 00:06:06:08					SON1	sohn
00:06:06:08 00:06:06:22
00:06:06:22 00:06:06:37					THEN1A*	dann
00:06:06:37 00:06:06:49
00:06:06:49 00:06:07:10					SON1	sohn
00:06:07:10 00:06:07:17
00:06:07:17 00:06:07:20					OR1*	oder
00:06:07:20 00:06:08:11
00:06:08:11 00:06:08:12					SON1^*
00:06:08:12 00:06:08:20
00:06:08:20 00:06:08:29					$GEST-NM-TO-SHRUG1^	[MG]
00:06:08:29 00:06:08:41
00:06:08:41 00:06:09:38					TO-DIVIDE-IN1A^*	[MG]
00:06:09:38 00:06:10:00	That's because there weren't any fotos, yet.
00:06:10:00 00:06:10:09					ALSO1A
00:06:10:09 00:06:10:17
00:06:10:17 00:06:10:22		REASON4A	grund
00:06:10:22 00:06:10:27					$INDEX1*
00:06:10:27 00:06:10:47
00:06:10:47 00:06:11:07
00:06:11:07 00:06:11:14		NONE6	kein		VERY7*	[MG]
00:06:11:14 00:06:11:26
00:06:11:26 00:06:11:35		PHOTO1*	foto
00:06:11:35 00:06:11:38
00:06:11:38 00:06:11:47
00:06:11:47 00:06:12:00	They didn't have cameras back then.	PAST-OR-BACK-THEN1*	früh
00:06:12:00 00:06:12:09
00:06:12:09 00:06:12:15		REASON4A	grund
00:06:12:15 00:06:12:21
00:06:12:21 00:06:12:24		NONE1*	kein	None?
00:06:12:24 00:06:12:27					NONE3*	kein
00:06:12:27 00:06:12:28
00:06:12:28 00:06:12:39		PHOTO1*	foto
00:06:12:39 00:06:12:42
00:06:12:42 00:06:12:49
00:06:12:49 00:06:13:07		LIKE-THIS1	so
00:06:13:07 00:06:13:11
00:06:13:11 00:06:13:22	So they always painted specific things in a certain order.
00:06:13:22 00:06:13:43
00:06:13:43 00:06:13:48		THEREFORE1	darum
00:06:13:48 00:06:14:16
00:06:14:16 00:06:14:27		ALWAYS4A*	immer
00:06:14:27 00:06:14:42
00:06:14:42 00:06:14:48		GOOD1^*	[MG]
00:06:14:48 00:06:15:02
00:06:15:02 00:06:15:11		TO-DIVIDE-IN1A^*
00:06:15:11 00:06:15:17
00:06:15:17 00:06:15:27		TO-PAINT5*	malen
00:06:15:27 00:06:15:33
00:06:15:33 00:06:16:37		TO-DIVIDE-IN1A^
00:06:16:37 00:06:17:07
00:06:17:07 00:06:17:15	It was archived that way.	ARCHIVE1	archiv
00:06:17:15 00:06:17:23
00:06:17:23 00:06:17:33		PRESENT-OR-HERE1*	da
00:06:17:33 00:06:17:45
00:06:17:45 00:06:18:23		$GEST-OFF^
00:06:18:23 00:06:18:28
00:06:18:28 00:06:18:44	Much of it was stolen, though and brought to other countries.
00:06:18:44 00:06:18:49		BUT1	aber
00:06:18:49 00:06:19:06
00:06:19:06 00:06:19:11		MUCH-OR-MANY1A*	viel
00:06:19:11 00:06:19:16
00:06:19:16 00:06:19:28		TO-SWIPE1	klauen
00:06:19:28 00:06:20:07
00:06:20:07 00:06:20:21		TO-THROW1^*
00:06:20:21 00:06:20:33
00:06:20:33 00:06:20:41		DIFFERENT2	andere
00:06:20:41 00:06:20:47
00:06:20:47 00:06:21:03		COUNTRY1A*	land
00:06:21:03 00:06:21:08
00:06:21:08 00:06:21:17		THERE1*
00:06:21:17 00:06:21:26
00:06:21:26 00:06:21:40		TO-GIVE2^*	bringen
00:06:21:40 00:06:21:45	After the end of the war, it was brought back.
00:06:21:45 00:06:21:47		WAR1A*	krieg
00:06:21:47 00:06:22:05
00:06:22:05 00:06:22:11		OVER1*	vorbei
00:06:22:11 00:06:22:27
00:06:22:27 00:06:23:14		BACK1A*	zurück
00:06:23:14 00:06:23:33
00:06:23:33 00:06:23:48		$GEST-OFF^
00:06:23:48 00:06:24:26
00:06:24:26 00:06:24:38	People cannot live without culture.
00:06:24:38 00:06:24:48		BUT1	aber
00:06:24:48 00:06:25:06
00:06:25:06 00:06:25:09		I1
00:06:25:09 00:06:25:30
00:06:25:30 00:06:25:37		HUMAN2*	mensch
00:06:25:37 00:06:25:44
00:06:25:44 00:06:26:00		AREA1A^*
00:06:26:00 00:06:26:09
00:06:26:09 00:06:26:14		CAN2B*	können
00:06:26:14 00:06:26:21
00:06:26:21 00:06:26:27		NOT3A*	nicht
00:06:26:27 00:06:26:37
00:06:26:37 00:06:26:41		WITHOUT2*	ohne
00:06:26:41 00:06:26:49
00:06:26:49 00:06:27:07		CULTURE1B*	kultur
00:06:27:07 00:06:27:18
00:06:27:18 00:06:27:31		TO-LIVE4*	leben
00:06:27:31 00:06:28:12
00:06:28:12 00:06:28:23		$GEST-OFF^	[MG]
00:06:28:23 00:06:29:04	People don't think about culture.
00:06:29:04 00:06:29:08		TO-BE-OUT-OF-ONES-HEAD1^*	[MG]
00:06:29:08 00:06:29:17
00:06:29:17 00:06:29:27		CARELESS3A*		You have to be active when it gets boring.
00:06:29:27 00:06:29:40					$GEST-ATTENTION1^
00:06:29:40 00:06:30:04		$GEST-OFF^*
00:06:30:04 00:06:30:25
00:06:30:25 00:06:30:35					BOREDOM1*	langweilig
00:06:30:35 00:06:30:39
00:06:30:39 00:06:30:47
00:06:30:47 00:06:31:09
00:06:31:09 00:06:31:17					WHAT1A*	was
00:06:31:17 00:06:31:43					$GEST-NO-IDEA1^	[MG]
00:06:31:43 00:06:31:49	Impossible.
00:06:31:49 00:06:32:03
00:06:32:03 00:06:32:13				You need to be creative.
00:06:32:13 00:06:32:36		CAN1*	[MG]		CREATIVITY1	kreativ kreativ
00:06:32:36 00:06:33:43
00:06:33:43 00:06:34:19
00:06:34:19 00:06:34:43					$GEST-OFF^	brauch man
00:06:34:43 00:06:35:04				You have to go to a museum and be interested in the past.
00:06:35:04 00:06:35:33					TO-LOOK-AT5^	museen
00:06:35:33 00:06:35:45
00:06:35:45 00:06:36:12					INTEREST1A	[MG]
00:06:36:12 00:06:36:26
00:06:36:26 00:06:36:44					BACK-THEN1	damals
00:06:36:44 00:06:37:08
00:06:37:08 00:06:37:10				And now there are crazy colorful pictures, which is weird.	MAIN1A^*	und jetzt
00:06:37:10 00:06:37:14
00:06:37:14 00:06:37:27					$ORAL^
00:06:37:27 00:06:37:33
00:06:37:33 00:06:38:01					NOW3
00:06:38:01 00:06:38:22
00:06:38:22 00:06:39:08					WEIRD1^	[MG]
00:06:39:08 00:06:39:21
00:06:39:21 00:06:39:28					LIKE4A*	wie
00:06:39:28 00:06:39:46
00:06:39:46 00:06:40:07					IMAGINATION1B^	verrückt
00:06:40:07 00:06:40:20
00:06:40:20 00:06:41:02					TO-PAINT1B*	[MG]
00:06:41:02 00:06:41:10
00:06:41:10 00:06:41:32				“What's that?” you ask yourself.
00:06:41:32 00:06:41:44					WHAT1B*	was
00:06:41:44 00:06:42:03
00:06:42:03 00:06:42:10					$INDEX1
00:06:42:10 00:06:42:13
00:06:42:13 00:06:43:14				Then you get to know what other artists intended to express by only few brush strokes on their canvases.
00:06:43:14 00:06:43:27					$GEST^	[MG]
00:06:43:27 00:06:43:48
00:06:43:48 00:06:44:10					THERE-IS3*	gibt
00:06:44:10 00:06:44:25
00:06:44:25 00:06:44:38					ART6A*	künstler
00:06:44:38 00:06:44:46
00:06:44:46 00:06:45:01					$INDEX1*
00:06:45:01 00:06:45:13
00:06:45:13 00:06:45:25					WHO3*	wer
00:06:45:25 00:06:46:22
00:06:46:22 00:06:46:47					HELLO1*	hallo
00:06:46:47 00:06:47:26
00:06:47:26 00:06:48:16	For instance.				TO-PAINT1B*	[MG]
00:06:48:16 00:06:48:30
00:06:48:30 00:06:48:34					$GEST-OFF^
00:06:48:34 00:06:48:36		EXAMPLE1	beispiel
00:06:48:36 00:06:48:37
00:06:48:37 00:06:48:47				For instance.
00:06:48:47 00:06:49:00					HOW-QUESTION-COMPARISON1*	wie
00:06:49:00 00:06:49:05
00:06:49:05 00:06:49:22					EXAMPLE1	beispiel
00:06:49:22 00:06:49:31
00:06:49:31 00:06:49:41				Impressive; that's the artist’s imagination.
00:06:49:41 00:06:50:13					VERY7	[MG]
00:06:50:13 00:06:50:20
00:06:50:20 00:06:50:30					$GEST^	[LM:ah]
00:06:50:30 00:06:50:41
00:06:50:41 00:06:50:43					HIS-HER1
00:06:50:43 00:06:51:08
00:06:51:08 00:06:51:17					IMAGINATION1A	vorstellung
00:06:51:17 00:06:51:19
00:06:51:19 00:06:51:22				There are people standing in front of his painting and they like it.
00:06:51:22 00:06:51:34					MUST1A*	muss
00:06:51:34 00:06:51:46
00:06:51:46 00:06:52:23					TO-LOOK-AT1*	[MG]
00:06:52:23 00:06:52:37
00:06:52:37 00:06:53:09					EXAMPLE1^	[MG]
00:06:53:09 00:06:53:24
00:06:53:24 00:06:53:28					HIS-HER1	sein
00:06:53:28 00:06:53:45
00:06:53:45 00:06:54:30					PICTURE2B
00:06:54:30 00:06:55:28
00:06:55:28 00:06:55:35				Others don't.
00:06:55:35 00:06:55:36					$GEST-OFF^
00:06:55:36 00:06:55:41
00:06:55:41 00:06:56:08					$INDEX1	andere
00:06:56:08 00:06:56:41					$GEST-NM^	[MG]
00:06:56:41 00:06:56:42
00:06:56:42 00:06:56:47				Everyone has their own style.
00:06:56:47 00:06:57:23					$GEST-NM-TO-SHRUG1^
00:06:57:23 00:06:57:36
00:06:57:36 00:06:57:46					ALSO1A	kann auch
00:06:57:46 00:06:58:11
00:06:58:11 00:06:58:21					TO-BE-SILENT3^*	stil
00:06:58:21 00:06:58:31
00:06:58:31 00:06:59:23					LIKE-THIS1	so
00:06:59:23 00:07:00:11	People always need change in their lives.
