dgskorpus_hh_05: Experience of Deaf Individuals

Topics Cinema, Theater, Museum, Art: Deaf Theater; Deaf Culture: Deaf Theater

	Translation	Lexeme/Sign	Mouth	Translation	Lexeme/Sign	Mouth	Moderator
00:00:00:00 00:00:00:31
00:00:00:31 00:00:00:41				The first time I dealt with sign language in depth was when I was still a child.
00:00:00:41 00:00:01:11					$GEST^
00:00:01:11 00:00:02:10
00:00:02:10 00:00:02:18					I1	ich
00:00:02:18 00:00:02:35
00:00:02:35 00:00:03:03					$GEST-OFF^	[MG]
00:00:03:03 00:00:03:49
00:00:03:49 00:00:04:31					MAIN1B^
00:00:04:31 00:00:04:49
00:00:04:49 00:00:05:16					TO-SIGN1D*
00:00:05:16 00:00:05:24
00:00:05:24 00:00:05:38					COHERENCE1A
00:00:05:38 00:00:05:45
00:00:05:45 00:00:06:12					STRONG2A	stark
00:00:06:12 00:00:06:18
00:00:06:18 00:00:06:31					WHAT1B*	was
00:00:06:31 00:00:06:46
00:00:06:46 00:00:07:01					ALREADY1A	schon
00:00:07:01 00:00:07:09
00:00:07:09 00:00:07:15					PAST-OR-BACK-THEN1	früher
00:00:07:15 00:00:07:28
00:00:07:28 00:00:07:45					SMALL3	klein
00:00:07:45 00:00:07:48
00:00:07:48 00:00:09:03				It started out because of a student exchange program with America.
00:00:09:03 00:00:09:11					THROUGH2A	durch
00:00:09:11 00:00:09:23
00:00:09:23 00:00:09:31					THIS1B	[MG]
00:00:09:31 00:00:09:45
00:00:09:45 00:00:10:28					AMERICA1	amerika
00:00:10:28 00:00:11:20
00:00:11:20 00:00:11:38					TO-STUDY1	studentenaustauschprogramm
00:00:11:38 00:00:11:45
00:00:11:45 00:00:12:16					TO-EXCHANGE2*
00:00:12:16 00:00:12:29
00:00:12:29 00:00:13:06					PROGRAM1B
00:00:13:06 00:00:13:23
00:00:13:23 00:00:13:32					BEEN1	gewesen
00:00:13:32 00:00:13:45
00:00:13:45 00:00:14:03				My mother saw that there was an opportunity to become a host family.
00:00:14:03 00:00:14:06					MY1*	meine
00:00:14:06 00:00:14:22
00:00:14:22 00:00:14:38					MOTHER1	mutter
00:00:14:38 00:00:15:05
00:00:15:05 00:00:15:12					SELF1A*
00:00:15:12 00:00:15:17
00:00:15:17 00:00:15:22					THROUGH2A
00:00:15:22 00:00:15:28
00:00:15:28 00:00:15:32					ACTIVE1^*
00:00:15:32 00:00:15:33
00:00:15:33 00:00:15:42					$GEST-NM^	[MG]
00:00:15:42 00:00:16:04
00:00:16:04 00:00:16:15					OFFER1A*	angebot
00:00:16:15 00:00:16:22
00:00:16:22 00:00:16:28					MY1
00:00:16:28 00:00:16:37
00:00:16:37 00:00:16:40					GUEST2	gastfamilie
00:00:16:40 00:00:16:49
00:00:16:49 00:00:17:28					FAMILY1
00:00:17:28 00:00:17:40				So we invited Dr. Feuchte and some American students stayed with us.
00:00:17:40 00:00:18:07					BACK-THEN1	damals
00:00:18:07 00:00:18:12
00:00:18:12 00:00:18:18					TOWARDS9*	zu
00:00:18:18 00:00:18:22
00:00:18:22 00:00:18:42					TO-TOUCH1A^	doktor feuchte
00:00:18:42 00:00:19:10
00:00:19:10 00:00:19:28					||TO-INVITE1A	einladen
00:00:19:28 00:00:19:46
00:00:19:46 00:00:20:02					AMERICA1*	amerika
00:00:20:02 00:00:20:12
00:00:20:12 00:00:20:22					TO-STUDY1	studenten
00:00:20:22 00:00:20:23
00:00:20:23 00:00:20:40					TO-LIST1A
00:00:20:40 00:00:21:03
00:00:21:03 00:00:21:42					MASS-OF-PEOPLE-ACTIVE2*	[MG]
00:00:21:42 00:00:21:47
00:00:21:47 00:00:22:10				They were divided among different host families and my mother and I hosted one of them.
00:00:22:10 00:00:22:21					THEN1A	dann
00:00:22:21 00:00:22:29
00:00:22:29 00:00:22:43					TO-DIVIDE5*	[MG]
00:00:22:43 00:00:22:49
00:00:22:49 00:00:23:03					I1	ich
00:00:23:03 00:00:23:09
00:00:23:09 00:00:23:14					MOTHER1*	mutter
00:00:23:14 00:00:23:24
00:00:23:24 00:00:23:41					TO-UNDERTAKE1*	[MG]
00:00:23:41 00:00:24:04
00:00:24:04 00:00:24:12				I discussed and exchanged views on many topics with the American students.
00:00:24:12 00:00:24:19					AND1*	und
00:00:24:19 00:00:24:22
00:00:24:22 00:00:24:27					$INDEX1	da
00:00:24:27 00:00:24:34
00:00:24:34 00:00:24:42					AMERICA1	amerika
00:00:24:42 00:00:25:10
00:00:25:10 00:00:25:24					TO-STUDY1	studenten
00:00:25:24 00:00:25:39
00:00:25:39 00:00:26:28					TO-REPLACE1*	[MG]
00:00:26:28 00:00:26:36
00:00:26:36 00:00:26:42					MUCH-OR-MANY1A	viel
00:00:26:42 00:00:26:45
00:00:26:45 00:00:26:49				They told me that there was a thing such as Deaf theater in America and that for instance deaf people would stand on a stage and talk about something.
00:00:26:49 00:00:27:04					$INDEX1
00:00:27:04 00:00:27:10
00:00:27:10 00:00:27:17					AND5	und
00:00:27:17 00:00:27:27
00:00:27:27 00:00:27:41					TO-TELL4
00:00:27:41 00:00:27:47
00:00:27:47 00:00:28:04					$INDEX1
00:00:28:04 00:00:28:17
00:00:28:17 00:00:28:22					AMERICA1	amerika
00:00:28:22 00:00:28:32
00:00:28:32 00:00:28:39					PRESENT-OR-HERE1	da
00:00:28:39 00:00:28:47
00:00:28:47 00:00:29:06					DEAF-LOST-HEARING1A
00:00:29:06 00:00:29:10
00:00:29:10 00:00:29:31					THEATRE6	theater
00:00:29:31 00:00:29:42
00:00:29:42 00:00:30:00					DEAF-LOST-HEARING1A
00:00:30:00 00:00:30:06
00:00:30:06 00:00:30:12					SELF1A*	selbst
00:00:30:12 00:00:30:19
00:00:30:19 00:00:30:29					TO-SIGN1E	[MG]
00:00:30:29 00:00:30:40
00:00:30:40 00:00:31:00					STAGE1	bühne
00:00:31:00 00:00:31:05				I was very impressed and was surprised that deaf people star in plays themselves.
00:00:31:05 00:00:31:10					I1	ich
00:00:31:10 00:00:31:16
00:00:31:16 00:00:31:40					$PROD*	[MG]
00:00:31:40 00:00:31:44
00:00:31:44 00:00:31:48					I1
00:00:31:48 00:00:32:05
00:00:32:05 00:00:32:08					TO-WORRY1A^*
00:00:32:08 00:00:32:11
00:00:32:11 00:00:32:15					I1	ich
00:00:32:15 00:00:32:18
00:00:32:18 00:00:32:23					$NUM-ONE-TO-TEN1A^*
00:00:32:23 00:00:32:25
00:00:32:25 00:00:32:30					BEGINNING1A*	anfang
00:00:32:30 00:00:33:21
00:00:33:21 00:00:33:31					WEIRD1^	[MG]
00:00:33:31 00:00:33:41
00:00:33:41 00:00:34:01					DEAF-LOST-HEARING1A*	gehörlos
00:00:34:01 00:00:34:06
00:00:34:06 00:00:34:09					SELF1A	selbst
00:00:34:09 00:00:34:16
00:00:34:16 00:00:34:28					THEATRE6	theater
00:00:34:28 00:00:34:29				That already caught my interest.
00:00:34:29 00:00:34:34					FOR1*
00:00:34:34 00:00:34:39
00:00:34:39 00:00:35:02					INTEREST1A	[MG]
00:00:35:02 00:00:35:11
00:00:35:11 00:00:35:26					ALREADY1A	schon
00:00:35:26 00:00:35:32
00:00:35:32 00:00:35:45				When I got a little older, my mother heard about Paris.
00:00:35:45 00:00:36:11					TO-PUSH-TO-THE-SIDE1	[MG]
00:00:36:11 00:00:36:31
00:00:36:31 00:00:36:49					THEN1C	dann
00:00:36:49 00:00:37:21
00:00:37:21 00:00:37:42					TO-GROW-UP1B	[MG]
00:00:37:42 00:00:37:44
00:00:37:44 00:00:38:01					$GEST-TO-PONDER1^
00:00:38:01 00:00:38:04
00:00:38:04 00:00:38:11					MY1	meine
00:00:38:11 00:00:38:30
00:00:38:30 00:00:38:43					MOTHER5	mutter
00:00:38:43 00:00:38:47
00:00:38:47 00:00:39:02					$INDEX1
00:00:39:02 00:00:39:13
00:00:39:13 00:00:39:27					LIKE-THIS3	so
00:00:39:27 00:00:39:36
00:00:39:36 00:00:39:42					ALSO1A*	auch
00:00:39:42 00:00:39:48
00:00:39:48 00:00:40:07					TO-LEARN-STH1A	erfahren
00:00:40:07 00:00:40:15
00:00:40:15 00:00:40:27					$INDEX1
00:00:40:27 00:00:40:37
00:00:40:37 00:00:41:03					PARIS1	paris
00:00:41:03 00:00:41:07
00:00:41:07 00:00:41:10				My mother had a strong connection with Paris and this way I got to go to the IVT [short for International Visual Theater].
00:00:41:10 00:00:41:17					I1	ich
00:00:41:17 00:00:41:26
00:00:41:26 00:00:41:41					$GEST-TO-PONDER1^
00:00:41:41 00:00:41:43
00:00:41:43 00:00:41:48	You're right, they have that there.				MY1*	meine
00:00:41:48 00:00:42:04		YES1A
00:00:42:04 00:00:42:08
00:00:42:08 00:00:42:10					MOTHER1*	mutter
00:00:42:10 00:00:42:15		$INDEX1
00:00:42:15 00:00:42:23
00:00:42:23 00:00:42:29		RIGHT-OR-AGREED1A	stimmt		STRONG2A	starke
00:00:42:29 00:00:42:37
00:00:42:37 00:00:42:47
00:00:42:47 00:00:43:13					COHERENCE1A^	bindung
00:00:43:13 00:00:43:23
00:00:43:23 00:00:43:35					PARIS1	paris
00:00:43:35 00:00:43:42
00:00:43:42 00:00:44:06					$INDEX1*
00:00:44:06 00:00:44:13
00:00:44:13 00:00:44:24					STRONG2A	starke
00:00:44:24 00:00:44:37
00:00:44:37 00:00:44:47					I2	darum
00:00:44:47 00:00:45:05
00:00:45:05 00:00:45:17					TOWARDS9	zum
00:00:45:17 00:00:45:23
00:00:45:23 00:00:46:22					$ALPHA1:I-V-T	i-v-t
00:00:46:22 00:00:46:23
00:00:46:23 00:00:46:26				I was very fortunate to meet Alfredo Corrado there who is the founder of the IVT.
00:00:46:26 00:00:46:36					I1
00:00:46:36 00:00:47:05
00:00:47:05 00:00:47:13					LUCK1	glück
00:00:47:13 00:00:47:17
00:00:47:17 00:00:47:21					I2	ich
00:00:47:21 00:00:47:28
00:00:47:28 00:00:48:01					TO-GET-TO-KNOW1	kennenlernen
00:00:48:01 00:00:48:13
00:00:48:13 00:00:49:39					$ALPHA1:A-L-F-E-D-O	alfredo
00:00:49:39 00:00:50:00
00:00:50:00 00:00:51:12					$ALPHA1:C-O-RR-A-D-O	corrado
00:00:51:12 00:00:51:36
00:00:51:36 00:00:52:08					SELF1A*	selbst
00:00:52:08 00:00:52:18
00:00:52:18 00:00:52:45					TO-FOUND2	gründen
00:00:52:45 00:00:53:02
00:00:53:02 00:00:53:07					TO-SEE1*
00:00:53:07 00:00:53:11
00:00:53:11 00:00:53:49					$ALPHA1:I-V-T	i-v-t
00:00:53:49 00:00:54:03
00:00:54:03 00:00:54:21				Some people got together and formed a group, e.g. Chantal and Joël, you know them right?
00:00:54:21 00:00:54:46					$PROD*	[MG]
00:00:54:46 00:00:55:06
00:00:55:06 00:00:55:47					$NAME	chantal
00:00:55:47 00:00:56:06
00:00:56:06 00:00:56:26					$NAME
00:00:56:26 00:00:56:43	Yes.
00:00:56:43 00:00:56:46					$LIST1:2of2d
00:00:56:46 00:00:57:14		$GEST^
00:00:57:14 00:00:57:36					$NAME	joël
00:00:57:36 00:00:58:17
00:00:58:17 00:00:58:28					SEVERAL1	[MG]
00:00:58:28 00:00:58:35
00:00:58:35 00:00:58:40					TO-KNOW-STH-OR-SB1A	[MG]
00:00:58:40 00:00:58:46
00:00:58:46 00:00:59:03					$INDEX1
00:00:59:03 00:00:59:05
00:00:59:05 00:00:59:13					$GEST-OFF^*
00:00:59:13 00:00:59:25		YES1A	ja
00:00:59:25 00:00:59:38				We were still pretty young and I got to experience everything first hand.
00:00:59:38 00:00:59:47					WE1A	wir
00:00:59:47 00:01:00:13
00:01:00:13 00:01:00:19					YOUNG1*	jung
00:01:00:19 00:01:00:27
00:01:00:27 00:01:00:39					PEOPLE2	leute
00:01:00:39 00:01:00:44
00:01:00:44 00:01:01:05					FRESH1	frisch
00:01:01:05 00:01:01:10
00:01:01:10 00:01:01:17					I1	ich
00:01:01:17 00:01:01:23
00:01:01:23 00:01:01:29					WITH1A	miterleben
00:01:01:29 00:01:01:32
00:01:01:32 00:01:01:41					TO-LIVE1B
00:01:01:41 00:01:01:42				When I went to their theater performance, I was amazed!
00:01:01:42 00:01:02:00					I1*
00:01:02:00 00:01:02:03
00:01:02:03 00:01:02:10					TO-OBSERVE3
00:01:02:10 00:01:02:17
00:01:02:17 00:01:02:28					THEATRE6	theateraufführung
00:01:02:28 00:01:02:33
00:01:02:33 00:01:02:39					PERFORMANCE-SHOW1
00:01:02:39 00:01:02:45
00:01:02:45 00:01:03:01					I2	[MG]
00:01:03:01 00:01:03:09
00:01:03:09 00:01:03:24					FAINT1	[MG]
00:01:03:24 00:01:03:31
00:01:03:31 00:01:03:41				This kind of modern theater being played by deaf actors!