00:07:00:11 00:07:00:14		$INDEX1	aber
00:07:00:14 00:07:00:15
00:07:00:15 00:07:00:39
00:07:00:39 00:07:01:05		HUMAN2*	mensch
00:07:01:05 00:07:01:15
00:07:01:15 00:07:01:42		TO-NEED1*	brauch
00:07:01:42 00:07:02:00
00:07:02:00 00:07:02:06		$INDEX1*	damit
00:07:02:06 00:07:02:07
00:07:02:07 00:07:02:28		TO-LIVE1C	leben
00:07:02:28 00:07:02:34
00:07:02:34 00:07:02:48		ALWAYS4A*	immer
00:07:02:48 00:07:03:09
00:07:03:09 00:07:03:28		WEIRD1^	was neues
00:07:03:28 00:07:04:00
00:07:04:00 00:07:04:03	Be interested in something new.
00:07:04:03 00:07:04:09		NEW1A	neues
00:07:04:09 00:07:04:25
00:07:04:25 00:07:04:41		INTEREST1A*	interesse
00:07:04:41 00:07:05:02
00:07:05:02 00:07:05:03		$GEST-OFF^
00:07:05:03 00:07:05:44	Otherwise everyone would be stupid.
00:07:05:44 00:07:05:49		OTHERWISE1	sonst
00:07:05:49 00:07:06:10
00:07:06:10 00:07:06:12		$GEST-OFF^
00:07:06:12 00:07:06:22
00:07:06:22 00:07:06:35		ALL2A^*
00:07:06:35 00:07:07:06
00:07:07:06 00:07:07:11		FOOLISH2	{dumm}heit
00:07:07:11 00:07:07:23
00:07:07:23 00:07:07:41		TO-MIX2^*	[MG]
00:07:07:41 00:07:08:01
00:07:08:01 00:07:08:07		$GEST-OFF^
00:07:08:07 00:07:08:24	Everyone's different.
00:07:08:24 00:07:08:42		EVERYONE1A*	jeder
00:07:08:42 00:07:09:04
00:07:09:04 00:07:09:17		HUMAN2	mensch
00:07:09:17 00:07:09:19
00:07:09:19 00:07:09:29		DISTINCT1	versch{iedenes}
00:07:09:29 00:07:10:02	One person likes doing sports, the both of us like culture, someone else likes something different.
00:07:10:02 00:07:10:05		TO-LOVE-STH1
00:07:10:05 00:07:10:12
00:07:10:12 00:07:10:14		SPORTS1	sport
00:07:10:14 00:07:10:23
00:07:10:23 00:07:10:28		TO-LET1*
00:07:10:28 00:07:10:40
00:07:10:40 00:07:10:42		I1
00:07:10:42 00:07:11:00
00:07:11:00 00:07:11:02		$INDEX1
00:07:11:02 00:07:11:13
00:07:11:13 00:07:11:16		TO-LOVE-STH1
00:07:11:16 00:07:11:21
00:07:11:21 00:07:11:24		I1
00:07:11:24 00:07:11:31
00:07:11:31 00:07:11:38		CULTURE1B	kultur
00:07:11:38 00:07:12:08
00:07:12:08 00:07:12:13		$INDEX1
00:07:12:13 00:07:12:26
00:07:12:26 00:07:12:32		TO-LOVE-STH1
00:07:12:32 00:07:12:48
00:07:12:48 00:07:13:22		WHAT1A^*
00:07:13:22 00:07:13:23
00:07:13:23 00:07:14:27	There were many restrictions in the past.
00:07:14:27 00:07:14:48		PAST-OR-BACK-THEN1*	früher
00:07:14:48 00:07:15:15
00:07:15:15 00:07:15:18		MUCH-OR-MANY1A*	viel
00:07:15:18 00:07:15:25
00:07:15:25 00:07:15:45		PROHIBITED4	verboten
00:07:15:45 00:07:15:47
00:07:15:47 00:07:16:04	But people get unhappy through restrictions.
00:07:16:04 00:07:16:12		THROUGH2B	durch
00:07:16:12 00:07:16:17
00:07:16:17 00:07:16:30		PROHIBITED1*	verbot
00:07:16:30 00:07:16:49
00:07:16:49 00:07:17:07		HUMAN2*	menschen
00:07:17:07 00:07:17:21
00:07:17:21 00:07:17:23		$MORPH-UN1A	unglücklich
00:07:17:23 00:07:17:30
00:07:17:30 00:07:17:36		LUCK2
00:07:17:36 00:07:17:45
00:07:17:45 00:07:18:01		$GEST-OFF^
00:07:18:01 00:07:18:04
00:07:18:04 00:07:18:19	Now we're free and everyone's happy.
00:07:18:19 00:07:18:25		NOW1*	aber jetzt
00:07:18:25 00:07:19:00
00:07:19:00 00:07:19:14		FREE2A*	freiheit
00:07:19:14 00:07:19:32
00:07:19:32 00:07:19:38		HUMAN2*	menschen
00:07:19:38 00:07:19:39
00:07:19:39 00:07:19:46		ALL2A
00:07:19:46 00:07:20:06
00:07:20:06 00:07:20:13		LUCK2	glücklich
00:07:20:13 00:07:20:16
00:07:20:16 00:07:20:22	Being too free isn't good either, though.
00:07:20:22 00:07:20:24		BUT1	aber
00:07:20:24 00:07:20:41
00:07:20:41 00:07:21:14		OVER-OR-ABOUT1^*	über
00:07:21:14 00:07:21:28
00:07:21:28 00:07:21:38		FREE2A*	freiheit
00:07:21:38 00:07:21:48
00:07:21:48 00:07:22:02		WAS1	war auch
00:07:22:02 00:07:22:12
00:07:22:12 00:07:22:18		GOOD1*	nicht gut
00:07:22:18 00:07:22:26
00:07:22:26 00:07:22:33		$GEST-OFF^
00:07:22:33 00:07:22:36
00:07:22:36 00:07:22:46	You should try to find the middle, but it's not easy.
00:07:22:46 00:07:22:49		HERE1	hier
00:07:22:49 00:07:23:10
00:07:23:10 00:07:23:15		SHALL1	soll
00:07:23:15 00:07:23:20
00:07:23:20 00:07:23:46		MEANS8	mittel
00:07:23:46 00:07:24:12		$ORAL^	aber nicht
00:07:24:12 00:07:24:16
00:07:24:16 00:07:24:28		EASY1	einfach
00:07:24:28 00:07:24:35
00:07:24:35 00:07:24:37		$GEST-OFF^
00:07:24:37 00:07:24:44
00:07:24:44 00:07:25:03				Take theater for instance/
00:07:25:03 00:07:25:16
00:07:25:16 00:07:25:23					ALSO1A*	auch
00:07:25:23 00:07:25:43					$ORAL^	zum beispiel
00:07:25:43 00:07:25:47
00:07:25:47 00:07:26:00					THEATRE3*
00:07:26:00 00:07:26:03
00:07:26:03 00:07:26:05					$INDEX1
00:07:26:05 00:07:26:12
00:07:26:12 00:07:26:18					ALSO1A	auch
00:07:26:18 00:07:26:27
00:07:26:27 00:07:26:31				Theater is nice, for instance.
00:07:26:31 00:07:26:45					EXAMPLE1	beispiel
00:07:26:45 00:07:27:11
00:07:27:11 00:07:27:41					THEATRE3*	theater
00:07:27:41 00:07:28:14
00:07:28:14 00:07:28:22					BEAUTIFUL1A	auch schön
00:07:28:22 00:07:28:31
00:07:28:31 00:07:28:49				To sit there and watch people signing.
00:07:28:49 00:07:29:14					TO-SIT1A	mal sitzen
00:07:29:14 00:07:29:26
00:07:29:26 00:07:30:15					TO-LOOK-AT1*
00:07:30:15 00:07:30:27
00:07:30:27 00:07:31:02					TO-SIGN1D*	[MG]
00:07:31:02 00:07:31:09
00:07:31:09 00:07:31:13
00:07:31:13 00:07:31:19				It's interesting.	INTEREST1A*	[MG]
00:07:31:19 00:07:31:34				Strange things can be seen and you can laugh a lot.
00:07:31:34 00:07:31:49					WEIRD1^	[MG]
00:07:31:49 00:07:32:26
00:07:32:26 00:07:33:10					TO-LAUGH2*	[MG]
00:07:33:10 00:07:33:25
00:07:33:25 00:07:33:38				Or if people imitate one another with pantomime, that’s interesting.
00:07:33:38 00:07:34:04					OR1*	oder
00:07:34:04 00:07:34:14
00:07:34:14 00:07:34:16					$GEST-OFF^
00:07:34:16 00:07:34:33
00:07:34:33 00:07:34:39					ON-PERSON1^
00:07:34:39 00:07:35:15
00:07:35:15 00:07:35:27					TO-FOLLOW1B^	nachmachen
00:07:35:27 00:07:35:36
00:07:35:36 00:07:35:45					ON-PERSON1^
00:07:35:45 00:07:36:07
00:07:36:07 00:07:36:16					TO-MAKE2*
00:07:36:16 00:07:36:28
00:07:36:28 00:07:37:05					PANTOMIME1	pantomime
00:07:37:05 00:07:37:16
00:07:37:16 00:07:37:34					$INDEX1
00:07:37:34 00:07:37:45
00:07:37:45 00:07:38:20					INTEREST1A	[MG]
00:07:38:20 00:07:38:30
00:07:38:30 00:07:38:31				Lots of things just fit deaf people.
00:07:38:31 00:07:38:39					LIKE2*	wie
00:07:38:39 00:07:39:05
00:07:39:05 00:07:39:13					TO-MATCH1	passt
00:07:39:13 00:07:39:33
00:07:39:33 00:07:39:43					DEAF-LOST-HEARING1A*	[MG]
00:07:39:43 00:07:39:45
00:07:39:45 00:07:40:06				It's just interesting if someone signs on stage.
00:07:40:06 00:07:40:22					INTEREST1A	[MG]
00:07:40:22 00:07:40:49
00:07:40:49 00:07:41:32					TO-SIGN1A*	[MG]
00:07:41:32 00:07:41:35
00:07:41:35 00:07:42:04				It's true, the deaf love it.
00:07:42:04 00:07:42:07					TO-LOOK-AT2*	[MG]
00:07:42:07 00:07:42:18
00:07:42:18 00:07:42:45					GREAT1A	[MG]
00:07:42:45 00:07:43:07
00:07:43:07 00:07:43:16					RIGHT-OR-AGREED1A	stimmt
00:07:43:16 00:07:43:38
00:07:43:38 00:07:43:45				You need that, too, to distract yourself.
00:07:43:45 00:07:44:05					TO-NEED1*	brauch
00:07:44:05 00:07:44:20
00:07:44:20 00:07:44:38					ALSO1A*	auch
00:07:44:38 00:07:45:14
00:07:45:14 00:07:45:46					DISTRACTION1*	wie ablenkung
00:07:45:46 00:07:46:41
00:07:46:41 00:07:46:48					$GEST-OFF^	für
00:07:46:48 00:07:47:15
00:07:47:15 00:07:47:20				After doing hard work, you can watch something like that and not think about anything.
00:07:47:20 00:07:47:27					WAS1*	war
00:07:47:27 00:07:47:35
00:07:47:35 00:07:47:45					HARD1D	hart
00:07:47:45 00:07:48:07
00:07:48:07 00:07:48:27					TO-WORK1	arbeit
00:07:48:27 00:07:49:01
00:07:49:01 00:07:49:10					TO-LOOK-AT1^*
00:07:49:10 00:07:49:21
00:07:49:21 00:07:49:40					CARELESS3A	[MG]
00:07:49:40 00:07:49:49
00:07:49:49 00:07:50:04				There are funny plays, old topics, I don't know, everything really.
00:07:50:04 00:07:50:17					THERE-IS3*	gibt
00:07:50:17 00:07:50:30
00:07:50:30 00:07:50:34					SOURCE1C^*	{fr}oh
00:07:50:34 00:07:51:04
00:07:51:04 00:07:51:25					HAPPY1	froh
00:07:51:25 00:07:51:40
00:07:51:40 00:07:51:46					THEN1A*	dann
00:07:51:46 00:07:52:15
00:07:52:15 00:07:52:41					OLD5A	alt
00:07:52:41 00:07:53:18
00:07:53:18 00:07:53:34					THERE-IS3	gibt
00:07:53:34 00:07:53:48
00:07:53:48 00:07:54:33					$GEST-I-DONT-KNOW1^	[MG]
00:07:54:33 00:07:55:06
00:07:55:06 00:07:55:38					THIS-AND-THAT2^	[MG]
00:07:55:38 00:07:56:03
00:07:56:03 00:07:56:15				Theater is so interesting.
00:07:56:15 00:07:56:43					THEATRE6	theater
00:07:56:43 00:07:57:03
00:07:57:03 00:07:57:04	It is also good to be touched by it.
00:07:57:04 00:07:57:32					$GEST-OFF^
00:07:57:32 00:07:57:33		AND2A*	und
00:07:57:33 00:07:58:00
00:07:58:00 00:07:58:04
00:07:58:04 00:07:58:11					INTEREST1A	[MG]
00:07:58:11 00:07:58:16		GOOD1*	gut
00:07:58:16 00:07:58:18
00:07:58:18 00:07:58:35
00:07:58:35 00:07:59:04		IMPACT2*
00:07:59:04 00:07:59:17
00:07:59:17 00:07:59:28		ALSO3A*	auch
00:07:59:28 00:07:59:44
00:07:59:44 00:08:00:07	If I watch some behavior that upsets me, I can think about it and change myself.
00:08:00:07 00:08:00:37		WHY1*	warum
00:08:00:37 00:08:01:26
00:08:01:26 00:08:01:42		BEHAVIOUR2*	verhalten
00:08:01:42 00:08:02:05
00:08:02:05 00:08:02:18		DISRUPTION1B	störung
00:08:02:18 00:08:02:26
00:08:02:26 00:08:02:27		$GEST-OFF^
00:08:02:27 00:08:02:36
00:08:02:36 00:08:02:38		I2
00:08:02:38 00:08:02:46
00:08:02:46 00:08:03:33		TO-LOOK-AT2^*	[LM:ah]
00:08:03:33 00:08:03:46
00:08:03:46 00:08:04:02		CAN1*	kann
00:08:04:02 00:08:04:12
00:08:04:12 00:08:04:17		SELF1A*	selbst
00:08:04:17 00:08:04:32
00:08:04:32 00:08:04:36		TO-KNOW-OR-KNOWLEDGE2B^*
00:08:04:36 00:08:04:42
00:08:04:42 00:08:05:05		||TO-MODIFY1A
00:08:05:05 00:08:05:27
00:08:05:27 00:08:05:40		$GEST-OFF^
00:08:05:40 00:08:05:47
00:08:05:47 00:08:06:27	And you can see they have no inhibitions.
00:08:06:27 00:08:06:46		AND2A*	und
00:08:06:46 00:08:07:13
00:08:07:13 00:08:07:23		TO-SEE1	[MG]
00:08:07:23 00:08:07:49
00:08:07:49 00:08:08:03		NONE6*	kein
00:08:08:03 00:08:08:13
00:08:08:13 00:08:08:24		SHY1A^	hemmungen
00:08:08:24 00:08:08:37
00:08:08:37 00:08:09:06		$GEST-OFF^
00:08:09:06 00:08:09:13
00:08:09:13 00:08:09:43	That way, people can learn respect and how to accept others.
00:08:09:43 00:08:10:04		ALSO3A	auch	You're free.
00:08:10:04 00:08:10:10					FREE2A*	[MG]
00:08:10:10 00:08:10:18		HUMAN2*	menschen
00:08:10:18 00:08:10:27
00:08:10:27 00:08:10:44
00:08:10:44 00:08:11:02		TO-LEARN1	lernen
00:08:11:02 00:08:12:01
00:08:12:01 00:08:12:13		RESPECT1A	respekt
00:08:12:13 00:08:12:23
00:08:12:23 00:08:12:27		$GEST-OFF^
00:08:12:27 00:08:12:40
00:08:12:40 00:08:13:02		TO-ACCEPT1	akzeptieren
00:08:13:02 00:08:13:16
00:08:13:16 00:08:13:27		$GEST-OFF^
00:08:13:27 00:08:13:33
00:08:13:33 00:08:14:00	People used to say: You have to do this and that!
00:08:14:00 00:08:14:04		PAST-OR-BACK-THEN1	frü{her}
00:08:14:04 00:08:14:11
00:08:14:11 00:08:14:14		TO-SAY1	muss muss muss
00:08:14:14 00:08:14:19
00:08:14:19 00:08:15:04		MUST1A*
00:08:15:04 00:08:15:13
00:08:15:13 00:08:15:24		$GEST-OFF^
00:08:15:24 00:08:15:45	It was nuts.	$GEST-NM-TO-SHRUG1^
00:08:15:45 00:08:16:02
00:08:16:02 00:08:16:07		NOT5*	nicht
00:08:16:07 00:08:16:10
00:08:16:10 00:08:16:17		USUAL1*	normal
00:08:16:17 00:08:16:26
00:08:16:26 00:08:16:34		$GEST-OFF^
00:08:16:34 00:08:16:48	Now it's nice, because we respect one another.
00:08:16:48 00:08:17:06		NOW1*	jetzt
00:08:17:06 00:08:17:23
00:08:17:23 00:08:17:28		TO-BELONG1^
00:08:17:28 00:08:17:39
00:08:17:39 00:08:17:49		TO-TASTE1A^*	[MG]
00:08:17:49 00:08:18:07
00:08:18:07 00:08:18:26		TO-BELONG1^*	[MG]
00:08:18:26 00:08:18:46
00:08:18:46 00:08:18:47		RESPECT1A	respekt
00:08:18:47 00:08:19:04
00:08:19:04 00:08:19:05		I2*
00:08:19:05 00:08:19:12
00:08:19:12 00:08:19:18		ON-PERSON1	per{son}
00:08:19:18 00:08:19:35
00:08:19:35 00:08:20:10		EVERYONE1A*	jeder
00:08:20:10 00:08:20:22
00:08:20:22 00:08:20:32		RESPECT1A	respekt
00:08:20:32 00:08:20:35
00:08:20:35 00:08:20:42	People with disabilities, as well.
00:08:20:42 00:08:20:48		DISABILITY1*	behin{derung}
00:08:20:48 00:08:21:11
00:08:21:11 00:08:21:22		RESPECT1A	auch respekt
00:08:21:22 00:08:21:32
00:08:21:32 00:08:21:37		$GEST-OFF^
00:08:21:37 00:08:22:13
00:08:22:13 00:08:22:22		MUST1A^
00:08:22:22 00:08:22:32	This development has something to do with culture, too.
00:08:22:32 00:08:23:12		PROCEEDING1^
00:08:23:12 00:08:23:27
00:08:23:27 00:08:23:34		ALSO3A*	auch
00:08:23:34 00:08:23:37
00:08:23:37 00:08:23:42		WITH1A*	mit
00:08:23:42 00:08:24:04
00:08:24:04 00:08:24:15		CULTURE1B	kultur
00:08:24:15 00:08:24:22
00:08:24:22 00:08:24:32		HAVING-TO-DO-WITH-STH1	zu tun
00:08:24:32 00:08:24:40
00:08:24:40 00:08:24:41		$GEST-OFF^
00:08:24:41 00:08:25:00
00:08:25:00 00:08:25:03		ALSO3A*	auch
00:08:25:03 00:08:25:07
00:08:25:07 00:08:25:15		$GEST^
00:08:25:15 00:08:26:38
00:08:26:38 00:08:26:47	Right?	$GEST^
00:08:26:47 00:08:27:39
00:08:27:39 00:08:56:45							Asks if there any cultural activities for the deaf, as well.
00:08:56:45 00:08:57:22	Of course.
00:08:57:22 00:08:58:17		OF-COURSE1B*	selbstverständlich
00:08:58:17 00:08:58:25
00:08:58:25 00:08:59:11	We want/ Because of the sign language interdiction, all deaf people were intimidated.
00:08:59:11 00:08:59:45		BEFORE1G*	vor
00:08:59:45 00:09:00:14
00:09:00:14 00:09:00:37		$INDEX1
00:09:00:37 00:09:01:09
00:09:01:09 00:09:01:23		THROUGH2B	durch
00:09:01:23 00:09:02:34
00:09:02:34 00:09:03:05		SIGN-LANGUAGE1B*	gebärdensprache
00:09:03:05 00:09:03:25
00:09:03:25 00:09:03:48		PROHIBITED1*	verbot
00:09:03:48 00:09:04:16
00:09:04:16 00:09:04:31		COHERENCE1A^
00:09:04:31 00:09:04:41
00:09:04:41 00:09:05:11		$INDEX1*
00:09:05:11 00:09:05:24
00:09:05:24 00:09:05:32		ALL1A
00:09:05:32 00:09:05:43
00:09:05:43 00:09:06:06		DEAF-LOST-HEARING1A	gehörlos
00:09:06:06 00:09:06:20
00:09:06:20 00:09:07:04		SHY4	[MG]
00:09:07:04 00:09:07:18
00:09:07:18 00:09:07:20		$GEST-OFF^
00:09:07:20 00:09:07:27
00:09:07:27 00:09:07:39	The deaf rejected the oral method, they didn't talk and rather remained silent.
00:09:07:39 00:09:08:21		ORAL1	oral
00:09:08:21 00:09:08:41
00:09:08:41 00:09:09:01		DEAF-LOST-HEARING1A
00:09:09:01 00:09:09:09
00:09:09:09 00:09:09:29		DONT-WANT2	[MG]
00:09:09:29 00:09:09:36
00:09:09:36 00:09:09:37		$GEST^
00:09:09:37 00:09:10:02
00:09:10:02 00:09:10:04		SILENT2	[MG]
00:09:10:04 00:09:10:06
00:09:10:06 00:09:10:14	But they were happy and fun and they interchanged in private.	$ORAL^	aber
00:09:10:14 00:09:10:17
00:09:10:17 00:09:10:32		UNDER1A*	unter
00:09:10:32 00:09:10:39
00:09:10:39 00:09:11:04		PRIVATE2A*	privat
00:09:11:04 00:09:11:12
00:09:11:12 00:09:11:26		GREAT1A*	toll
00:09:11:26 00:09:11:32
00:09:11:32 00:09:11:40		FUNNY1	lustig
00:09:11:40 00:09:12:00
00:09:12:00 00:09:12:18		TO-SWARM1^	[MG]
00:09:12:18 00:09:12:19
00:09:12:19 00:09:12:31	But not in public.
00:09:12:31 00:09:12:38		BUT1	aber
00:09:12:38 00:09:12:45
00:09:12:45 00:09:13:08		PUBLIC1*	öffentlich
00:09:13:08 00:09:13:13
00:09:13:13 00:09:13:26		$GEST-NM^	[MG]
00:09:13:26 00:09:13:30
00:09:13:30 00:09:13:38	Now, sign language is legally recognized, and no one cares to be looked at while signing.
00:09:13:38 00:09:14:01		NOW2*	jetzt
00:09:14:01 00:09:14:13
00:09:14:13 00:09:14:17		$INDEX1
00:09:14:17 00:09:14:20
00:09:14:20 00:09:14:36		SIGN-LANGUAGE1B	gebärdensprache
00:09:14:36 00:09:14:48
00:09:14:48 00:09:15:09		TO-ACKNOWLEDGE1*	anerkannt
00:09:15:09 00:09:15:49
00:09:15:49 00:09:16:07		NATURALLY1A^*
00:09:16:07 00:09:16:22
00:09:16:22 00:09:16:29		TO-LOOK-AT1*	[MG]
00:09:16:29 00:09:16:35
00:09:16:35 00:09:16:36		I1*
00:09:16:36 00:09:16:42
00:09:16:42 00:09:17:04		TO-SIGN1G*
00:09:17:04 00:09:17:07
00:09:17:07 00:09:17:13	It doesn't matter.