00:01:03:41 00:01:03:48					NO3B^
00:01:03:48 00:01:03:49
00:01:03:49 00:01:04:03					$INDEX1
00:01:04:03 00:01:04:19
00:01:04:19 00:01:04:33					$INDEX1*
00:01:04:33 00:01:04:46
00:01:04:46 00:01:05:12					MODERN1B*	modernes
00:01:05:12 00:01:05:17
00:01:05:17 00:01:05:36					THEATRE6*	theater
00:01:05:36 00:01:05:48
00:01:05:48 00:01:06:10					TO-ACCOMPLISH1A	schaffen
00:01:06:10 00:01:06:20
00:01:06:20 00:01:06:35					DEAF-LOST-HEARING1A	gehörlos
00:01:06:35 00:01:06:36
00:01:06:36 00:01:06:38				I was stunned!
00:01:06:38 00:01:06:43					I1
00:01:06:43 00:01:07:09
00:01:07:09 00:01:07:23					OPEN-MOUTHED1	[MG]
00:01:07:23 00:01:07:26
00:01:07:26 00:01:07:35				And they interacted so well with each other.
00:01:07:35 00:01:07:41					$INDEX1*	und
00:01:07:41 00:01:08:04
00:01:08:04 00:01:08:24					LINK2	[MG]
00:01:08:24 00:01:08:30	How old were you then?
00:01:08:30 00:01:08:41					TO-ACCOMPLISH1A	schaffen
00:01:08:41 00:01:08:43		HOW-QUESTION-COMPARISON1*
00:01:08:43 00:01:08:49
00:01:08:49 00:01:09:02		OLD5B	alt
00:01:09:02 00:01:09:09					ALSO1A*	auch
00:01:09:09 00:01:09:12
00:01:09:12 00:01:09:19		$INDEX1
00:01:09:19 00:01:09:22
00:01:09:22 00:01:09:32				I was somewhere around 12, 13, maybe 14 years of age.
00:01:09:32 00:01:09:39					I1
00:01:09:39 00:01:09:44
00:01:09:44 00:01:10:00					WAS1	[MG]
00:01:10:00 00:01:10:26
00:01:10:26 00:01:10:44					$NUM-SNIP1:2	zwölf
00:01:10:44 00:01:11:04
00:01:11:04 00:01:11:08					$NUM-TEEN1:3d	dreizehn
00:01:11:08 00:01:11:17	Twelve?	$NUM-SNIP1:2	zwölf
00:01:11:17 00:01:11:22	I see, 13.	$NUM-SNIP1:3d*
00:01:11:22 00:01:11:27
00:01:11:27 00:01:11:39
00:01:11:39 00:01:11:49					$NUM-TEEN1:4	vierzehn
00:01:11:49 00:01:12:07
00:01:12:07 00:01:12:12					$GEST-DECLINE1^*
00:01:12:12 00:01:12:13				I went again and again to watch the play.
00:01:12:13 00:01:12:16					I1
00:01:12:16 00:01:12:22
00:01:12:22 00:01:13:46					TO1*
00:01:13:46 00:01:14:05
00:01:14:05 00:01:14:49					TO-LOOK-AT5*
00:01:14:49 00:01:15:06
00:01:15:06 00:01:15:11					$GEST-OFF^*	[MG]
00:01:15:11 00:01:15:26				But Emmanuelle Laborit wasn’t there yet, that was before her time.
00:01:15:26 00:01:15:37					$NAME	emanuelle
00:01:15:37 00:01:15:45
00:01:15:45 00:01:16:01					$ALPHA1:L	laborit
00:01:16:01 00:01:16:08
00:01:16:08 00:01:16:20					NOT-YET2	noch nicht
00:01:16:20 00:01:16:28
00:01:16:28 00:01:16:41					TO-COME1
00:01:16:41 00:01:16:47
00:01:16:47 00:01:17:09					NOT-YET2	noch nicht
00:01:17:09 00:01:17:21
00:01:17:21 00:01:17:31					BEFORE1G
00:01:17:31 00:01:17:35
00:01:17:35 00:01:17:47					TIME5A*	zeit
00:01:17:47 00:01:18:05
00:01:18:05 00:01:18:17					BEFORE1B	vor
00:01:18:17 00:01:18:21
00:01:18:21 00:01:18:31					$GEST^
00:01:18:31 00:01:18:33
00:01:18:33 00:01:20:09
00:01:20:09 00:01:20:18				It influenced me a lot, I wanted to build a program like that in Germany.
00:01:20:18 00:01:20:34					THEN1C
00:01:20:34 00:01:20:42
00:01:20:42 00:01:21:06					$GEST-OFF^	[MG]
00:01:21:06 00:01:21:12
00:01:21:12 00:01:21:26					THIS2	diese
00:01:21:26 00:01:21:35
00:01:21:35 00:01:22:05					TO-AFFECT1*	beeinflussen
00:01:22:05 00:01:22:13
00:01:22:13 00:01:22:34					STRONG2A	stark
00:01:22:34 00:01:22:46
00:01:22:46 00:01:23:01					I2	ich
00:01:23:01 00:01:23:08
00:01:23:08 00:01:23:14					TO-WISH1B	wünschen
00:01:23:14 00:01:23:25
00:01:23:25 00:01:23:30					ALSO3A	auch
00:01:23:30 00:01:23:36
00:01:23:36 00:01:23:41					GERMAN1	deutschland
00:01:23:41 00:01:24:03
00:01:24:03 00:01:24:15					TO-FOUND3	aufbauen
00:01:24:15 00:01:24:21
00:01:24:21 00:01:24:37					TO-DEVELOP1A
00:01:24:37 00:01:24:39
00:01:24:39 00:01:24:43					$GEST-OFF^
00:01:24:43 00:01:24:44
00:01:24:44 00:01:25:04				Because sign language was incorporated in this play but there was still a connection to hearing people.
00:01:25:04 00:01:25:11					WHY1	warum
00:01:25:11 00:01:25:14
00:01:25:14 00:01:25:19					$INDEX1
00:01:25:19 00:01:25:29
00:01:25:29 00:01:25:38					THEATRE6	theater
00:01:25:38 00:01:25:49
00:01:25:49 00:01:26:12					SUDDENLY4	so
00:01:26:12 00:01:26:24
00:01:26:24 00:01:26:37					ALSO1A	auch
00:01:26:37 00:01:27:06
00:01:27:06 00:01:27:15					WITH1A*	mit
00:01:27:15 00:01:27:17
00:01:27:17 00:01:28:06					TO-SIGN1A*
00:01:28:06 00:01:28:17
00:01:28:17 00:01:28:26					TO-LINK1A
00:01:28:26 00:01:28:35				At first, hearing people didn't understand that.
00:01:28:35 00:01:28:47					HEARING1A	hörende
00:01:28:47 00:01:29:11
00:01:29:11 00:01:29:26					TO-UNDERSTAND1*	verstehe
00:01:29:26 00:01:29:34
00:01:29:34 00:01:29:41					NOT3A	nicht
00:01:29:41 00:01:29:46
00:01:29:46 00:01:30:12				At first, you had to have the courage to sign regardless of whether or not hearing people would understand you.
00:01:30:12 00:01:30:22					BEGINNING1A	anfang
00:01:30:22 00:01:30:28
00:01:30:28 00:01:30:34					COURAGE1	mut
00:01:30:34 00:01:30:42
00:01:30:42 00:01:31:01					$GEST-OFF^	[MG]
00:01:31:01 00:01:31:16
00:01:31:16 00:01:31:30					I-AM-SORRY3	tut mir leid
00:01:31:30 00:01:31:39
00:01:31:39 00:01:31:43					TO-HEAR2
00:01:31:43 00:01:31:46
00:01:31:46 00:01:32:03					TO-SIGN1A
00:01:32:03 00:01:32:06
00:01:32:06 00:01:32:14					TO-UNDERSTAND1*	versteht
00:01:32:14 00:01:32:15
00:01:32:15 00:01:32:25					NOT3A*	nicht
00:01:32:25 00:01:32:29
00:01:32:29 00:01:32:31				Then we changed the way we performed and made some adjustments.
00:01:32:31 00:01:32:49					TO-SIGN1A	gebärden
00:01:32:49 00:01:33:06
00:01:33:06 00:01:33:20					SHAPE1A*	form
00:01:33:20 00:01:33:23
00:01:33:23 00:01:33:38					SHAPE1A*	form
00:01:33:38 00:01:33:45
00:01:33:45 00:01:34:00				Then hearing people started to understand more and more, and so it happened that not deaf people adjusted to hearing people, but the other way around.
00:01:34:00 00:01:34:08					HEARING1A*	hörende
00:01:34:08 00:01:34:19
00:01:34:19 00:01:35:29					TO-COMPREHEND1*	[MG]
00:01:35:29 00:01:35:37
00:01:35:37 00:01:35:49					MEANING1||$INDEX1	bedeutet
00:01:35:49 00:01:36:00
00:01:36:00 00:01:36:05					$GEST-OFF^*
00:01:36:05 00:01:36:14
00:01:36:14 00:01:36:21					HEARING1A*
00:01:36:21 00:01:36:40
00:01:36:40 00:01:37:02					TO-ADJUST1	[MG]
00:01:37:02 00:01:37:07
00:01:37:07 00:01:37:12					HEARING1A*	hörende
00:01:37:12 00:01:37:21
00:01:37:21 00:01:37:27					NOT3A*
00:01:37:27 00:01:37:36
00:01:37:36 00:01:37:40					HEARING1A*	hörende
00:01:37:40 00:01:37:49
00:01:37:49 00:01:38:22					TO-ADJUST1*
00:01:38:22 00:01:38:26
00:01:38:26 00:01:38:31				I was thrilled, it was amazing!
00:01:38:31 00:01:38:35					I1
00:01:38:35 00:01:39:07
00:01:39:07 00:01:39:29					APPEALING1*	[MG]
00:01:39:29 00:01:39:38
00:01:39:38 00:01:40:13					GREAT1A	toll
00:01:40:13 00:01:40:17
00:01:40:17 00:01:40:26					$GEST-OFF^
00:01:40:26 00:01:40:28
00:01:40:28 00:01:41:17				The IVT showed me how confident deaf people can be and I am very thankful for that.
00:01:41:17 00:01:41:30					DEAF-LOST-HEARING1A	gehörlose
00:01:41:30 00:01:41:42
00:01:41:42 00:01:42:11					CONFIDENT1	selbstbewusst
00:01:42:11 00:01:42:13
00:01:42:13 00:01:42:21					$INDEX1
00:01:42:21 00:01:42:29
00:01:42:29 00:01:42:37					SELF1B*
00:01:42:37 00:01:42:43
00:01:42:43 00:01:43:00					TO-SHOW1A*
00:01:43:00 00:01:43:08
00:01:43:08 00:01:43:14					GRATEFUL1*	dankbar
00:01:43:14 00:01:43:17
00:01:43:17 00:01:43:39					$ALPHA1:I-V-T	i-v-t
00:01:43:39 00:01:43:44
00:01:43:44 00:01:44:01					MUCH-OR-MANY1A	viel
00:01:44:01 00:01:44:02
00:01:44:02 00:01:44:10					THANKS1	dank
00:01:44:10 00:01:44:24
00:01:44:24 00:01:44:47
00:01:44:47 00:01:45:18				I wanted to build something like that in Germany, but the problem was that you had to be a professional in your respective field to work at ITV.
00:01:45:18 00:01:45:35					THEN1A	dann
00:01:45:35 00:01:46:07
00:01:46:07 00:01:46:19					$GEST-OFF^	[MG]
00:01:46:19 00:01:46:32
00:01:46:32 00:01:46:40					HERE1*	hier
00:01:46:40 00:01:47:04
00:01:47:04 00:01:47:17					TO-TRY1	versuchen
00:01:47:17 00:01:47:22
00:01:47:22 00:01:47:28					ALSO1A	auch
00:01:47:28 00:01:47:44
00:01:47:44 00:01:48:21					TO-FOUND2	[MG]
00:01:48:21 00:01:48:31
00:01:48:31 00:01:48:42					$GEST-OFF^*
00:01:48:42 00:01:48:46
00:01:48:46 00:01:49:13					UNFORTUNATELY1	leider
00:01:49:13 00:01:49:26
00:01:49:26 00:01:49:36					$INDEX1
00:01:49:36 00:01:49:41
00:01:49:41 00:01:50:07					$ALPHA1:I-V	i-v-t
00:01:50:07 00:01:50:17
00:01:50:17 00:01:50:24					MUST1A
00:01:50:24 00:01:50:35
00:01:50:35 00:01:51:07					PROFESSIONAL1A	professionell
00:01:51:07 00:01:51:23	I see.
00:01:51:23 00:01:51:28		YES1A
00:01:51:28 00:01:51:44					PROFESSION1A	beruf
00:01:51:44 00:01:52:10
00:01:52:10 00:01:52:17					TO-STAY1^*	fach
00:01:52:17 00:01:52:29
00:01:52:29 00:01:52:41					SHELF2A*	[MG]
00:01:52:41 00:01:52:45
00:01:52:45 00:01:53:11				They also offered sign language classes to ensure their financial security.
00:01:53:11 00:01:53:31					TO-MIX2	mischung
00:01:53:31 00:01:53:40
00:01:53:40 00:01:53:46					TO-SIGN1A	gebärdensprachdozenten
00:01:53:46 00:01:54:01
00:01:54:01 00:01:54:06					LANGUAGE1*
00:01:54:06 00:01:54:13
00:01:54:13 00:01:54:39					LECTURER1
00:01:54:39 00:01:55:06
00:01:55:06 00:01:55:14					TO-SIGN1A*	gebärdensprachunterricht
00:01:55:14 00:01:55:22
00:01:55:22 00:01:55:24					LANGUAGE1*
00:01:55:24 00:01:55:30
00:01:55:30 00:01:55:39					TO-TEACH1*
00:01:55:39 00:01:56:00
00:01:56:00 00:01:56:07					TO-CONDUCT1*
00:01:56:07 00:01:56:14
00:01:56:14 00:01:56:28					TO-MIX2	mischen
00:01:56:28 00:01:56:34
00:01:56:34 00:01:56:40					CAN1	kann
00:01:56:40 00:01:56:45
00:01:56:45 00:01:57:06					TO-LIVE1G*	leben
00:01:57:06 00:01:57:10
00:01:57:10 00:01:57:35					TO-DEVELOP1A	[MG]
00:01:57:35 00:01:57:46
00:01:57:46 00:01:58:00					$INDEX1
00:01:58:00 00:01:58:01
00:01:58:01 00:01:58:10				I was allowed to sit in on the sign language classes as well and I was able to see how they structured the French Sign Language classes.