00:09:17:13 00:09:17:24		WHATEVER3	egal
00:09:17:24 00:09:17:35
00:09:17:35 00:09:17:42		$GEST-DECLINE1^
00:09:17:42 00:09:17:46
00:09:17:46 00:09:18:00	It used to be embarrassing to be looked at while signing.	PAST-OR-BACK-THEN1*	früher
00:09:18:00 00:09:18:20
00:09:18:20 00:09:18:26		TO-SIGN1B*
00:09:18:26 00:09:18:44
00:09:18:44 00:09:19:02		TO-LOOK-AT6
00:09:19:02 00:09:19:11
00:09:19:11 00:09:19:28		EMBARRASSING1	[MG]
00:09:19:28 00:09:19:34
00:09:19:34 00:09:19:44	But deaf people developed a culture awareness.
00:09:19:44 00:09:20:01		NOW1*	jetzt
00:09:20:01 00:09:20:18
00:09:20:18 00:09:20:27		DEAF-LOST-HEARING1A	gehörlos
00:09:20:27 00:09:20:34
00:09:20:34 00:09:20:39		ALSO3A	auch
00:09:20:39 00:09:21:00
00:09:21:00 00:09:21:06		CULTURE1B*	kulturbewusst
00:09:21:06 00:09:21:14
00:09:21:14 00:09:21:22		AWARE1
00:09:21:22 00:09:21:31
00:09:21:31 00:09:21:41		OVER-OR-ABOUT1^	geworden
00:09:21:41 00:09:21:47
00:09:21:47 00:09:22:05	You can also act in theater plays using sign language.
00:09:22:05 00:09:22:13		THROUGH2B	durch
00:09:22:13 00:09:22:25
00:09:22:25 00:09:22:42		SIGN-LANGUAGE1B	gebärdensprache
00:09:22:42 00:09:23:05
00:09:23:05 00:09:23:13		CAN1	kann
00:09:23:13 00:09:23:21
00:09:23:21 00:09:23:42		THEATRE6	theater
00:09:23:42 00:09:24:01
00:09:24:01 00:09:24:09	Many people come to see signed plays; they are very interested in it.
00:09:24:09 00:09:24:21		SIGN-LANGUAGE1B	gebärdensprache
00:09:24:21 00:09:24:31
00:09:24:31 00:09:24:43		YOU-PLURAL1A*
00:09:24:43 00:09:25:03
00:09:25:03 00:09:25:08		TO-LOOK-AT2^*	[MG]
00:09:25:08 00:09:25:17
00:09:25:17 00:09:25:22		INTEREST1B||TO-LOOK-AT1	[MG]
00:09:25:22 00:09:25:32
00:09:25:32 00:09:25:38		PRESENT-OR-HERE1*	da
00:09:25:38 00:09:25:40
00:09:25:40 00:09:25:49	But back in the days, when we had to read lips, I constantly got lost and didn't understand a thing.
00:09:25:49 00:09:26:13		PAST-OR-BACK-THEN1	früher
00:09:26:13 00:09:26:22
00:09:26:22 00:09:26:43		ORAL1	oral
00:09:26:43 00:09:27:16
00:09:27:16 00:09:27:18		I1
00:09:27:18 00:09:27:40
00:09:27:40 00:09:28:10		TO-LOSE-ONES-TRAIN-OF-THOUGHT1^
00:09:28:10 00:09:28:16
00:09:28:16 00:09:28:18		I1
00:09:28:18 00:09:28:26
00:09:28:26 00:09:28:36		TO-UNDERSTAND1*	verstehen
00:09:28:36 00:09:28:48
00:09:28:48 00:09:29:04	Actually, it's the same as with the hearing.
00:09:29:04 00:09:29:19		BUT1*	aber
00:09:29:19 00:09:30:00
00:09:30:00 00:09:30:13		EQUAL1A	[MG]
00:09:30:13 00:09:30:34
00:09:30:34 00:09:30:46		WORLD1*	welt
00:09:30:46 00:09:31:22
00:09:31:22 00:09:31:30		EQUAL8*
00:09:31:30 00:09:31:31
00:09:31:31 00:09:31:38	But hearing people have more possibilities, because they developed it earlier.
00:09:31:38 00:09:31:48		BUT1	aber
00:09:31:48 00:09:32:25
00:09:32:25 00:09:32:28		HEARING1A	hörende
00:09:32:28 00:09:32:37
00:09:32:37 00:09:32:44		MORE1*	mehr
00:09:32:44 00:09:32:49
00:09:32:49 00:09:33:10		THIS-AND-THAT2^*
00:09:33:10 00:09:33:16
00:09:33:16 00:09:33:26		POSSIBLE1A*	möglich
00:09:33:26 00:09:33:43
00:09:33:43 00:09:34:13		PAST-OR-BACK-THEN1*	früher
00:09:34:13 00:09:34:25
00:09:34:25 00:09:34:28		ALREADY3*	schon
00:09:34:28 00:09:34:32
00:09:34:32 00:09:35:03		TO-DEVELOP1A	[MG]
00:09:35:03 00:09:35:06
00:09:35:06 00:09:35:12	That's their advantage.
00:09:35:12 00:09:35:16		ADVANTAGE1	vorteil
00:09:35:16 00:09:35:20
00:09:35:20 00:09:35:22		$INDEX1
00:09:35:22 00:09:35:27
00:09:35:27 00:09:35:32	But it was a late development for the deaf.	BUT1	aber
00:09:35:32 00:09:35:38
00:09:35:38 00:09:35:46		DEAF-LOST-HEARING1A	gehörlos
00:09:35:46 00:09:36:09
00:09:36:09 00:09:36:22		LATER10*	spätentwicklung
00:09:36:22 00:09:36:27
00:09:36:27 00:09:37:13		TO-DEVELOP1A
00:09:37:13 00:09:37:23	In this short period of time, I saw many successes, though.
00:09:37:23 00:09:37:39		BUT1	aber
00:09:37:39 00:09:38:36
00:09:38:36 00:09:38:44		SHORT3A	kurz
00:09:38:44 00:09:39:05
00:09:39:05 00:09:39:07		I1
00:09:39:07 00:09:39:16
00:09:39:16 00:09:39:27		TO-SEE1
00:09:39:27 00:09:39:38
00:09:39:38 00:09:39:41		MUCH-OR-MANY1B*	viel
00:09:39:41 00:09:39:47
00:09:39:47 00:09:40:15		SUCCESS1*	erfolg erfolg
00:09:40:15 00:09:40:21
00:09:40:21 00:09:40:24		$GEST-OFF^
00:09:40:24 00:09:40:28
00:09:40:28 00:09:40:36	It's not enough, yet, of course, but there are successes already and everything just has to develop further.
00:09:40:36 00:09:40:41		NEVERTHELESS1	trotz{dem}
00:09:40:41 00:09:41:05
00:09:41:05 00:09:41:14		ENOUGH1*	genug
00:09:41:14 00:09:41:24
00:09:41:24 00:09:41:46		$GEST-OFF^	aber
00:09:41:46 00:09:42:25
00:09:42:25 00:09:42:33		SUCCESS1*	erfolg erfolg
00:09:42:33 00:09:42:48
00:09:42:48 00:09:43:27		TO-DEVELOP1A	[MG]
00:09:43:27 00:09:43:37
00:09:43:37 00:09:43:47		$GEST-OFF^		You have to.
00:09:43:47 00:09:43:49					$ORAL^	aber
00:09:43:49 00:09:44:01
00:09:44:01 00:09:44:04	There are videos, for instance, or the Sign Language Festival.
00:09:44:04 00:09:44:19					MUST1A*	muss
00:09:44:19 00:09:44:21		VIDEO2*	video
00:09:44:21 00:09:44:32
00:09:44:32 00:09:44:43
00:09:44:43 00:09:45:02		VIDEO1*
00:09:45:02 00:09:45:05
00:09:45:05 00:09:45:14
00:09:45:14 00:09:45:22		OR1*	oder
00:09:45:22 00:09:46:01
00:09:46:01 00:09:46:03		$INDEX1
00:09:46:03 00:09:46:16
00:09:46:16 00:09:46:24		TO-SIGN1B*	gebärdenfestival
00:09:46:24 00:09:46:38
00:09:46:38 00:09:47:04		FESTIVAL4A*
00:09:47:04 00:09:47:14
00:09:47:14 00:09:47:27		WEIRD1	[MG]
00:09:47:27 00:09:47:33
00:09:47:33 00:09:47:35	In the past there wasn't anything like that, but now there is.
00:09:47:35 00:09:47:46		PAST-OR-BACK-THEN1*	früher
00:09:47:46 00:09:48:10
00:09:48:10 00:09:48:21		THERE-IS3*	gibt nicht
00:09:48:21 00:09:48:39
00:09:48:39 00:09:48:46		NOW2*	aber jetzt
00:09:48:46 00:09:49:07
00:09:49:07 00:09:49:15	Great.
00:09:49:15 00:09:49:38		VERY6*	[MG]
00:09:49:38 00:09:49:48	Concerning arts, there are open exhibitions, for example, where deaf people show their culture.
00:09:49:48 00:09:50:01		AND5	und
00:09:50:01 00:09:50:06
00:09:50:06 00:09:50:18		ART6A	kunst
00:09:50:18 00:09:50:41
00:09:50:41 00:09:51:00		PUBLIC3	öffentliche
00:09:51:00 00:09:51:20
00:09:51:20 00:09:51:33		EXHIBITION1	ausstellung
00:09:51:33 00:09:51:38
00:09:51:38 00:09:52:03		TO-GO-THERE1
00:09:52:03 00:09:52:19
00:09:52:19 00:09:52:29		DEAF-LOST-HEARING1A
00:09:52:29 00:09:52:39
00:09:52:39 00:09:52:48		ALL1A*
00:09:52:48 00:09:53:09
00:09:53:09 00:09:53:14		CULTURE1A*	kultur
00:09:53:14 00:09:53:18
00:09:53:18 00:09:53:23		$INDEX1
00:09:53:23 00:09:53:33
00:09:53:33 00:09:53:43		TO-SHOW1A	zeigen
00:09:53:43 00:09:54:09
00:09:54:09 00:09:54:10	There are many deaf artists.
00:09:54:10 00:09:54:19		LIKE4A^
00:09:54:19 00:09:54:26
00:09:54:26 00:09:54:29		MUCH-OR-MANY1A*	viel
00:09:54:29 00:09:54:37
00:09:54:37 00:09:54:46		DEAF-LOST-HEARING1A	gehörlos
00:09:54:46 00:09:55:05
00:09:55:05 00:09:55:13		ART6A	kunst
00:09:55:13 00:09:55:25	Well, they make things of glass; there's a lot of those things.
00:09:55:25 00:09:55:41		$GEST-DECLINE1^	ach
00:09:55:41 00:09:56:05
00:09:56:05 00:09:56:13		TO-TINKER1A*	basteln
00:09:56:13 00:09:56:22
00:09:56:22 00:09:56:35		ART6A*	künstler
00:09:56:35 00:09:56:45
00:09:56:45 00:09:56:46		$GEST-OFF^
00:09:56:46 00:09:57:18
00:09:57:18 00:09:57:23		GLASS1A*	glas
00:09:57:23 00:09:57:31
00:09:57:31 00:09:57:32		TO-TINKER1A*
00:09:57:32 00:09:57:41
00:09:57:41 00:09:57:46		ART6A*	ku{nst}
00:09:57:46 00:09:58:19
00:09:58:19 00:09:58:36		$GEST-DECLINE1^
00:09:58:36 00:09:59:00
00:09:59:00 00:09:59:19		PRESENT-OR-HERE1*	da da da
00:09:59:19 00:09:59:27
00:09:59:27 00:09:59:29	There are other deaf people who don't know anything about it.
00:09:59:29 00:09:59:40				Right.
00:09:59:40 00:09:59:49		BUT1	aber
00:09:59:49 00:10:00:06
00:10:00:06 00:10:00:10					RIGHT-OR-AGREED1B	stimm
00:10:00:10 00:10:00:20		DIFFERENT2*	andere
00:10:00:20 00:10:00:24
00:10:00:24 00:10:00:33
00:10:00:33 00:10:00:43		DEAF-LOST-HEARING1A	gehörlos
00:10:00:43 00:10:01:03
00:10:01:03 00:10:01:09		ALL1A^*
00:10:01:09 00:10:01:20
00:10:01:20 00:10:01:39		TO-KNOW-STH-OR-SB1B^*	interessiert nicht
00:10:01:39 00:10:02:03
00:10:02:03 00:10:02:08		$INDEX1
00:10:02:08 00:10:02:21
00:10:02:21 00:10:02:37	They don't know it, yet.
00:10:02:37 00:10:02:47		$GEST^
00:10:02:47 00:10:03:10
00:10:03:10 00:10:03:15		NOT-YET2*	noch nicht
00:10:03:15 00:10:03:19
00:10:03:19 00:10:03:23		MUCH-OR-MANY1A	so viel
00:10:03:23 00:10:03:29
00:10:03:29 00:10:03:33		IN-ADDITION1^
00:10:03:33 00:10:03:42
00:10:03:42 00:10:03:43		WELL-KNOWN4*	bekannt
00:10:03:43 00:10:04:21
00:10:04:21 00:10:04:24		$INDEX1
00:10:04:24 00:10:04:33
00:10:04:33 00:10:05:13	Some people never come to see the culture.
00:10:05:13 00:10:05:18		NEVER1	niemals
00:10:05:18 00:10:05:26
00:10:05:26 00:10:05:47		||TO-COME1	kommen
00:10:05:47 00:10:05:48
00:10:05:48 00:10:06:05		CULTURE1B*	kultur
00:10:06:05 00:10:06:12
00:10:06:12 00:10:06:21		TO-SEE1	[MG]
00:10:06:21 00:10:06:30
00:10:06:30 00:10:06:43		NOT1	[MG]	Right, but in everyday life it's not possible to go to the theater just when I feel like it.
00:10:06:43 00:10:07:11
00:10:07:11 00:10:07:21					RIGHT-OR-AGREED1A*	aber stimmt
00:10:07:21 00:10:07:31
00:10:07:31 00:10:07:38
00:10:07:38 00:10:07:45					BUT1*	aber
00:10:07:45 00:10:08:34
00:10:08:34 00:10:09:01					FOR1	für
00:10:09:01 00:10:09:21
00:10:09:21 00:10:10:17					EVERYDAY-LIFE1*	alltag alltag
00:10:10:17 00:10:10:34
00:10:10:34 00:10:10:39					I1*	ich
00:10:10:39 00:10:11:16
00:10:11:16 00:10:11:35					SPONTANEOUS1*	spontan
00:10:11:35 00:10:11:48
00:10:11:48 00:10:12:15					I1	[LM:ah]
00:10:12:15 00:10:12:26
00:10:12:26 00:10:12:34					TO-WISH1B	wünsch
00:10:12:34 00:10:13:08
00:10:13:08 00:10:13:21					THEATRE3*	theater
00:10:13:21 00:10:13:39
00:10:13:39 00:10:13:44					TO-GO-THERE1
00:10:13:44 00:10:14:10
00:10:14:10 00:10:14:34					POINTLESS1*
00:10:14:34 00:10:14:35
00:10:14:35 00:10:14:45				You have to register.	$ORAL^	muss
00:10:14:45 00:10:15:07
00:10:15:07 00:10:15:20					MESSAGE-OR-NOTIFICATION1*	anmelden
00:10:15:20 00:10:15:32
00:10:15:32 00:10:15:44				And if there's a special play about a special topic, you have to consider its time and if it fits into your schedule.
00:10:15:44 00:10:16:00					MUST1A	muss
00:10:16:00 00:10:16:17
00:10:16:17 00:10:16:33					WEIRD1^	[MG]
00:10:16:33 00:10:17:01
00:10:17:01 00:10:17:19					THEATRE3*	theater
00:10:17:19 00:10:17:25
00:10:17:25 00:10:17:49					PRESENT-OR-HERE1	da
00:10:17:49 00:10:18:29
00:10:18:29 00:10:18:44					WEIRD1^	[MG]
00:10:18:44 00:10:19:12
00:10:19:12 00:10:19:21					SUBJECT1	thema
00:10:19:21 00:10:20:05
00:10:20:05 00:10:20:11					MUST1A	muss
00:10:20:11 00:10:20:38
00:10:20:38 00:10:20:46					TO-KNOW-OR-KNOWLEDGE2A^	[MG]
00:10:20:46 00:10:21:18
00:10:21:18 00:10:21:26					MUST1A	muss
00:10:21:26 00:10:21:40
00:10:21:40 00:10:22:18					TIME1*	zeit
00:10:22:18 00:10:22:40
00:10:22:40 00:10:23:21					TO-POSTPONE3^*	[MG]
00:10:23:21 00:10:23:27
00:10:23:27 00:10:23:41					$INDEX1
00:10:23:41 00:10:24:04
00:10:24:04 00:10:24:12					SUDDENLY4^*	[MG]
00:10:24:12 00:10:24:24
00:10:24:24 00:10:25:33					$GEST-OFF^
00:10:25:33 00:10:25:37
00:10:25:37 00:10:26:06					NONE6*||$GEST-OFF^*	kein
00:10:26:06 00:10:26:25
00:10:26:25 00:10:26:40					$ORAL^	wie
00:10:26:40 00:10:26:41
00:10:26:41 00:10:27:10				So it's not the same as it is for hearing people who can go to the theater whenever they want.
00:10:27:10 00:10:27:22					HEARING1B	hörend
00:10:27:22 00:10:28:01
00:10:28:01 00:10:28:26					EVERYDAY-LIFE1	alltag
00:10:28:26 00:10:28:45
00:10:28:45 00:10:29:12					CAN2B	kann
00:10:29:12 00:10:29:32
00:10:29:32 00:10:29:37					THEATRE3*	theater
00:10:29:37 00:10:30:02
00:10:30:02 00:10:30:19					BACK-AND-FORTH1^*
00:10:30:19 00:10:30:28
00:10:30:28 00:10:30:29					BODY1^*	was
00:10:30:29 00:10:30:44
00:10:30:44 00:10:31:23					TO-WANT1A*	will
00:10:31:23 00:10:31:24
00:10:31:24 00:10:31:31				If it's something special like someone coming from Nuremberg, you have to check if it is on stage here, as well and you have to take time to go there.
00:10:31:31 00:10:32:10					I1
00:10:32:10 00:10:32:20
00:10:32:20 00:10:32:34					$ORAL^	wenn
00:10:32:34 00:10:32:43
00:10:32:43 00:10:33:11					WEIRD1^	[MG]
00:10:33:11 00:10:34:01
00:10:34:01 00:10:34:10					TO-COME1*
00:10:34:10 00:10:34:19
00:10:34:19 00:10:34:20					TO-COME1*	nürnberg
00:10:34:20 00:10:34:32
00:10:34:32 00:10:34:35					NUREMBERG3*
00:10:34:35 00:10:34:45
00:10:34:45 00:10:35:14					TO-COME1*
00:10:35:14 00:10:35:43
00:10:35:43 00:10:36:04					I1	muss
00:10:36:04 00:10:36:17
00:10:36:17 00:10:36:29					TIME1	zeit
00:10:36:29 00:10:36:42
00:10:36:42 00:10:37:00					TO-TAKE1A	nehmen
00:10:37:00 00:10:37:18
00:10:37:18 00:10:37:30					$INDEX1	[MG]
00:10:37:30 00:10:37:49
00:10:37:49 00:10:38:34	The problem is that deaf people are a minority.				$GEST-OFF^
00:10:38:34 00:10:38:35		$GEST-OFF^
00:10:38:35 00:10:39:01
00:10:39:01 00:10:39:19		PROBLEM1	problem
00:10:39:19 00:10:39:49
00:10:39:49 00:10:40:12		DEAF-LOST-HEARING1A	gehörlose
00:10:40:12 00:10:40:32
00:10:40:32 00:10:40:47		GROUP1A^*	minderheit
00:10:40:47 00:10:41:36				They're a small minority.
00:10:41:36 00:10:42:00					GROUP1A*
00:10:42:00 00:10:42:15
00:10:42:15 00:10:42:35
00:10:42:35 00:10:42:38	How is such a small group like we are supposed to get as many offerings as hearing people?	$GEST-OFF^
00:10:42:38 00:10:43:10
00:10:43:10 00:10:43:24		GROUP1A^*
00:10:43:24 00:10:43:33
00:10:43:33 00:10:43:46		HOW-QUESTION1	wie
00:10:43:46 00:10:44:24
00:10:44:24 00:10:44:30		SHALL1*	soll
00:10:44:30 00:10:44:41
00:10:44:41 00:10:44:45		EVERYHTING1A*	all
00:10:44:45 00:10:45:06
00:10:45:06 00:10:45:08		LIKE3A*	wie
00:10:45:08 00:10:45:22
00:10:45:22 00:10:45:31		HEARING1A*	hörend
00:10:45:31 00:10:45:42
00:10:45:42 00:10:45:47		TO-ACCOMPLISH1A	schaffen
00:10:45:47 00:10:46:06
00:10:46:06 00:10:46:13		NOT5	nicht
00:10:46:13 00:10:46:20
00:10:46:20 00:10:46:26	It's most important for us to get the chance at all.
00:10:46:26 00:10:47:01		BUT1	aber
00:10:47:01 00:10:47:31
00:10:47:31 00:10:47:35		CHANCE1	chance
00:10:47:35 00:10:47:47
00:10:47:47 00:10:48:03		PRESENT-OR-HERE1*	da
00:10:48:03 00:10:48:17
00:10:48:17 00:10:48:25		MAIN-POINT1B	hauptsache
00:10:48:25 00:10:48:35
00:10:48:35 00:10:48:44		$GEST-OFF^
00:10:48:44 00:10:49:04
00:10:49:04 00:10:49:17	We should be content with that.
00:10:49:17 00:10:49:21		SHALL1	soll
00:10:49:21 00:10:49:25
00:10:49:25 00:10:49:28		I1	alle
00:10:49:28 00:10:49:33
00:10:49:33 00:10:49:44		ALL2C*
00:10:49:44 00:10:50:01		SATISFIED2A*	zufrieden
00:10:50:01 00:10:50:03
00:10:50:03 00:10:50:09	It can still slowly develop further.
00:10:50:09 00:10:50:14		BUT1	aber
00:10:50:14 00:10:50:22
00:10:50:22 00:10:50:28		CAN2B	kann
00:10:50:28 00:10:51:06
00:10:51:06 00:10:51:19		SLOW1*	langsam
00:10:51:19 00:10:51:34		STEP1	[MG]
00:10:51:34 00:10:51:44
00:10:51:44 00:10:52:02		TO-DEVELOP2*	[MG]
00:10:52:02 00:10:52:19
00:10:52:19 00:10:52:43		$GEST^	[MG]
00:10:52:43 00:10:53:07	But then again, maybe it decreases because of the CI.