00:01:58:10 00:01:58:23					$INDEX1
00:01:58:23 00:01:58:30
00:01:58:30 00:01:58:35					TO-SIGN1A*	gebärdenunterricht
00:01:58:35 00:01:58:38
00:01:58:38 00:01:59:02					TO-TEACH1*
00:01:59:02 00:01:59:06
00:01:59:06 00:01:59:09					I1	ich
00:01:59:09 00:01:59:19
00:01:59:19 00:01:59:26					WITH2	mitschauen
00:01:59:26 00:01:59:33
00:01:59:33 00:01:59:38					TO-SEE1
00:01:59:38 00:01:59:47
00:01:59:47 00:02:00:08					TO-WATCH1
00:02:00:08 00:02:00:15
00:02:00:15 00:02:00:18					$INDEX1
00:02:00:18 00:02:00:29
00:02:00:29 00:02:00:35					FRANCE3A	französische
00:02:00:35 00:02:00:40
00:02:00:40 00:02:00:49					SIGN-LANGUAGE1B	gebärdensprachunterricht
00:02:00:49 00:02:01:12
00:02:01:12 00:02:01:24					TO-TEACH1*
00:02:01:24 00:02:01:25
00:02:01:25 00:02:01:28				This way I got a peak into the concepts of teaching sign language classes early on.
00:02:01:28 00:02:01:34					I1
00:02:01:34 00:02:01:42
00:02:01:42 00:02:02:10					ALSO1A	auch
00:02:02:10 00:02:02:16
00:02:02:16 00:02:02:23					EARLY1A	früh
00:02:02:23 00:02:03:14
00:02:03:14 00:02:03:23					HOW-QUESTION-COMPARISON1	wie
00:02:03:23 00:02:03:33
00:02:03:33 00:02:04:00					CONCEPT1	konzept
00:02:04:00 00:02:04:12
00:02:04:12 00:02:04:27					TO-TEACH1*
00:02:04:27 00:02:04:29
00:02:04:29 00:02:04:39				Hearing people sat in class well-behaved and learned sign language patiently.
00:02:04:39 00:02:04:49					HEARING1A	auch hörende
00:02:04:49 00:02:05:07
00:02:05:07 00:02:05:13					$PROD*
00:02:05:13 00:02:05:17
00:02:05:17 00:02:05:37					$PROD*
00:02:05:37 00:02:05:43
00:02:05:43 00:02:06:07					TO-OBEY1B
00:02:06:07 00:02:06:16
00:02:06:16 00:02:06:21					TO-LEARN1*	lernen
00:02:06:21 00:02:06:27
00:02:06:27 00:02:06:36					SIGN-LANGUAGE1B*	gebärdensprache
00:02:06:36 00:02:06:38				I was stunned.
00:02:06:38 00:02:06:45					I1
00:02:06:45 00:02:07:08
00:02:07:08 00:02:07:20					OPEN-MOUTHED1
00:02:07:20 00:02:07:34
00:02:07:34 00:02:07:49				Back then the two of them came up to me and introduced me to sign language art and culture as well as principles of teaching sign language, for instance how to structure class etc.
00:02:07:49 00:02:08:14					BOTH2A	beide
00:02:08:14 00:02:08:22
00:02:08:22 00:02:08:43					MASS-OF-PEOPLE-ACTIVE1*	[MG]
00:02:08:43 00:02:09:23
00:02:09:23 00:02:09:42					CULTURE1A	kultur
00:02:09:42 00:02:10:04
00:02:10:04 00:02:10:20					ART4A	kunst
00:02:10:20 00:02:10:24
00:02:10:24 00:02:10:36					SIGN-LANGUAGE1B	gebärdensprache
00:02:10:36 00:02:11:05
00:02:11:05 00:02:11:12					AND3	und
00:02:11:12 00:02:11:20
00:02:11:20 00:02:11:27					TO-SIGN1B	gebärdensprachdidaktik
00:02:11:27 00:02:11:36
00:02:11:36 00:02:11:41					LANGUAGE1*
00:02:11:41 00:02:11:48
00:02:11:48 00:02:12:04					DIDACTICS1
00:02:12:04 00:02:12:29
00:02:12:29 00:02:12:43					TO-TEACH1*
00:02:12:43 00:02:13:01
00:02:13:01 00:02:13:14					HOW-QUESTION-COMPARISON1	wie
00:02:13:14 00:02:13:22
00:02:13:22 00:02:13:48					TO-INTERNALISE1*	[MG]
00:02:13:48 00:02:14:18
00:02:14:18 00:02:14:45				So that when I started to go to university, I felt the urge to change the art program, I wanted to revolutionize it.
00:02:14:45 00:02:15:06					THE1	und
00:02:15:06 00:02:15:20
00:02:15:20 00:02:15:36					TO-STUDY1	studium
00:02:15:36 00:02:15:44
00:02:15:44 00:02:16:16					HERE1*	hier
00:02:16:16 00:02:16:39
00:02:16:39 00:02:16:45					I1
00:02:16:45 00:02:17:09
00:02:17:09 00:02:17:15					FEELING3
00:02:17:15 00:02:17:19
00:02:17:19 00:02:17:28					MUST1A*	muss
00:02:17:28 00:02:18:04
00:02:18:04 00:02:18:20					ART4A*	kunst
00:02:18:20 00:02:18:30
00:02:18:30 00:02:18:45					OFFER1B	angebot
00:02:18:45 00:02:19:25
00:02:19:25 00:02:19:41					TO-CHANGE1A*
00:02:19:41 00:02:20:14
00:02:20:14 00:02:20:37					MOVEMENT1A^	revolution
00:02:20:37 00:02:20:39
00:02:20:39 00:02:20:45					$GEST-OFF^
00:02:20:45 00:02:20:48
00:02:20:48 00:02:21:01					HERE1
00:02:21:01 00:02:21:11
00:02:21:11 00:02:21:19					WHY1	warum
00:02:21:19 00:02:21:30				Up to that point there had been a deaf German theater with some signs, but those were LBG. [LBG is the German equivalent to Signed English].
00:02:21:30 00:02:21:41					UNTIL-NOW3B
00:02:21:41 00:02:22:07
00:02:22:07 00:02:22:16					GERMAN1	deutsch
00:02:22:16 00:02:22:25
00:02:22:25 00:02:22:33					DEAF-LOST-HEARING1A	gehörlosentheater
00:02:22:33 00:02:22:41
00:02:22:41 00:02:23:29					THEATRE6
00:02:23:29 00:02:23:33
00:02:23:33 00:02:23:39					$INDEX1*
00:02:23:39 00:02:24:06
00:02:24:06 00:02:24:17					PRESENT-OR-HERE1	da
00:02:24:17 00:02:24:33
00:02:24:33 00:02:24:44					TO-SIGN1A	[MG]
00:02:24:44 00:02:25:05
00:02:25:05 00:02:25:24					TO-FOLLOW1B^	l-b-g
00:02:25:24 00:02:25:38
00:02:25:38 00:02:26:05				And there was this “Thow & Show” in Munich in sign language, they played the play “Verkehrte Welt” [engl.: looking-glass world].
00:02:26:05 00:02:26:12					$INDEX1*	da
00:02:26:12 00:02:26:22
00:02:26:22 00:02:26:26					MUNICH1A*	münchen
00:02:26:26 00:02:26:30
00:02:26:30 00:02:26:34					$INDEX1
00:02:26:34 00:02:26:45
00:02:26:45 00:02:27:03					GOOD1
00:02:27:03 00:02:27:19
00:02:27:19 00:02:27:32					CLEAR1D^	thow show
00:02:27:32 00:02:27:40
00:02:27:40 00:02:27:48	You're right, they had that in Munich.				I1
00:02:27:48 00:02:28:04		YES1A
00:02:28:04 00:02:28:10
00:02:28:10 00:02:28:14		$INDEX1
00:02:28:14 00:02:28:16					GOOD1*
00:02:28:16 00:02:28:41
00:02:28:41 00:02:29:04
00:02:29:04 00:02:29:14					SIGN-LANGUAGE1B	gebärdensprache
00:02:29:14 00:02:29:26
00:02:29:26 00:02:29:30					$INDEX1	auch
00:02:29:30 00:02:29:37
00:02:29:37 00:02:29:46					GOOD1	[MG]
00:02:29:46 00:02:30:04
00:02:30:04 00:02:30:09					$INDEX1
00:02:30:09 00:02:30:29
00:02:30:29 00:02:30:39					TO-SHOW1A	zeigen
00:02:30:39 00:02:31:02
00:02:31:02 00:02:31:20					TO-SWAP3A	verkehrte welt
00:02:31:20 00:02:31:33
00:02:31:33 00:02:32:22					WORLD1
00:02:32:22 00:02:32:43
00:02:32:43 00:02:33:06				You don't know that play?
00:02:33:06 00:02:33:14					TO-KNOW-STH-OR-SB1A*	kennen
00:02:33:14 00:02:33:23
00:02:33:23 00:02:34:10					THEATRE6*	theaterstück
00:02:34:10 00:02:34:13
00:02:34:13 00:02:34:27				It was really good.
00:02:34:27 00:02:34:38					THE1	das
00:02:34:38 00:02:34:42
00:02:34:42 00:02:35:06					GREAT1A	[MG]
00:02:35:06 00:02:35:08
00:02:35:08 00:02:35:24				“Sehen statt Hören” [German TV-show with subtitles, sign language interpreter and voice-over] recorded the show and aired it a second time.
00:02:35:24 00:02:35:30					TO-SEE1	sehen
00:02:35:30 00:02:35:33
00:02:35:33 00:02:35:40					INSTEAD1	statt
00:02:35:40 00:02:35:49
00:02:35:49 00:02:36:04					HEARING1A	hören
00:02:36:04 00:02:36:07
00:02:36:07 00:02:36:16					PAST-OR-BACK-THEN1*
00:02:36:16 00:02:36:29
00:02:36:29 00:02:36:38					ONCE-MORE1B	wiederholung
00:02:36:38 00:02:36:45
00:02:36:45 00:02:37:06					REPETITION1B
00:02:37:06 00:02:37:14
00:02:37:14 00:02:37:28					TO-SHOW1A	zeigen
00:02:37:28 00:02:37:43
00:02:37:43 00:02:38:13				The play “Verkehrte Welt” was the first play on stage featuring sign language.
00:02:38:13 00:02:38:22					TO-SWAP3A	verkehrt
00:02:38:22 00:02:38:32
00:02:38:32 00:02:38:43					TO-SHOW1A
00:02:38:43 00:02:39:22
00:02:39:22 00:02:39:29					ALSO1A	auch
00:02:39:29 00:02:39:43
00:02:39:43 00:02:40:01					$INDEX1
00:02:40:01 00:02:40:16
00:02:40:16 00:02:40:31					TO-SIGN1G	[MG]
00:02:40:31 00:02:40:37
00:02:40:37 00:02:40:49					FIRST1A	zuerst
00:02:40:49 00:02:41:04
00:02:41:04 00:02:41:17					DGS1*	d-g-s
00:02:41:17 00:02:41:24
00:02:41:24 00:02:41:38					TO-MAKE-USE-OF-STH1	benutzen
00:02:41:38 00:02:41:48
00:02:41:48 00:02:42:09					STAGE1	bühne
00:02:42:09 00:02:42:17
00:02:42:17 00:02:42:33					$INDEX1	da
00:02:42:33 00:02:42:35
00:02:42:35 00:02:42:46				I, on the other hand, wanted to focus on and address deafness itself.
00:02:42:46 00:02:43:05					I1
00:02:43:05 00:02:43:19
00:02:43:19 00:02:43:38					TO-WISH1B	wünsche
00:02:43:38 00:02:44:17
00:02:44:17 00:02:44:25					MORE1*	mehr
00:02:44:25 00:02:44:39
00:02:44:39 00:02:45:03					SUBJECT1	thema
00:02:45:03 00:02:45:16
00:02:45:16 00:02:45:29					DEAF-LOST-HEARING1A	gehörlos
00:02:45:29 00:02:45:36
00:02:45:36 00:02:45:48					QUOTATION-MARKS2
00:02:45:48 00:02:45:49
00:02:45:49 00:02:46:06				So for instance, the emotional world and the suffering of deaf people.
00:02:46:06 00:02:46:19					LIKE3A	wie
00:02:46:19 00:02:46:38
00:02:46:38 00:02:47:08					TO-SUFFER1A	leidensgeschichte
00:02:47:08 00:02:47:12
00:02:47:12 00:02:47:16					$LIST1:1of1d
00:02:47:16 00:02:47:21
00:02:47:21 00:02:47:34					HISTORY-OR-STORY2
00:02:47:34 00:02:47:39
00:02:47:39 00:02:48:00					$GEST-OFF^
00:02:48:00 00:02:48:15
00:02:48:15 00:02:48:23					DEAF-LOST-HEARING1A*	gehörlose
00:02:48:23 00:02:48:24
00:02:48:24 00:02:48:33					INSIDE1A*
00:02:48:33 00:02:48:39
00:02:48:39 00:02:49:00					FEELING3	gefühl
00:02:49:00 00:02:49:04
00:02:49:04 00:02:49:11					$GEST-OFF^
00:02:49:11 00:02:49:19
00:02:49:19 00:02:49:31					HOW-QUESTION-COMPARISON1	wie
00:02:49:31 00:02:49:41
00:02:49:41 00:02:50:08					TO-SHOW1A	[MG]
00:02:50:08 00:02:50:30
00:02:50:30 00:02:50:40					TO-WISH1B	wünschen
00:02:50:40 00:02:50:44
00:02:50:44 00:02:51:05				That’s why I founded the “Visuelles Theater Hamburg” [engl.: Hamburg Visual Theater].
00:02:51:05 00:02:51:14					THEREFORE1*	darum
00:02:51:14 00:02:51:27
00:02:51:27 00:02:52:03					VISUAL1*	visuelles
00:02:52:03 00:02:52:11
00:02:52:11 00:02:52:24					THEATRE6*	theater
00:02:52:24 00:02:52:46
00:02:52:46 00:02:53:03					HAMBURG1	hamburg
00:02:53:03 00:02:53:22
00:02:53:22 00:02:53:48					TO-FOUND2	[MG]
00:02:53:48 00:02:54:04
00:02:54:04 00:02:54:09				At that time Germany was still divided, that was before the Fall of the Berlin Wall.
00:02:54:09 00:02:54:33					IN-ADDITION1*	dazu
00:02:54:33 00:02:54:46
00:02:54:46 00:02:55:16					$GEST-OFF^*
00:02:55:16 00:02:55:47
00:02:55:47 00:02:56:29					FALL-OF-THE-BERLIN-WALL2	mauerfall
00:02:56:29 00:02:56:48
00:02:56:48 00:02:57:13					NOT-YET2	noch nicht
00:02:57:13 00:02:57:20
00:02:57:20 00:02:57:47					BEFOREHAND2	vorher
00:02:57:47 00:02:57:48
00:02:57:48 00:02:58:10				A deaf person joined the group, his name was Peter Schick.
00:02:58:10 00:02:58:20					AN1	ein
00:02:58:20 00:02:58:27
00:02:58:27 00:02:58:39					DEAF-LOST-HEARING1A	gehörloser
00:02:58:39 00:02:59:03
00:02:59:03 00:02:59:30					TO-COME1	[MG]
00:02:59:30 00:03:00:15
00:03:00:15 00:03:00:23					$NAME-PETER-SCHICK1	peter
00:03:00:23 00:03:00:28
00:03:00:28 00:03:00:45					$ALPHA1:SCH-I	schick
00:03:00:45 00:03:00:48
00:03:00:48 00:03:01:05					$INDEX1
00:03:01:05 00:03:01:07
00:03:01:07 00:03:01:09				I was very interested in theater, especially combined with pantomime.