00:10:53:07 00:10:53:14		UNTIL-NOW1*	bis jetzt
00:10:53:14 00:10:53:22
00:10:53:22 00:10:53:28		IF4*	ob
00:10:53:28 00:10:53:43
00:10:53:43 00:10:53:48		CI1
00:10:53:48 00:10:54:13
00:10:54:13 00:10:54:16		$INDEX1
00:10:54:16 00:10:54:38
00:10:54:38 00:10:55:04		BACK2^	wieder zurück
00:10:55:04 00:10:55:06
00:10:55:06 00:10:55:15		TO-REDUCE3	[MG]
00:10:55:15 00:10:55:23
00:10:55:23 00:10:55:40	I don't know.
00:10:55:40 00:10:56:14		$GEST-OFF^
00:10:56:14 00:10:56:38
00:10:56:38 00:10:57:07	It's not easy.
00:10:57:07 00:10:57:17		EASY1	einfach
00:10:57:17 00:10:57:25
00:10:57:25 00:10:57:30		$GEST-NM-TO-SHRUG1^
00:10:57:30 00:10:58:02
00:10:58:02 00:10:59:33
00:10:59:33 00:11:00:15				It's interesting, though.
00:11:00:15 00:11:00:27					INTEREST1A	doch interessant
00:11:00:27 00:11:00:37
00:11:00:37 00:11:00:49					$GEST-OFF^
00:11:00:49 00:11:01:12				But the CI being better or not - that's not the subject right now.
00:11:01:12 00:11:01:17					BUT1*	aber
00:11:01:17 00:11:01:45
00:11:01:45 00:11:01:46					TO-KNOW-OR-KNOWLEDGE2A^
00:11:01:46 00:11:02:07
00:11:02:07 00:11:02:13					CI1	[MG]
00:11:02:13 00:11:02:32
00:11:02:32 00:11:02:38					BETTER1*	besser
00:11:02:38 00:11:03:04
00:11:03:04 00:11:03:09					ALSO1A*	auch
00:11:03:09 00:11:03:17
00:11:03:17 00:11:03:36					TO-PUSH-TO-THE-SIDE1*	nicht
00:11:03:36 00:11:04:01
00:11:04:01 00:11:04:04				It is, however, not possible today to go to the theater and to ask someone to join me whenever I want to.
00:11:04:04 00:11:04:10					AND-THEN2	dann
00:11:04:10 00:11:04:38
00:11:04:38 00:11:05:08					THEATRE3	theater
00:11:05:08 00:11:05:25
00:11:05:25 00:11:05:33					TO-WISH1B	wünsch
00:11:05:33 00:11:06:00
00:11:06:00 00:11:06:19					TODAY2	heute
00:11:06:19 00:11:06:39
00:11:06:39 00:11:06:41					TO-ADDRESS2*	[MG]
00:11:06:41 00:11:07:07
00:11:07:07 00:11:07:27					TO-COME-HERE1
00:11:07:27 00:11:08:02
00:11:08:02 00:11:08:05					TO-WISH1B*
00:11:08:05 00:11:08:23
00:11:08:23 00:11:08:41					DELIGHT1A*	lust
00:11:08:41 00:11:09:04
00:11:09:04 00:11:09:21					TO-COME-HERE1*	[MG]
00:11:09:21 00:11:09:29
00:11:09:29 00:11:09:37					TO-GO-THERE1^
00:11:09:37 00:11:10:04
00:11:10:04 00:11:10:17					THEATRE3*	theater
00:11:10:17 00:11:10:28
00:11:10:28 00:11:10:45					$GEST-OFF^	[MG]
00:11:10:45 00:11:11:06				When a special play is shown here, you have to pick that date to go there.
00:11:11:06 00:11:11:11					MUST1A	muss
00:11:11:11 00:11:11:28
00:11:11:28 00:11:11:46					APPOINTMENT1A*	termin
00:11:11:46 00:11:12:06
00:11:12:06 00:11:12:12					TO-COME1*
00:11:12:12 00:11:12:37
00:11:12:37 00:11:12:41					WEIRD1^*
00:11:12:41 00:11:13:02
00:11:13:02 00:11:13:19					TO-COME1	kommen
00:11:13:19 00:11:13:33
00:11:13:33 00:11:13:35					I1
00:11:13:35 00:11:14:00
00:11:14:00 00:11:14:06					$INDEX1	kann
00:11:14:06 00:11:14:15
00:11:14:15 00:11:15:22					$GEST-OFF^
00:11:15:22 00:11:16:16
00:11:16:16 00:11:16:27				That's a pity.
00:11:16:27 00:11:16:47					TOO-BAD1	schade
00:11:16:47 00:11:17:07
00:11:17:07 00:11:17:29	Because there aren't many deaf people; it's a small group.				$GEST-OFF^	wie
00:11:17:29 00:11:17:39		REASON4A	grund
00:11:17:39 00:11:17:45
00:11:17:45 00:11:18:05
00:11:18:05 00:11:18:11		LITTLE-BIT4	wenig
00:11:18:11 00:11:18:17					$INDEX1	und
00:11:18:17 00:11:18:19
00:11:18:19 00:11:18:26
00:11:18:26 00:11:18:36					$GEST-OFF^
00:11:18:36 00:11:19:01		DEAF-LOST-HEARING1A	gehörlos
00:11:19:01 00:11:19:27
00:11:19:27 00:11:19:33		SMALL6*	klein
00:11:19:33 00:11:19:47
00:11:19:47 00:11:20:08		LITTLE-BIT4	wenig
00:11:20:08 00:11:20:14
00:11:20:14 00:11:20:26	There aren't many artists, either, a lot less than hearing artists.
00:11:20:26 00:11:20:37		ART6A*	künstler
00:11:20:37 00:11:20:47
00:11:20:47 00:11:21:17		LITTLE-BIT4*	wenig
00:11:21:17 00:11:21:27
00:11:21:27 00:11:21:31		AS-OR-THAN4	als
00:11:21:31 00:11:21:38
00:11:21:38 00:11:21:40		||HEARING1A	hörende
00:11:21:40 00:11:22:03
00:11:22:03 00:11:22:04		||$INDEX1
00:11:22:04 00:11:22:13
00:11:22:13 00:11:22:18	There's a variety of hearing artists.
00:11:22:18 00:11:22:43		DIVERSITY1	[MG]
00:11:22:43 00:11:22:45
00:11:22:45 00:11:23:03	But there's a shortage of deaf artists.			Right.
00:11:23:03 00:11:23:05		BUT1*	aber
00:11:23:05 00:11:23:10
00:11:23:10 00:11:23:15		DEAF-LOST-HEARING1A	gehörlos
00:11:23:15 00:11:23:20					RIGHT-OR-AGREED1A*	stimmt
00:11:23:20 00:11:23:35
00:11:23:35 00:11:24:01		LITTLE-BIT4*	wenig
00:11:24:01 00:11:24:13
00:11:24:13 00:11:24:15
00:11:24:15 00:11:24:19		$GEST-OFF^
00:11:24:19 00:11:24:22				But Germany is so big.
00:11:24:22 00:11:24:26
00:11:24:26 00:11:24:31					BUT1*	aber
00:11:24:31 00:11:24:44
00:11:24:44 00:11:25:07
00:11:25:07 00:11:25:10					GERMAN1	deutschland
00:11:25:10 00:11:25:28
00:11:25:28 00:11:26:39					AREA1A^*	[MG]
00:11:26:39 00:11:26:48
00:11:26:48 00:11:27:12				That means: if there is a theater in Munich, everyone has to go there to rehearse.
00:11:27:12 00:11:27:20					MEANING1*	bedeutet
00:11:27:20 00:11:27:44
00:11:27:44 00:11:28:05					$NUM-ONE-TO-TEN1A:1d	ein
00:11:28:05 00:11:28:19
00:11:28:19 00:11:28:38					THEATRE3*	theater
00:11:28:38 00:11:29:05
00:11:29:05 00:11:29:20					MUNICH1A*	münchen
00:11:29:20 00:11:29:48
00:11:29:48 00:11:30:49					TO-COME2*	[MG]
00:11:30:49 00:11:31:11
00:11:31:11 00:11:31:34					TO-PRACTICE1	üben
00:11:31:34 00:11:31:48
00:11:31:48 00:11:31:49					LOCATION1B^*
00:11:31:49 00:11:32:03				Often, it's a small group.
00:11:32:03 00:11:32:15					MOST1B	meist
00:11:32:15 00:11:32:25
00:11:32:25 00:11:33:03					GROUP1B^*	[MG]
00:11:33:03 00:11:33:07
00:11:33:07 00:11:33:18				There is nothing else around, just this group.
00:11:33:18 00:11:33:39					$INDEX1*	[MG]
00:11:33:39 00:11:33:46
00:11:33:46 00:11:35:00					NOTHING1A*	nichts nichts
00:11:35:00 00:11:35:13
00:11:35:13 00:11:35:36					GROUP1A^*
00:11:35:36 00:11:35:46
00:11:35:46 00:11:36:01					$GEST-OFF^
00:11:36:01 00:11:36:03	But/
00:11:36:03 00:11:36:13
00:11:36:13 00:11:36:20					$INDEX1*	da
00:11:36:20 00:11:36:27		BUT1*	aber
00:11:36:27 00:11:36:29
00:11:36:29 00:11:36:33
00:11:36:33 00:11:36:46				The theater has to go to different places, like Hamburg for example.
00:11:36:46 00:11:37:01					TO-ACCEPT-STH1B
00:11:37:01 00:11:37:16
00:11:37:16 00:11:37:27					TO-DRIVE1*	[MG]
00:11:37:27 00:11:39:25
00:11:39:25 00:11:39:47
00:11:39:47 00:11:40:13					$GEST-OFF^	wie
00:11:40:13 00:11:40:26
00:11:40:26 00:11:40:33					TOWARDS9	zum
00:11:40:33 00:11:40:47
00:11:40:47 00:11:41:15					SEVERAL1	beispiel
00:11:41:15 00:11:41:17					EXAMPLE1*
00:11:41:17 00:11:41:29
00:11:41:29 00:11:41:32					HAMBURG2*	hamburg
00:11:41:32 00:11:41:44
00:11:41:44 00:11:42:21					TO-DRIVE3*
00:11:42:21 00:11:42:37
00:11:42:37 00:11:42:47				When the play is over, they go on, let's say to Bremen.
00:11:42:47 00:11:43:06					THEATRE3*	theater
00:11:43:06 00:11:43:22
00:11:43:22 00:11:43:32					DONE1B	fertig
00:11:43:32 00:11:43:49
00:11:43:49 00:11:44:17					BACK1A^*	dann
00:11:44:17 00:11:44:36
00:11:44:36 00:11:44:49					$GEST-I-DONT-KNOW1^
00:11:44:49 00:11:45:18
00:11:45:18 00:11:45:41					BREMEN1*	bremen
00:11:45:41 00:11:46:04
00:11:46:04 00:11:46:12					$GEST-OFF^
00:11:46:12 00:11:46:15
00:11:46:15 00:11:47:01				And when it's over there, they go back to Nuremberg.
00:11:47:01 00:11:47:02					THEATRE3*
00:11:47:02 00:11:47:10
00:11:47:10 00:11:47:18					DONE1B	fertig
00:11:47:18 00:11:47:27
00:11:47:27 00:11:47:47					BACK1A*
00:11:47:47 00:11:48:07
00:11:48:07 00:11:48:25					NUREMBERG3*	nürnberg
00:11:48:25 00:11:48:26
00:11:48:26 00:11:48:45				They tour from town to town showing the same play, for instance.
00:11:48:45 00:11:49:22					$INDEX1*	[MG]
00:11:49:22 00:11:49:48
00:11:49:48 00:11:50:26					SAME4	immer {das}selbe
00:11:50:26 00:11:50:43
00:11:50:43 00:11:51:11					HEADING1^	stück
00:11:51:11 00:11:51:26
00:11:51:26 00:11:52:24					$GEST-OFF^
00:11:52:24 00:11:52:33
00:11:52:33 00:11:53:01					EXAMPLE1	beispiel
00:11:53:01 00:11:53:09
00:11:53:09 00:11:53:12					$GEST-OFF^
00:11:53:12 00:11:53:34
00:11:53:34 00:11:54:09	But I have great respect for the deaf, because they don't feel like being disabled.
00:11:54:09 00:11:54:30		BUT1*	aber
00:11:54:30 00:11:55:42
00:11:55:42 00:11:55:44		I1
00:11:55:44 00:11:56:06
00:11:56:06 00:11:56:14		MUST1A*	muss
00:11:56:14 00:11:56:17
00:11:56:17 00:11:56:19		I1
00:11:56:19 00:11:56:29
00:11:56:29 00:11:56:44		HAT-OFF1*	hut ab
00:11:56:44 00:11:57:04
00:11:57:04 00:11:57:17		DEAF-LOST-HEARING1A	gehörlos
00:11:57:17 00:11:57:25
00:11:57:25 00:11:58:02		WHY1	warum
00:11:58:02 00:11:58:30
00:11:58:30 00:11:58:36		SELF1A*	selbst
00:11:58:36 00:11:58:48
00:11:58:48 00:11:59:10		DISABILITY1*	behindert
00:11:59:10 00:11:59:16
00:11:59:16 00:11:59:23		FEELING2B	fühlen
00:11:59:23 00:11:59:25
00:11:59:25 00:11:59:27		NOT1	nicht
00:11:59:27 00:11:59:36
00:11:59:36 00:11:59:40		DISABILITY1*	behindert
00:11:59:40 00:12:00:02
00:12:00:02 00:12:00:03		$INDEX1
00:12:00:03 00:12:00:21	Deaf - so what?
00:12:00:21 00:12:00:31		DEAF-LOST-HEARING1A*
00:12:00:31 00:12:00:37
00:12:00:37 00:12:00:42		AND5	na und
00:12:00:42 00:12:00:49
00:12:00:49 00:12:01:09		$GEST-OFF^
00:12:01:09 00:12:01:25	It is kind of brave to participate.
00:12:01:25 00:12:02:00		BUT1	aber
00:12:02:00 00:12:02:22
00:12:02:22 00:12:02:32		COURAGE1	mut
00:12:02:32 00:12:02:40
00:12:02:40 00:12:02:47		ALSO3A	auch
00:12:02:47 00:12:03:21
00:12:03:21 00:12:03:33		WITH1A*	mit
00:12:03:33 00:12:03:41
00:12:03:41 00:12:03:48		TO-MAKE2*	machen
00:12:03:48 00:12:04:09
00:12:04:09 00:12:04:11	They drive around and sacrifice a lot just to make other deaf people happy.
00:12:04:11 00:12:04:33		TO-DRIVE1*
00:12:04:33 00:12:04:40
00:12:04:40 00:12:04:47		ALSO3A
00:12:04:47 00:12:05:19
00:12:05:19 00:12:05:24		MUCH-OR-MANY1A*	viel
00:12:05:24 00:12:05:33
00:12:05:33 00:12:05:40		SACRIFICE1A*	opfern opfern
00:12:05:40 00:12:06:00
00:12:06:00 00:12:06:10		SACRIFICE4
00:12:06:10 00:12:06:34
00:12:06:34 00:12:06:39		FOR1*	für
00:12:06:39 00:12:07:01
00:12:07:01 00:12:07:05		DEAF-LOST-HEARING1A	gehörlos
00:12:07:05 00:12:07:10
00:12:07:10 00:12:07:15		$INDEX1*
00:12:07:15 00:12:07:23
00:12:07:23 00:12:07:28		HAPPY1*	freuen
00:12:07:28 00:12:07:38
00:12:07:38 00:12:07:48		TO-MAKE2	machen
00:12:07:48 00:12:08:06
00:12:08:06 00:12:08:08		$INDEX1
00:12:08:08 00:12:08:09
00:12:08:09 00:12:08:17	Respect!
00:12:08:17 00:12:08:19		I2*
00:12:08:19 00:12:08:34
00:12:08:34 00:12:08:49		HAT-OFF1*	hut ab
00:12:08:49 00:12:09:09
00:12:09:09 00:12:09:15		$GEST-OFF^
00:12:09:15 00:12:09:18
00:12:09:18 00:12:09:38	Secondly, deaf people who do that are really strong.
00:12:09:38 00:12:09:46		$NUM-ORDINAL1:2d*	und
00:12:09:46 00:12:10:09
00:12:10:09 00:12:10:25		$LIST1:2of2d*	zweitens
00:12:10:25 00:12:11:28
00:12:11:28 00:12:12:09		VERY6	[MG]
00:12:12:09 00:12:12:26
00:12:12:26 00:12:12:37		DEAF-LOST-HEARING1A	gehö{rlos}
00:12:12:37 00:12:13:04
00:12:13:04 00:12:13:18		ALL1A^
00:12:13:18 00:12:14:15
00:12:14:15 00:12:14:43		MUSCLE3^	[MG]
00:12:14:43 00:12:15:16
00:12:15:16 00:12:15:28	Hearing people also have/
00:12:15:28 00:12:15:30		$INDEX1
00:12:15:30 00:12:15:46
00:12:15:46 00:12:16:27		HEARING1A*	hörend
00:12:16:27 00:12:16:40
00:12:16:40 00:12:17:14		ALL1A^*
00:12:17:14 00:12:17:32
00:12:17:32 00:12:17:39		ALSO3A
00:12:17:39 00:12:17:49
00:12:17:49 00:12:19:17	Even hearing people are impressed.
00:12:19:17 00:12:19:36		HEARING1A*	hörend
00:12:19:36 00:12:20:02
00:12:20:02 00:12:20:23		OPEN-MOUTHED1	[MG]
00:12:20:23 00:12:20:34
00:12:20:34 00:12:20:47		$INDEX1
00:12:20:47 00:12:21:08
00:12:21:08 00:12:22:04	Hearing people think deaf people always look sad, but that's not true.
00:12:22:04 00:12:22:20		DEAF-LOST-HEARING1A	gehö{rlos}
00:12:22:20 00:12:22:27
00:12:22:27 00:12:22:31		HEARING1A	hörend
00:12:22:31 00:12:23:12
00:12:23:12 00:12:23:24		DEAF-LOST-HEARING1A	gehörlos
00:12:23:24 00:12:23:34
00:12:23:34 00:12:24:00		SAD4*	traurig
00:12:24:00 00:12:24:12
00:12:24:12 00:12:24:36		APPEARANCE2	aussehen
00:12:24:36 00:12:25:00
00:12:25:00 00:12:25:45		$GEST-NM-SHAKE-HEAD1^
00:12:25:45 00:12:25:48
00:12:25:48 00:12:26:11	They are shocked that deaf people can be funny, too and that they can happily go on talking forever.
00:12:26:11 00:12:26:24		SHOCK2A	schock
00:12:26:24 00:12:26:39
00:12:26:39 00:12:26:48		DEAF-LOST-HEARING1A	gehörlos
00:12:26:48 00:12:27:06
00:12:27:06 00:12:27:11		CAN1*	können
00:12:27:11 00:12:27:19
00:12:27:19 00:12:27:48		FUNNY1*	lustig sein
00:12:27:48 00:12:28:29
00:12:28:29 00:12:29:09		HAPPY1	froh
00:12:29:09 00:12:29:23
00:12:29:23 00:12:29:28		TO-SIGN1E*	[MG]
00:12:29:28 00:12:29:47
00:12:29:47 00:12:30:01		WITHOUT1*	ohne
00:12:30:01 00:12:30:09
00:12:30:09 00:12:30:22		END1A	ende
00:12:30:22 00:12:30:34
00:12:30:34 00:12:30:35		$GEST-OFF^
00:12:30:35 00:12:30:41
00:12:30:41 00:12:31:48	It's so awesome!	VERY6*	[MG]
00:12:31:48 00:12:31:49
00:12:31:49 00:12:32:19		GREAT1A	toll
00:12:32:19 00:12:33:20
00:12:33:20 00:12:33:33	I just said deaf people have an advantage, although they don't communicate much at work, at home or with hearing people.			True.
00:12:33:33 00:12:33:35					RIGHT-OR-AGREED1B
00:12:33:35 00:12:33:39		I1||$INDEX1
00:12:33:39 00:12:33:47
00:12:33:47 00:12:34:02		TO-SAY1*	sagen
00:12:34:02 00:12:34:04
00:12:34:04 00:12:34:20
00:12:34:20 00:12:34:25
00:12:34:25 00:12:34:36		DEAF-LOST-HEARING1A	gehörlos
00:12:34:36 00:12:34:46
00:12:34:46 00:12:35:02		ADVANTAGE1	vorteil
00:12:35:02 00:12:36:37
00:12:36:37 00:12:36:46		ALTHOUGH2*	obwohl
00:12:36:46 00:12:37:31
00:12:37:31 00:12:38:02		TO-WORK2	arbeitspla{tz}
00:12:38:02 00:12:38:13
00:12:38:13 00:12:38:21		PRESENT-OR-HERE1^*
00:12:38:21 00:12:38:36
00:12:38:36 00:12:38:43		COMMUNICATION1A	kommunizieren
00:12:38:43 00:12:39:01
00:12:39:01 00:12:39:14		LITTLE-BIT4*	wenig
00:12:39:14 00:12:39:20
00:12:39:20 00:12:39:22		$GEST^
00:12:39:22 00:12:39:25
00:12:39:25 00:12:39:37		TO-LET1^*	[MG]
00:12:39:37 00:12:40:01
00:12:40:01 00:12:40:12		AT-HOME3*	zu hause
00:12:40:12 00:12:40:16
00:12:40:16 00:12:40:17		$INDEX1
00:12:40:17 00:12:40:29
00:12:40:29 00:12:40:33		ALSO3A	auch
00:12:40:33 00:12:40:40
00:12:40:40 00:12:40:41		HEARING1A	hörend
00:12:40:41 00:12:41:04
00:12:41:04 00:12:41:12		LITTLE-BIT4*	wenig
00:12:41:12 00:12:41:19
00:12:41:19 00:12:41:34		COMMUNICATION1A	kommunikation
00:12:41:34 00:12:41:40
00:12:41:40 00:12:41:43		END1^
00:12:41:43 00:12:42:02	When deaf people meet, they chat endless, the whole night through until the next morning.
00:12:42:02 00:12:42:32		BUT1*	aber
00:12:42:32 00:12:43:03
00:12:43:03 00:12:43:11		DEAF-LOST-HEARING1A	gehörlos
00:12:43:11 00:12:43:23
00:12:43:23 00:12:43:32		TO-MEET1*	treffen
00:12:43:32 00:12:43:48
00:12:43:48 00:12:44:12		DOWN1*
00:12:44:12 00:12:44:31
00:12:44:31 00:12:45:01		MASS-OF-PEOPLE-ACTIVE2*
00:12:45:01 00:12:45:11
00:12:45:11 00:12:45:38		TO-SIGN1E*
00:12:45:38 00:12:45:46
00:12:45:46 00:12:46:07		UNTIL1	bis
00:12:46:07 00:12:46:08
00:12:46:08 00:12:46:24		EARLY-MORNING1*	morgen früh
00:12:46:24 00:12:46:40
00:12:46:40 00:12:46:46		WITHOUT1*	ohne
00:12:46:46 00:12:47:07
00:12:47:07 00:12:47:19		END1B	ende
00:12:47:19 00:12:47:33
00:12:47:33 00:12:47:44	And it's always fun.