00:03:01:09 00:03:01:16					I2*
00:03:01:16 00:03:01:21
00:03:01:21 00:03:01:25					HE-SHE-IT2	er
00:03:01:25 00:03:01:31
00:03:01:31 00:03:01:48					INTEREST1B*
00:03:01:48 00:03:02:06
00:03:02:06 00:03:02:19					THEATRE6	theater
00:03:02:19 00:03:02:28
00:03:02:28 00:03:02:35					MORE1	mehr
00:03:02:35 00:03:02:36
00:03:02:36 00:03:03:04					PANTOMIME1	pantomime
00:03:03:04 00:03:03:10
00:03:03:10 00:03:03:19					TOGETHER1B*
00:03:03:19 00:03:03:20
00:03:03:20 00:03:03:43				So, we thought about the matter and finally founded the theater.	TO-PLAN-AND-GO-THROUGH-WITH-STH1	[MG]
00:03:03:43 00:03:04:12
00:03:04:12 00:03:04:28					THEN1A*
00:03:04:28 00:03:04:48
00:03:04:48 00:03:05:11					TO-FOUND2	[MG]
00:03:05:11 00:03:05:15
00:03:05:15 00:03:05:17				Then the Berlin Wall fell and a professional joined our group: Volkmar Otte.
00:03:05:17 00:03:05:40					TO-DEVELOP1A	[MG]
00:03:05:40 00:03:05:48
00:03:05:48 00:03:06:04					SUDDENLY4^	[MG]
00:03:06:04 00:03:06:12
00:03:06:12 00:03:06:33					FALL-OF-THE-BERLIN-WALL2	mauerfall
00:03:06:33 00:03:07:06
00:03:07:06 00:03:07:20					COME-HERE1
00:03:07:20 00:03:07:24
00:03:07:24 00:03:08:06					PROFESSIONAL1A	profi
00:03:08:06 00:03:08:26
00:03:08:26 00:03:09:17					$ALPHA1:#	volkmar
00:03:09:17 00:03:09:29
00:03:09:29 00:03:09:35	Yes, I know of him.				$NAME	otte
00:03:09:35 00:03:10:01		YES2
00:03:10:01 00:03:10:02
00:03:10:02 00:03:10:06				Thomas Zander who was also an experienced actor joined our group as well.
00:03:10:06 00:03:10:15
00:03:10:15 00:03:10:33					WITH2*
00:03:10:33 00:03:10:40
00:03:10:40 00:03:10:49					$ALPHA1:T	thomas
00:03:10:49 00:03:11:08
00:03:11:08 00:03:11:29					$NAME-FISHERMAN1	zander
00:03:11:29 00:03:12:03
00:03:12:03 00:03:12:09					ALSO1A	auch
00:03:12:09 00:03:12:15
00:03:12:15 00:03:12:22					EXPERIENCE-OR-KNOWLEDGE1A*	erfahrene
00:03:12:22 00:03:12:27
00:03:12:27 00:03:12:45					ACTOR1	schauspieler
00:03:12:45 00:03:13:07
00:03:13:07 00:03:13:29					WITH2
00:03:13:29 00:03:13:31
00:03:13:31 00:03:13:39				So we founded the “Visuelle Theater” together.
00:03:13:39 00:03:13:42					I1*
00:03:13:42 00:03:13:49
00:03:13:49 00:03:14:12					TOGETHER1C
00:03:14:12 00:03:14:26
00:03:14:26 00:03:14:35					TO-FOUND3	[MG]
00:03:14:35 00:03:14:41
00:03:14:41 00:03:15:15					TO-DEVELOP1A	[MG]
00:03:15:15 00:03:15:37
00:03:15:37 00:03:15:43					VISUAL1*	visuelles
00:03:15:43 00:03:15:46
00:03:15:46 00:03:16:09					THEATRE6	theater
00:03:16:09 00:03:16:17
00:03:16:17 00:03:16:24				We accomplished to put on many different plays with themes involving sign language and “What’s a Deaf identity?”, as well as various conflicts with the hearing world and other topics.
00:03:16:24 00:03:16:28					$INDEX1
00:03:16:28 00:03:16:42
00:03:16:42 00:03:17:01					MUCH-OR-MANY1A	viel
00:03:17:01 00:03:17:28
00:03:17:28 00:03:17:41					TO-ACCOMPLISH1A	schaffen
00:03:17:41 00:03:18:18
00:03:18:18 00:03:18:25					SUBJECT1	thema
00:03:18:25 00:03:18:29
00:03:18:29 00:03:18:46					SIGN-LANGUAGE1B*	geb{ärden}sprache
00:03:18:46 00:03:19:16
00:03:19:16 00:03:19:28					DEAF-LOST-HEARING1A	gehörlos
00:03:19:28 00:03:19:43
00:03:19:43 00:03:20:01					IDENTITY1A	identität
00:03:20:01 00:03:20:08
00:03:20:08 00:03:20:19					MEANING1*	bedeutet
00:03:20:19 00:03:20:40
00:03:20:40 00:03:21:04					CONFLICT1C	konflikt
00:03:21:04 00:03:21:23
00:03:21:23 00:03:21:27					HEARING1A	hörende
00:03:21:27 00:03:21:35
00:03:21:35 00:03:21:49					WORLD1	welt
00:03:21:49 00:03:22:10
00:03:22:10 00:03:22:25					MUCH-OR-MANY6	[MG]
00:03:22:25 00:03:22:32
00:03:22:32 00:03:22:49					TO-SHOW1A*
00:03:22:49 00:03:23:02
00:03:23:02 00:03:23:12				That was a great time in my life.
00:03:23:12 00:03:23:20					BEAUTIFUL1A	schöne
00:03:23:20 00:03:23:23
00:03:23:23 00:03:23:39					TIME7C	zeit
00:03:23:39 00:03:23:45
00:03:23:45 00:03:24:01					MY1	mein
00:03:24:01 00:03:24:09
00:03:24:09 00:03:24:17					TO-LIVE1E	leben
00:03:24:17 00:03:24:21
00:03:24:21 00:03:24:37					UNTIL-NOW3B	bis
00:03:24:37 00:03:24:41
00:03:24:41 00:03:25:12					$GEST-OFF^
00:03:25:12 00:03:25:25
00:03:25:25 00:03:25:46
00:03:25:46 00:03:26:00				In my opinion it is not enough to promote only political sign language matters.
00:03:26:00 00:03:26:07					$ORAL^	und
00:03:26:07 00:03:26:11
00:03:26:11 00:03:26:23					MY1*	mein
00:03:26:23 00:03:26:35
00:03:26:35 00:03:26:47					OPINION1A	meinung
00:03:26:47 00:03:27:35
00:03:27:35 00:03:27:47					TO-SIGN1A	gebärdensprachpolitik
00:03:27:47 00:03:28:04
00:03:28:04 00:03:28:09					LANGUAGE1
00:03:28:09 00:03:28:15
00:03:28:15 00:03:28:24					POLITICS1
00:03:28:24 00:03:28:32
00:03:28:32 00:03:29:05					TO-BE-COMMITTED1	[MG]
00:03:29:05 00:03:29:12
00:03:29:12 00:03:29:20					ALONE1A*	allein
00:03:29:20 00:03:29:29
00:03:29:29 00:03:29:44					ENOUGH1*	genug
00:03:29:44 00:03:29:45
00:03:29:45 00:03:30:02					NOT3A*
00:03:30:02 00:03:30:05
00:03:30:05 00:03:30:14				Art and culture is just as important, it creates a more accepting mindset in society.
00:03:30:14 00:03:30:28					ALSO1A	auch
00:03:30:28 00:03:30:44	Art, exactly.
00:03:30:44 00:03:30:47					ART4A	kunst
00:03:30:47 00:03:31:14		ART6A*	kunst
00:03:31:14 00:03:31:24
00:03:31:24 00:03:31:35		$GEST-OFF^			CULTURE1A*	kultur
00:03:31:35 00:03:32:03
00:03:32:03 00:03:32:28					IMPORTANT1	wichtig
00:03:32:28 00:03:32:49
00:03:32:49 00:03:33:06					CAN1	kann
00:03:33:06 00:03:33:12
00:03:33:12 00:03:33:27					SOCIETY-OR-CORPORATION2	gesellschaft
00:03:33:27 00:03:33:38
00:03:33:38 00:03:34:04					TO-ACCEPT1*	akzeptieren
00:03:34:04 00:03:34:15
00:03:34:15 00:03:34:25	That would be just like only explaining to somebody that there is something like German Sign Language and that it is taught in classes.				BETTER1*	besser
00:03:34:25 00:03:34:28
00:03:34:28 00:03:34:39		YES1A
00:03:34:39 00:03:35:28
00:03:35:28 00:03:35:39		OR4B*||$INDEX1
00:03:35:39 00:03:35:43
00:03:35:43 00:03:36:17		LIKE3A*	wie
00:03:36:17 00:03:36:24
00:03:36:24 00:03:36:33		TO-TEACH1
00:03:36:33 00:03:36:39
00:03:36:39 00:03:36:44		$INDEX1||$NUM-ONE-TO-TEN1A:1d
00:03:36:44 00:03:37:05
00:03:37:05 00:03:37:10		TO-KNOW-OR-KNOWLEDGE2A*	weiß
00:03:37:10 00:03:37:14
00:03:37:14 00:03:37:22		SIGN-LANGUAGE1B*
00:03:37:22 00:03:37:29
00:03:37:29 00:03:37:33		THERE-IS3	gibt
00:03:37:33 00:03:38:01
00:03:38:01 00:03:38:10		TO-LET-KNOW1A*	bescheid
00:03:38:10 00:03:38:14
00:03:38:14 00:03:38:20		YES1A
00:03:38:20 00:03:38:31
00:03:38:31 00:03:38:42		TO-TEACH1*
00:03:38:42 00:03:39:02
00:03:39:02 00:03:39:31	But then hearing people don't get a picture of what the life and the world behind this language looks like.
00:03:39:31 00:03:39:47		OUTDOORS1B^*
00:03:39:47 00:03:40:13
00:03:40:13 00:03:40:22		TO-LIVE1E	leben
00:03:40:22 00:03:40:31
00:03:40:31 00:03:41:03		TO-SWARM1^
00:03:41:03 00:03:41:07
00:03:41:07 00:03:41:17		WHAT1B
00:03:41:17 00:03:41:22
00:03:41:22 00:03:41:32		TO-SWARM1^
00:03:41:32 00:03:41:39
00:03:41:39 00:03:42:28		EMPTY1	leer
00:03:42:28 00:03:43:05
00:03:43:05 00:03:43:16		$GEST-OFF^
00:03:43:16 00:03:43:19
00:03:43:19 00:03:43:32	For instance when the movie “Jenseits der Stille” [english title: “Beyond Silence”] was released, it created an awareness.
00:03:43:32 00:03:43:38		TO-SPOT2*
00:03:43:38 00:03:43:47
00:03:43:47 00:03:44:07		TO-EMERGE2*	[MG]
00:03:44:07 00:03:44:17
00:03:44:17 00:03:44:35		EXAMPLE1	beispiel
00:03:44:35 00:03:44:36
00:03:44:36 00:03:44:39		$INDEX1*
00:03:44:39 00:03:45:22
00:03:45:22 00:03:45:40		MOVIE1	film
00:03:45:40 00:03:46:34
00:03:46:34 00:03:46:44		$ALPHA1:J	jenseits
00:03:46:44 00:03:47:19
00:03:47:19 00:03:47:26		SILENT2	stille
00:03:47:26 00:03:47:46
00:03:47:46 00:03:48:02		$LIST1:1of1d
00:03:48:02 00:03:48:14
00:03:48:14 00:03:48:20		$INDEX1
00:03:48:20 00:03:48:28
00:03:48:28 00:03:48:38		TO-APPEAR1
00:03:48:38 00:03:49:12
00:03:49:12 00:03:49:20		ALL2C||$INDEX1	alle
00:03:49:20 00:03:49:32
00:03:49:32 00:03:49:41		COGNITION1^	bewusst
00:03:49:41 00:03:50:03
00:03:50:03 00:03:50:07	The people really liked that movie and it educated and raised awareness for the topic.
00:03:50:07 00:03:50:13		MUCH-OR-MANY1B*	viel
00:03:50:13 00:03:50:28
00:03:50:28 00:03:50:40		BEAUTIFUL1A	schön
00:03:50:40 00:03:50:47
00:03:50:47 00:03:51:20		GOOD1*
00:03:51:20 00:03:51:38
00:03:51:38 00:03:51:48		COGNITION1^	bewusst
00:03:51:48 00:03:52:11
00:03:52:11 00:03:52:19		$INDEX1	da
00:03:52:19 00:03:52:31
00:03:52:31 00:03:52:37		EXAMPLE1*
00:03:52:37 00:03:53:09
00:03:53:09 00:03:53:24		ATTENTIVE1	aufmerksam
00:03:53:24 00:03:53:29
00:03:53:29 00:03:53:42		PRESENT-OR-HERE1||FIRST-OF-ALL1A	da
00:03:53:42 00:03:53:46
00:03:53:46 00:03:54:06	One could acquire the same amount of awareness through theater, take the play “Argonautengang” for instance.
00:03:54:06 00:03:54:20		YOU1*	du
00:03:54:20 00:03:54:24
00:03:54:24 00:03:54:34		THEATRE6	theater
00:03:54:34 00:03:54:40
00:03:54:40 00:03:55:03		TO-SHOW1A
00:03:55:03 00:03:55:13
00:03:55:13 00:03:55:18		COGNITION1^*	bewusst
00:03:55:18 00:03:55:26
00:03:55:26 00:03:55:38		PRESENT-OR-HERE1	da
00:03:55:38 00:03:55:49
00:03:55:49 00:03:56:06		YOU1*	du
00:03:56:06 00:03:56:20
00:03:56:20 00:03:56:24		NO-CLUE1^	argonautengang
00:03:56:24 00:03:56:38
00:03:56:38 00:03:56:45		TO-GO4*
00:03:56:45 00:03:57:27
00:03:57:27 00:03:57:48		TO-LIST1A^
00:03:57:48 00:03:58:01
00:03:58:01 00:03:58:05	This way hearing people get introduced to the whole topic and can develop awareness for it.
00:03:58:05 00:03:58:12		COGNITION1^*
00:03:58:12 00:03:58:14
00:03:58:14 00:03:58:25		PRESENT-OR-HERE1*	da
00:03:58:25 00:03:59:03
00:03:59:03 00:03:59:13		TO-EMERGE1^*
00:03:59:13 00:03:59:21
00:03:59:21 00:03:59:25		MORE1	mehr
00:03:59:25 00:03:59:29
00:03:59:29 00:03:59:48		AWARE1	bewusst
00:03:59:48 00:04:00:10
00:04:00:10 00:04:00:17		PRESENT-OR-HERE1*	da
00:04:00:17 00:04:00:18
00:04:00:18 00:04:00:25	And things like these raise awareness because they catch the attention of the people.
00:04:00:25 00:04:00:37		$INDEX1||TO-STRIKE1A	auffallen
00:04:00:37 00:04:00:49
00:04:00:49 00:04:01:23		TO-STRIKE1B*	auffallen auffallen
00:04:01:23 00:04:01:26
00:04:01:26 00:04:01:28	If you only tell people that there is such a thing as sign language, that doesn't get you anywhere.
00:04:01:28 00:04:01:32		ONLY2A	nur
00:04:01:32 00:04:01:33
00:04:01:33 00:04:01:37		$ORAL^	ein
00:04:01:37 00:04:01:42
00:04:01:42 00:04:02:03		SENTENCE2	satz
00:04:02:03 00:04:02:13
00:04:02:13 00:04:02:19		THERE-IS3*	gibt
00:04:02:19 00:04:02:24
00:04:02:24 00:04:02:30		PRESENT-OR-HERE1*	da
00:04:02:30 00:04:02:35
00:04:02:35 00:04:03:17		$GEST-NO-IDEA1^	aber
00:04:03:17 00:04:03:28
00:04:03:28 00:04:03:33		TO-HELP1*	helfen
00:04:03:33 00:04:03:34
00:04:03:34 00:04:03:40		NOT1	nicht
00:04:03:40 00:04:03:46		$GEST-OFF^
00:04:03:46 00:04:04:04
00:04:04:04 00:04:04:08	You have to involve society.
00:04:04:08 00:04:04:33		OCCURRENCE1^*
00:04:04:33 00:04:04:40
00:04:04:40 00:04:05:04		SOCIETY-OR-CORPORATION1*	gesellschaft
00:04:05:04 00:04:05:09
00:04:05:09 00:04:05:39		INTEGRATION1	integriert
00:04:05:39 00:04:06:11
00:04:06:11 00:04:06:24		TO-PRODUCE2^*
00:04:06:24 00:04:06:33
00:04:06:33 00:04:06:41		TO-PLAY2^*	[MG]
00:04:06:41 00:04:06:48
00:04:06:48 00:04:07:00	Nowadays there are more and more posters that address the topic of art.
00:04:07:00 00:04:07:05		EXAMPLE1*	zu{m} bei{spiel}
00:04:07:05 00:04:07:11
00:04:07:11 00:04:07:20		NOW3*	jetzt
00:04:07:20 00:04:07:31
00:04:07:31 00:04:07:36		MOMENT1*	moment
00:04:07:36 00:04:08:07
00:04:08:07 00:04:09:08		PLACARD1*	plakat
00:04:09:08 00:04:09:35
00:04:09:35 00:04:10:01		$PROD*
00:04:10:01 00:04:10:17
00:04:10:17 00:04:10:30		ART6A*	kunst
00:04:10:30 00:04:10:33
00:04:10:33 00:04:10:39	We wanted to show that we could do something like this as well and that we are not stupid.
00:04:10:39 00:04:10:44		I2	wir
00:04:10:44 00:04:11:08
00:04:11:08 00:04:11:15		TO-ACCOMPLISH1B*	schaffen
00:04:11:15 00:04:11:16
00:04:11:16 00:04:11:20		I1
00:04:11:20 00:04:11:33
00:04:11:33 00:04:11:45		FOOLISH1	nicht dumm
00:04:11:45 00:04:12:06
00:04:12:06 00:04:12:28		$GEST-OFF^*
00:04:12:28 00:04:12:29
00:04:12:29 00:04:13:01	We can work in our dream profession.
00:04:13:01 00:04:13:10		CAN1*	kann
00:04:13:10 00:04:13:15
00:04:13:15 00:04:13:30		$GEST-OFF^
00:04:13:30 00:04:13:31
00:04:13:31 00:04:13:40		TO-ACQUIRE1*	schaffen
00:04:13:40 00:04:13:42
00:04:13:42 00:04:13:45		MY1*
00:04:13:45 00:04:14:01
00:04:14:01 00:04:14:17		DREAM1	traumberuf
00:04:14:17 00:04:14:23
00:04:14:23 00:04:14:30		PROFESSION1A
00:04:14:30 00:04:14:37
00:04:14:37 00:04:14:43		$INDEX1
00:04:14:43 00:04:15:03
00:04:15:03 00:04:15:05	Of course we are able to do so because of the integration process.
00:04:15:05 00:04:15:39		TO-LIST1A^*
00:04:15:39 00:04:15:47
00:04:15:47 00:04:16:07		COHERENCE1A
00:04:16:07 00:04:16:23
00:04:16:23 00:04:16:32		CONTENT3*	integr{ieren}
00:04:16:32 00:04:16:39
00:04:16:39 00:04:17:02		INTEGRATION1
00:04:17:02 00:04:17:11
00:04:17:11 00:04:17:35		$GEST-OFF^
00:04:17:35 00:04:17:40
00:04:17:40 00:04:18:01				Yes, you're right.
00:04:18:01 00:04:18:10					RIGHT-OR-AGREED1A*
00:04:18:10 00:04:18:43
00:04:18:43 00:04:20:26							Asks B not to move around with his chair as much but rather to stay in one place.
00:04:20:26 00:04:20:36	Yes.	YES1A
00:04:20:36 00:04:20:43
00:04:20:43 00:04:21:12		I1*
00:04:21:12 00:04:21:44
00:04:21:44 00:04:22:27
00:04:22:27 00:04:22:34	I always slide so far down.
00:04:22:34 00:04:22:35		I1
00:04:22:35 00:04:22:39
00:04:22:39 00:04:22:44		$PROD*	[MG]
00:04:22:44 00:04:22:45				Yes/
00:04:22:45 00:04:22:48					YES1A*
00:04:22:48 00:04:23:13
00:04:23:13 00:04:23:23
00:04:23:23 00:04:23:25		I1*
00:04:23:25 00:04:23:39
00:04:23:39 00:04:23:40
00:04:23:40 00:04:24:03				Maybe if you adjust the height of the chair, it would be more comfortable for you. I feel like I am constantly rolling to the front as well.
00:04:24:03 00:04:24:10					CAN1	kann
00:04:24:10 00:04:24:25
00:04:24:25 00:04:24:41					HIGH7*	hoch
00:04:24:41 00:04:25:26
00:04:25:26 00:04:25:36					WELL1	wohl
00:04:25:36 00:04:27:28
00:04:27:28 00:04:27:33					I2
00:04:27:33 00:04:27:35
00:04:27:35 00:04:27:42					OFTEN1A	oft
00:04:27:42 00:04:27:43
00:04:27:43 00:04:27:47					I2
00:04:27:47 00:04:28:12
00:04:28:12 00:04:28:26	Yes!				$PROD*	[MG]
00:04:28:26 00:04:28:34		YES2
00:04:28:34 00:04:29:03
00:04:29:03 00:04:29:13
00:04:29:13 00:04:29:18
00:04:29:18 00:04:29:30	And even during the time before I joined the “Visuelle Theater” I was interested in stage performances and stage work, I was mesmerized.
00:04:29:30 00:04:29:45		$ORAL^	auch
00:04:29:45 00:04:29:46
00:04:29:46 00:04:30:01		$INDEX1
00:04:30:01 00:04:30:08
00:04:30:08 00:04:30:12		I1*
00:04:30:12 00:04:30:17
00:04:30:17 00:04:30:24		VISUAL1*	visuel{les}
00:04:30:24 00:04:30:32
00:04:30:32 00:04:31:01		THEATRE6*	theater
00:04:31:01 00:04:31:07
00:04:31:07 00:04:31:10		$INDEX1
00:04:31:10 00:04:31:18
00:04:31:18 00:04:31:27		I1
00:04:31:27 00:04:31:39
00:04:31:39 00:04:32:06		BACK-THEN1	damals
00:04:32:06 00:04:32:07
00:04:32:07 00:04:32:11		I2
00:04:32:11 00:04:32:45
00:04:32:45 00:04:33:06		TO-JOIN1A*
00:04:33:06 00:04:33:12
00:04:33:12 00:04:33:25		NOT-YET2	noch nicht
00:04:33:25 00:04:33:26
00:04:33:26 00:04:33:30		BEFOREHAND4*
00:04:33:30 00:04:33:39
00:04:33:39 00:04:33:44		I1
00:04:33:44 00:04:34:12
00:04:34:12 00:04:34:22		STAGE1	bühne
00:04:34:22 00:04:34:27
00:04:34:27 00:04:34:31		I1*
00:04:34:31 00:04:34:33
00:04:34:33 00:04:34:37		TO-LOOK-AT1^	[MG]
00:04:34:37 00:04:34:40
00:04:34:40 00:04:35:04		INTEREST1B
00:04:35:04 00:04:35:15
00:04:35:15 00:04:36:21		FASCINATING3*	[MG]	Really? That's interesting.
00:04:36:21 00:04:36:24					TO-SEE1
00:04:36:24 00:04:36:31
00:04:36:31 00:04:36:41
00:04:36:41 00:04:36:42					APPROXIMATELY1^
00:04:36:42 00:04:36:45	I especially liked the play „Gehörlos so, was?!“. [Deaf so, what?! Title in German Sign Language Grammar, meaning “What is Deafness?“]	YES2	ja
00:04:36:45 00:04:37:01
00:04:37:01 00:04:37:11					INTEREST1A
00:04:37:11 00:04:37:18		BACK-THEN1*	war so
00:04:37:18 00:04:37:26
00:04:37:26 00:04:37:29
00:04:37:29 00:04:38:09
00:04:38:09 00:04:38:23		SPECIAL-OR-PARTICULARLY1A	bes{onders}
00:04:38:23 00:04:38:34
00:04:38:34 00:04:38:40		BEAUTIFUL1A	schön
00:04:38:40 00:04:39:02
00:04:39:02 00:04:39:10		SEGMENT2B
00:04:39:10 00:04:39:43
00:04:39:43 00:04:39:49		DEAF-LOST-HEARING1A	gehörlos
00:04:39:49 00:04:40:07
00:04:40:07 00:04:40:13		LIKE-THIS2	so
00:04:40:13 00:04:40:15
00:04:40:15 00:04:40:25		WHAT1A	was
00:04:40:25 00:04:41:03
00:04:41:03 00:04:41:18	And I thought Susanne and Marco were the best.
00:04:41:18 00:04:41:23		$NAME-MARCO1	marco
00:04:41:23 00:04:41:24
00:04:41:24 00:04:41:30		AND2A	und	Right, Marco, yes.
00:04:41:30 00:04:41:39					YES1A
00:04:41:39 00:04:41:46
00:04:41:46 00:04:42:06		$NAME-SUSANNE-GENC1	susanne
00:04:42:06 00:04:42:15
00:04:42:15 00:04:42:34		$INDEX1
00:04:42:34 00:04:42:43
00:04:42:43 00:04:43:01		FOR1*	für
00:04:43:01 00:04:43:35
00:04:43:35 00:04:44:02		SPIKY1A*	spitze
00:04:44:02 00:04:44:26
00:04:44:26 00:04:44:28		LIKE3A*	w{ie}
00:04:44:28 00:04:44:38	From all the theater plays I had seen so far, this one outdid them all.
00:04:44:38 00:04:45:02		BEFOREHAND4*
00:04:45:02 00:04:45:09
00:04:45:09 00:04:45:17		THEATRE6	theaterstück
00:04:45:17 00:04:45:20
00:04:45:20 00:04:45:28		PLAY1
00:04:45:28 00:04:45:39
00:04:45:39 00:04:45:49		PERIOD3^*	bis
00:04:45:49 00:04:46:18
00:04:46:18 00:04:46:35		SPIKY1A*	spitze
00:04:46:35 00:04:46:46
00:04:46:46 00:04:47:30		VERY6||$INDEX1	[MG]
00:04:47:30 00:04:47:33
00:04:47:33 00:04:47:38	And that was around the time I joined the “Visuelle Theater”.
00:04:47:38 00:04:47:45		AND5||$INDEX1	und
00:04:47:45 00:04:48:00
00:04:48:00 00:04:48:15		THEN1A*||$INDEX1	dann
00:04:48:15 00:04:48:37
00:04:48:37 00:04:49:00		$INDEX1
00:04:49:00 00:04:49:25
00:04:49:25 00:04:49:33		OR1*||$INDEX1	oder
00:04:49:33 00:04:49:35
00:04:49:35 00:04:50:00		WHAT1A*||LIKE-THIS4	so was
00:04:50:00 00:04:51:10
00:04:51:10 00:04:51:19		TIME1*	zeit
00:04:51:19 00:04:51:22
00:04:51:22 00:04:51:35		BETWEEN3
00:04:51:35 00:04:51:41
00:04:51:41 00:04:51:45		I1
00:04:51:45 00:04:52:09
00:04:52:09 00:04:52:27		TO-JOIN1A*	[MG]
00:04:52:27 00:04:52:45
00:04:52:45 00:04:52:49		VISUAL1*	visuelles
00:04:52:49 00:04:53:04
00:04:53:04 00:04:53:09		THEATRE6*	theater
00:04:53:09 00:04:53:10
00:04:53:10 00:04:53:46		TO-JOIN1A*
00:04:53:46 00:04:54:15
00:04:54:15 00:04:54:34	And Susanne told me a lot about the plays that had been performed so far and she also showed me a lot of videos.
00:04:54:34 00:04:54:42		$NAME-SUSANNE-GENC1	susanne
00:04:54:42 00:04:54:46
00:04:54:46 00:04:55:10		TO-TELL3A*
00:04:55:10 00:04:55:12
00:04:55:12 00:04:55:21		PAST-OR-BACK-THEN1*	früher
00:04:55:21 00:04:55:35
00:04:55:35 00:04:56:03		BEFOREHAND4*
00:04:56:03 00:04:56:14
00:04:56:14 00:04:56:29		PAST-OR-BACK-THEN1*	früher
00:04:56:29 00:04:56:42
00:04:56:42 00:04:57:11		$INDEX1*
00:04:57:11 00:04:57:14
00:04:57:14 00:04:57:23		PAST-OR-BACK-THEN1*||$INDEX1	früher
00:04:57:23 00:04:57:43
00:04:57:43 00:04:57:49		PLAY1	stück
00:04:57:49 00:04:58:03
00:04:58:03 00:04:58:11		VERY6||$INDEX1
00:04:58:11 00:04:58:23
00:04:58:23 00:04:58:31		VIDEO1	video
00:04:58:31 00:04:58:37
00:04:58:37 00:04:59:07		TO-SHOW1A*	zeigen
00:04:59:07 00:04:59:12
00:04:59:12 00:04:59:18	Even the one that Thomas Zander and Peter Schick starred in.
00:04:59:18 00:04:59:25		BACK-THEN1*
00:04:59:25 00:04:59:40
00:04:59:40 00:05:00:00		$ALPHA1:T	thomas
00:05:00:00 00:05:00:01
00:05:00:01 00:05:00:16		$NAME-THOMAS-ZANDER1	zander
00:05:00:16 00:05:00:47
00:05:00:47 00:05:01:09		$NAME-PETER-SCHICK1||TO-LIST1C^	peter schick
00:05:01:09 00:05:01:11
00:05:01:11 00:05:01:18		$LIST1:3of3d
00:05:01:18 00:05:01:20
00:05:01:20 00:05:01:29	She also told me that they used to have daily rehearsals and that they rehearsed many hours every week.
00:05:01:29 00:05:01:36		TO-TELL4
00:05:01:36 00:05:02:12
00:05:02:12 00:05:02:18		GROUP1A*
00:05:02:18 00:05:02:23
00:05:02:23 00:05:02:30		TO-PRACTICE1
00:05:02:30 00:05:02:38
00:05:02:38 00:05:02:49		DAILY1A	täglich
00:05:02:49 00:05:03:02
00:05:03:02 00:05:03:24		OFTEN2B	oft oft
00:05:03:24 00:05:03:28
00:05:03:28 00:05:03:36		$GEST-OFF^
00:05:03:36 00:05:04:00
00:05:04:00 00:05:04:08		WEEK1A	woche
00:05:04:08 00:05:04:15
00:05:04:15 00:05:04:26		HOUR1A*	stunde
00:05:04:26 00:05:04:29
00:05:04:29 00:05:04:38		$GEST-OFF^
00:05:04:38 00:05:04:39
00:05:04:39 00:05:05:06	She said that people joining the group would have to invest a lot of time, but they would have fun doing so.