00:12:47:44 00:12:48:03		MUST1A	muss
00:12:48:03 00:12:48:06
00:12:48:06 00:12:48:19		ALWAYS4A*	immer
00:12:48:19 00:12:48:27
00:12:48:27 00:12:48:40		FUNNY1	lustig
00:12:48:40 00:12:49:03
00:12:49:03 00:12:49:07	Nevertheless, hearing people cannot imagine how deaf people live.	$INDEX1
00:12:49:07 00:12:49:20
00:12:49:20 00:12:49:26		HEARING1A	hörend
00:12:49:26 00:12:49:37
00:12:49:37 00:12:49:40		CAN2A*	können nicht
00:12:49:40 00:12:50:02
00:12:50:02 00:12:50:14		IMAGINATION1A	vorstellen
00:12:50:14 00:12:50:24
00:12:50:24 00:12:50:27		HOW-QUESTION1*	wie
00:12:50:27 00:12:50:37
00:12:50:37 00:12:50:40		DEAF-LOST-HEARING1A*	gehörlos
00:12:50:40 00:12:50:43
00:12:50:43 00:12:51:02		$INDEX1
00:12:51:02 00:12:51:10
00:12:51:10 00:12:51:19		TO-LIVE1C	leben
00:12:51:19 00:12:51:30
00:12:51:30 00:12:51:31	They think deaf people are always sad.	TO-BELIEVE2A*	glauben
00:12:51:31 00:12:51:40
00:12:51:40 00:12:51:43		ALL1A	all
00:12:51:43 00:12:52:03
00:12:52:03 00:12:52:12		DEAF-LOST-HEARING1A	gehörlos
00:12:52:12 00:12:52:24
00:12:52:24 00:12:52:33		SAD4*	traurig
00:12:52:33 00:12:52:43
00:12:52:43 00:12:53:04		DEAF-LOST-HEARING1A	gehörlos
00:12:53:04 00:12:53:15
00:12:53:15 00:12:53:24		SAD4*	traurig	Intimidated.	$ORAL^	viel
00:12:53:24 00:12:53:30
00:12:53:30 00:12:53:38	They'd be shocked could they only see how fun it is there.
00:12:53:38 00:12:54:02					SHY4	[MG]
00:12:54:02 00:12:54:17		SHOCK3	schock
00:12:54:17 00:12:54:29
00:12:54:29 00:12:54:34		DEAF-LOST-HEARING1A*
00:12:54:34 00:12:54:44
00:12:54:44 00:12:55:20		FUNNY1
00:12:55:20 00:12:55:25
00:12:55:25 00:12:55:34	They are all silent then.
00:12:55:34 00:12:55:35
00:12:55:35 00:12:55:40		CLOSE-MOUTH1	[MG]
00:12:55:40 00:12:56:11				Deaf people succeed in playing many different roles.
00:12:56:11 00:12:56:13		$GEST-OFF^
00:12:56:13 00:12:56:24
00:12:56:24 00:12:56:28		PAST1^*
00:12:56:28 00:12:56:32					AS-OR-THAN4	als
00:12:56:32 00:12:56:34
00:12:56:34 00:12:56:41		$GEST^
00:12:56:41 00:12:56:42
00:12:56:42 00:12:56:49					I1^
00:12:56:49 00:12:57:06
00:12:57:06 00:12:57:42					TO-ROLL1A*	rollen
00:12:57:42 00:12:57:49
00:12:57:49 00:12:59:13					TO-CHANGE2C^*	tauschen tauschen tauschen
00:12:59:13 00:12:59:25
00:12:59:25 00:13:00:11					TO-ACCOMPLISH1A*	schaff schaff
00:13:00:11 00:13:00:23				It really is impressive.
00:13:00:23 00:13:00:49					VERY7*	[MG]
00:13:00:49 00:13:01:09
00:13:01:09 00:13:01:12					$INDEX1
00:13:01:12 00:13:01:43
00:13:01:43 00:13:02:32					$GEST-NM^	[MG]
00:13:02:32 00:13:03:33
00:13:03:33 00:13:03:49					LIKE7A	wie
00:13:03:49 00:13:04:05
00:13:04:05 00:13:04:24				They are baffled and interested.
00:13:04:24 00:13:04:35					EYE-OPEN2^	[MG]
00:13:04:35 00:13:04:44
00:13:04:44 00:13:05:03					ON-PERSON1*
00:13:05:03 00:13:05:28
00:13:05:28 00:13:06:18					INTEREST1A^*	[MG]
00:13:06:18 00:13:06:32
00:13:06:32 00:13:06:40					LIKE-THIS1*	so
00:13:06:40 00:13:06:42
00:13:06:42 00:13:07:15				Hearing people are enthusiastic about deaf people changing roles; they didn't know before.
00:13:07:15 00:13:07:36					WEIRD1^	[MG]
00:13:07:36 00:13:07:47
00:13:07:47 00:13:08:32					WHAT1B	[MG]
00:13:08:32 00:13:09:02
00:13:09:02 00:13:09:35					SELF1A*	selbst
00:13:09:35 00:13:10:15
00:13:10:15 00:13:10:21					TO-KNOW-OR-KNOWLEDGE2A*	nicht gewusst
00:13:10:21 00:13:11:14
00:13:11:14 00:13:12:16					TO-CHANGE1A^*	[MG]
00:13:12:16 00:13:12:38
00:13:12:38 00:13:13:15				It's simply nice.	$ORAL^	aber
00:13:13:15 00:13:13:20
00:13:13:20 00:13:13:29					LIKE-THIS1^*	[MG]
00:13:13:29 00:13:14:05
00:13:14:05 00:13:14:24					TO-FIND-STH-SUPER2*	[MG]
00:13:14:24 00:13:14:27	Culture is also good to show hearing people what the deaf can do.
00:13:14:27 00:13:14:43
00:13:14:43 00:13:15:05					BEAUTIFUL5*	schön
00:13:15:05 00:13:15:39		||$GEST-ATTENTION1^
00:13:15:39 00:13:15:42
00:13:15:42 00:13:16:05
00:13:16:05 00:13:16:23		CULTURE1B*	kultur
00:13:16:23 00:13:16:30
00:13:16:30 00:13:16:33		ALSO3A*	auch
00:13:16:33 00:13:16:43
00:13:16:43 00:13:17:04		GOOD1*	gut
00:13:17:04 00:13:17:15
00:13:17:15 00:13:17:22		CAN2A*	kann
00:13:17:22 00:13:17:32
00:13:17:32 00:13:17:37		ON-PERSON1	auf
00:13:17:37 00:13:17:47
00:13:17:47 00:13:17:48		HEARING1A	hörend
00:13:17:48 00:13:18:11
00:13:18:11 00:13:18:27		TO-SHOW1A	zeigen
00:13:18:27 00:13:19:00
00:13:19:00 00:13:19:08		DEAF-LOST-HEARING1A	gehörlos
00:13:19:08 00:13:19:14
00:13:19:14 00:13:19:30		CAN1*	können
00:13:19:30 00:13:19:40
00:13:19:40 00:13:20:20		$GEST-OFF^
00:13:20:20 00:13:20:33	As if we didn't have a culture.
00:13:20:33 00:13:21:03		WAS1*	war
00:13:21:03 00:13:21:06
00:13:21:06 00:13:21:09		WITHOUT2*	ohne
00:13:21:09 00:13:21:17
00:13:21:17 00:13:21:23		CULTURE1B*	kultur
00:13:21:23 00:13:21:29
00:13:21:29 00:13:21:35	You know, hearing people think we don't have something like that.
00:13:21:35 00:13:21:44		$INDEX1*
00:13:21:44 00:13:22:04
00:13:22:04 00:13:22:07		HEARING1A	hörend
00:13:22:07 00:13:22:17
00:13:22:17 00:13:22:18		TO-THINK1B	denk
00:13:22:18 00:13:22:26
00:13:22:26 00:13:22:35		DEAF-LOST-HEARING1A	gehörlos
00:13:22:35 00:13:22:44
00:13:22:44 00:13:22:45		$INDEX1
00:13:22:45 00:13:23:06
00:13:23:06 00:13:23:13		NOTHING1A*	nichts
00:13:23:13 00:13:23:40
00:13:23:40 00:13:23:49		$GEST-OFF^
00:13:23:49 00:13:24:00
00:13:24:00 00:13:24:10	But people can learn a lot through culture.
00:13:24:10 00:13:24:22		NOW1*	jetzt
00:13:24:22 00:13:25:17
00:13:25:17 00:13:25:26		THROUGH2B	durch
00:13:25:26 00:13:25:34
00:13:25:34 00:13:25:47		CULTURE1B*	kultur
00:13:25:47 00:13:26:21
00:13:26:21 00:13:26:27		HUMAN2*	mensch
00:13:26:27 00:13:26:42
00:13:26:42 00:13:26:47		CAN2A	kann
00:13:26:47 00:13:27:05
00:13:27:05 00:13:27:07		MUCH-OR-MANY1A*	viel
00:13:27:07 00:13:27:13
00:13:27:13 00:13:27:23		TO-LEARN1*	lernen
00:13:27:23 00:13:27:32
00:13:27:32 00:13:27:38	We can change ourselves or make others happy.
00:13:27:38 00:13:27:41		BODY1^*
00:13:27:41 00:13:27:44
00:13:27:44 00:13:28:00		SELF1A*	selb{st}
00:13:28:00 00:13:28:07
00:13:28:07 00:13:28:21		||TO-MODIFY1A	[MG]
00:13:28:21 00:13:28:33
00:13:28:33 00:13:28:48		OR6B	oder
00:13:28:48 00:13:29:15
00:13:29:15 00:13:29:31		HAPPY1	freude
00:13:29:31 00:13:29:36
00:13:29:36 00:13:30:00		TO-GIVE1*	geben
00:13:30:00 00:13:30:10
00:13:30:10 00:13:30:13		$GEST-OFF^
00:13:30:13 00:13:30:17
00:13:30:17 00:13:30:29	We can teach hearing people things and the other way round.
00:13:30:29 00:13:30:33		$INDEX1
00:13:30:33 00:13:30:43
00:13:30:43 00:13:31:00		TO-SHOW1A	[MG]
00:13:31:00 00:13:31:11
00:13:31:11 00:13:31:21		HEARING1A*	hörend
00:13:31:21 00:13:31:35
00:13:31:35 00:13:31:43		CONVERSELY1*	um
00:13:31:43 00:13:32:01
00:13:32:01 00:13:32:08		$INDEX1
00:13:32:08 00:13:32:21
00:13:32:21 00:13:32:24		HEARING1A	hörend
00:13:32:24 00:13:32:36
00:13:32:36 00:13:32:42	If hearing people think we deaf people can't do anything, it's just not true.
00:13:32:42 00:13:32:49		ALWAYS4A*	immer
00:13:32:49 00:13:33:10
00:13:33:10 00:13:33:14		$GEST-DECLINE1^
00:13:33:14 00:13:33:22
00:13:33:22 00:13:33:26		DEAF-LOST-HEARING1A	gehörlos
00:13:33:26 00:13:33:37
00:13:33:37 00:13:33:47		$INDEX1*
00:13:33:47 00:13:34:05
00:13:34:05 00:13:34:15		NOTHING1A*	nichts
00:13:34:15 00:13:34:23
00:13:34:23 00:13:34:40		RIGHT-OR-AGREED1A*	stimmt nicht
00:13:34:40 00:13:34:46
00:13:34:46 00:13:35:11		$GEST-DECLINE1^
00:13:35:11 00:13:35:32
00:13:35:32 00:13:35:38		$GEST-OFF^
00:13:35:38 00:13:35:45	That's why culture is so valuable.
00:13:35:45 00:13:35:49		ALSO3A*	auch
00:13:35:49 00:13:36:09
00:13:36:09 00:13:36:11		VALUABLE1B	wertvolle
00:13:36:11 00:13:36:26
00:13:36:26 00:13:36:37		CULTURE1B*	kultur
00:13:36:37 00:13:36:45
00:13:36:45 00:13:36:46		$GEST-OFF^
00:13:36:46 00:13:37:32