00:05:05:06 00:05:05:12		$NAME-SUSANNE-GENC1	susanne
00:05:05:12 00:05:05:21
00:05:05:21 00:05:05:32		EXHAUSTING5*	[MG]
00:05:05:32 00:05:05:37
00:05:05:37 00:05:05:45		TO-PRACTICE1*
00:05:05:45 00:05:06:04
00:05:06:04 00:05:06:08		BUT1*	aber
00:05:06:08 00:05:06:24
00:05:06:24 00:05:06:29		$NAME-SUSANNE-GENC1	susanne
00:05:06:29 00:05:06:31
00:05:06:31 00:05:06:35		SELF1A*	selbst
00:05:06:35 00:05:06:38
00:05:06:38 00:05:06:44		TO-TELL3A*	erzähl
00:05:06:44 00:05:07:01
00:05:07:01 00:05:07:05		SELF1A*	selbst
00:05:07:05 00:05:07:14
00:05:07:14 00:05:08:11		TO-SAY1^	sag
00:05:08:11 00:05:08:32
00:05:08:32 00:05:08:43		THEATRE6	thea{ter}
00:05:08:43 00:05:08:46
00:05:08:46 00:05:09:23		TO-JOIN1A*
00:05:09:23 00:05:09:47
00:05:09:47 00:05:10:05		TROUBLE2	[MG]
00:05:10:05 00:05:10:12
00:05:10:12 00:05:10:27		HOUR1A*	viele stunden
00:05:10:27 00:05:10:30
00:05:10:30 00:05:10:34		ROBBERY1	[MG]
00:05:10:34 00:05:10:39
00:05:10:39 00:05:11:01		BUT1	aber
00:05:11:01 00:05:11:13
00:05:11:13 00:05:11:24		CONTENT2	viel
00:05:11:24 00:05:11:29
00:05:11:29 00:05:11:33		MUCH-OR-MANY1A
00:05:11:33 00:05:11:41
00:05:11:41 00:05:11:47		FUN1*	spaß
00:05:11:47 00:05:12:04
00:05:12:04 00:05:12:12	[She said] you would be able to learn a lot and exchange knowledge, it’d be great.
00:05:12:12 00:05:12:25		TO-LEARN1*	lernen
00:05:12:25 00:05:12:31
00:05:12:31 00:05:13:00		EXPERIENCE-OR-KNOWLEDGE1B^*
00:05:13:00 00:05:13:06
00:05:13:06 00:05:13:13		TO-NEED1	brau{chen}
00:05:13:13 00:05:13:18
00:05:13:18 00:05:13:48		TO-EXCHANGE2
00:05:13:48 00:05:14:10
00:05:14:10 00:05:14:17		TO-KNOW-OR-KNOWLEDGE1*	wissen
00:05:14:17 00:05:14:20
00:05:14:20 00:05:15:09		TO-EXCHANGE2	tauschen
00:05:15:09 00:05:15:23
00:05:15:23 00:05:15:48		GREAT1A*	[MG]
00:05:15:48 00:05:16:09
00:05:16:09 00:05:16:12	Then I talked to Marco and got the script for my first play, “Argonautengang”.
00:05:16:12 00:05:16:18		AND5	und
00:05:16:18 00:05:16:20
00:05:16:20 00:05:16:27		I1	[MG]
00:05:16:27 00:05:16:33
00:05:16:33 00:05:16:42		TO-LOOK-AT1^
00:05:16:42 00:05:17:00
00:05:17:00 00:05:17:06		THEN1A
00:05:17:06 00:05:17:17
00:05:17:17 00:05:17:25		$NAME-MARCO1	marco
00:05:17:25 00:05:18:19		SELF1A*
00:05:18:19 00:05:18:30
00:05:18:30 00:05:18:37		$INDEX1
00:05:18:37 00:05:19:08
00:05:19:08 00:05:19:14		I1
00:05:19:14 00:05:19:21
00:05:19:21 00:05:19:28		BEEN1
00:05:19:28 00:05:19:36
00:05:19:36 00:05:19:46		PLAY1	stück
00:05:19:46 00:05:20:03
00:05:20:03 00:05:20:13		COHERENCE1A^	mit
00:05:20:13 00:05:20:25
00:05:20:25 00:05:20:30		NO-CLUE1	argonautengang
00:05:20:30 00:05:20:43
00:05:20:43 00:05:21:05		TO-GO4*
00:05:21:05 00:05:21:12
00:05:21:12 00:05:21:19		I1	ich
00:05:21:19 00:05:21:26
00:05:21:26 00:05:21:39		FIRST-OF-ALL1A	erste
00:05:21:39 00:05:21:48
00:05:21:48 00:05:22:01		TO-READ-BOOK2A*
00:05:22:01 00:05:22:03
00:05:22:03 00:05:22:07		I2
00:05:22:07 00:05:22:13
00:05:22:13 00:05:22:20		$INDEX1	[MG]
00:05:22:20 00:05:22:24
00:05:22:24 00:05:22:31		FOR-WHAT1^*
00:05:22:31 00:05:22:33
00:05:22:33 00:05:23:02	At first I didn't understand a single thing.
00:05:23:02 00:05:23:12		MEANING1	bedeutet
00:05:23:12 00:05:23:23
00:05:23:23 00:05:24:14		TO-TAKE1A^*
00:05:24:14 00:05:24:32
00:05:24:32 00:05:24:39		TEXT1B*	text
00:05:24:39 00:05:24:48
00:05:24:48 00:05:25:12		$PROD*
00:05:25:12 00:05:25:28
00:05:25:28 00:05:26:45		TO-MISS-STH1^	[MG]
00:05:26:45 00:05:26:49
00:05:26:49 00:05:27:04	It just went over my head, and I was supposed to translated the script into DGS [short for Deutsche Gebärdensprache, engl.: German Sign Language].
00:05:27:04 00:05:27:39		ABSTRACT1*
00:05:27:39 00:05:27:46
00:05:27:46 00:05:28:43		$PROD*
00:05:28:43 00:05:28:48
00:05:28:48 00:05:29:30		APPROXIMATELY1*
00:05:29:30 00:05:29:38
00:05:29:38 00:05:29:41		$INDEX1
00:05:29:41 00:05:29:42
00:05:29:42 00:05:29:47		ALSO3A	auch
00:05:29:47 00:05:30:08
00:05:30:08 00:05:30:29		TO-TRANSLATE2	übersetzen
00:05:30:29 00:05:30:41
00:05:30:41 00:05:31:01		TO-ACCOMPLISH1A	schaffen
00:05:31:01 00:05:31:04
00:05:31:04 00:05:31:19		DGS1	d-g-s
00:05:31:19 00:05:31:29
00:05:31:29 00:05:32:10		TO-TRANSLATE2*	übersetzen
00:05:32:10 00:05:32:18
00:05:32:18 00:05:32:29		TO-SIGN1A^*
00:05:32:29 00:05:32:36
00:05:32:36 00:05:32:41		I2
00:05:32:41 00:05:32:42
00:05:32:42 00:05:33:06	This way I developed a fascination and an interest for it and I finally managed to get an angle on these abstract topics.
00:05:33:06 00:05:33:18		INTEREST1B*
00:05:33:18 00:05:33:32
00:05:33:32 00:05:34:05		TO-COMPREHEND1
00:05:34:05 00:05:34:09
00:05:34:09 00:05:34:35		TO-ACCOMPLISH1C*	schaffen
00:05:34:35 00:05:34:43
00:05:34:43 00:05:35:14		NOT4	nicht
00:05:35:14 00:05:35:18
00:05:35:18 00:05:35:39		INTEREST1B	[MG]
00:05:35:39 00:05:36:01
00:05:36:01 00:05:36:17		ENTRY2*
00:05:36:17 00:05:36:24
00:05:36:24 00:05:37:09		ABSTRACT1	abstrakt
00:05:37:09 00:05:37:21
00:05:37:21 00:05:37:31		ENTRY2
00:05:37:31 00:05:37:42
00:05:37:42 00:05:38:01		END1B	ende
00:05:38:01 00:05:38:10
00:05:38:10 00:05:38:37		ENTRY2*	zugang
00:05:38:37 00:05:39:03
00:05:39:03 00:05:39:17		PRESENT-OR-HERE1*	da
00:05:39:17 00:05:39:24
00:05:39:24 00:05:39:29	Finally I found my angle on the abstract world, philosophy, I finally did it!
00:05:39:29 00:05:39:34		FOR1*	für
00:05:39:34 00:05:39:43
00:05:39:43 00:05:40:13		ABSTRACT1	abstrakte
00:05:40:13 00:05:40:24
00:05:40:24 00:05:40:41		WORLD1*	welt
00:05:40:41 00:05:41:09
00:05:41:09 00:05:41:30		PHILOSOPHY2	phil{o}sophie
00:05:41:30 00:05:42:03
00:05:42:03 00:05:42:10		FINALLY2B	endlich
00:05:42:10 00:05:42:19
00:05:42:19 00:05:42:27		ENTRY2*	zugang
00:05:42:27 00:05:42:29
00:05:42:29 00:05:42:33	Before that, things were more objective and visual for me, sort of like soccer when someone scores a goal.
00:05:42:33 00:05:42:42		PAST-OR-BACK-THEN1*	vorher
00:05:42:42 00:05:43:00
00:05:43:00 00:05:43:06		BEFORE1G
00:05:43:06 00:05:43:10
00:05:43:10 00:05:43:18		ZERO1A*	null
00:05:43:18 00:05:43:24
00:05:43:24 00:05:43:29		ONLY2A	nur
00:05:43:29 00:05:43:36
00:05:43:36 00:05:44:19		OBJECTIVE1*	sachlich
00:05:44:19 00:05:44:31
00:05:44:31 00:05:44:42		LIKE-THIS1	so
00:05:44:42 00:05:45:02
00:05:45:02 00:05:45:11		THERE-IS3	was
00:05:45:11 00:05:45:16
00:05:45:16 00:05:45:26		$INDEX1*	gibt
00:05:45:26 00:05:45:40
00:05:45:40 00:05:45:47		FOOTBALL4	fußball
00:05:45:47 00:05:46:03
00:05:46:03 00:05:46:10		$INDEX1*
00:05:46:10 00:05:46:17
00:05:46:17 00:05:46:22		TO-WIN1	gewonnen
00:05:46:22 00:05:46:41
00:05:46:41 00:05:46:46		MAIN1A^	eins
00:05:46:46 00:05:47:01
00:05:47:01 00:05:47:05		ZERO4*	null
00:05:47:05 00:05:47:15
00:05:47:15 00:05:47:18		$INDEX-ORAL1	er
00:05:47:18 00:05:47:28
00:05:47:28 00:05:47:34		TO-KICK1^	schießt
00:05:47:34 00:05:47:39
00:05:47:39 00:05:47:49		GOAL2	tor
00:05:47:49 00:05:48:08
00:05:48:08 00:05:48:13		$INDEX1
00:05:48:13 00:05:48:19
00:05:48:19 00:05:48:29		TO-TELL4*	[MG]
00:05:48:29 00:05:48:33
00:05:48:33 00:05:49:21		$PROD*
00:05:49:21 00:05:49:31	But I didn't really have a feeling for abstract topics yet.
00:05:49:31 00:05:50:03		$GEST-OFF^	aber
00:05:50:03 00:05:50:25
00:05:50:25 00:05:50:36		ABSTRACT1	abstrakt
00:05:50:36 00:05:51:02
00:05:51:02 00:05:51:16		FEELING3	gefühl
00:05:51:16 00:05:51:22
00:05:51:22 00:05:51:31		NOT6*
00:05:51:31 00:05:51:35
00:05:51:35 00:05:51:42	Because I joined the “Visuelle Theater”, I finally found an approach to abstract topics.
00:05:51:42 00:05:52:00		$INDEX1
00:05:52:00 00:05:52:10
00:05:52:10 00:05:52:15		TO-LOOK-AWAY-AND-BACK1^*	visuell
00:05:52:15 00:05:52:33
00:05:52:33 00:05:52:42		TO-JOIN1A*	endlich
00:05:52:42 00:05:53:00
00:05:53:00 00:05:53:08		FINALLY2B
00:05:53:08 00:05:53:25
00:05:53:25 00:05:53:37		ENTRY2*	zugang
00:05:53:37 00:05:54:03
00:05:54:03 00:05:54:16		ABSTRACT1*	abstrakt
00:05:54:16 00:05:54:23
00:05:54:23 00:05:54:25	I became fascinated and concerned myself further with the topics. All in all, I finally found my own approach to it.
00:05:54:25 00:05:54:49		INTEREST1B*	[MG]
00:05:54:49 00:05:55:26
00:05:55:26 00:05:56:12		TO-FOLLOW1A	verfolgen
00:05:56:12 00:05:57:02
00:05:57:02 00:05:57:08		ENTRY2*	zugang
00:05:57:08 00:05:57:18
00:05:57:18 00:05:57:26		DONE1B
00:05:57:26 00:05:57:30
00:05:57:30 00:05:57:37	Then they had this project called “Blue” at the institute [Whenever the informant mentions “the institute” he probably talks about the institute of German Sign Language at the University of Hamburg].
00:05:57:37 00:05:58:05		TO-SLIDE-OR-TO-PUSH2^*
00:05:58:05 00:05:58:22
00:05:58:22 00:05:58:38		THEN1A	dann
00:05:58:38 00:05:59:04
00:05:59:04 00:05:59:18		TO-POSTPONE3^
00:05:59:18 00:05:59:38
00:05:59:38 00:05:59:45		PROJECT2A	projekt
00:05:59:45 00:06:00:00
00:06:00:00 00:06:00:03		$INDEX1
00:06:00:03 00:06:00:13
00:06:00:13 00:06:00:31		INSTITUTE1	institut
00:06:00:31 00:06:01:00
00:06:01:00 00:06:01:46		BLUE3	blue
00:06:01:46 00:06:02:16
00:06:02:16 00:06:02:20		$INDEX1
00:06:02:20 00:06:02:27				I saw that one! That's the play I am very glad to have seen, it was great!
00:06:02:27 00:06:02:31					I1*
00:06:02:31 00:06:02:44
00:06:02:44 00:06:02:49					TO-SEE1
00:06:02:49 00:06:03:06
00:06:03:06 00:06:03:13
00:06:03:13 00:06:03:19					I1
00:06:03:19 00:06:03:31
00:06:03:31 00:06:03:45					CONVERSELY1	um
00:06:03:45 00:06:03:46	Yes! So anyway, I tried in “Blue” to/	YES2	ja
00:06:03:46 00:06:04:03
00:06:04:03 00:06:04:11					HAPPY1	froh
00:06:04:11 00:06:04:21
00:06:04:21 00:06:04:40					TO-LOOK-AT1
00:06:04:40 00:06:04:49
00:06:04:49 00:06:05:16					SUPER1	super
00:06:05:16 00:06:05:45
00:06:05:45 00:06:06:29
00:06:06:29 00:06:07:00		BLUE3	blue
00:06:07:00 00:06:07:24
00:06:07:24 00:06:08:16		$INDEX1
00:06:08:16 00:06:09:10
00:06:09:10 00:06:09:23		I1
00:06:09:23 00:06:09:34
00:06:09:34 00:06:09:40		UMLAUT-MARK1^*
00:06:09:40 00:06:09:42
00:06:09:42 00:06:09:44	… because just before “Blue” I had signed a piece at the Sign Language festival.
00:06:09:44 00:06:10:02		I1
00:06:10:02 00:06:10:26
00:06:10:26 00:06:10:33		REASON4A	grund
00:06:10:33 00:06:10:41
00:06:10:41 00:06:10:49		FIRST1A	zuerst
00:06:10:49 00:06:11:05
00:06:11:05 00:06:11:41		BEFORE1G*	bevor bevor
00:06:11:41 00:06:11:48
00:06:11:48 00:06:12:02		BLUE3	blue
00:06:12:02 00:06:12:06
00:06:12:06 00:06:12:16		BEFORE1G	vor
00:06:12:16 00:06:12:41
00:06:12:41 00:06:12:47		TO-SIGN1A*	gebärdensprachfestival
00:06:12:47 00:06:13:16		FESTIVAL2B
00:06:13:16 00:06:13:18
00:06:13:18 00:06:13:26		I1
00:06:13:26 00:06:13:39
00:06:13:39 00:06:14:02		TO-SIGN1A	[MG]
00:06:14:02 00:06:14:04
00:06:14:04 00:06:14:06	It was about/ Oh, no, this is bad. What was it about? It had something to do with Hitler but what was the topic called again?
00:06:14:06 00:06:14:11		I2
00:06:14:11 00:06:14:28
00:06:14:28 00:06:14:43		SUBJECT1	thema
00:06:14:43 00:06:16:07
00:06:16:07 00:06:16:16		I2
00:06:16:16 00:06:16:17
00:06:16:17 00:06:16:28		BAD3B*	schlimm
00:06:16:28 00:06:16:31
00:06:16:31 00:06:16:35		TO-LINK1B^*
00:06:16:35 00:06:16:36
00:06:16:36 00:06:16:41		SUBJECT1*	thema
00:06:16:41 00:06:16:44
00:06:16:44 00:06:17:03		MY1	mein
00:06:17:03 00:06:17:20
00:06:17:20 00:06:17:38		HITLER2	hitler
00:06:17:38 00:06:17:47
00:06:17:47 00:06:18:02		COHERENCE1A	aber
00:06:18:02 00:06:18:09
00:06:18:09 00:06:18:13		NAME1A*	n{ame}
00:06:18:13 00:06:18:22
00:06:18:22 00:06:19:07		SUBJECT1*	them{a}
00:06:19:07 00:06:19:32
00:06:19:32 00:06:20:30
00:06:20:30 00:06:21:18				Were you at the university then?
00:06:21:18 00:06:21:30					UNIVERSITY3	uni
00:06:21:30 00:06:21:39
00:06:21:39 00:06:21:43					$INDEX1
00:06:21:43 00:06:21:44	Yes.
00:06:21:44 00:06:22:04		YES2*	ja
00:06:22:04 00:06:22:16	No, before that!
00:06:22:16 00:06:22:21		NO2A	[MG]
00:06:22:21 00:06:22:28
00:06:22:28 00:06:22:36		BEFORE1G
00:06:22:36 00:06:22:37
00:06:22:37 00:06:22:40	I was at the Sign Language festival.
00:06:22:40 00:06:23:00		I1*
00:06:23:00 00:06:23:06
00:06:23:06 00:06:23:13		SIGN-LANGUAGE1B	gebärdensprachfestival
00:06:23:13 00:06:23:19		FESTIVAL2A
00:06:23:19 00:06:23:22
00:06:23:22 00:06:23:30		$INDEX1
00:06:23:30 00:06:23:38
00:06:23:38 00:06:23:43		I1
00:06:23:43 00:06:23:46
00:06:23:46 00:06:23:49	I signed, children/ No, children, Hitler Youth, yes, “Hitler Youth”, that seems right. That was what it was about!			I see, right.
00:06:23:49 00:06:24:02					YES2*
00:06:24:02 00:06:24:11		TO-SIGN1A*	gebärden
00:06:24:11 00:06:24:19
00:06:24:19 00:06:24:25		I1
00:06:24:25 00:06:24:45
00:06:24:45 00:06:25:10		CHILD2*	kinder
00:06:25:10 00:06:26:12
00:06:26:12 00:06:26:28		CHILD2*	kinder
00:06:26:28 00:06:26:48
00:06:26:48 00:06:27:01
00:06:27:01 00:06:27:07		HITLER2*
00:06:27:07 00:06:27:15
00:06:27:15 00:06:27:24		CHILD2
00:06:27:24 00:06:27:27
00:06:27:27 00:06:27:35		HITLER2*	hitlerjugend
00:06:27:35 00:06:27:46
00:06:27:46 00:06:28:14		YOUNG1
00:06:28:14 00:06:28:23
00:06:28:23 00:06:28:34		HITLER2	hitlerjugend
00:06:28:34 00:06:28:41
00:06:28:41 00:06:28:42		YOUNG1*
00:06:28:42 00:06:29:01				Yes, you're right! I was mesmerized by that piece.
00:06:29:01 00:06:29:05
00:06:29:05 00:06:29:07					YES1A
00:06:29:07 00:06:29:12		RIGHT-OR-AGREED1A	stimmt
00:06:29:12 00:06:29:24
00:06:29:24 00:06:29:27
00:06:29:27 00:06:29:39		SUBJECT1	thema		RIGHT-OR-AGREED1B	stimmt stimmt
00:06:29:39 00:06:29:48
00:06:29:48 00:06:30:03		I1
00:06:30:03 00:06:30:13
00:06:30:13 00:06:30:14
00:06:30:14 00:06:30:20		SUBJECT1*
00:06:30:20 00:06:30:30
00:06:30:30 00:06:30:35		I1*
00:06:30:35 00:06:30:43					FASCINATING3	[MG]
00:06:30:43 00:06:31:09	I signed there.
00:06:31:09 00:06:31:20
00:06:31:20 00:06:31:21		I1*
00:06:31:21 00:06:31:22
00:06:31:22 00:06:31:24		TO-SIGN1A	[MG]	There were a couple/
00:06:31:24 00:06:31:40					TO-LIST1C
00:06:31:40 00:06:32:11
00:06:32:11 00:06:32:21				Yes, you’re right.	RIGHT-OR-AGREED1A
00:06:32:21 00:06:32:26
00:06:32:26 00:06:32:36	The people from the institute filmed me.
00:06:32:36 00:06:32:42		CAMERA1*	aufnahme
00:06:32:42 00:06:33:01
00:06:33:01 00:06:33:09		INTAKE1*
00:06:33:09 00:06:33:13
00:06:33:13 00:06:33:26		$INDEX1	am
00:06:33:26 00:06:33:41
00:06:33:41 00:06:34:02		INSTITUTE1	institut
00:06:34:02 00:06:34:10
00:06:34:10 00:06:34:18	They wanted to showcase my research, so they invited me/
00:06:34:18 00:06:34:27		MY1
00:06:34:27 00:06:34:43
00:06:34:43 00:06:35:02		RESEARCH1A	forschen
00:06:35:02 00:06:35:19
00:06:35:19 00:06:35:41		$GEST-TO-PONDER1^
00:06:35:41 00:06:36:05
00:06:36:05 00:06:36:14		||TO-INVITE1A
00:06:36:14 00:06:36:21
00:06:36:21 00:06:36:28		$INDEX1
00:06:36:28 00:06:36:46
00:06:36:46 00:06:37:13		TO-INVITE2*	einladen
00:06:37:13 00:06:37:25				Yes, you’re right!
00:06:37:25 00:06:37:38					RIGHT-OR-AGREED1A	stimmt stimmt
00:06:37:38 00:06:37:43
00:06:37:43 00:06:37:44	They invited me to a debate, I mean, to debate it with all the people from the institute.
00:06:37:44 00:06:38:19
00:06:38:19 00:06:39:03		TO-INVITE2*	einladung
00:06:39:03 00:06:39:23
00:06:39:23 00:06:39:46		DISCUSSION1A*	[MG]
00:06:39:46 00:06:40:03
00:06:40:03 00:06:40:14		INSTITUTE1*	institut
00:06:40:14 00:06:40:17
00:06:40:17 00:06:40:26		TO-STUDY1*	studenten
00:06:40:26 00:06:40:27
00:06:40:27 00:06:41:03		TO-SIT-IN-A-SEMI-CIRCLE1*
00:06:41:03 00:06:41:12
00:06:41:12 00:06:41:42		DISCUSSION1A*
00:06:41:42 00:06:41:44
00:06:41:44 00:06:42:04	I was instantly interested that there were these things such as debates and thought to myself that I had to remember the time it would take place.	I1*	ich
00:06:42:04 00:06:42:17
00:06:42:17 00:06:42:48		DISCUSSION1A*
00:06:42:48 00:06:43:02
00:06:43:02 00:06:43:29		INTEREST1B	[MG]
00:06:43:29 00:06:43:33
00:06:43:33 00:06:43:37		$INDEX1*
00:06:43:37 00:06:43:39
00:06:43:39 00:06:43:47		THERE-IS3	gibt
00:06:43:47 00:06:43:48
00:06:43:48 00:06:44:22		DISCUSSION1A	diskussion
00:06:44:22 00:06:44:28
00:06:44:28 00:06:44:37		HEY1*
00:06:44:37 00:06:44:43
00:06:44:43 00:06:44:49		WHEN1	wann
00:06:44:49 00:06:45:04
00:06:45:04 00:06:45:09		TIME1*
00:06:45:09 00:06:45:10
00:06:45:10 00:06:45:18		$ORAL^	immer
00:06:45:18 00:06:45:26
00:06:45:26 00:06:45:30		TO-KNOW-OR-KNOWLEDGE2A	weiß
00:06:45:30 00:06:45:33
00:06:45:33 00:06:45:41		TO-MEMORISE1^	im kopf
00:06:45:41 00:06:46:00
00:06:46:00 00:06:46:07	Someone told me it would take place on tuesdays starting at four until five/ I mean three until five o'clock.
00:06:46:07 00:06:46:17		TUESDAY3A	dienstag
00:06:46:17 00:06:46:44
00:06:46:44 00:06:47:08		REGULARLY2*	[MG]
00:06:47:08 00:06:47:14
00:06:47:14 00:06:47:23		TUESDAY3A	dienstag
00:06:47:23 00:06:47:43
00:06:47:43 00:06:48:20		$NUM-CLOCK1A:4	v{ier uhr}
00:06:48:20 00:06:48:29
00:06:48:29 00:06:48:49		$NUM-CLOCK1A:4	vier uhr
00:06:48:49 00:06:49:06
00:06:49:06 00:06:49:25		UNTIL1	b{is}
00:06:49:25 00:06:49:35
00:06:49:35 00:06:49:42		$NUM-CLOCK1A:5*	f{ünf uhr}
00:06:49:42 00:06:50:00
00:06:50:00 00:06:50:13		$NUM-CLOCK1A:3d	drei uhr
00:06:50:13 00:06:50:21
00:06:50:21 00:06:50:27		UNTIL1	bis
00:06:50:27 00:06:50:31
00:06:50:31 00:06:51:09		$NUM-CLOCK1A:5	fünf uhr
00:06:51:09 00:06:51:19
00:06:51:19 00:06:51:27		||MEASURE-VERTICAL1^
00:06:51:27 00:06:51:35
00:06:51:35 00:06:51:36	They would always have debates from three to five o‘clock, and I thought, “Wow, this is great!”
00:06:51:36 00:06:52:07		ALL2C
00:06:52:07 00:06:52:14
00:06:52:14 00:06:52:22		$NUM-CLOCK1A:3d*	drei uhr
00:06:52:22 00:06:52:24
00:06:52:24 00:06:52:45		$NUM-CLOCK1A:5	fünf
00:06:52:45 00:06:52:46
00:06:52:46 00:06:53:14		OFTEN5B	[MG]
00:06:53:14 00:06:53:25
00:06:53:25 00:06:53:32		YES1A	ja
00:06:53:32 00:06:53:36
00:06:53:36 00:06:54:15		DISCUSSION1A*	[MG]
00:06:54:15 00:06:54:20
00:06:54:20 00:06:54:27		TO-SIT-IN-A-CIRCLE1*	sitzen
00:06:54:27 00:06:54:32
00:06:54:32 00:06:54:36		DISCUSSION1A*	[MG]
00:06:54:36 00:06:54:37
00:06:54:37 00:06:55:20		TO-EXCHANGE2	[MG]
00:06:55:20 00:06:55:28				Yes, that is interesting.
00:06:55:28 00:06:55:37		I1||$INDEX1
00:06:55:37 00:06:56:05					INTEREST1A
00:06:56:05 00:06:56:09
00:06:56:09 00:06:56:11
00:06:56:11 00:06:56:17	At that time I was in the middle of an apprenticeship and thought, “I should be able to arrange it so that I could get off work a little before three o‘clock.”
00:06:56:17 00:06:56:25		THEN1C
00:06:56:25 00:06:56:26
00:06:56:26 00:06:56:32		I1
00:06:56:32 00:06:56:40
00:06:56:40 00:06:57:03		EDUCATION1*	ausbildung
00:06:57:03 00:06:57:05
00:06:57:05 00:06:57:08		I2
00:06:57:08 00:06:57:13
00:06:57:13 00:06:57:19		TIME7A*	zur zeit
00:06:57:19 00:06:57:27
00:06:57:27 00:06:57:36		EDUCATION1*	ausbildung
00:06:57:36 00:06:57:40
00:06:57:40 00:06:57:44		$INDEX1
00:06:57:44 00:06:57:45
00:06:57:45 00:06:57:48		I1
00:06:57:48 00:06:57:49
00:06:57:49 00:06:58:10		TO-ACCOMPLISH1A*	schaff
00:06:58:10 00:06:58:16
00:06:58:16 00:06:58:27		$NUM-CLOCK1A:3d	drei uhr
00:06:58:27 00:06:58:30
00:06:58:30 00:06:58:37		TO-ACCOMPLISH1A*	schaff
00:06:58:37 00:06:58:42
00:06:58:42 00:06:58:44		I1*
00:06:58:44 00:06:59:05
00:06:59:05 00:06:59:20		BEFORE1B^*
00:06:59:20 00:06:59:23
00:06:59:23 00:06:59:28	If I got off work earlier, I could go there.
00:06:59:28 00:06:59:34		BEFORE1B^*	früh
00:06:59:34 00:06:59:37
00:06:59:37 00:06:59:40		FINISH1*	schluss
00:06:59:40 00:06:59:48
00:06:59:48 00:07:00:00		I1
00:07:00:00 00:07:00:06
00:07:00:06 00:07:00:16		TO-COME1
00:07:00:16 00:07:00:17
00:07:00:17 00:07:00:29	Which I did and I ended up going regularly.
00:07:00:29 00:07:00:35		I2
00:07:00:35 00:07:00:46
00:07:00:46 00:07:01:23		TO-COME1*	komme komme
00:07:01:23 00:07:01:25
00:07:01:25 00:07:01:27	It was on a voluntarily basis and I ended up going every time to debate with others and to share ideas and knowledge.
00:07:01:27 00:07:01:41		$GEST-NM-TO-SHRUG1^
00:07:01:41 00:07:01:42
00:07:01:42 00:07:01:46		VOLUNTARY1*	freiwillig
00:07:01:46 00:07:02:01
00:07:02:01 00:07:02:08		TO-COME1*
00:07:02:08 00:07:02:16
00:07:02:16 00:07:02:18		I2
00:07:02:18 00:07:02:26
00:07:02:26 00:07:03:03		TO-COME1*	komme komme
00:07:03:03 00:07:03:19
00:07:03:19 00:07:03:23		FASCINATING1	[MG]
00:07:03:23 00:07:03:25
00:07:03:25 00:07:03:42		DISCUSSION1A*	diskussion
00:07:03:42 00:07:04:07
00:07:04:07 00:07:04:09		TO-KNOW-OR-KNOWLEDGE1*	wissen
00:07:04:09 00:07:04:13
00:07:04:13 00:07:04:34		TO-EXCHANGE2
00:07:04:34 00:07:04:35	At some point we got the script for “Blue” and started to think about the way we could realize it and Marco said to Tomas Vollhaber, “Hey, you should be in the play, too!”
00:07:04:35 00:07:04:41		SUDDENLY4*	[MG]
00:07:04:41 00:07:05:03
00:07:05:03 00:07:05:38		$GEST-TO-PONDER1^*
00:07:05:38 00:07:06:08
00:07:06:08 00:07:06:17		SUBJECT1*	thema
00:07:06:17 00:07:06:29
00:07:06:29 00:07:06:45		TEXT1B
00:07:06:45 00:07:07:05
00:07:07:05 00:07:07:13		BLUE3*	blue
00:07:07:13 00:07:07:25
00:07:07:25 00:07:07:43		TEXT1B	text
00:07:07:43 00:07:08:13
00:07:08:13 00:07:09:09		TO-TRANSLATE2*	transkription
00:07:09:09 00:07:09:44
00:07:09:44 00:07:10:01		HOW-QUESTION-COMPARISON1*	wie
00:07:10:01 00:07:10:07
00:07:10:07 00:07:10:26		$GEST-TO-PONDER1^*
00:07:10:26 00:07:10:30
00:07:10:30 00:07:10:34		$INDEX1
00:07:10:34 00:07:10:37
00:07:10:37 00:07:10:44		$NAME-MARCO1*	marco
00:07:10:44 00:07:11:02
00:07:11:02 00:07:11:11		TO-LET-KNOW1A*
00:07:11:11 00:07:11:33
00:07:11:33 00:07:11:39		EYE1^*
00:07:11:39 00:07:11:48
00:07:11:48 00:07:12:03		$ALPHA1:T	thomas
00:07:12:03 00:07:12:10
00:07:12:10 00:07:12:16		EARRING1A^	vollhaber
00:07:12:16 00:07:12:22
00:07:12:22 00:07:12:28		TO-LET-KNOW1A*
00:07:12:28 00:07:12:38
00:07:12:38 00:07:12:49		$GEST-DECLINE1^*	[MG]
00:07:12:49 00:07:13:02
00:07:13:02 00:07:13:06		I1
00:07:13:06 00:07:13:15
00:07:13:15 00:07:13:26		WITH1A*	mitspielen
00:07:13:26 00:07:13:32
00:07:13:32 00:07:13:39		TO-PLAY2*
00:07:13:39 00:07:14:01
00:07:14:01 00:07:14:15		INCLUSIVE1^*	mitspielen
00:07:14:15 00:07:14:16
00:07:14:16 00:07:14:28	That we should just all star in the play together even if the hearing actors weren't that good at signing.
00:07:14:28 00:07:14:42		$GEST-DECLINE1^	alle
00:07:14:42 00:07:15:02
00:07:15:02 00:07:15:12		ALL1A*
00:07:15:12 00:07:15:22
00:07:15:22 00:07:15:25		HEARING1A*	hörende
00:07:15:25 00:07:15:31
00:07:15:31 00:07:15:42		TO-SIGN1A	[MG]
00:07:15:42 00:07:15:46
00:07:15:46 00:07:16:04		$INDEX1
00:07:16:04 00:07:16:27
00:07:16:27 00:07:16:36		||WITH1A*	mit
00:07:16:36 00:07:16:37
00:07:16:37 00:07:17:04	Marco’s original idea was to perform together with Gunter.
00:07:17:04 00:07:17:27		BOTH2A*	zwei
00:07:17:27 00:07:17:38
00:07:17:38 00:07:17:42		$ORAL^	warum
00:07:17:42 00:07:17:43
00:07:17:43 00:07:17:47		$INDEX1
00:07:17:47 00:07:18:01
00:07:18:01 00:07:18:15		WAS1*	war
00:07:18:15 00:07:18:30
00:07:18:30 00:07:18:37		$NAME-MARCO1	marco
00:07:18:37 00:07:18:41
00:07:18:41 00:07:19:01		PLAN2	plan
00:07:19:01 00:07:19:03
00:07:19:03 00:07:19:12		$ORAL^	was
00:07:19:12 00:07:19:17
00:07:19:17 00:07:19:23		WITH1A	mit
00:07:19:23 00:07:19:27
00:07:19:27 00:07:19:35		$NAME-GUNTER-PUTTRICH1	gunter puttrich
00:07:19:35 00:07:19:43
00:07:19:43 00:07:21:04		TOGETHER3A	zusammen
00:07:21:04 00:07:21:09
00:07:21:09 00:07:21:17	That was the original plan but Gunter couldn't do it because of scheduling conflicts, he was involved in another project for the Expo in Hanover.
00:07:21:17 00:07:22:02		PLAN2	plan
00:07:22:02 00:07:22:21
00:07:22:21 00:07:22:28		LIKE7A*	wie
00:07:22:28 00:07:22:49		$GEST^
00:07:22:49 00:07:23:09
00:07:23:09 00:07:23:13		$NAME-GUNTER-PUTTRICH1	gunter puttrich
00:07:23:13 00:07:23:41
00:07:23:41 00:07:24:05		DEVIATION3^
00:07:24:05 00:07:24:27
00:07:24:27 00:07:24:37		DIFFERENT1	anderes
00:07:24:37 00:07:24:45
00:07:24:45 00:07:25:03		PROJECT2A	projekt
00:07:25:03 00:07:25:10
00:07:25:10 00:07:25:24		$INDEX1
00:07:25:24 00:07:25:30				I see, alright.
00:07:25:30 00:07:25:42					$ORAL^	okay
00:07:25:42 00:07:26:11
00:07:26:11 00:07:26:22		HANOVER2A*	hannover
00:07:26:22 00:07:26:46		HANOVER1
00:07:26:46 00:07:27:02
00:07:27:02 00:07:27:06		$INDEX1
00:07:27:06 00:07:27:10					$GEST-DECLINE1^	okay
00:07:27:10 00:07:27:27
00:07:27:27 00:07:27:36		MEDIA1^*	expo
00:07:27:36 00:07:27:49
00:07:27:49 00:07:28:10		OFF-OR-TO-REMOVE-STH1C
00:07:28:10 00:07:28:26
00:07:28:26 00:07:28:38		$NAME-GUNTER-PUTTRICH1*	g{unter}
00:07:28:38 00:07:28:39
00:07:28:39 00:07:29:01		$GEST-OFF^*
00:07:29:01 00:07:29:02
00:07:29:02 00:07:29:06	I joined the project then and we formed a group with deaf and hearing people.
00:07:29:06 00:07:29:10		I1
00:07:29:10 00:07:29:25
00:07:29:25 00:07:29:40		||INCLUSIVE1^
00:07:29:40 00:07:30:14
00:07:30:14 00:07:30:27		GROUP1A*
00:07:30:27 00:07:30:35
00:07:30:35 00:07:30:43		HEARING1A	hörend
00:07:30:43 00:07:31:04
00:07:31:04 00:07:31:08		GROUP1A*
00:07:31:08 00:07:31:10
00:07:31:10 00:07:31:18		TO-MEET2B*
00:07:31:18 00:07:31:41
00:07:31:41 00:07:31:48		$NAME	marco
00:07:31:48 00:07:32:11
00:07:32:11 00:07:32:22		GROUP1A*
00:07:32:22 00:07:32:35
00:07:32:35 00:07:33:17	We had a team of directors: Tomas Vollhaber and Rona paired up for that.
00:07:33:17 00:07:33:33		DIRECTOR1	regisseur
00:07:33:33 00:07:34:20
00:07:34:20 00:07:34:26		$LIST1:1of1d
00:07:34:26 00:07:34:37
00:07:34:37 00:07:34:42		EARRING1A^	tomas vollhaber
00:07:34:42 00:07:35:03
00:07:35:03 00:07:35:20		$LIST1:2of2d
00:07:35:20 00:07:36:05
00:07:36:05 00:07:36:19		EYELASHES1B^	rona
00:07:36:19 00:07:36:48
00:07:36:48 00:07:37:21		TOGETHER-PERSON1^*
00:07:37:21 00:07:37:33
00:07:37:33 00:07:38:04	Susanne was part of that team as well but she usually just watched and made some small adjustments.
00:07:38:04 00:07:38:26		$NAME-SUSANNE-GENC1	susanne
00:07:38:26 00:07:38:40
00:07:38:40 00:07:38:47		INVOLVED1A*
00:07:38:47 00:07:39:03
00:07:39:03 00:07:39:09		ONLY2A	nur
00:07:39:09 00:07:39:15
00:07:39:15 00:07:39:23		TO-WATCH1*	schauen
00:07:39:23 00:07:39:32
00:07:39:32 00:07:40:03		TO-IMPROVE1	ver{bessern}
00:07:40:03 00:07:40:14
00:07:40:14 00:07:40:34		$GEST-OFF^
00:07:40:34 00:07:40:35
00:07:40:35 00:07:41:15	That was our group.
00:07:41:15 00:07:41:28		GROUP1A*
00:07:41:28 00:07:41:33
00:07:41:33 00:07:42:03		$GEST-OFF^
00:07:42:03 00:07:42:04
00:07:42:04 00:07:42:13	The translation into sign language was very interesting and we had to do excessive research which fascinated me.
00:07:42:13 00:07:42:23		TO-TRANSLATE2
00:07:42:23 00:07:42:33
00:07:42:33 00:07:42:47		TO-SIGN1A	[MG]
00:07:42:47 00:07:43:09
00:07:43:09 00:07:43:16		INTEREST1B*	[MG]
00:07:43:16 00:07:43:46
00:07:43:46 00:07:44:05		RESEARCH1A*	[MG]
00:07:44:05 00:07:44:23
00:07:44:23 00:07:44:35		DOWN1^	[MG]
00:07:44:35 00:07:44:45
00:07:44:45 00:07:45:01		$GEST-OFF^
00:07:45:01 00:07:45:20
00:07:45:20 00:07:45:36		FASCINATING3
00:07:45:36 00:07:45:44
00:07:45:44 00:07:46:19		$GEST-OFF^
00:07:46:19 00:07:46:20
00:07:46:20 00:07:46:40	We played that piece on a regular basis until Marco left and Susanne moved away.
00:07:46:40 00:07:47:04		PERIOD1A^
00:07:47:04 00:07:47:15
00:07:47:15 00:07:47:23		THEN1A*	dann
00:07:47:23 00:07:47:37
00:07:47:37 00:07:48:16		PERIOD3^
00:07:48:16 00:07:48:21
00:07:48:21 00:07:48:26		$INDEX1
00:07:48:26 00:07:48:29
00:07:48:29 00:07:48:49		PLAY1	stück
00:07:48:49 00:07:49:09
00:07:49:09 00:07:49:22		UNTIL-THEN1^*
00:07:49:22 00:07:49:29
00:07:49:29 00:07:49:38		SUDDENLY4*	[MG]
00:07:49:38 00:07:50:16
00:07:50:16 00:07:50:21		TIME7A^*
00:07:50:21 00:07:50:35
00:07:50:35 00:07:50:43		$NAME-MARCO1*	marco
00:07:50:43 00:07:51:11
00:07:51:11 00:07:51:21		OFF-OR-TO-REMOVE-STH1C	wo{anders}
00:07:51:21 00:07:51:43
00:07:51:43 00:07:52:08		$INDEX1
00:07:52:08 00:07:52:21
00:07:52:21 00:07:52:26		$NAME-SUSANNE-GENC1	susanne
00:07:52:26 00:07:52:38
00:07:52:38 00:07:53:00		TO-MOVE1*
00:07:53:00 00:07:53:22
00:07:53:22 00:07:53:27	This way the group broke up.
00:07:53:27 00:07:54:06		DISSOLUTION1A	[MG]
00:07:54:06 00:07:54:17				That‘s right. Too bad!
00:07:54:17 00:07:54:28					TOO-BAD1*	schade
00:07:54:28 00:07:54:42
00:07:54:42 00:07:55:08
00:07:55:08 00:07:55:13					RIGHT-OR-AGREED1A	stimmt
00:07:55:13 00:07:55:17
00:07:55:17 00:07:55:30	In my opinion, the both of them were role models for us, they got us off the ground and showed us how to develop our own ideas and how to get creative.
00:07:55:30 00:07:55:37		I1
00:07:55:37 00:07:55:43
00:07:55:43 00:07:55:48		TO-THINK1B*
00:07:55:48 00:07:56:08
00:07:56:08 00:07:56:23		BOTH2A	beide
00:07:56:23 00:07:56:43
00:07:56:43 00:07:57:01		FOR1*	für
00:07:57:01 00:07:57:10
00:07:57:10 00:07:57:23		WHATEVER3*
00:07:57:23 00:07:58:20
00:07:58:20 00:07:58:42		ROLEMODEL1	vorbild
00:07:58:42 00:07:59:01
00:07:59:01 00:07:59:16		$INDEX1*
00:07:59:16 00:07:59:33
00:07:59:33 00:07:59:43		TO-LEAD1A	führen
00:07:59:43 00:08:00:00
00:08:00:00 00:08:00:11		WHAT1B
00:08:00:11 00:08:00:13
00:08:00:13 00:08:00:18		THEATRE6
00:08:00:18 00:08:00:28
00:08:00:28 00:08:00:35		IDEA2	idee
00:08:00:35 00:08:00:40
00:08:00:40 00:08:01:14		CREATIVITY1	kreativ
00:08:01:14 00:08:01:23
00:08:01:23 00:08:01:32	Because I was part of that group, I thought it was - how should I put this- a pity that the group broke up.
00:08:01:32 00:08:01:40		$INDEX1*	wo
00:08:01:40 00:08:02:06
00:08:02:06 00:08:02:25		INCLUSIVE1^	[MG]
00:08:02:25 00:08:02:35
00:08:02:35 00:08:02:44		DISSOLUTION1A	[MG]
00:08:02:44 00:08:03:00
00:08:03:00 00:08:03:07		I1*	ich
00:08:03:07 00:08:03:14
00:08:03:14 00:08:03:20		SELF1A*	selbst
00:08:03:20 00:08:03:29
00:08:03:29 00:08:04:13		$GEST-NM-TO-SHRUG1^	[MG]
00:08:04:13 00:08:04:16
00:08:04:16 00:08:04:23		MORE1*	nicht mehr	Understandable.
00:08:04:23 00:08:04:28					RIGHT-OR-AGREED1A
00:08:04:28 00:08:04:38
00:08:04:38 00:08:04:45
00:08:04:45 00:08:05:00		$GEST-OFF^
00:08:05:00 00:08:05:03
00:08:05:03 00:08:05:13		TOO-BAD1*	schade
00:08:05:13 00:08:05:32
00:08:05:32 00:08:06:05				Yes, you're right.
00:08:06:05 00:08:06:15					RIGHT-OR-AGREED1A	stimmt
00:08:06:15 00:08:06:17
00:08:06:17 00:08:07:36